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King Lear - A Tragedy

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Davec5299

Magistrate
King Lear – A Tragedy by William Shakespeare, re-imagined especially for Crux Forums by A. L. Fielden.

Written in Stratford-upon-Avon, England in 1606 and murdered on the World Wide Web in 2021.

Cast List

Lear – King of Britain
Earl of Gloucester
Edgar – Gloucester's first-born son
Edmund – Gloucester's illegitimate son
Goneril – Lear's eldest daughter
Regan – Lear's second daughter
Cordelia – Lear's youngest daughter
Captain of the Guard

This re-imagining uses most of Shakespeare’s original cast of characters and adds in one new character, the Captain of the Guard. Readers may appreciate his knowledge, imagination, insight, resourcefulness and attention to detail.

The new play comprises XXV Acts of varying length and the intention is to post one or two Acts each day until all Acts have been posted. Each Act is accompanied by at least one image relevant to that Act. There may be days when no post is made, but I’ll try and keep that to a minimum. In any case, it will be well into December before the complete work has been posted.

Comments will always be welcome at any point. Future plot deviations may be suggested but may not be acted upon as the writer has completed their work.

The whole play is written in limerick verse form, as popularised by Edward Lear in 19th Century England. The definition is (according to Wikipedia) - a form of verse, usually humorous and frequently rude, in five-line, predominantly anapestic trimeter with a strict rhyme scheme of AABBA, in which the first, second and fifth line rhyme, while the third and fourth lines are shorter and share a different rhyme.

There’s a whole thread on Crux Forums devoted to these verses if they intrigue or entertain you.

Within the play are a number of cameo lyrical contributions that have been incorporated into the verses with varying degrees of seamlessness. See if you can spot them!

In spite of all this, the play has the usual features of plot, dialogue, narrative flow and I hope there will be more than enough action to hold your interest. If it was shown on the TV there would be warnings for violence, sexual violence, nudity and offensive language.

Finally, while you are welcome to imagine the characters in the play in any way you like, the main characters in this re-imagining are influenced by the acclaimed 2007 Royal Shakespeare Company production. It may increase your enjoyment if you imagine the roles, especially that of Cordelia, the focal point of this version, to be played by the cast in that production, as shown below.


King Lear - King Lear.jpgKing Lear - Cordelia.jpgKing Lear - Edmund.jpgKing Lear - Captain of the Guard.jpg

Thanks to @montycrusto for his encouragement and enthusiasm for this little project, as shown on this very important thread:

 
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King Lear – A Tragedy by William Shakespeare, re-imagined especially for Crux Forums by A. L. Fielden.

Written in Stratford-upon-Avon, England in 1606 and murdered on the World Wide Web in 2021.

Cast List

Lear – King of Britain
Earl of Gloucester
Edgar – Gloucester's first-born son
Edmund – Gloucester's illegitimate son
Goneril – Lear's eldest daughter
Regan – Lear's second daughter
Cordelia – Lear's youngest daughter
Captain of the Guard

This re-imagining uses most of Shakespeare’s original cast of characters and adds in one new character, the Captain of the Guard. Readers may appreciate his knowledge, imagination, insight, resourcefulness and attention to detail.

The new play comprises XXV Acts of varying length and the intention is to post one or two Acts each day until all Acts have been posted. Each Act is accompanied by at least one image relevant to that Act. There may be days when no post is made, but I’ll try and keep that to a minimum. In any case, it will be well into December before the complete work has been posted.

Comments will always be welcome at any point. Future plot deviations may be suggested but may not be acted upon as the writer has completed their work.

The whole play is written in limerick verse form, as popularised by Edward Lear in 19th Century England. The definition is (according to Wikipedia) - a form of verse, usually humorous and frequently rude, in five-line, predominantly anapestic trimeter with a strict rhyme scheme of AABBA, in which the first, second and fifth line rhyme, while the third and fourth lines are shorter and share a different rhyme.

There’s a whole thread on Crux Forums devoted to these verses if they intrigue or entertain you.

Within the play are a number of cameo lyrical contributions that have been incorporated into the verses with varying degrees of seamlessness. See if you can spot them!

In spite of all this, the play has the usual features of plot, dialogue, narrative flow and I hope there will be more than enough action to hold your interest. If it was shown on the TV there would be warnings for violence, sexual violence, nudity and offensive language.

Finally, while you are welcome to imagine the characters in the play in any way you like, the main characters in this re-imagining are influenced by the acclaimed 2007 Royal Shakespeare Company production. It may increase your enjoyment if you imagine the roles, especially that of Cordelia, the focal point of this version, to be played by the cast in that production, as shown below.


View attachment 1088817View attachment 1088818View attachment 1088819View attachment 1088820

Thanks to @montycrusto for his encouragement and enthusiasm for this little project, as shown on this very important thread:

I am agog! Already seated in the dress circle and scanning the stalls for hot babes through my opera glasses. Is the Captain of the Guard played by Dame Kenneth Branagh? Cordelia is certainly a comely lass! :p This will be a panto to remember! Oh no it won’t! Oh yes it will!
 
Thank you @montycrusto.

With no ready cast member for the Captain of the Guard I needed someone with good experience with the RSC to play the part. I believe I have cast someone who will be able to pull off this challenging and pivotal role with aplomb. :sisi1 (with a good script of course.)
 
I love that you kept your promise, and that the final contribution to October’s financial support came just in time to hold you to your promise.

Wait, entirely in Limerick form? No wonder @montycrusto is here, will @twonines aldo be watching.

If this were a tv series I, for one, was hopeful it might be too racy and x rated for the airwaves?

:popcorn:
 
I love that you kept your promise, and that the final contribution to October’s financial support came just in time to hold you to your promise.

Wait, entirely in Limerick form? No wonder @montycrusto is here, will @twonines aldo be watching.

If this were a tv series I, for one, was hopeful it might be too racy and x rated for the airwaves?

:popcorn:
I saved you a seat, @Loinclothslave ! We should have a good view of Romola Garai’s cleavage from here
:tits: :eeek:
 
King Lear – A Tragedy by William Shakespeare, re-imagined especially for Crux Forums by A. L. Fielden.

Written in Stratford-upon-Avon, England in 1606 and murdered on the World Wide Web in 2021.

Cast List

Lear – King of Britain
Earl of Gloucester
Edgar – Gloucester's first-born son
Edmund – Gloucester's illegitimate son
Goneril – Lear's eldest daughter
Regan – Lear's second daughter
Cordelia – Lear's youngest daughter
Captain of the Guard

This re-imagining uses most of Shakespeare’s original cast of characters and adds in one new character, the Captain of the Guard. Readers may appreciate his knowledge, imagination, insight, resourcefulness and attention to detail.

The new play comprises XXV Acts of varying length and the intention is to post one or two Acts each day until all Acts have been posted. Each Act is accompanied by at least one image relevant to that Act. There may be days when no post is made, but I’ll try and keep that to a minimum. In any case, it will be well into December before the complete work has been posted.

Comments will always be welcome at any point. Future plot deviations may be suggested but may not be acted upon as the writer has completed their work.

The whole play is written in limerick verse form, as popularised by Edward Lear in 19th Century England. The definition is (according to Wikipedia) - a form of verse, usually humorous and frequently rude, in five-line, predominantly anapestic trimeter with a strict rhyme scheme of AABBA, in which the first, second and fifth line rhyme, while the third and fourth lines are shorter and share a different rhyme.

There’s a whole thread on Crux Forums devoted to these verses if they intrigue or entertain you.

Within the play are a number of cameo lyrical contributions that have been incorporated into the verses with varying degrees of seamlessness. See if you can spot them!

In spite of all this, the play has the usual features of plot, dialogue, narrative flow and I hope there will be more than enough action to hold your interest. If it was shown on the TV there would be warnings for violence, sexual violence, nudity and offensive language.

Finally, while you are welcome to imagine the characters in the play in any way you like, the main characters in this re-imagining are influenced by the acclaimed 2007 Royal Shakespeare Company production. It may increase your enjoyment if you imagine the roles, especially that of Cordelia, the focal point of this version, to be played by the cast in that production, as shown below.


View attachment 1088817View attachment 1088818View attachment 1088819View attachment 1088820

Thanks to @montycrusto for his encouragement and enthusiasm for this little project, as shown on this very important thread:

I m awaiting to see Cordelia on the cross ! :)
 
Act I – A Room of State in King Lear’s Palace

There was an old King called Lear,
Who was tired and full of fear.
‘I will not rule any more,
It’s all such a bore.’
He said to himself over beer.

‘For far too long I have reigned,’
For day after day he complained.
‘It’s taking the piss,
Carrying on like this,
When my love for the throne has so waned.’

‘I’ll give up my throne to my daughters.
All of the land and all of the waters.
Of them I have three,
Which is quite a pity,
As I would have split my throne into quarters.’

‘Each girl I will make take a test,
So that I can see which of them is best.
I’ll make it quite easy,
As I won’t make them queasy,
And I’ll give them some time for a rest.’

‘They must all show they can justly reign,
With a compassionate heart and a calm brain.
They must be kind to all others,
Be they sisters or brothers,
And not at all selfish or vain.’

Goneril was the first girl to be tested.
‘Show me you love me, girl,’ Lear requested.
‘I love you Papa,
You’re such a bright star,’
She answered, ‘You cannot be bested.’

She kissed Lear on the cheek very sweetly,
And curtseyed very low and quite neatly.
‘Oh Father, my dear,
I hope it’s quite clear,
That I do worship you so completely.’

The second daughter Regan was now asked.
How much in the love of her father she basked.
‘Oh, Daddy my dearest,
Pray what dost thou fearest,
I’ve done everything of me that you tasked.’

‘I would rule our lands gently forever,
And try to be like you, oh so clever.
I’d keep you so well,
As I hope you can tell,
That I would be without you never ever.’

The old King Lear was so pleased.
That his worries about his daughters were eased.
His sweet youngest Cordelia,
He couldn’t wait to see her,
With wild anticipation he was seized.

Cordelia was the most beautiful girl.
In the ocean, the most precious pearl.
With lovely fair skin,
And a sweet soul within,
And eyes that made his heart swirl.

‘You are the sunshine of my life.
The best thing I ever got from my wife.
You are the apple of my eye.
Please never say to me goodbye,
Or cause my old heart any strife.’

‘My darling young daughter,’ he gushed.
‘I know you are one I can trust.
With my life and my lands
In your dainty small hands
Give a share of my throne to you I must.’

‘I wonder how much you love me, daughter dear?
In your answer you must be quite clear.
Right here and right now
I must hear your vow
Of love and devotion in my ear.’

‘Oh my father, I must speak my mind truly.
And please don’t think me unruly.
I’m afraid that I do
Have no words here for you.’
She told old King Lear quite coolly.

‘How can you so cruelly fuel my fears?
Though I’ve loved you for a million years.
I feel like this is the beginning
Of some unpardonable sinning,
And I find myself drowning in my own tears.’

‘You can fuck off you stupid young bitch.
You cow, you treacherous black witch!’
King Lear was enraged.
He’d have the girl caged,
And beaten to death with a switch.

Cordelia was so scared and afraid,
That desperate escape plans she made.
She rode to the port,
Where passage she sought,
Away from the King she’d betrayed.

For old King Lear things grew worse.
His two older daughters were a curse.
They behaved ever badder,
And he became ever madder,
Until he started talking in verse.

‘My daughters have all turned into witches.
I wish I’d kept it safe in my breeches.
If they’d never been born,
I’d have nothing to mourn,
And my life would be so full of riches.

I must run away fast from this mess.
On the heath I can get rid of this stress.
I’ll be all alone,
Sat on my throne,
To die in God’s kind caress.’


King Lear - Act I (1).jpgKing Lear - Act I (2).jpg
 
Act I – A Room of State in King Lear’s Palace

There was an old King called Lear,
Who was tired and full of fear.
‘I will not rule any more,
It’s all such a bore.’
He said to himself over beer.

‘For far too long I have reigned,’
For day after day he complained.
‘It’s taking the piss,
Carrying on like this,
When my love for the throne has so waned.’

‘I’ll give up my throne to my daughters.
All of the land and all of the waters.
Of them I have three,
Which is quite a pity,
As I would have split my throne into quarters.’

‘Each girl I will make take a test,
So that I can see which of them is best.
I’ll make it quite easy,
As I won’t make them queasy,
And I’ll give them some time for a rest.’

‘They must all show they can justly reign,
With a compassionate heart and a calm brain.
They must be kind to all others,
Be they sisters or brothers,
And not at all selfish or vain.’

Goneril was the first girl to be tested.
‘Show me you love me, girl,’ Lear requested.
‘I love you Papa,
You’re such a bright star,’
She answered, ‘You cannot be bested.’

She kissed Lear on the cheek very sweetly,
And curtseyed very low and quite neatly.
‘Oh Father, my dear,
I hope it’s quite clear,
That I do worship you so completely.’

The second daughter Regan was now asked.
How much in the love of her father she basked.
‘Oh, Daddy my dearest,
Pray what dost thou fearest,
I’ve done everything of me that you tasked.’

‘I would rule our lands gently forever,
And try to be like you, oh so clever.
I’d keep you so well,
As I hope you can tell,
That I would be without you never ever.’

The old King Lear was so pleased.
That his worries about his daughters were eased.
His sweet youngest Cordelia,
He couldn’t wait to see her,
With wild anticipation he was seized.

Cordelia was the most beautiful girl.
In the ocean, the most precious pearl.
With lovely fair skin,
And a sweet soul within,
And eyes that made his heart swirl.

‘You are the sunshine of my life.
The best thing I ever got from my wife.
You are the apple of my eye.
Please never say to me goodbye,
Or cause my old heart any strife.’

‘My darling young daughter,’ he gushed.
‘I know you are one I can trust.
With my life and my lands
In your dainty small hands
Give a share of my throne to you I must.’

‘I wonder how much you love me, daughter dear?
In your answer you must be quite clear.
Right here and right now
I must hear your vow
Of love and devotion in my ear.’

‘Oh my father, I must speak my mind truly.
And please don’t think me unruly.
I’m afraid that I do
Have no words here for you.’
She told old King Lear quite coolly.

‘How can you so cruelly fuel my fears?
Though I’ve loved you for a million years.
I feel like this is the beginning
Of some unpardonable sinning,
And I find myself drowning in my own tears.’

‘You can fuck off you stupid young bitch.
You cow, you treacherous black witch!’
King Lear was enraged.
He’d have the girl caged,
And beaten to death with a switch.

Cordelia was so scared and afraid,
That desperate escape plans she made.
She rode to the port,
Where passage she sought,
Away from the King she’d betrayed.

For old King Lear things grew worse.
His two older daughters were a curse.
They behaved ever badder,
And he became ever madder,
Until he started talking in verse.

‘My daughters have all turned into witches.
I wish I’d kept it safe in my breeches.
If they’d never been born,
I’d have nothing to mourn,
And my life would be so full of riches.

I must run away fast from this mess.
On the heath I can get rid of this stress.
I’ll be all alone,
Sat on my throne,
To die in God’s kind caress.’


View attachment 1089255View attachment 1089256
A splendid tale Davec has told:
Three sisters, two meek and one bold.
A bisected realm
With two girls at the helm;
Just look at how Gloucester’s eyes rolled.
:rolleye:
 
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(Joking aside, FABULOUS work @Davec5299 !! :ARMS1::ARMS1::ARMS1: I’m in awe…)
:popcorn: This kind of epic heroic limericiousness reminds me of my own Herculean performance rendering “Sir Gawain and the Green Knight” into bob-and-wheel limerick form on the Limerick thread!
 
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Wait till he starts work on Limerichard the Third

Please hold on tight to that thought,
Although it could well come to nought!
The film was quite fine,
With good plot design,
That right for this forum could be brought.

If King Lear goes down very well,
Then we might just have cast a new spell.
Let's wait and see,
If the members agree
That another Bardathon would be swell.
 
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