Serva
Executioner
"Muhammad's God has borne us triumph
Low are the necks of conquered girls
Under our swords.
The ignorant kafir is ruined;
Rejoice! Their tears fall down like pearls
Unto our swords.
Rejoice! The evil-doers are disgraced
Their wealth now stripped and lead away
To our mahals.
Their women fair and fragrant does
Are now asleep in our harems
In our mahals.
The ghosts of men may weep without end."
A friend of mine one described my worldbuilding approach as "history filtered through a dream", and I believe this to be accurate.
The world described here is a calque of the real world as it was at the dawn of the Modern Era, the 1500s. It is built through analogies drawn from real history, yet remains a fictional world in its entirety. I love history, but I also love having the chance to be creative, so this is my ideal balance. I make of history a sandbox. If anyone is familiar with Rockstar Games such as Grand Theft Auto and Red Dead (many of you might be as they're popular games) my approach is fairly similar to theirs. Just as in their universe Los Santos is clearly based on Los Angeles but it's really not, and how St. Denis is clearly New Orleans... that's what I do with the entire world. Except my style aims to be more serious than the frequent tongue-in-cheek veneer of the Rockstar worldbuilding.
Religion is that aspect of this world which is closest to its real-world counterpart. I have kept the major religions largely unchanged from our own, to take advantage of their symbolic weight, which is why I’ve even kept their names and the names of their major figures intact.
But with religion too I took liberties. Mainly, with Islam. In this world I’ve made a few tweaks to the religion. Here Islam is more emphatic of conquest and empire. This is an Islamic supremacy fantasy. Islamic sexual jurisprudence (fiqh) has also been edited to emphasize sexual slavery (concubinage) and the concept of the harem. For this dream world exists to indulge my love for and fascination with Islamic civilization. It is a celebration of its splendor and glory, but taken one step beyond reality. While I have many sexual fantasies, this is without a doubt my most enduring one. I am afraid it has become practically an obsession, to the point where I have acquired over 60 books of Islamic history over the past year, having so far read around 10 of them. I must be very odd, because I fixate on the most minute details, as you will surely see for yourselves if I catch your attention with this.
This is a world in which, instead of the West expanding its civilization and domain across the globe, it falls under the sway of Islam, as does much of the globe, to varying degrees of subjugation.
The main focus of this excercise (though not the only) is be the Hajarid Empire, also known as Gulistan (Country of Flowers) after its imperial heartland, a realm that primarily draws from historic Islamic Persianate dynasties.
Gulistan is conceived as an Islamic superpower, an empire to eclipse the wealth of the real-world Mughals and the breadth of the Umayyad Caliphate, largest of the historic Islamic empires. Its heartland, Gulistan proper, is a fertile land rich in rice, wheat, fruit and cattle, and much more bounty.
It is criss-crossed by navigable rivers that together with reliable roads drive trade through an increasingly urbanized (for the era) country. The medieval and early modern Islamic world was highly urbanized, or at least possessed a plethora of bustling, thriving cities, larger and better designed than any contemporary European city. The Empire houses many such cities, both in Gulistan proper and in the outlying provinces.
The Hajarid Empire is at the height of its Golden Age. Paper and the movable type printing press are widespread within it. Literature pours from dozens of celebrated pens, as do works of history, geography, philosophy, medicine and biology, astronomy, politics, theology and much more. Engineering and construction marvels take the form of mosques, madrasas, mausoleums, sufi monasteries, palaces, fortifications, public and private gardens, canals and dams, and ocean-going ships.
Craftsmanship in Gulistan is also of immense achievement. My model for this is Mughal craftsmanship, which excelled in the making of, among many things, early firearms, textiles and jewelry.
Gulistan is a military, economical and intellectual juggernaut about to greet the first millennium of Islam, and it is in the context of this momentuous date that a new and distinctively zealous dynasty (distinctively because they bring original developtments to the interpretation of shariah) has take over this empire, and put these resources of empire to one purpose.
This is a dynasty (dawlat) of warrior-scholars, one emperor (padishah) after another beholden to a unified vision, an ideal of the perfect world that becomes ingrained into the Gulistani milieu. A new world order, if you will.
The pursuit of this idealized world order is their jihad: their struggle. They are as ambitious as the Nazis were, except they aim not to exterminate, but to subjugate, to create an order than serves Muslims at the expense of the infidel, who's purpose in this ideal is servitude, through slavery but also through other mechanisms. The infidel exists to be exploited, plundered and to be yoked to pull the metaphorical chariot of the empire. To prop up the prosperity and glory of Islam on their backs as they themselves sink into the mud beneath. The Hajaris also aim to remake the world in the image of Islam.
For the Quran commands them to make war on the infidel, until they have either converted, or, until they have submitted to Islamic rule. This is important because ultimate victory does not require conversion of the world... it only requires an Islamic chokehold on it.
All of this is sexual to me. All of this fuels my fantasy for the immersion it provides. I obssess over every detail because that makes everything more real. I can lose myself in the dream.
I will be including stories set in this universe, likely involving the experiences of different infidel slaves under Hajari rule. I will also be including bits and pieces of real-life historical material, books (both secondary and primary) and images to contextualize things. But in truth I don't pretend this to be a purely literary, detached project. Because this is my most visceral fantasy, I hope you will indulge me in reading about my own personal relationship to it. Why I love and why and what everything means and does to me. I will be venting here. This will be a sort of confession of my deepest sexual fantasies.
I know the thematic of CF, and I warn you all now that there might be a lack of torture and death in this thread. Rest assured horrors will be described with no compunctions, but they are only a minor element of the whole. There will also be less bondage than you might want. Slavery in this fantasy is about 90% based on historical Islamic slavery, with some 10% being my own kinky additions to it. But you might be surprised how sexy Islamic slavery was all on its own. I didn't need to change much because I already find it so erotic.
What I can promise is a focus on emotional anguish and suffering, on impotence, helplessness, humiliation and defeat. In truth, there will be a lot of non-sexual material here, because I have come to sexualize a great deal about Islamic civilization, down to the architecture. Yes, imagining all of this happening within sight of or inside a gorgeous Islamic palace is erotic to me.
Thank you for reading, and if you are intrigued so far, I hope to make it worth your while.
Low are the necks of conquered girls
Under our swords.
The ignorant kafir is ruined;
Rejoice! Their tears fall down like pearls
Unto our swords.
Rejoice! The evil-doers are disgraced
Their wealth now stripped and lead away
To our mahals.
Their women fair and fragrant does
Are now asleep in our harems
In our mahals.
The ghosts of men may weep without end."
A friend of mine one described my worldbuilding approach as "history filtered through a dream", and I believe this to be accurate.
The world described here is a calque of the real world as it was at the dawn of the Modern Era, the 1500s. It is built through analogies drawn from real history, yet remains a fictional world in its entirety. I love history, but I also love having the chance to be creative, so this is my ideal balance. I make of history a sandbox. If anyone is familiar with Rockstar Games such as Grand Theft Auto and Red Dead (many of you might be as they're popular games) my approach is fairly similar to theirs. Just as in their universe Los Santos is clearly based on Los Angeles but it's really not, and how St. Denis is clearly New Orleans... that's what I do with the entire world. Except my style aims to be more serious than the frequent tongue-in-cheek veneer of the Rockstar worldbuilding.
Religion is that aspect of this world which is closest to its real-world counterpart. I have kept the major religions largely unchanged from our own, to take advantage of their symbolic weight, which is why I’ve even kept their names and the names of their major figures intact.
But with religion too I took liberties. Mainly, with Islam. In this world I’ve made a few tweaks to the religion. Here Islam is more emphatic of conquest and empire. This is an Islamic supremacy fantasy. Islamic sexual jurisprudence (fiqh) has also been edited to emphasize sexual slavery (concubinage) and the concept of the harem. For this dream world exists to indulge my love for and fascination with Islamic civilization. It is a celebration of its splendor and glory, but taken one step beyond reality. While I have many sexual fantasies, this is without a doubt my most enduring one. I am afraid it has become practically an obsession, to the point where I have acquired over 60 books of Islamic history over the past year, having so far read around 10 of them. I must be very odd, because I fixate on the most minute details, as you will surely see for yourselves if I catch your attention with this.
This is a world in which, instead of the West expanding its civilization and domain across the globe, it falls under the sway of Islam, as does much of the globe, to varying degrees of subjugation.
The main focus of this excercise (though not the only) is be the Hajarid Empire, also known as Gulistan (Country of Flowers) after its imperial heartland, a realm that primarily draws from historic Islamic Persianate dynasties.
Gulistan is conceived as an Islamic superpower, an empire to eclipse the wealth of the real-world Mughals and the breadth of the Umayyad Caliphate, largest of the historic Islamic empires. Its heartland, Gulistan proper, is a fertile land rich in rice, wheat, fruit and cattle, and much more bounty.
It is criss-crossed by navigable rivers that together with reliable roads drive trade through an increasingly urbanized (for the era) country. The medieval and early modern Islamic world was highly urbanized, or at least possessed a plethora of bustling, thriving cities, larger and better designed than any contemporary European city. The Empire houses many such cities, both in Gulistan proper and in the outlying provinces.
The Hajarid Empire is at the height of its Golden Age. Paper and the movable type printing press are widespread within it. Literature pours from dozens of celebrated pens, as do works of history, geography, philosophy, medicine and biology, astronomy, politics, theology and much more. Engineering and construction marvels take the form of mosques, madrasas, mausoleums, sufi monasteries, palaces, fortifications, public and private gardens, canals and dams, and ocean-going ships.
Craftsmanship in Gulistan is also of immense achievement. My model for this is Mughal craftsmanship, which excelled in the making of, among many things, early firearms, textiles and jewelry.
Gulistan is a military, economical and intellectual juggernaut about to greet the first millennium of Islam, and it is in the context of this momentuous date that a new and distinctively zealous dynasty (distinctively because they bring original developtments to the interpretation of shariah) has take over this empire, and put these resources of empire to one purpose.
This is a dynasty (dawlat) of warrior-scholars, one emperor (padishah) after another beholden to a unified vision, an ideal of the perfect world that becomes ingrained into the Gulistani milieu. A new world order, if you will.
The pursuit of this idealized world order is their jihad: their struggle. They are as ambitious as the Nazis were, except they aim not to exterminate, but to subjugate, to create an order than serves Muslims at the expense of the infidel, who's purpose in this ideal is servitude, through slavery but also through other mechanisms. The infidel exists to be exploited, plundered and to be yoked to pull the metaphorical chariot of the empire. To prop up the prosperity and glory of Islam on their backs as they themselves sink into the mud beneath. The Hajaris also aim to remake the world in the image of Islam.
For the Quran commands them to make war on the infidel, until they have either converted, or, until they have submitted to Islamic rule. This is important because ultimate victory does not require conversion of the world... it only requires an Islamic chokehold on it.
All of this is sexual to me. All of this fuels my fantasy for the immersion it provides. I obssess over every detail because that makes everything more real. I can lose myself in the dream.
I will be including stories set in this universe, likely involving the experiences of different infidel slaves under Hajari rule. I will also be including bits and pieces of real-life historical material, books (both secondary and primary) and images to contextualize things. But in truth I don't pretend this to be a purely literary, detached project. Because this is my most visceral fantasy, I hope you will indulge me in reading about my own personal relationship to it. Why I love and why and what everything means and does to me. I will be venting here. This will be a sort of confession of my deepest sexual fantasies.
I know the thematic of CF, and I warn you all now that there might be a lack of torture and death in this thread. Rest assured horrors will be described with no compunctions, but they are only a minor element of the whole. There will also be less bondage than you might want. Slavery in this fantasy is about 90% based on historical Islamic slavery, with some 10% being my own kinky additions to it. But you might be surprised how sexy Islamic slavery was all on its own. I didn't need to change much because I already find it so erotic.
What I can promise is a focus on emotional anguish and suffering, on impotence, helplessness, humiliation and defeat. In truth, there will be a lot of non-sexual material here, because I have come to sexualize a great deal about Islamic civilization, down to the architecture. Yes, imagining all of this happening within sight of or inside a gorgeous Islamic palace is erotic to me.
Thank you for reading, and if you are intrigued so far, I hope to make it worth your while.