Giggle snort
From new to old, a repost from Makar's early period, coming up on 20 years ago.
The lovely, difficult Galya pretty much set the template for The Dance.
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But for those first few minutes, the best place to be is behind the cross, watching her push her naked ass out and behind the stipes. Hopefully the commander of the execution detail is lenient enough to allow it.
Gosh, yes.
Judging by this and other posts, Apostate, I think we have very similar tastes
And when her strength is spent and the dance is done, the erotic jolt of the flow of her back into her buttocks . . . jolts.
So re similar tastes, I reckon you’re right.
And when her strength is spent and the dance is done, the erotic jolt of the flow of her back into her buttocks . . . jolts.
So re similar tastes, I reckon you’re right.
“The Greek Girls” help led turn crucifixion from a curiosity to a fetish for me. You chose a great example of the vulnerability of a crucified woman. We can look at her naked from any angle, and all she can do is hang there.
For me, especially from the rear. Phlebas and Messaline understand how the flair of their hips and cheeks from behind the stipes is damn near frantically erotic.
I’ll take a moment or three to walk behind Shannon’s cross and admire the view of her hanging low.
For me, especially from the rear. Phlebas and Messaline understand how the flair of their hips and cheeks from behind the stipes is damn near frantically erotic.
I suspect that Apostate could be glad to put his nose between our bodies and the cross ...
Of course and it would be so much "exciting" for us !!!I was thinking more along the lines of my tongue.
Of course and it would be so much "exciting" for us !!!
After seeing the bear attack scene in the revenant id say no.would the crucified woman find the bear a relief from rhe cross as she's mauled to death???
Tree
... and Ascanio made this one for me : any similarity ?
Second girl has big feet"So the soldiers, out of the wrath and hatred they bore the Jews, nailed those they caught, one after one way, and another after another, to the crosses, by way of jest . . . "
Original drawing by Petraherz, emulation by Jastrow, , .