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Singing Before The Cross

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The production of 69 Année Érotique goes on at a very good pace, considering there were some changes in the schedule because of circumstances out of the producer’s hands.

There were two major issues with the production, not awful, mind you, but difficult for a team that until this production and since 2015 did not engage in Big Production Values films. And practically a whole new team, except for three, Gina, Ale and Mila who were there in all past big productions since Maleficarum

One issue was the shooting of many scenes that took place at the club, with the need of instruments for The All Girl Band, lots of extras, and, the most difficult part, the demand for lots of different lights set ups and all to be done by a tiny crew, Jac and his two or three assistants.

The club shooting went well during the three days that it was scheduled, even if there’s one shooting days still in the schedule this week.

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The All Girl Band is made of Simonne as the singer, Dani as the bass player, Mila as the violinist and two additional actresses, Sofi on the drums and Andrea as the lead guitar. Both Sofi and Andrea will be two of Yahel’s followers in Seditiosa.

Before the shooting at the club, a good number of scenes were shot at the primary set, that’s the house. Most to them with Simonne, who plays Galatea, a memory from 1969. She also plays Mina, the singer and another object of desire for Mr Hyde.

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Another good number of scenes were shot with Dani, who plays Lucy, the bass player in the band, who wants to act in one of Hendrix’ movies, and gets the role of Mona and her other self Nadja.

Mona is a daring woman who is willing to suffer and suffer some more for her art, while Nadja suffers with Mona without enjoying it until…

Mila, who plays the same role she had in Pygmalion, Vera, the violinist, is the head of The All Girl Band, and she’s also the secretary/assistant of Dr Jekyll and sometimes Hyde’s servant until…

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One of the many benefits that came from producing 69, so far, is that we needed extras, unpaid extras, lots of them, for the club scenes. A good number of people showed up and all of them are interested in taking a role in Seditiosa.

Although we will have an open casting call for the Female Christ movie soon, Jac thinks that there are many in the group that participated in the club scene that could be part of the crowd of extras, or bits and even supporting characters for the ambitious female crucifixion film.

Another benefit is that both, the cast and the crew are sharpening their skills immensely.

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As the production of 69 progresses and our team prepares to get into the next big project, the biggest so far for this year, you can still support us by joining Patreon!

Join Patreon and get the updates on our projects, with great pictures and videos, here:

You can also help by watching our amazing movies over and over again, you just have to get them

RFPIXDownload.jpg

Download our films!

RFPIXDVDs.jpg

Get our DVDs by mail
 
Three In A Row

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Three films are the center of our attention these days. The new production, 69 Année Érotique, the soon to be produced Seditiosa and the soon to have a theatrical release with a big premiere Pygmalion. One after the other and all three of them with their demands, needs, benefits, and NOW!

The date for the Pygmalion premiere has been set, Amy has confirmed her arrival, and the wheels are in motion for what will be an exciting time for all of us but specially for Jac and Amy who will be together in the same country for the first time in many, many years, since the end of 2015 to be exact.

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The new production, 69 Année Érotique, is nearing the end of production, with less than two weeks of work still ahead, but slowly wrapping up.

The making of this movie is definitely a great experience for all because this project is the first of many Big Production Values movies since 2015 and we’re hoping there are many more to come, without ignoring the much loved “two, three cast and crew films” Jac is fond of making.

69ScreenShot20230201211628-1024x572.jpg

One of the great benefits of this big production is that we’re testing new people, like the camera assistant who also brings his own camera to the set for additional shots and he’s an eager learner. A film student who is near graduation and wants the hands on experience of a big film.

He’s not the only one passing the test, everyone in the set is, specially Jac who has a huge load of work to do because he is the Director of Photography, the Principal Gaffer, the Male Protagonist, the Producer and the Chief Consoler when his female leads run into emotional turmoil… ah, and he’s also the Sound Recordist… amongst many other menial tasks. However, he does have a lot of fun while doing all that.

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wanttoknowmore: So when are you going to start production/shooting of the Seditiosa film?

Seditiosa is not shelved somewhere, the team is very busy working on the pre production of the film right now. Mostly getting all those costumes, props, decorations and so on. We’re also casting for all the roles we need in the film. That’s another benefit of the new production. We have a good number of extras and bits in 69 from amongst whom we can choose some of the actors for Seditiosa.

Two of the potential actresses for big roles are part of the All Girls Band performing in 69. One in particular will most likely get the role of one of Yahel’s followers who at the end of the film has a critical action that not only is part of how the film ends in a dramatic way, but opens up the possibility of… yes… A SEQUEL!

The actress is Sofi, the drummer in the All Girls Band and ironically enough, she was going to be one Dr Jekyll’s patients in the original story that was shelved back in 2010. She was a child at the time, she’s now a beautiful young woman.

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We had a tentative date to begin the production of Seditiosa on February 12th. Unfortunately, that date had conflicts. We have carnival coming around that time and a lot of the people that would be working in the film have commitments for those dates. We’re going over the possible alternative dates and we’ll make a decision soon.

Jac was also planning to shoot Seditiosa in ten to 14 days straight; but after discussing possible schedules with some of the people who were being considered for important roles, he learned that many have jobs or university and they won’t be able to just take off for two weeks. They can do the work on weekends mostly and maybe take a day or two on a given week, and that’s fine too. So, instead of 14 days straight, we are scheduling to shoot in three weekends. Two of them of three days and the last one where most of the dramatic action takes place, of four days of intense work when The Crucified Three will be scourged, sentenced to the cross, made to walk to the Skull Hill, nailed to their crossbeams, raised to their crosses and left to agonize for a long, long time.

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Crux execution: oh cool, a film about women who play instruments, being killed

Being killed is a bit of a stretch, although three of the beautiful women that are part of the All Girls Band in 69 will suffer the agony of the cross in Seditiosa.

In 69 no one dies, but four beautiful ladies suffer the whip and other indignities at the hands of Mr Hyde who struggles to stay in the body he shares with Dr Jekyll, but both individuals and the four women are in the capable hands of a freaky director, Hendrix, who has a thing with Galatea, his love from 1969.

It’s a beautiful crazy sadistic love story. In one song Simonne sings, A mi me gusta el sexo sado (I like sado sex). Jac processed a clip of that song, titled Porno Lover, as well as the main song in the movie, the ’68 French hit La Maritza, as performed by Therion, and covered by the All Girls Band on the stage.

We’re going to have both clips at Patreon. One of them, La Maritza, as the heading for this post.

69ScreenShot20230111230428-1024x574.jpg

I’ll have more news as our heavy work on the production allows.

Join Patreon and get the updates on our projects, with great pictures and videos, here:

You can also help by watching our amazing movies over and over again, you just have to get them

RFPIXDownload.jpg

Download our films!

RFPIXDVDs.jpg

Get our DVDs by mail
 
I have bought and watched Maleficarum, Dead but Dreaming and Ollalla.
I am interested in other RF films, but tattoos are a major turn-off for me.
Does anyone have a list of RF films without tattoos?
 
I have bought and watched Maleficarum, Dead but Dreaming and Ollalla.
I am interested in other RF films, but tattoos are a major turn-off for me.
Does anyone have a list of RF films without tattoos?
All the films with Camille and Amy don't have tattoos. Monxa Mala, tattoos are covered, Justine, no tattoos. Only the CruXtreme films with Dani and Mila have tattoos.
 
With regard to the Seditiosa filming. can you give a bit more of a status on the status of the staging and the props?

Most of the preliminary stuff (set construction, props, and costumes) should have at least been ordered if not delivered by now. Would like to know a few mor details as to where we are.

Thanks.
 
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Three In A Row

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Three films are the center of our attention these days. The new production, 69 Année Érotique, the soon to be produced Seditiosa and the soon to have a theatrical release with a big premiere Pygmalion. One after the other and all three of them with their demands, needs, benefits, and NOW!

The date for the Pygmalion premiere has been set, Amy has confirmed her arrival, and the wheels are in motion for what will be an exciting time for all of us but specially for Jac and Amy who will be together in the same country for the first time in many, many years, since the end of 2015 to be exact.

PygmalionPromoWeb2047-1024x619.jpg

The new production, 69 Année Érotique, is nearing the end of production, with less than two weeks of work still ahead, but slowly wrapping up.

The making of this movie is definitely a great experience for all because this project is the first of many Big Production Values movies since 2015 and we’re hoping there are many more to come, without ignoring the much loved “two, three cast and crew films” Jac is fond of making.

69ScreenShot20230201211628-1024x572.jpg

One of the great benefits of this big production is that we’re testing new people, like the camera assistant who also brings his own camera to the set for additional shots and he’s an eager learner. A film student who is near graduation and wants the hands on experience of a big film.

He’s not the only one passing the test, everyone in the set is, specially Jac who has a huge load of work to do because he is the Director of Photography, the Principal Gaffer, the Male Protagonist, the Producer and the Chief Consoler when his female leads run into emotional turmoil… ah, and he’s also the Sound Recordist… amongst many other menial tasks. However, he does have a lot of fun while doing all that.

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Seditiosa is not shelved somewhere, the team is very busy working on the pre production of the film right now. Mostly getting all those costumes, props, decorations and so on. We’re also casting for all the roles we need in the film. That’s another benefit of the new production. We have a good number of extras and bits in 69 from amongst whom we can choose some of the actors for Seditiosa.

Two of the potential actresses for big roles are part of the All Girls Band performing in 69. One in particular will most likely get the role of one of Yahel’s followers who at the end of the film has a critical action that not only is part of how the film ends in a dramatic way, but opens up the possibility of… yes… A SEQUEL!

The actress is Sofi, the drummer in the All Girls Band and ironically enough, she was going to be one Dr Jekyll’s patients in the original story that was shelved back in 2010. She was a child at the time, she’s now a beautiful young woman.

69ScreenShot20230111224016-1024x576.jpg

We had a tentative date to begin the production of Seditiosa on February 12th. Unfortunately, that date had conflicts. We have carnival coming around that time and a lot of the people that would be working in the film have commitments for those dates. We’re going over the possible alternative dates and we’ll make a decision soon.

Jac was also planning to shoot Seditiosa in ten to 14 days straight; but after discussing possible schedules with some of the people who were being considered for important roles, he learned that many have jobs or university and they won’t be able to just take off for two weeks. They can do the work on weekends mostly and maybe take a day or two on a given week, and that’s fine too. So, instead of 14 days straight, we are scheduling to shoot in three weekends. Two of them of three days and the last one where most of the dramatic action takes place, of four days of intense work when The Crucified Three will be scourged, sentenced to the cross, made to walk to the Skull Hill, nailed to their crossbeams, raised to their crosses and left to agonize for a long, long time.

Screen-Shot-2022-11-03-at-21.06.06-1024x572.jpg



Being killed is a bit of a stretch, although three of the beautiful women that are part of the All Girls Band in 69 will suffer the agony of the cross in Seditiosa.

In 69 no one dies, but four beautiful ladies suffer the whip and other indignities at the hands of Mr Hyde who struggles to stay in the body he shares with Dr Jekyll, but both individuals and the four women are in the capable hands of a freaky director, Hendrix, who has a thing with Galatea, his love from 1969.

It’s a beautiful crazy sadistic love story. In one song Simonne sings, A mi me gusta el sexo sado (I like sado sex). Jac processed a clip of that song, titled Porno Lover, as well as the main song in the movie, the ’68 French hit La Maritza, as performed by Therion, and covered by the All Girls Band on the stage.

We’re going to have both clips at Patreon. One of them, La Maritza, as the heading for this post.

69ScreenShot20230111230428-1024x574.jpg

I’ll have more news as our heavy work on the production allows.

Join Patreon and get the updates on our projects, with great pictures and videos, here:

You can also help by watching our amazing movies over and over again, you just have to get them

RFPIXDownload.jpg

Download our films!

RFPIXDVDs.jpg

Get our DVDs by mail
Just to remind you that "69 année érotique" is a song by Serge Gainsbourg and Jane Birkin!
 
Just to remind you that "69 année érotique" is a song by Serge Gainsbourg and Jane Birkin!
Indeed, and the inspiration for the title of the film.

The story makes references to the year 1969, including a moment in the story when you can hear and see Galatea's and Hendrix take on the song.

The clip above is not in the film, it's a test of how it could work. It's 49 seconds long, well within the range allowed for copyright issues. I'm not going to go over the entire movie right now, but it's an intriguing s&m romantic story about the making of the very erotic version of Jekyll and Hyde.
 
Via Dolorosa

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We are on the path to the crucifixion of the Crucified Three. It is a complicated road, a stressful road, a via dolorosa… Making a movie is complicated in itself, making a movie with little money is more complicated, making a movie with little money and set in an ancient historic period is beyond complicated, making a movie with little money, in a historic setting, where three women will be crucified in front of a crowd is total madness.

But here we are, working on the pre production of Seditiosa, a film about a Female Christ, with a budget of less than 20,000 dollars and with the need to have costumes, props, sets, and a huge number of actors to play soldiers, nazarenes, priests and a bunch of other people. Total Madness.

Mel Gibson needed 25,000,000 dollars to make The Passion of The Christ and make it look the way it does. Well… with 25 million we can probably make a thousand movies, each with a budget of 25,000, more than what we have to make this one.

But here we are, moving forward to make this movie with little money and a big heart… and we’re doing that while making ANOTHER movie with a budget of probably less than 2,500. So far the cash spent in 69 Année Érotique is 2,073… right, that’s it, and it covers all the shooting until now. While the cash spent for Seditiosa as of now is 1,550 and that’s to cover some of the deposit money for the orders we made for props and costumes.

Total Madness!

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daelan: Hey Margot,

Do you know anything about the loincloths in Seditiosa? I loved the one used by Yahel in the reaharsal — it gives the idea of some dignity for her.

The question came up in an exchange with our principal supporters, there are two of them, and we have frequent exchanges of ideas, suggestions, etc. They are the initiators of this project, thus they get updates all the time. The issues of the loincloths came up more than once.

In once such exchange I mentioned the film Perils of Jane, where Amy wears something like a loincloth before the end of the third part, after an intense flogging and after she’s crowned with thorns, very much how it will be in Seditiosa.

In Perils Amy is also dragged through the mud, the shooting was during rainy days, so she’s muddy all the time. At one point Jac positioned her on top of a rocky well, standing on the edge as if she was being presented to a crowd, like Yahel will be at one point. I shared a picture of that moment.

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Amy was wearing a pink top that was whipped off her back and chest. The remains of that top got muddy and at the end it looked like a loincloth, but it’s only hanging in front of her, the back is gone. However, Jac likes the effect of it, the looks of it, so that’s one way of showing the loincloth under consideration.

Another way would be similar to what Simonne was wearing during the rehearsals for Monxa Mala, but smaller and it will be bloodied and dirty by the time she walks carrying her patibulum to calvary.

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And of course there is the one Simonne wore during the Dialogue Rehearsal, which is a nice piece of cloth, which I think she wore in the film Monxa Mala.

In the video we made for the IndieGoGo campaign she wore it almost as an underwear.

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Mila has the same cloth for her bit in the Dialogue Reheasal video but it looks different because Mila wore it in a different way.

She just wrapped it around her hips and tied the ends. The result is very alluring, sexy, while preserving her dignity, as it were.

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There are those and many possibilities, but at the end it will be what they, the director and the actress, come up with. I’m totally sure it will be great.

wanttoknowmore: Can you please say when the Seditiosa filming will begin?

Most of the preliminary stuff (set construction, props, and costumes) should have at least been ordered if not delivered by now. Would like to know a few mor details as to where we are.

Thanks.

The pre-production is advancing at a normal pace. We’re getting everything we need and as far as I know there aren’t any problems in that area, everything is progressing as expected.

The set construction cannot be done until we’re at least two or three days from production. We cannot build the set too far in advance because we don’t own the property where we are going to be setting things up. Another and very important reason is that the sets are not going to be the kind that can stay put forever. They’ll be gone as soon as we’re done using them.

The props, particularly the swords and spears, take time, they are being made and we have to wait. They are not going to be metal, or plastic, the materials the crafts people are using to make them look the way they should need time to be set properly , the swords have to be painted a few times to give them the metal look they have to have.

We have the helmets and other attire, but they have to be fitted to the persons. Which means, once we close the deals with people who are going to be soldiers, executioners, sales people and so on, we fit them in their costumes. That will happen a few days before we start shooting too.

But we are also organizing the crew that is going to be working behind the camera, not only the technical crew, like the DP and Sound, but, most importantly, the people who are going to be building the sets, the crosses and particularly, the “market place“, that requieres a lot of work and materials.

This is a big production but with an extremely low budget and there are lots of details to take care of and that’s what we are working on now.

The weekend after carnival Jac and some of his team will be at the location, discussing details with the administrators and checking the areas where the set will be built. We have one area partly set, as I shared before, where the ‘market place‘ will be located. It is partly built. We need to cover part of it and it will look huge. We then have to fill it up with people and animals, mostly donkeys, sheep and a few dogs. … Lots of linen, herbs, gourds, things like that, including a couple of partly naked slaves for sale.

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I’ll have more news as our heavy work on the production allows.

Join Patreon and get the updates on our projects, with great pictures and videos, here:

You can also help by watching our amazing movies over and over again, you just have to get them

RFPIXDownload.jpg

Download our films!


RFPIXDVDs.jpg

Get our DVDs by mail
 
In Perils Amy is also dragged through the mud, the shooting was during rainy days, so she’s muddy all the time. At one point Jac positioned her on top of a rocky well, standing on the edge as if she was being presented to a crowd, like Yahel will be at one point.
I cannot wait to see Yahel presented!
Another way would be similar to what Simonne was wearing during the rehearsals for Monxa Mala, but smaller and it will be bloodied and dirty by the time she walks carrying her patibulum to calvary.

MMMCristinaCrossTest_00042623-1024x576.jpg
I thought this loincloth turned out really well. The blood and grime, as you noted, would be a cherry on top.

Mila has the same cloth for her bit in the Dialogue Reheasal video but it looks different because Mila wore it in a different way.

She just wrapped it around her hips and tied the ends. The result is very alluring, sexy, while preserving her dignity, as it were.
Leave it to an old pro to maximize the sexiness. What I much prefer about Mila’s dialogue loincloth and Simonne’s Monxa Mala loincloth compared to Simonne’s dialogue loincloth/underwear is that they truly seem like they have been “wrapped” around the hips in a way that shows their womanly shape.

But the wonderful thing is that there are three different girls decorating the crosses, which leaves many different ways to decorate those girls!
 
Dancing The Time Away

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A lot has been happening even if Carnival was a terrible time for anything. Dani went to another city to act in an Add and couldn’t get tickets for the bus ride back, so she stayed a day longer, which meant that she couldn’t be in town for the scenes she was going to be in for 69 Année Érotique. And that was not the only problem during that fateful period of time.

Jac decided that it was awful timing for any production work, so he cancelled all shooting for the week, although he did shoot a couple of scenes where he only needed himself for a couple of monologues, one as Dr Jekyll and the other as Mr Hyde. So, for one night he was the Producer, Director, Dr Jekyll, Me Hyde, DP, Sound Person, Gaffer, Make-Up Artist, Wardrobe Person, Clapper, Curious Bystander, and anything else needed. I have to mention that he did have a Stand In to check the light, focus and so on, a nice Bottle of Vital Water, empty of course, taped to a tall candle holder, which was a prop in many movies.

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Jac doing his Dr Jekyll monologue in front of a mirror commenting on his birthday.

He also got busy preparing the materials for the impending theatrical release of Pygmalion. He took the trailer to the multiplex for testing, the image was not coming out the way it should, and after some fixing and more testing, it was the opinion of the techs at the cineplex that it was better for Jac to make a cinemascope version of the trailer and maybe even the entire film.

So, Jac was back to work to come up with the scope version. The multiplex people also suggested to subtitle all the Spanish dialogues to English. That would attract more people to the film, they said. And it’s true. Most films made in Bolivia are shown in their original language, Spanish, without subtitles for English speakers.

So Jac did that too and the result is here:


He was also organizing the visit to the location for Seditiosa to close deals, set dates, and begin the work and so on.

Again, Carnival got in the way and other activities that the people at the location have these days and finally the agreement was made for Sunday of next week to begin the work there. I will have pictures. There will be a few visits to the location prior to the production to build the sets, test the props and so on.

We’re getting closer and closer to the production of the Female Christ film indeed.

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The one person having fun during carnival was Simonne. She was part of one of a most famous dance group in the country, a dance known as Caporales, and the group itself is known as Caporales de San Simon… hmmm. Right. Simonne dancing with the San Simon comparsa (troupe).

In any case, there she was, dancing her heart away in Oruro last Saturday and Sunday, and this Sunday in Cochabamba. I must say that the dance itself is not a short event. No. The dancers start on their way through the streets of Oruro at 6 am, ending their participation sometime in the evening. All that time dancing and dancing and dancing.

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A big change in Simonne’s performance work, of course, but equally harsh, or perhaps more. Just imagine dancing up and down Broadway in NYC beginning early morning until the night, non stop, perhaps a bathroom break if at all, and having drinks and maybe a bit of food while you dance and dance, and then, go to sleep a little to start all over again the next day. Ah, and did I mentioned that at the end of the dancing route you get to the Church, once there you get on your knees and drag yourself with the little energy you have left, all the way to the altar! On Your Knees!

Just days before carnival Simonne was going through a lot of suffering for 69, in the role of Mina, the singer in the band, who falls in the hands of Mr Hyde and …

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The Carnival inconvenience will be over today, Sunday. The shooting of 69 will resume tomorrow, Monday. The work for the premiere of Pygmalion will intensify, with press releases, visits to TV and Radio stations, preparing the banners and the Grand Premiere for the 22nd of March, with the presence of Amy herself who will be arriving in La Paz the 17th.

It will be the first time in many years for Amy and Jac to be together in the same place and presenting a movie together. There are lots of speculations as to what might happen then.

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Between now and the middle of March, the pre production of Seditiosa will be completed. We will be trying on the costumes, testing the props, building the crosses and the ancient market place and all that stuff.

The dates for the shooting of the film will be set and all those extras, bits, day players, actors and crew will be committed to the work.

Sometime in the next few days, Simonne will be trying out the most difficult scene in the film for her, The Scourging. It is her most difficult scene because of what Jac has in mind for that courageous and daring lady. Lots of gymnastics involved, which will be strenuous for her. During that test, the Make Up Lady will be showing her skills with the wounds caused by the terrible scourging Simonne will be suffering even before the film is made.

And, over all, everything we need for the film will be in place, ready to commence.

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Iconoclast12: I thought this loincloth turned out really well. The blood and grime, as you noted, would be a cherry on top.

Leave it to an old pro to maximize the sexiness. What I much prefer about Mila’s dialogue loincloth and Simonne’s Monxa Mala loincloth compared to Simonne’s dialogue loincloth/underwear is that they truly seem like they have been “wrapped” around the hips in a way that shows their womanly shape.

But the wonderful thing is that there are three different girls decorating the crosses, which leaves many different ways to decorate those girls!

I would like to clarify, that as far as the garments our Crucified Three will wear, it is not something that has been decided yet. There are some ideas under consideration, based on what people wore in those times. We are aware that under-garments were not that common for women, although some women wore cloths as a bra nicely wrapped around their breasts, maybe to keep them in place. The same goes for a sort of loincloth, that was also wrapped, or tied around the hips. Those undergarents were not always white, the colors more often used were a brick red color.

A common use of the tunic women wore was to wrap the lower end under the crotch, maybe not always. Some women wore some kind of gym panties during the practice of sports; those who actually practiced some kind of sport, upper classes I guess, of the Roman persuasion. It is possible that the wearing of loincloths of all kinds was common in some places.

For the purpose of dramatic effect, in Seditiosa, our Crucified Three will wear some kind of loincloth based on their personal preference.

ancient-roman-clothing-mosaic-villa-romana-del-casale.jpg

The Crucified Three will be trying their costumes, including the loin clothes, pretty soon and I will have pictures and maybe videos.

I’ll have more news soon.

Join Patreon and get the updates on our projects, with great pictures and videos, here:

Before and during the production of Seditiosa we will have exclusive posts, with pictures and videos at our Patreon page. We will also post videos of all the testing we’ll go through, one particular video will be when we build the crosses and we’ll have The Crucified Three becoming acquainted with the positions they will have during their crucifixion.

You can also help by watching our amazing movies over and over again, you just have to get them

RFPIXDownload.jpg

Download our films!

[ig]https://redfeline.com/chronicles/wp-content/uploads/2022/08/RFPIXDVDs.jpg[/img]
Get our DVDs by mail
 
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