Chapter 17: The Captive (VIII)
Zach enters the cell, the mistreated woman thrown over his shoulder. He carries her with no great effort. No wonder, he is big and strong and she seems to be quite petite, maybe just a little over five feet tall and not even 100 lbs in weight. Without taking care of a safe landing, he dumps her in the middle of the room. She is barley conscious and in such a bad condition, that he does not even bother tying her up or securing her in a different way before leaving.
I wait a couple of seconds to make sure that Zach is really gone after he shut the door. Then, I carefully crawl over to her. The chain around my neck scratches across the concrete floor as I drag it behind me. It has enough slack so that I can reach my fellow captive.
She lies on her side with her back turned towards me. Her breath must be flat and weak, considering that her ribcage is barely extending. I notice that my hand is shaking as I touch her on her shoulder and cautiously turn her around, so that she is lying on her back. With her face turned upwards, illuminated by the little light that falls in through the window, I finally recognize her. This is the woman that I have been looking for, the woman I had been so determined to save. This is Millicent!
I sit down next to her, my hand still resting on her left shoulder, and begin to sob. Not only do I cry because I have failed her. What Zach and Zoey have done to her leaves me with no doubts of what my own fate will be: For them, it is not enough to mistreat me in front of their camera. They will kill me and capture it all on video and then I will end up on that dreadful 'Red Room' website Lucas and I have discovered. I wonder if they already have uploaded 'April's trailer', a short video showing me being kicked around or being shocked with the cattle prod by Zach.
Just as these dark thoughts bring me to the verge of a nervous breakdown, Millicent opens her eyes and gasps. She starts breathing rapidly. Gently, I put both of my hands on her chest, trying to calm her down, but it has no effect. Her gaze is searching the room, aimlessly, meeting mine for a second but then immediately moving on. She is delirious, unaware of her surroundings. Her pain must be terrible. This goes on for a couple of minutes. I feel so helpless, not knowing how I should comfort her. Her consciousness finally shows the mercy of leaving her and she lies still again.
Only now I see the considerable puddle of blood that has formed between her legs. Shuddering, I realize where it is coming from. When Zach had sodomized her with the monstrous wooden dildos earlier, he must have torn her rectum, and he likely damaged her intestines, too. I have to stop the bleeding, or she will die on me. I cannot let this happen! Thinking quickly, I grab the roll of toilet paper from the corner and press it between her buttocks.
"This is pointless", I hear Zach calling from the door. He is back, with Zoey in tow. "Get up bitch, we have a job for you!"
"We cannot just leave Millicent behind!", I protest. "She is going to die! She needs medical assistance! Can't you see that she is suffering?"
The next thing happens so fast that I hardly register it. Zach grabs a gun from behind his back, aims and shoots. The noise of the gunshot deafens me for a couple of seconds, especially in this small room where the soundwaves have nowhere else to go. Only when the whistling in my ear is gone a good deal of moments later, I see where the shot has hit. During my police training, I had lessons about the human anatomy, especially which parts of the body should be targeted if you only wanted to maim your opponent, and where the impact would be lethal. In Millicent's case, the bullet entered her torso on the left side, just below her last rib. From the angle the bullet had come from, it must have found its way straight into her heart. She is dead.
"She isn't suffering anymore. Happy now?"
Aghast, I stare at Zach. I have no idea how to comment what just happened. Zach, however, does not seem to bothered a bit by the fact that he just killed a person. Instead, he seems to be in the mood for jokes.
"Do you think, that this makes you a free elf, Dobby?", he laughs, pointing the gun at the lone sock I still wear. "Take it off, you don't need it."
Every last bit of me wants to resist against doing anything he tells me, but I have to be smart. He is the one holding the gun and has proven that he is not hesitant about using it. For now, I should better do as he says. So I pull the sock off my right foot and toss it at him. He only smirks when it hits him in the crotch, not doing any damage before it falls to the ground.
"Get up and let Zoey prepare you!", he commands.
Zoey enters the room, dragging a seemingly heavy wooden crate behind her. When she lifts the hood, I see where the weight is coming from: Manacles and chains. She spends the next couple of minutes equipping me with them. My ankles are connected with a set of cuffs that allows me to take small steps, but not to make wide enough ones to run. There is also a metal ball that she attaches to the chain connecting the ankle cuffs. A similar set is put on my wrists, but without the ball. Finally, there is a third chain, connecting my wrist chain with the ankle chain. When Zoey is done, I feel like a quarry slave being prepared for the chain gang.
That is not too far away from what they have planned for me now. After unlocking me from the wall, they drag me through the derelict building and outside. The morning has passed, the sun is up and the heat is scorching already. We live in a part of the country where the majority of the landscape outside of the cities, apart from the few laboriously irrigated agricultural areas, is a rocky desert with only sparse vegetation. After my eyes have adjusted more or less to the bright light, I look around. But apart from the old brick buildings and corrugated iron huts of the old mine, there is nothing around but a dry plain, only populated by smaller or bigger hills with rocks and a few dry bushes.
There is one thing that does not really fit the scene: An old camper, parked in the shadow of one of the larger buildings. For a moment, I have to think about the iconic scene from the first season of 'Breaking Bad', in which Walter White jumps out his RV, wearing nothing but his undies and an apron. If he actually came to my help right now, I would even turn a blind eye on him cooking meth. But no such thing happens.
While using the chain coming from my iron collar as a leash to drag me behind, Zach picks up a spade that had been waiting leaned against the base of a rusted silo. He wears his ski mask again, since Zoey is following us with her camera, filming my next ordeal. I barely manage to keep up with his pace, not only because my restraints are impeding my movement, but also because their weight is slowing me down. I guess that the manacles and chains they have put on me, including the iron ball, easily weigh 50 lbs or more combined.
When we finally arrive at the location he was heading for, an unpaved courtyard sorrounded by a couple of smaller buildings, he lets go of me for a moment. Of course, I am not silly enough to run. I would never make it more than a couple of feet before they catch me. The only thing I can do is hope for them to make a mistake and, when my chance to flee comes, make use of it.
For the moment, I watch Zach as he uses the tip of the spade to draw a rectangle in the sand, about six feet long and two feet wide. Then he comes back to me, handing me the spade.
"Dig until you are down to your hips!"
His instructions are clear and the purpose of the hole I am about to excavate is unquestionable. This will be Millicent's grave. How cruel is it that she will be laid to rest in a place where no one will ever find her? For myself, I make the resolution that if I actually get out of this alive, I will make sure that her body will be recovered and returned to her family for a proper funeral, and to give them closure.
Lost in my thoughts I hesitate to start working. Zach loses his patience. He has brought along the flogger he used on me yesterday. A few lashes on my butt and tighs wake me up and get me working.
Digging in this terrain is hard. It is not anything linke digging a hole in your garden when you want to plant a new tree or remove a larger portion in order to pour the foundation for a gazebo. The earth here isn't moist and giving. The sand is dried in a thick crust, permeated with gravel and smaller stones. Most of the time, I don't even use the spade as a shovel but as a pickaxe.
It does not take long until my skin is covered with a sheen of sweat and my wet hair is sticking to my face. My hands and feet are bleeding from using the tool. The slave work is hard and the desert sun is unforgiving. Zach and Zoey have retreated into the shadow of one of the buildings. They only emerge when Zach feels like I need some more incentive from the whip (or the cattle prod, which he has also fetched in the meantime) or Zoey wants to capture me from another angle.
By the time I am finished with the hole, I am barely able to hold myself upright and need the shovel as support. My throat is burning from thirst and my head is swimming from baking in the sun.
"Good, cunt!", Zach enters the scene once more, pulling me out of the shallow grave, "Now we get the other whore and finish this!"
He leads me back into the cell where we find Millicent's body, just as we have left her. I try to lift her up to carry her away, but I can't do it. Even if I wasn't as exhausted as I am now, it would hardly be possible for me. I do not weigh a lot more than she does. Her weight, combined with the chains I am wearing, would make my load a lot heavier than my own weight. My only option is to grab her by her feet and pull her away.
While being dragged across the floor, she leaves a blood trail that gets thinner the further we progress. When we arrive at the grave, I use the last bit of my strength to properly place her, ensuring that she lies straight, her legs are closed and her hands a folded over her chest.
I hope that this will satisfy Zach and Zoey for now, but they make it clear that I am far away from a rest. Of course, they make me finish the burial by shoveling all of the sand and stones back into the grave. I do it with tears running down my face, both from my grief for Millicent and my weariness. The sun has reached its highest point by now, telling me that it is noon. When I am done, fatigue overcomes me. I let go of the spade and fall on my knees, panting, sweating and crying. I feel my urine splashing against my thighs. Zoey moves in with the camera to get close-ups, first of my wet legs and then of my desperate face.
Out of the corner of my eye, I see Zach picking up the spade and drawing another six by two feet rectangle in the sand, just next to Millicent's fresh grave.
"Again", Zach orders as he throws the spade down in front of me. "This one will be for you!"
"And then?", I challenge him, barely able to utter an intelligible word. "Are you going to kill me when I'm done?"
"No, first we need some more footage from you. But don't worry, you will die today."
A jab with the cattle prod gets me working again.
To be continued.