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PC3: Pre-Crucifixion Crash Course [fem.crux.][semi-cons./reluctant]

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I finished this story today: it's like 29 pages in a text editor.
I have decided to publish it here at a controlled pace, like about 6 pages (the equivalent of this post that opens the thread) every two days, or something like that, to increase the 'engagement' of the reader.
So, I will completely publish it here in 'bout 10 days, no risk for the reader of following a storyline and not seeing the conclusion (sometimes it happens than the writer loses interest before finishing a tale).
Usually my stories can be a bit brutal and graphic despite their unsettling and cheerful atmosphere, with some exceptions (like this); this one is gonna an exception too, as I wanna focus more on the 'adjusting' process of a girl who has to be crucified, and less on what will happen to her.
Hope you enjoy it as much as I enjoyed writing the dialogues.
If you wanna talk 'bout it I'm more that happy to do so. I like discussing snuff stories, either mine or of other authors.
Cheers.

PS: Curiously, today a new thread has been started about executees going clothed or naked.
In all my stories but this one (the executee is electrocuted by some nasty conductive panties) I have only presented totally naked executees.
But in this tale here the girls to be crucified are given the choice of being nailed clothed or naked.
My female lead, Miranda, will surprise you by going technically covered in all her private parts (she has a rather conservative dad, James, you will know him), but with two twists: you will see that in some days.



- - -

PRE-CRUCIFIXION CRASH COURSE (PC3)


Miranda grips the steering wheel tightly, her heart racing as she pulls over at the blaring sound of sirens. The Sunday air is hot, almost suffocating, and sweat trickles down her back as she glances at the officer approaching her car. Officer Mick Sullivan, a tall man with a charming smile and twinkling eyes, tips his hat as he approaches. Despite the sternness of his uniform, his demeanor is cheerful.

"Good afternoon, young lady," he begins, leaning slightly toward her open window. "In a hurry to get somewhere?"

Miranda forces a smile, her big, doe-like eyes wide with nervousness. "I... I was just trying to get home before lunch," she stammers. "I didn’t mean to speed, officer."

Sullivan chuckles lightly, shaking his head. "Well, Miranda... speeding in front of Our Merciful Lady of the Holy Cross? On a Sunday? That’s quite the statement."

"Please,"
she begs, her voice trembling. "I didn’t realize. I wasn’t trying to offend anyone. Can’t you just give me a ticket or something?"

He straightens, pulling out a small notepad with an exaggerated sigh. "I’m afraid it doesn’t quite work that way, sweetheart. The law is the law. And in our lovely county, breaking the law—especially in front of the church—means facing the consequences."

Miranda swallows hard, her knuckles whitening on the steering wheel. "What... what kind of consequences?"

Sullivan’s smile doesn’t waver as he says, matter-of-factly, "Crucifixion, of course. Public, on the town square. For all to see. It’s tradition, you know. A spectacle to remind everyone to behave."

Her jaw drops. "C-crucifixion? You’ve got to be kidding!"

"Not at all,"
he replies, almost cheerfully. "Don’t take it personally. Plenty of young ladies find themselves in your position. And, hey, the church calls it a ‘merciful execution.’ That’s nice, isn’t it?"

Miranda’s voice rises in panic. "Merciful? How is nailing someone to a cross merciful?"

Sullivan shrugs. "Well, it’s merciful in that you get a choice about how you go up there. Fully clothed or... y’know, in the nude. Though I have to say, most people agree it’s better without clothes. Less chafing."

Miranda glares at him, her cheeks flaming. "I can’t believe this! There has to be something you can do. Please!"

He rubs his chin thoughtfully, pretending to consider. "Well, the best I can offer is to delay the date of your crucifixion by a couple of weeks. Gives you time to prepare, mentally and physically."

She blinks at him in disbelief. "Prepare? How do you prepare for something like that?"

He grins, clearly enjoying her discomfort. "Oh, we’ve got a whole program for that. Mr. Will Tombstone runs the pre-crucifixion course. He’s a real pro—been doing this for years. Teaches girls like you how to handle the pain, how to endure the public humiliation, even how to, uh... embrace the experience, if you catch my drift."

Miranda shakes her head, tears welling in her eyes. "I don’t want to embrace anything! I just want to live! I will take this case in court!"

"Oh, you can, gal, but the judge’s schedule is so full, he won’t even consider your case before two months. And in two weeks you’ll be up on your cross,”
points out the cop.

Sullivan leans in closer, his gaze dropping to her chest. His smile widens. "Well now, look at that. You say you wanna live but… your nipples are poking right through your blouse. Seems like your body’s got some ideas of its own. Maybe you’re a little more... excited about this than you’re letting on?"

Her hands fly to her chest, and she glares at him, mortified. "That’s not funny!"

He chuckles, unapologetic. "Come on, Miranda, don’t be shy. It’s perfectly natural. Happens to a lot of girls when they first hear about their ‘big day.’ The adrenaline, the nerves... maybe even a little thrill at the idea of being the center of attention. You’ll do great up there, trust me. You look like the type to put on a good show."

"A show?"
she repeats, horrified.

"Oh, absolutely," he replies, as though it’s the most normal thing in the world. "It’s not just about punishment, y’see. It’s a community event. Families come out, kids get balloons, there’s popcorn... everyone loves a good crucifixion. And if you play your cards right, you might even last a whole week up there! Think of all the memories you’ll make."

Miranda stares at him, speechless, as he flips his notepad closed with a flourish. "Alright, sweetheart. You’re all set. Two weeks from now, report to the square. And don’t forget to sign up for Mr. Tombstone’s course. You’ll thank me later."

As he starts to walk back to his patrol car, she calls out desperately, "Wait! Officer Sullivan, please! There must be another way!"

He pauses, turning back with a sympathetic smile. "I’m afraid not, darling. But don’t worry. You’ll do just fine. And hey, maybe I’ll stop by on your big day to cheer you on. I hear petite girls like you make the prettiest crucifees."

Miranda’s legs feel like jelly as she watches him drive away, her world spinning out of control. She can still hear his cheerful whistle as his car disappears down the road. Two weeks. Two weeks until her body is nailed and exposed, her suffering turned into a public spectacle. She shivers, a mixture of dread and humiliation washing over her as the reality sinks in.

She parks her car in the gravel lot next to the old stone church, her heart pounding with a mix of fear and desperation. The grand spire of Our Merciful Lady of the Holy Cross looms above her, its shadow stretching ominously across the cobblestones. She hesitates, staring at the intricately carved wooden doors. Despite its serene exterior, the church now feels like a place of doom. Taking a shaky breath, she pushes the door open and steps inside.

The cool air of the sanctuary does little to soothe her racing heart. The scent of old wood and incense fills her nostrils as her eyes adjust to the dim light filtering through the stained glass windows. At the altar, Father Burnland, a stout man with a kind face and a booming voice, arranges a row of candles with care.

“Ah, good afternoon, my child,” he greets her warmly, clasping his hands together. “What brings you here on such a fine day? Have you come to seek solace in our Merciful Lady’s embrace?”

Miranda marches toward him, her voice trembling. “Father Burnland, I need your help. Please. Officer Sullivan just sentenced me to crucifixion. I—I don’t know what to do!”

The priest’s expression doesn’t falter. Instead, he nods, almost sympathetically. “Ah, yes. Speeding in front of our church on a Sunday, wasn’t it? Such a shame. But I’m afraid there’s little I can do now, my dear.”

“Little you can do?”
she repeats, her voice rising in disbelief. “You’re a priest! This is a church of mercy! Surely you can appeal to someone, intercede on my behalf? This can’t be what the Merciful Lady would want!”

He tilts his head, as though pondering her words. “Ah, but you misunderstand, my child. The Lady is indeed merciful. It is her followers who... well, let’s say, have their own traditions. The crucifixion custom is ancient, you see. Those who commit crimes in front of this holy place must pay the ultimate price, I’m afraid, in an humiliating, painful manner…”

Miranda stares at him, her hands trembling. “But how can that be merciful? There’s nothing merciful about nailing someone to a cross and leaving them to die!”

Father Burnland shrugs, his expression serene. “That’s not entirely true. Many find clarity in their suffering, an acceptance of their fate. Anyway, it’s a beautiful and… sexy thing for us to witness, really.”

Miranda’s fists clench at her sides, her cheeks flushing with anger and shame. “I don’t want clarity or acceptance! Please! I want to live!”

He nods sympathetically, stepping closer. “Of course you do. That’s natural. But the cross has a way of… changing perspectives. By the end, you may even find yourself grateful for the experience.”

“Grateful?!”
she spits, incredulous. “For what? The pain? The humiliation? The slow, agonizing death?!”

Father Burnland smiles gently, as though speaking to a child who simply doesn’t understand. “Grateful for the chance to surrender everything—your pride, your fear, your body. It is a sacred moment, my dear. And I must say,” he gestures toward her trembling figure, his gaze briefly flicking to her chest, “you seem rather… attuned to the idea.”

Miranda follows his gaze and gasps, mortified to see her nipples visibly poking through her blouse. She crosses her arms over her chest, glaring at him. “How dare you?”

“Oh, no offense meant,”
he says quickly, raising his hands in mock surrender. “It’s just… well, it’s not uncommon. Many young women in your position find themselves, shall we say, physically responsive to the thought of their impending ordeal. It’s nothing to be ashamed of. Quite the opposite, really. It shows you’re embracing your role.”

Miranda’s voice shakes with fury. “I’m not embracing anything! I’m terrified! And you’re all just… so casual ‘bout it! You do enjoy watching people scream and suffer, don’t you?”

Father Burnland doesn’t deny it. Instead, he offers her a calm, almost paternal smile. “It’s not about enjoyment, my dear. It’s about tradition. The suffering of a crucified soul reminds us of our humanity, our fragility. And yes,” he adds, almost as an afterthought, “it does tend to… boost morale. Particularly when the condemned choose to face their punishment in the nude. The vulnerability, the rawness—it’s profoundly moving.”

Miranda stares at him in disbelief, her body trembling with a mix of fear and rage. “Are you all crazy here?” she wonders.

He sighs, almost wistfully. “Oh, my dear, that’s not fair. We’re simply people of faith, following the ways of our ancestors. You’ll understand one day. Or rather, you’ll feel it. The nails, the wood, the pain… it all becomes quite transformative.”

She takes a step back, her voice cracking. “I don’t want to transform. I don’t want to die!”

Father Burnland approaches her slowly, his tone gentle but firm. “None of us want to die, Miranda. But the cross has been chosen for you, and there’s no turning back now. It’s better to accept it with grace.”

Tears stream down her cheeks as she shakes her head, her voice a choked whisper. “Please, Father. I’ll do anything. Just don’t let them crucify me.”

He places a comforting hand on her shoulder, his grip surprisingly firm. “I wish I could help, but the sentence is final. All I can offer is my blessing and the hope that you’ll bring beauty and dignity to your suffering. Trust me, my dear, you’ll make a stunning crucifee.”

Her shoulders slump as despair washes over her. "You’re all insane," she mutters. "How can you live with yourselves?"

He smiles, unperturbed. "Oh, it’s quite easy. A strong moral framework and a love for tradition go a long way. Now, shall we pray for your soul?"

Her knees threaten to buckle as his words sink in, the weight of her fate pressing down on her like a leaden shroud. She stumbles out of the church, the priest’s parting words ringing in her ears:

“May the Merciful Lady guide you on your journey, Miranda. And remember—there’s nothing more divine than a soul laid bare, body and spirit alike.”

Miranda shakes her head and backs away, her voice barely a whisper. "No. I can’t do this. I won’t do this."

"Ah, but you must,"
he replies cheerfully. "It’s the law, after all. And who knows? You may surprise yourself with your resilience. A petite, toned young woman like you—why, you’ll look absolutely divine up there. The crowd will adore you and your slow, slow demise..."

Her breath hitches as the weight of his words sinks in. She stumbles toward the door, tears blinding her vision, while Father Burnland calls after her. "Remember, Miranda, the cross isn’t just your punishment—it’s your moment to shine!"

She bursts into the sunlight, gasping for air, as the cheerful hum of the church bells mocks her despair.

- - -

Miranda bursts through the doors, flushed and out of breath. Heads turn, and Tombstone raises a brow with an amused smile. “Well, well, our little speedster joins us at last! Welcome to your orientation for the show of your life—and your death!”

The community hall is packed, the sound of murmured conversations and nervous laughter filling the air. Rows of young women, all sentenced like her, sit on folding chairs arranged in neat lines. Some glance at her as she enters, their faces pale and anxious. Others whisper among themselves, their eyes darting toward the stage where a podium and a large wooden cross dominate the space.

Miranda hesitates, scanning the room. Every seat seems to be taken except one, right in the front row. She cringes inwardly but moves forward, her heels clicking on the tile floor. She can feel the stares as she sits, her cheeks burning.

A man steps up to the podium, his smile wide and polished. Will Tombstone, the county’s chief show manager, exudes the confidence of a seasoned performer. His sharp suit and slicked-back hair give him the air of a salesman, which, in a way, he is.

"Ladies, ladies, settle down!" he calls out, his voice smooth and commanding. The room quiets immediately. "Welcome to your pre-crucifixion course. I’m Will Tombstone, and I’ll be guiding you through this exciting and, dare I say, transformative journey!"

Miranda fidgets in her seat, her heart pounding. Exciting? Transformative? Is he serious?

"Now, I know some of you might be feeling a little apprehensive," Tombstone continues, his tone light. "And that’s perfectly natural. After all, what you’re about to experience is unique and, well, rather final. It’s something most people can only watch from the sidelines, but you—yes, you—get to live it!"

A murmur runs through the room, a mix of disbelief and nervous giggles. Tombstone spreads his arms, gesturing to the cross behind him.

"Let’s talk about what’s going to happen on your big day," he says, pacing slowly. "First, you’ll be nailed to your cross. Now, I know that might sound, uh, permanent—and it is—but let me assure you, being nailed doesn’t mean you’re dead. Oh no! It means you’re alive. Very alive. In fact, more alive than you’ve ever been before."

Miranda’s stomach twists, but she can’t tear her eyes away from him.

"You see," Tombstone continues, his voice dropping slightly, "the pain, the stress, the fear you’ll feel? That’s proof of life. Every moment you hang there, struggling and sweating under the sun, is a testament to your vitality. You’ll be performers, ladies. Artists of agony."

A girl in the second row raises her hand hesitantly. "Excuse me," she says, her voice trembling, "but… how long will we… you know, last up there?"

Tombstone grins, nodding approvingly. "Great question! It varies, of course, but most girls manage to hang on for a few days. Three, four, maybe even five. Some exceptional performers have lasted a full week!"

The room erupts into nervous whispers.

"A week?" Miranda blurts out before she can stop herself.

Tombstone turns to her, his smile never faltering. "That’s right, Miss…?"

"Miranda,"
she says weakly.

"Miranda," he repeats, his tone warm. "Don’t worry. With your petite frame and those… well, lovely features, I’m sure you’ll captivate the audience for days. Chances are you can survive suffering on your cross for a full week, even! You’ve got star potential, sweetheart!"

A ripple of laughter moves through the room, and Miranda shrinks in her seat.

"Now," Tombstone continues, clapping his hands together, "let’s talk about presentation. You’ll have the option to be crucified fully clothed, in lingerie, or completely nude. While the choice is yours, I highly recommend going au naturel."

Another girl raises her hand, her voice quavering. "Why nude?"

Tombstone’s eyes light up as though he’s been waiting for this question. "Excellent question! Being nude allows you to fully embrace the experience. It’s raw, it’s vulnerable, and it’s beautiful. Plus, it lets the breeze caress every inch of your skin. And let’s be honest, the audience loves it. There’s nothing quite as thrilling as a fully exposed, sweaty body glistening under the sun."

Miranda feels her face flush, her arms instinctively crossing over her chest. She glances around and sees other girls doing the same.

"Remember," Tombstone adds, leaning forward conspiratorially, "you’re not just dying. You’re giving a performance. This is your chance to shine, to leave a mark—pun intended—on everyone who watches you being slowly executed by the cross."

A wave of uneasy laughter ripples through the room.
 
Last edited:
Your best yet
Thank you dear friend.
It's always a pleasure to be commended by such a skilled writer.

There was a time when I thought that crucifixion stories might get... repetitive.
Now, I find it unbelievable how many different combinations of [people to be executed] [for a specific crime] [in a specific way] [with a certain attitude] [surrounded by a certain kind of onlookers] [in a certain place] there can be.
If my stories get repetitive it's gonna be fully my fault, surely that won't happen for exhaustion of alternatives.

- - -

Therapy for suicides is the opposite.
Well, here the assumption is that the death penalty must be enforced, so... better for the felons to just accept that and prepare.

Although, if the girls weren't doomed to die, it would be more than a great idea!
Beg your pardon?
 
"Oh, and don’t get your hopes up about a reprieve," he continues, his tone turning serious. "Once those nails go in, that’s it. No last-minute pardons, no second chances. You’ll stay on that cross until… well, until your time comes."

Miranda shudders, her fingers gripping the edge of her seat.

"But please girl, do not worry… at least, not too much," Tombstone says, his cheerful tone returning. "You won’t be alone. Your friends, your family—they’ll all be there, cheering you on, taking photos, maybe even offering a helping hand to, uh, ease your discomfort."

The room erupts into uneasy murmurs, and one girl whispers, "Helping hand? What does that mean?"

Tombstone winks. "Let’s just say the crowd likes to get… interactive with the executees. Particularly if they are cute girls like you, and all bare to boot! It’s all part of the show!"

Miranda’s stomach churns, and she fights the urge to bolt from the room.

"Ladies," Tombstone says, his voice rising above the chatter, "this is your moment. Your final act. Make it count. Embrace the pain, the fear, the thrill of it all. Because when you’re up there, nailed and spread for the world to see, you won’t just be dying. You’ll be living."

The room falls silent, the weight of his words settling over the group. Miranda stares at the cross behind him, the wood rough and splintered, and feels a wave of renewed fear wash over her. And, yeah, okay, maybe of something else entirely also: something more primal than fear itself…

"Any questions?" Tombstone asks, his grin as bright as ever.

Miranda sits alone on a bench outside the community center, the late afternoon sun casting long shadows across the courtyard. The cross from the lecture looms in her mind’s eye, and Tombstone’s enthusiastic voice still rings in her ears. She hugs herself tightly, trying to ward off the chill that has nothing to do with the weather.

A cheerful, older woman in a bright yellow cardigan approaches Miranda with a clipboard. Her silver hair is styled in a neat bob, and her eyes sparkle behind round spectacles.

“Miranda! You’re Miranda, aren’t you?” the woman asks brightly.

Miranda nods reluctantly. “That’s me.”

“I’m Bethany,”
the woman says, her smile wide and warm. “I’m one of the course facilitators. Don’t worry, honey, we’re here to help you every step of the way toward your death. Are you settling in okay?”

Miranda blinks at her. “Settling in? I’m about to be nailed to a cross and die in public. How am I supposed to ‘settle in’ to that?”

Bethany chuckles, as if Miranda’s distress is adorable. “Oh, sweetheart, you’re not dying yet. You have almost a fortnight before your meeting with your wooden killer, the cross, and even then... you've got days ahead of you on that cross, plenty of time to soak up the experience. The martyrdom. That’s what the course is for—to make sure you know how to really embrace it.”

Miranda shakes her head in disbelief. “Sorry, but… why this course? What’s the point of all this?”

Bethany’s smile doesn’t falter. “Well, it’s important to know what to expect, isn’t it? We want you to feel prepared and confident for your big moment. After all, this isn’t just a public punishment. It’s also a performance, a spectacle. You’re not just dying—you’re giving the audience something to remember, honey.”

Another girl, tall and blonde with trembling hands, speaks up from nearby. “But we’re not performers. At least, we don't wanna be! We didn’t choose this.”

Bethany pats her arm reassuringly. “Oh, darling, I know it’s scary. But trust me... there’s something empowering about giving yourself fully to the moment. You’re not just going through this—you’re owning it. At least, you'll have a chance to.”

Miranda crosses her arms, her voice edged with frustration. “How can you expect us to ‘own’ something like this? It’s torture and death. We’re going to suffer and then... it's gonna be the end of us! Of me!”

Bethany’s eyes sparkle as she leans in slightly. “Exactly. And that suffering? That’s what makes it so real, so alive. When you’re on that cross, nailed through your limbs, every sensation will remind you that you’re still here, still feeling, still existing. It’s a privilege, really. Well, in a way...”

Miranda opens her mouth to retort, but a booming voice interrupts her.

“Ladies! Ladies, gather ’round!”

Will Tombstone claps his hands to grab everyone’s attention. The group reluctantly forms a loose circle around him.

“Now, I know some of you are still feeling a little overwhelmed,” he begins, his tone upbeat. “And that’s okay. Totally normal. But let’s not lose sight of what this is—a unique opportunity to embrace life in its most intense, raw form.”

One of the girls, a petite redhead with tear-streaked cheeks, raises a trembling hand. “But… isn’t this just about us dying? Isn’t that all this is?”

Tombstone smiles warmly, nodding. “Yes and no. Yes, you’ll eventually die. But the journey to that moment? That’s where the magic happens. Hanging on that cross, feeling every ache, every breath, every drop of sweat—it’s an experience most people will never understand. It’s your chance to be truly alive.”

Another girl speaks up, her voice wavering. “But we’re going to be in pain the whole time…”

Tombstone spreads his hands, as if welcoming the thought. “Pain, yes. But pain is proof of life, isn’t it? When you’re up there, the agony will anchor you to the present. No distractions, no past or future—just you and the moment.”

The group falls into an uneasy silence, the weight of his words pressing down on them. Miranda shifts uncomfortably, the knot in her stomach tightening.

Tombstone continues, his tone almost reverent. “And don’t forget, you won’t be alone. Your friends, your family, even strangers will be there, supporting you. They’ll cheer you on, admire your bravery, and yes, some might even lend a hand to keep things… interesting.”

Miranda’s head snaps up. “Lend a hand? What does that mean?”

Tombstone grins. “Oh, you’ll see. Let’s just say the crowd gets very... involved. It’s part of what makes the event so memorable—for everyone.”

A murmur of discomfort ripples through the group. A brunette girl with anxious eyes hesitates before asking, “Will they... touch us?”

“Oh, most certainly: your crosses will be low, your helpless, pinned bodies up for grabs, you see,”
Tombstone replies cheerfully.

“They will touch... all our... parts?” another girl whispers, her face paling. Her name is Julie, Miranda recalls.

“They will touch all your lady parts, girls. Well, at least if you decide to go all bare,” he says with a wink.

“If we go clothed, on the other hand...?” someone asks hopefully.

“Clothes discourage some interactions,” Tombstone admits. “But I don't recommend going that way. When you're pinned and helpless, you'll want those interactions, believe me.”

Bethany steps forward, her cheerful demeanor never wavering. “And don’t forget, ladies, you’ll have options for how you present yourselves. Fully clothed, lingerie, or nude—it’s entirely up to you. Though I must say,” she adds with a knowing smile, “going nude really lets you connect with the moment. Feeling the breeze on your skin, the sun on every inch of you… it’s quite liberating.”

Miranda’s face burns, and she glances around at the other girls, many of whom look equally mortified.

Tombstone claps his hands again, drawing their attention back. “So, ladies, any other questions? I know you have them—spill them all out. This is your chance to speak up.”

Miranda takes a deep breath, her voice trembling as she asks, “What if we can’t do it? What if we can’t... handle it?”

Tombstone steps closer, his expression softening slightly. “Oh, Miranda, I have no doubt you’ll handle it beautifully. The human spirit is incredible, especially under pressure. And remember, it’s not about fighting the experience. It’s about surrendering to it. Trust me, you’ll surprise yourself.”

Miranda feels her face flush as she glances around. Some girls look mortified, others resigned.

Another trembling hand rises from the group. “Why crucifixion to kill us, of all execution methods?”

Tombstone pauses, his grin widening as though he’s been waiting for this. “Because crucifixion, more than any other dispatch method, is a metaphor for life itself.”

The girl looks confused. “S-sorry? A metaphor?”

“Yes,”
Tombstone explains, his tone reverent. “The struggle, the endurance, the agony—it’s all life in microcosm. When you’re on that cross, nailed and exposed, you’ll feel every inch of your existence distilled into pure sensation. No distractions, no illusions—just raw, unfiltered reality.”

Miranda shudders as his words sink in, the enormity of what awaits her growing heavier with each passing moment. Tombstone claps his hands again, his energy never fading.

Then he adds, “But even more important than this...”

The room falls into an uneasy hush as Will Tombstone leans on the podium, his polished smile unwavering. The sentenced girls, sitting in neat rows, fidget nervously.

Miranda shifts in her seat on the front row, her arms crossed tightly over her chest as if she could block out his words by sheer willpower.

Tombstone clears his throat, his voice warm and commanding.

“Ladies, as I mentioned to you earlier, hanging from a cross, nailed down, is a metaphor for life. Literally.”

A collective murmur ripples through the group, most girls casting wary glances at each other.

“Think about it,” Tombstone continues, his eyes sweeping over them. “In life, you suffer, but you also laugh. You have fun, yet sometimes you cry. You get bored, but in between moments of boredom, you happen to get excited. Sound familiar?”

Miranda stares at the floor, her cheeks flushed, part of her mind screaming at the absurdity of the analogy. And yet, part of her feeling his words somehow ring true.

“You feel capable of everything, the center of attention,” Tombstone says, his voice softening, “and at other times, helpless, powerless, unable to react. All these things you will also experience when nailed to a cross. The cross is not your death, or rather…”

He pauses dramatically, his grin widening.

“The cross will kill you, okay, no doubt, in a few days. One, two, maybe six or seven for the most resistant of you. And publicly. But... think about it: life kills you too.”

The girls sit frozen, their faces a mix of confusion, disbelief, but also some… understanding?

“Only it takes, generally, much longer,” he adds, shrugging lightly. “Years, decades. A century for those lucky –or should I say, unlucky?- enough to see over a hundred. But life kills, just like the cross.”

A tall girl in the back, Catherine is her name but they all call her just ‘Cat’, her face pale and drawn, raises a trembling hand. “S-so what you’re saying is, the cross is just... speeding things up?”

Tombstone beams at her. “Exactly! The cross will execute you, but it will also allow you to live in the meantime. Fully, completely, intensely.”

Bethany chimes in, her cheerful voice carrying across the room. “It’s a concentrated form of life, really. Like a strong cup of coffee—bitter, yes, but it wakes you up!”

Miranda’s fists clench as she mutters under her breath, “This is insane…” But, in a way, she doubts of her own disbelief.

Tombstone raises a hand, as if sensing her dissent. “But not only that, ladies. The cross will make you live, and experience all those sensations of life and more, but… exalted to the highest degree. In overdrive!”

Another girl, a petite brunette with tear-streaked cheeks, speaks up hesitantly. “And… and what if we don’t want this ‘overdrive’? What if we just want to live normally?”

Tombstone’s smile softens, almost sympathetically. “Ah, but that choice is no longer yours, my dear. The moment you broke the law, you chose the cross. And now, the cross will choose you.”

He clasps his hands together, his tone turning almost reverent. “It will also open a door to experiences you would otherwise never have. Of which I speak because I have seen it, but I for one do not have firsthand knowledge. You, however, will have it. You will understand things at a deeper level than Bethany or I could ever imagine.”

Bethany nods eagerly. “That’s right! The crucifixion takes everything to extremes and makes you discover things you only imagined before.”

“The pain you will feel when your wrists and feet are pierced, for example,”
Tombstone continues, his gaze fixed on the girls, “will not be unbearable, because we don’t want to inflict anything on you that you can’t bear. But still, it will be unexpected. Something you have never experienced before.”

Miranda feels her throat tighten as the words sink in. The girls around her exchange panicked glances.

“Being immobilized on the wood and exposed will be another revolutionary experience for you,” Tombstone says, pacing the room. “When you feel yourself being touched by relatives, friends, people you’ve known all your life, you’ll feel helpless and powerless... used as objects, objectified...”

A blonde girl in the second row gasps softly, her hands covering her mouth.

Tombstone stops in front of the group, his tone softening. “And perhaps you will feel humiliated, I can understand that, but...”

He lets the silence hang for a moment before continuing. “...but look into the eyes of those who use you as objects. You will also find there admiration, respect, longing, perhaps even a hint of envy. And you will feel not only used, but also important.”

Bethany claps her hands softly, her smile radiating pride. “In the few days you hang agonizingly from the cross, you will live more intensely than all the rest of us do in decades of life!”

Miranda’s voice finally breaks through the silence, trembling with uncertainty. “Forgive me, but I have a hard time imagining how anyone can laugh, enjoy, or get excited while slowly dying nailed down…”

Tombstone looks at her kindly, as if addressing a child. “Ah, Miranda, that’s because you’re still thinking of this as an ending. But it’s not. It’s the ultimate beginning—the moment you truly step into the spotlight of life.”

Bethany adds with a grin, “And trust me, honey, the crowd will be watching. You’ll be unforgettable.”

The room falls silent once more, the weight of their words pressing down like a suffocating blanket. Miranda swallows hard, her pulse pounding in her ears as she looks toward the wooden cross at the front of the room. The rough, splintered wood seems to mock her, a grim reminder of the “life” that awaits.

As the presentation draws to a close, Bethany and Mr. Tombstone gather the group of nervous girls closer around the stage, their voices adopting a tone that mixes solemnity with an odd cheerfulness. The wooden cross casts a long shadow across the floor as the sun begins to set outside, filtering through the windows of the community hall.

“Now, ladies,” Bethany begins, her clipboard clutched in one hand, “let's talk about choices. Going all bare on the cross might sound daunting, but it comes with... certain perks.” Her smile broadens as she scans the room.

“Yes, indeed,” Tombstone chimes in, his eyes twinkling mischievously. “Going naked incites the crowd to touch all your sensitive spots, leading to an increased... stimulation. It's quite the experience.”

Miranda feels a chill run down her spine. The idea of being exposed and touched by a crowd terrifies her, yet the way Bethany and Tombstone discuss it makes it sound almost commonplace.

“I recall a girl who chose to go all bare,” Bethany continues, her tone almost nostalgic. “She was... deeply invaded, anally and vaginally at the same time, by two wooden poles, handled by the people round her. A DP, if you will. She came many times, and it seemed she enjoyed her own death-performance quite a lot...”

The room falls into a stunned silence, with many of the girls exchanging uneasy glances. Miranda's face flushes with a mix of horror and embarrassment.

“Miranda, my dear,” Bethany suddenly turns towards her, her question direct and unflinching. “Would you want to go out that way? Like an orgasming, DPed slut?”

Miranda’s mouth falls open, but no words come out. She feels every eye in the room on her, the weight of the question pinning her to the spot just as surely as the nails would the cross.

“I... I don’t...” Miranda stammers, her mind racing.

Bethany places a reassuring hand on her shoulder. “It’s alright, dear. It’s a lot to take in. Just something to consider. After all, it’s your last hurrah, isn’t it? Why not make it memorable?”

Before Miranda can respond, another girl, a dark-haired girl named Eliza, raises her hand timidly. “What if... what if we don’t want to be touched at all? What if we just want it to be over quickly?”

Tombstone’s expression softens slightly. “Ah, that’s understandable. But remember, the clothes you wear—or don’t wear—will send a message to the crowd. If you’re fully clothed, they’re less likely to... engage as much. Though,” he adds, “it won’t necessarily make things quicker. The dying part, that is.”

Bethany nods in agreement. “And honestly, dear, from what we’ve seen, those who embrace the experience, even in its most intimate aspects, tend to find a sort of... relief in it. A release, if you will.”

Another girl, a petite redhead named Sophie, pipes up, her voice shaking. “But isn’t it degrading? Being used that way, in front of everyone?”

“Degrading? Or liberating?”
Bethany counters, her eyebrows raised. “It’s all about perspective. The humiliation can turn into empowerment, knowing you’re the focus of everyone’s attention, fulfilling their desires as well as perhaps your own.”

Miranda swallows hard, trying to process the conflicting emotions swirling inside her. The thought of being exposed and vulnerable, yet also the center of attention, is overwhelming.
 
There was a time when I thought that crucifixion stories might get... repetitive.

They can, if taken as a straight descriptive narrative, but the best stories get inside the protagonists and engage on a more powerful level. You've nailed that, Zephirantes, you've expressed the mystery that is the transforming power of the cross, the reconfiguring or priorities, the reduction to the most fundamental elements of existence. Bravo.

I think Miranda is hearing the siren call of the cross . . . .

Bethany’s eyes sparkle as she leans in slightly. “Exactly. And that suffering? That’s what makes it so real, so alive. When you’re on that cross, nailed through your limbs, every sensation will remind you that you’re still here, still feeling, still existing. It’s a privilege, really. Well, in a way...”

. . .

"When you’re up there, the agony will anchor you to the present. No distractions, no past or future—just you and the moment.”

. . .

"crucifixion, more than any other dispatch method, is a metaphor for life itself.”

“Yes,”
Tombstone explains, his tone reverent. “The struggle, the endurance, the agony—it’s all life in microcosm. When you’re on that cross, nailed and exposed, you’ll feel every inch of your existence distilled into pure sensation. No distractions, no illusions—just raw, unfiltered reality.”

. . .

Another girl, a petite redhead named Sophie, pipes up, her voice shaking. “But isn’t it degrading? Being used that way, in front of everyone?”

“Degrading? Or liberating?”
Bethany counters, her eyebrows raised. “It’s all about perspective. The humiliation can turn into empowerment, knowing you’re the focus of everyone’s attention, fulfilling their desires as well as perhaps your own.”
 
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