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Ultimate Christian Challenge -Easter

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Something for those who favor a fairly 'soft' and consensual approach...



Ultimate Christian Challenge – Easter​

Television Script​

Written and Produced by Thomas Christian and Directed by Greg Gregson​


Camera pans a bucolic scene, an open green meadow fringed by trees, ruins of a Spanish-style chapel in the background. Camera withdraws and we see a police-tape barrier at the margin of the meadow, behind the barrier a small gathering of people in casual clothes, many with cameras. It is mid-afternoon on a warm sunny day. The crowd is chatty but expectant. A man in early middle age enters the frame. The crowd settles. The man is wearing jeans and sandals. He is shirtless. He sports a wide leather belt. Thin straps dangle from the belt. He carried a mobile microphone.

Thomas Christian:
Greetings! I am the Reverend Thomas Christian and I will be your host at this Second Annual Ultimate Christian Easter Challenge. Welcome! The challenge, as you know, is an affirmation of the Christian faith by, and for, women. This year’s challenge will be a little different from last year’s. You will hear about that in a moment. But first let me introduce our staff of helpers.

Seven men, all shirtless and wearing jeans and sandals, enter the frame. They range in age from early twenties to early forties. They are slim and athletic-looking. The men bow perfunctorily to the crowd.

Christian:
And now we’re going to show you some of the props we will be using today.

The seven men scatter. Moments later, two of them carry a short wooden post into the frame. They settle the post into a hole in the ground. The post is square; a pair of old-fashioned iron manacles dangle from its sides. The men toss three or four leather pads onto the ground around the base of the post. Meanwhile, other helpers enter the meadow lugging three long wooden beans, which they drop to the ground.

Christian:
And now, ladies and gentlemen, let me introduce three of the most courageous women you will ever meet.

Three women enter the frame. They are all clad in billowing white robes suggestive of ancient times. They wear sandals. One is thin and dark skinned, her hair slicked back. A second is Asian. A third is pale, doe-eyed with long wispy hair that falls to her shoulders.

Christian
: Meet Zoe, Alysha, and Fernanda!

The black girl, the Asian, and the doe-eyed beauty bow to the crowd in turn.

Christian
: And now I’m going to ask Zoe to act at spokeswoman.

The skinny black girl approaches Christian and takes the microphone.

Zoe:
Thank you, Reverend Christian, and thank you all for coming. I would especially like to thank the television audience for tuning in. This is, as you know, an event unique in the world today. We are here for the second year in a row. This year, we will execute something a bit more bold than last year. If you were here last year, you will remember seeing three erect crosses in the meadow behind me. Each of us—myself, Alysha, and Fernanda—mounted a cross and, fully clothed in the white robes you see before you today, we were tied to the wood. It was an exhilarating experience! We allowed you, the good Christians of the world, to approach our crosses, kiss our feet, and accept our blessings, offered, as they were, by arms outstretched as if to embrace all the world. Many of you told us, later, what a beautiful tableau we formed. You told us how moving the experience was for you. And yet…there was something missing. What was missing was the suffering of the Christ we sought to emulate. This year, we will set that to rights. (A soft murmur spreads through the crowd) I can see that many of you are surprised. Please do not be! We are here in the spirit, and indeed in the flesh, of Christ, or, as we say among the good Christian women of the world, the spirit, and the flesh, of Christa, the female anointed one. Here is what you will witness…Each of us—myself, Alysha, and Fernanda—will be presented to you, and to the Reverend Christian, under appropriate Biblical names--Gesta, Disma, and Christa. Each, in turn, will be stripped by the helpers to the waist (a collective shudder sweeps through the crowd). Each will then, in turn, kneel before the wooden whipping post you see before you, be affixed to the post by iron manacles, and be whipped on the naked back 39 times. Each will then shoulder one of the wooden crossbeams you see on the ground behind me and walk with it the 20 yards to the execution grounds at my right (Zoe points). There she will await the others…and her fate. (Zoe pauses, then signals for the murmur of the crowd to subside). You will be allowed to reassemble there. Once there, you will watch as the three crosses are assembled by the helpers. You will witness each of us being stripped naked by the helpers, walked to the site of our torture, and then laid upon the unforgiving wood of the cross. Each of us will then be tied by hemp at the wrists and ankles. The three crosses will be raised and we will hang, naked, from the crossbeams, in all the shame, humiliation, beauty and glory of our nudity, for your edification, your delectation, or your worship, as you please. (Zoe pauses; the crowd is silent. Zoe turns to her host). Mr. Christian! (She turns the microphone over to the host.)

Christian: Thank you, Zoe. (Addressing the crowd) You have heard Zoe’s outline of today’s events. Now, it is up to you. Do you wish these three lovely women to be crucified? (Only the faintest murmur can be heard from the crowd) Please, if you do, speak up. We want to hear it from you! If you want to see them crucified, then say, loud and clear, ‘crucify them!’ Now, let’s hear it! (A thin chant arises) Louder! Do you want them CRUCIFIED! (The chant grows louder) Do you want them WHIPPED? Do you want them whipped naked? And then CRUCIFIED NAKED? (The chant picks up). One last time, shall I CRUCIFY them! (A stiff chant arises, ‘crucify them.’) Very well! (Christian pauses; he glances toward his helpers, then points to the three women in the flowing white garments) Gentlemen, crucify them! (Applause)

Zoe is the first to approach the whipping post. She cups her hands in front of her and bows her head.

Christian
: You are known as Disma? (Zoe nods) You are a whore, and a thief! (She nods) You have been condemned this day to suffer horrible tortures. You will be stripped of your garments, shamed and humiliated before men and women, whipped on your naked flesh. Do you deserve these tortures? (She nods) Then, you will carry the instrument of your own final torture to the place of execution and, there, you will be crucified naked for all to see…to mock…to ogle. Do you deserve this punishment? (She nods). (Christian turns to two helpers). Strip her and bind her!

The helpers roughly pull down Zoe’s upper garments until they hang from her waist. She is half naked. They untie her hair which falls in long black ringlets to her shoulders. She is lean, with small breasts and bright pink nipples. She stands at a slight angle so that her lean belly curves toward her prominent hip bones. The helpers guide her toward the whipping post then shove her to her knees. She kneels on the leather pads. They lock the manacles around her wrists. She presses her body against the pale wood of the post. Her back is a long, curved sheen of dark skin, outlined by the pebble-like beads of her backbone. Ridges and valleys are formed by the prominent shoulder blades of one so thin, making her seem frightened and vulnerable. Her breathing is heavy. She seems to hug the whipping post with her bare arms and breasts. Her chest heaves. Her ribs arch. She glances, with longing and terror, at Christian.

Christian: (Ignoring the cowering figure of Zoe, he brandishes a multi-strand whip and addresses the crowd)
Shall I whip her? (The crowd murmurs) Louder! Do you wish her whipped? (The crowd begins to chant ‘whip her’) Shout it so she can hear it! (The chant ‘whip her, whip her’ rises from the crowd as from a single blood-thirsty throat) Very well…you shall have your wish. I will whip her!

Christian assumes an aggressive stance behind Zoe, whose breathing becomes labored. He tests the whip on the ground and in the air. It makes a hissing and then a slashing sound. With little warning, he lets loose a series of blows across Zoe’s curved, elongated back. She tenses at the first stroke, then twists and turns as the rain of blows slashes her back. She grunts and then screams as the lashes multiply. The manacles rattle. Her little breasts flit back and forth against the wood of the whipping post. Under his breath, Christian counts each lash. Soon, the crowd picks up the rhythm, counting ten…then 15…20. Christian pauses at 25 then, without warning, resumes his rhythmic whipping of Zoe’s naked back. Both Zoe and Christian are sweating profusely. The whip kicks up a hail of sweat from Zoe’s naked skin with each hissing lash. At the count of 39, Christian lowers the whip. He roughly grabs Zoe by her matted sweaty hair and turns her face to the crowd. Tears stream down her face.

Christian: (Addressing the crowd)
Is this what you wanted? She has been whipped on her naked skin! She has given back to the lash the pleasure she took from the flesh, from your purses, from your husbands. The whore has been whipped! Is it enough? (The crowd murmurs) Is it enough? Say it! Say you want her crucified! (The crowd erupts in a chant, ‘crucify her, crucify her’) Very well. (Christian releases his grip on Zoe’s hair) Gentlemen…crucify her!

Fade.
...more to come
-0-​
 
...Part 2

The helpers immediately release Zoe from her bonds. Christian ignores her as he motions for Alysha to step forward. During the ensuing scene, the helpers guide Zoe to the margin of the frame. There, they load the long, wooden crossbeam that will be the maximum instrument of Zoe’s torture onto her thin, bare shoulders. She grabs the crossbeam with her hands, steadies it, then stands and waits, her arms outstretched, her head bowed, apparently sobbing.

Christian: (Addressing Alysha)
You are called Gesta. (She nods) You are a whore and a thief!

Alysha: I am a whore from need and a thief out of justice!

Christian: And you are insolent! Do you deserve to the punished?

Alysha: No more than any other woman!

Christian: Do you deserve to be whipped on your naked body?

Alysha: No!

Christian: And crucified naked for all to see?

Alysha: No! It is unjust, cruel, unmanly. You would punish me only because I am a woman. I feed your lust and, with justice, take your purse.

Christian: (Addressing the crowd) What should we do with this insolent whore? (Cries rise from the crowd, which has been well primed—‘whip her’ and ‘crucify her.’) Gesta, you will be whipped upon your bare skin. Then, you will bear the weight of your instrument of torture; you will bear it to the execution grounds, where you will be stripped and crucified. For one last time, you will display your naked flesh before men, and women, and whores, to beg forgiveness and be purified of sin.

Alysha spits on the ground.

Christian: (Addressing helpers)
Gentlemen, strip her, chain her to the column, prepare her to receive the whip on her naked skin!
As before with Zoe, the helpers pull down Alysha’s white robes until they hang from her waist. They draw her towards the whipping post, push her to the ground and manacle her wrists. Alysha is tall, stately. Her naked torso, pale and shiny with sweat, sweeps in a curve away from the post. She holds her head high. Her short dark hair seems to stand on end. She has large, liquid breasts. She sways slightly against her bonds. Her breasts brush the whipping post. Her red nipples rise in bright erections, with white spikes forming in the center and tiny white dots around the rims.

Christian: (Toying with the whip)
Prepare, whore, for your fate.

Christian lights into Alysha’s back with swift, left-right lashes. Alysha grunts, then howls with each fresh blow. Rather than hug the whipping post, as Zoe did, she slams into it with her whole body on each stroke. The post shimmies. Her breasts seem to grow in volume as they swing from side to side, her nipples turning a fiery red with white-hot spikes at the center. Christian counts out the strokes and is joined by the crowd…15…20…25. He pauses, covered in sweat, his chest heaving. Alysha glances toward the crowd, a look of defiance in her eyes. Christian resumes his rhythmic whipping of Alysha’s naked back.

Christian: (Addressing the crowd)
Have we whipped the insolence from this cur? (The crowd, now well primed, answers in a single voice ‘no’) What should we do with her? (The crowd answers ‘crucify her’) And so shall it be done.

Christian motions for helpers to unlock Alysha’s manacles. She spits on the ground as she is dragged toward the margin of the frame, where, as with Zoe before her, she is loaded with her crossbeam, then ordered to wait. Christian motions for Fernanda to step forward.

Christian:
You are called the Christa, are you not? (She nods) And how do you justify this extraordinary claim? (Fernanda remains silent; Christian addresses the crowd) This Christa is not accused of prostitution, or theft, or any other common crime. She is accused of…perhaps, witchcraft…or delusion…but I see no crime, unless her delusion performs some injustice. What should we do with her? (The crowd is silent for a moment, broken by a single voice, ‘whip her…crucify her’; soon, the chant is taken up by others, becoming a chorus and then a roar) Very well. (Christian approaches Fernanda; he cups his hand under her chin) Christa, you will be whipped on your bare skin, then conducted to the execution grounds to be crucified, naked, for the pleasure and edification of all men. Do you accept this fate?

Fernanda: I do, in the name of the Father and the Mother, I do. There is no shame in the naked flesh of a woman. She bares her breasts to men and women as she bares her soul to the Father and the Mother. She may bare her womanhood, in all its allure and mystery, to all. There is no punishment in the caress of the whip against my naked skin, no pain or humiliation from the hempen bonds you may bind me with, no shame in display, on the cross of man, of the full naked glory of my body. I give it to you freely. I revel in it. You may do with it, and with me, what you please.

Christian: Thy will be done.

Christian signals to the helpers, who swiftly pull down Fernanda’s white garments until they dangle from her hips. Then, they guide Fernanda to the whipping post, push her to the ground and secure her wrists with the manacles. Fernanda is slim and very pale. Her upper body is sinewy without being overly muscular. She has prominent collar bones and subtle but distinct curves in her shoulders and upper arms. She has large, cone-shaped breasts with broad pink nipples. Her dark, wispy hair falls to her shoulders. As before, Christian does not wait to wield the whip. As soon as Fernanda is manacled to the whipping post, he begins the hissing left-right staccato of lashes across the long, lean nudity of Fernanda’s back. Fernanda meets each blow with a twist of her body and a grunt. Soon, the whip is kicking up sheets of sweat from her back with each blow. Fernanda’s breasts brush and then smash against the whipping post. The iron manacles creek and groan. At the count of 20, Christian seems to tire. He pauses. Fernanda struggles to catch her breath. Her chest heaves until the ribs show through like alabaster columns. Christian resumes his staccato lashing. He counts silently. At 39, he lowers his arm and addresses the crowd in a weary but triumphant tone.

Christian:
Behold the anointed one! The Christa! Whipped and sweating like a common whore! (Fernanda lowers her head and seems ready to burst into tears) Gentlemen, take her…to be crucified with the others!

The helpers swiftly unlock the clanking manacles. They lead Fernanda to the margins of the frame and, with little ceremony, load the long wooden crossbeam onto her bare back. Christian steps forward and, microphone in hand, addresses the crowd. As he speaks, the helpers direct the three half-naked women as they begin the march to the site of their immanent crucifixion.

Christian:
Your will has been done. You have seen these three beauties stripped half naked before you and, at your whim, whipped with fervor on their bare skin. You are now invited to join me on this last trail of tears. (He points) Follow me.
...more to come
 
...part 3

Christian ambles the 20 yards to the site of the day’s final torture. The three female victims, their heads bowed and their arms outstretched along the wooden crossbeams, march awkwardly in parallel. The crowd follows. Some take pictures, others point to the three marching victims, their white robes tossing and flapping in the breeze. Still others stare at the three stark wooden beams lying on the grass. Zoe is the first of the victims to arrive at the execution site. She surrenders her crossbeam to two helpers, who pass it to others for the final assembly of Zoe’s cross.

Christian: (Addressing the crowd)
Shall we crucify them? (The crowd murmurs its approval) Louder! (The crowd picks up the chant, ‘crucify them, crucify them’) Very well…gentlemen, crucify them!

The two helpers grab Zoe roughly by her arms. They turn her toward the crowd. Her face is streaked with tears, the dark ringlets of her hair matted with sweat.

Christian: (Addressing Zoe
) It is our will that you be crucified for sins of the flesh. You will be stripped naked before men and women. You will be bound hand and foot to the unforgiving wood of the cross. Your body, stretched and tortured, will be displayed for all to see as you hang, naked and twisting, from your bonds. Do you have anything to say?

Zoe: Only this—I believe in the Father and the Mother! I will endure this torture humbly in their name.

Christian: Very well…Crucify her!

The helpers roughly tug away Zoe’s remaining garments, tossing them in a heap on the ground. They prod her to kick off her sandals. They display her, one last time, to the crowd. Now, she is nude. Her long, almost gangly arms and legs, are covered with a sheen of sweat. Her groin is thick with wirey black hair but her pubis has been trimmed into an alluring V. The helpers hustle her toward her cross. Christian signals for Alysha to step forward.

Christian:
Gesta, you will be crucified nude as punishment for your sins. Your breasts will shift and sway as you twist on the cross. Men will gawk at them. You will feel the humiliation of the helpless and naked. What do you have to say for yourself?

Alysha: I spit on your grave! (She spits) I spit on all your graves! You are no better than me. Yes, I will show you my breasts; I will show you my cunt! Gawk at them! Show us who you really are!

Christian: Gentlemen, take her to her cross.

Two more helpers bring Fernanda forward, displaying her to the crowd.

Christian
: Some say you are the daughter of God. How say you?

Fernanda: I am the daughter of man and woman.

Christian: But you lead others into blasphemy and delusion.

Fernanda: I speak only the truth.

Christian: You will be crucified for your words.

Fernanda: Let it be so!

Christian: (Signaling to the helpers) Crucify them!

Camera pans action around the site of the three crosses, now fully assembled. Each cross is slightly elevated by bricks to facilitate binding. Zoe is escorted to her cross. She sits on the upright, hugging her knees. The helpers gently cajole her into spreading her body along the contours of the cross. She stretches her arms along the crossbeam and is swiftly bound at the wrists. She extends her long legs and crosses her ankles. Helpers swiftly bind them to the upright. Zoe thrusts out her chest and sucks in her belly. She is ready to be crucified. Fernanda, stripped naked, spreads her stately, slim form along the middle cross. She closes her eyes as the helpers bind her at the wrists and ankles. Her nipples have become enlarged into dark red splotches. They are stiff and seem to point toward the heavens. Her breasts are more rounded and firm than before as if burdened with mother’s milk. Her wispy hair forms a veil around her face. Like Zoe, her groin displays a dark patch of pubic hair but her pubis has been trimmed. She nods to the helpers. She too is ready to hang naked from the cross. Alysha occupies the outlying cross. She sprawls without hesitation along the wood, almost caressing it with her long arms and legs. The helpers quickly bind her. She smiles at them and whispers that she is ready, ready to be crucified naked. The helpers nod toward Christian.

Christian:
Crucify them!

The helpers raise each cross, in turn. First, Zoe feels the vertigo of being bound and elevated. She seems to panic until the foot of the upright finds its home with a thud. Then, Fernanda’s cross is raised; then, Alysha. All three women raise their heads and gaze at the crowd. Applause is heard. The wind brushes Zoe’s hair. She shakes her head. The delicate muscles in her arms and shoulders flex as she hangs. She shifts her weight slightly as her feet gain purchase on the wood of the upright, making her pelvis seem to rise and twist and then fall again. Fernanda is more sedate. She hangs from her cross. Her pale arms are strong and stiff, forming a deep V against the stark lines of the crossbeam and the upright. She keeps her head erect, as if determined to gaze at the crowd as it eagerly gazes back at her in her bound nudity. Abruptly, she thrusts out her chest. The areolas are broad and rose colored with stark white nipples in the center that seem to challenge the gawkers in the crowd. She turns from side to side and seems ready to say something. Alysha returns her glance, her liquid breasts shifting as she turns.

Christian: (Addressing the crowd in a stage whisper)
They are about to speak. Listen!

Alysha: (Addressing Fernanda)
You call yourself Christa! If you are the daughter of God you will release yourself, and us, from this torture!

Alysha turns away from Fernanda’s cross, as if exhausted. Her back slams against the wooden upright. Her breasts twist and rotate. Her sweat stains the wood.

Zoe: (Addressing Alysha in a surprisingly firm voice)
We are here because we are sinners. We deserve our punishment. If Christa has accepted this torture, it is for good reason.

Fernanda: (Turning toward Zoe) You will be with me today in Paradise.

Christian: (Addressing the crowd) It is, as you can see, late in the day. It will soon be dark. Each of you has been given a candle. Please light your candles now. (Most in the crowd light candles). You may now join me. Please approach each cross with solemn dignity. You may kiss the feet of any, or all, of these courageous young women and whisper a few words of thanks and encouragement. Do not tarry. You may pass by each cross and then, please, exit at the indicated place. The helpers will guide you.

Camera withdraws as onlookers enter the crucifixion site and file past the crosses. The sun is setting. Long red streaks fill the sky. The camera pans around the sides and the backs of the three crosses, showing the wood and the distinctly female forms of the victims in silhouette. The three figures move as if in slow motion, their faces veiled, their arms and legs stark, distorted outlines against the unyielding wood of their unique instruments of torture. The candles seem to march past the three crosses. The light dims.

Fade.



-endit-
 
Post-event interview...

Post-Crucifixion Interview with Reverend Thomas Christian, Zoe, Fernanda, and Alysha

Directed by Greg Gregson

Camera closes in on what appears to be a locker room. The Reverend Thomas Christian sits on a wooden stool to the left of the frame. He is still wearing only jeans and sandals. The straps of his multi-strand whip hang from his broad leather belt. Zoe, Fernanda, and Alysha sit on a wooden bench. Each has a white bath towel wrapped around her waist. All are bare breasted. The atmosphere is relaxed and convivial. An informal interview is being conducted by a female reporter off camera.

Question:
Today’s drama appeared to be, literally, torture. Was it torture for you?

Fernanda: Maybe in the sense you mean, or what most people would mean, it was torture. I mean, it was a rigorous workout and, at times, rather painful. So, yes, it was torture in that sense, but you have to understand that we are all Christian women. For us, this was a labor of love.

The others nod in agreement.

Zoe:
What you have to understand is that, by accepting whipping and crucifixion, we were re-enacting the sacrifice of Christ and we were doing it in the name of women, all women, everywhere. That is what it means to be a Christian Feminist.

Alysha: Yes, that’s the important point. We are showing that women can endure what men can endure, even to the ends of the earth.

Fernanda: If you look at it in historical, or maybe philosophical terms, women are really the stronger of the sexes. For all of human history, we have endured child-bearing, child-birth and, for most of history, the disease and death associated with those things. Women are crucified every day, and always have been.

Question:
I’m sure you must know that many people will ask—why the nudity? Is it really necessary?

Fernanda: Yes!

Zoe: It’s authentic. We know that Christ was crucified in the nude. But, in the case of women, even if you add the loincloth that medieval artists insisted on, the amount of nudity would still be shocking.

Alysha: Indeed!…Boobs!...Imagine what people would say! So, as long as you’re going part of the way, why not go all the way.

Question: But it’s still sexy.

Fernanda: It is, and it isn’t.

Zoe: It is!

Everyone laughs.

Alysha:
Yes, it’s sexy. I’m sure the men in the audience, however Christian they might be, were glued to the scene…nothing like tits and ass to bring them out!

Question: But was it sexy for you?

Zoe: Yes, I confess it was. But, as a modern Christian woman, I know there is no need for confession. It’s perfectly fine to feel sexy. And, yes, when you get your clothes ripped off you by a bunch of shirtless men and you know the eyes of a big crowd are on you, you will feel either humiliated or sexy.

Question: And how did you feel?

Zoe: Sexy…definitely sexy! I’d do it again…even the whipping!

Question: Even the whipping? That’s surprising. Why?

Fernanda: The whipping is not as harsh as it might seem to the audience, especially the television audience, since sound effects are added for television. Mr. Christian is quite skillful at delivering a convincing performance.

Christian: Thank you! So are you!

Alysha: Yes, it’s a convincing performance from the audience’s viewpoint. For us, the whip is actually very stimulating. It’s like a rough caress. There is a bit of pain but a maximum of physical stimulation, almost more than you can imagine. A whiplash expertly delivered leaves you tingling; the nerves are excited and the muscles flex. You feel sexy all over. You see it, and feel it, especially in your breasts.

Question: What about being crucified? Is it scary? Painful? Do you want to just say, ‘stop’ to everybody and walk away?

Zoe: Definitely not the latter.

Alysha: No, never walk away. It’s a commitment.

Zoe: I have to admit I was scared at the beginning, when my back was being whipped. It didn’t hurt…much…but I had that sudden feeling of ‘what am I getting into?’ I had it again when they started tying my down on the cross. ‘Oh, my God, what have I done?’ That was the feeling. But that all changed as soon as they raised my cross! There was a bit of pain, at first, in my arms and shoulders, but it passed. Then, I looked down. I was naked! I could see my nude body all the way down to my toes. I became starkly aware of my breasts, little as they are, and my nipples, which were distended and sensitive, but sensitive in an exhilarating way, full of feeling, excitement! It was like making love, making love to the wood of the cross itself.

Christian: In fact, the cross is often seen as a phallic symbol.

Alysha: Maybe that’s why we love it so!

They all laugh.

Fernanda:
Zoe is right. It’s exhilarating. The first thing I did after my cross was raised was to look down at my body. I guess I was trying to make sure I wasn’t going to fall. What I saw were two jutting breasts, with nipples like fire hoses! Then I looked at the crowd and I realized they were looking at us, not just looking but transfixed, men and women both! There was a sense of awe in their faces. I thought to myself, ‘what a responsibility!’

Alysha: I have to admit I was almost comfortable on the cross, all stretched out, letting the sun warm my skin. It was like the way you feel when you wake up on a Saturday morning and you stretch and yawn and loll in bed longer than usual. It’s a highly sensual feeling.

Fernanda: Alysha has a great deal of fortitude!

Question: What do you say to the men in the audience who end up desiring you?

Zoe: Go home to your wives!

Alysha: Get a life!

-0-​
 
...and finally, the director speaks out...

Unaired Post-Crucifixion Interview with Greg Gregson

Directed by Greg Gregson

Greg Gregson, a middle-aged man with a two-day growth of beard and a slight paunch, sits in the same locker room as the previous group. Like Thomas Christian, he is clad only in jeans, a wide leather belt and sandals. He is being interviewed by a female reporter off-camera.

Question:
Apparently you had a slight—shall we say—etiquette problem early in the production. Can you tell us about it?

Gregson: Sure. All the helpers were supposed to go shirtless. So I decided, as the director, to go shirtless as well. As it happens, I have two camera operators, a man and a woman. So I instructed the woman, a very capable long-term employee named Isabel, to work topless. She agreed readily. She’s a good sport. But Christian was miffed. He wanted Isabel’s tits covered. At first, he tried to give me a morals lecture but then he said, ‘well, you know, we don’t want people in the audience to be distracted.’ In other words, the only tits anybody was supposed to see were the ones being whipped and crucified.

Question: And then everything was alright.

Gregson: Yes. That argument I could buy. So Isabel went around with a spandex bra all the time.

Question: How was it dealing with the three women on the set?

Gregson: They’re real troupers! I mean, they rehearsed--they knew their lines and their moves; they took direction!

Question: Considering the content, was it awkward at times giving them directions?

Gregson: Let me put it to you this way. All three women are gorgeous! My job is to gradually denude them. At times, in rehearsal, I had to—shall we say—physically direct them, hold their hands, move them around by their elbows, steady them at the hips. As a gorgeous woman gradually sheds her cloths, and you’re half naked yourself, it becomes, yes, a little awkward.

Question: But you’d do it again?

Gregson: Yes, of course!

Question: Were you able to avoid temptation?

Gregson: Yes, but just barely.

Question: How?

Gregson: All three women are very, very Christian in their outlook. They transmit a great deal of sympathy. I would be mortified to try something with any of them.

Question: Even Alysha?

Gregson: Especially Alysha…she’s a Christian Feminist with the attitude of a teamster.

Question: You say they are very, very Christian, but you also seem to imply they are very, very sexy as well. How do you stay focused on your work surrounded by these sexy women.

Gregson: With a certain amount of difficulty. As you know, I have worked in the porno industry. That’s how I got this job. I’m an expert BDSM rigger as well as a video operator and editor. So, I’m used to being around beautiful, naked babes, but this is different.

Question: How so?

Gregson: In porno movies, the girls as so available pretty soon you get tired of it. They all look the same, sound the same, act the same. I know how whores feel about Johns. But these gals are different. They’re genuine. They come across as real. They have personality. So, each one is beautiful in a different way. You fall in love with them. And, of course, they’re basically unattainable…that makes them almost unbearably desirable.

Question: Is it love, or lust?

Gregson: It’s both, nature’s most astonishing concoction! Working with them in rehearsal was a lovefest. But the last day was pure lust…I mean, when those crosses went up…their breasts jiggle and sway, then they twist and turn, and they’re completely uninhibited—I guess we got that across to them—so they roll their hips and you can’t quite see those luscious cunts of theirs but you know they’re there because of the nicely combed pubic hair and the jutting hip bones…then they look at you, and they’re completely naked and spread out and uninhibited, and they smile…and they’re hanging there, nude, available, seemingly well-disposed toward mankind…What a turn-on! A naked crucified woman is the sexiest thing on earth…and three of them at the same time—different colors and sizes and shapes and all long arms and legs, twitching and turning in slow motion, swaying breasts with pointy, aroused nipples, a lot of nice muscle tone—it’s beyond further description, and, there’s a repeat performance next year, maybe better than ever!

Question: Really? Can you give us a preview?

Gregson: There’s already nine signed up; in other words, it’s going to be a festival, maybe three days, same crosses, same routine, but three different girls each day. Can you imagine? Actually, I’m pumping for a one day event. Order more crosses, get more helpers, string them all up at once! Nine beauties all in a row, their legs twisting, their tits swaying, hair in their faces, cunt everywhere! I can’t wait!

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