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1942

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Wowee. That must be the most dramatic ending to a story I have ever read here.
And I can think of worse places to finish up, between the legs of one of our bound lovelies.
Almost enough to bring me back to life, if briefly :D

BANZAI!!
View attachment 184528



You and the rest of us, dear Yupar. I can almost feel it myself, the hard steel piercing your delicate female flesh.
Helpless, bound, no way to escape the cruel blade.
The blood dripping on my lifeless body below . . .
Those Nippons are merciless, and inventive.
:devil:
 
1942 (Part 24 - "Just kills us, please!")

Spectacles and Scarface lead a phalanx of men across the mist-covered airstrip, a half-crazed blood-thirsty look in their eyes, as they head straight for the four of us.

“They are coming to finish us off,” I croak, twisting my head to see if Siss is awake. The movement sends bolts of pain through my tightly bound, crucified body.

“Spears!” gasps Siss, spotting the crude long bamboo shafts with sharpened points carried by a number of the soldiers.

“No more … no more, please! Just kills us, please! Siss screams hysterically.

From across the way, Yupar yells hysterically, “The leeches … inside me … sucking the blood of my cunt!”

“We triumph should we die bravely,” observes Messaline, shifting her hips from side to side in a vain attempt to shake off a new wave of leeches slowly making their way up her thighs.

In seconds Spectacles, Scarface and the soldiers crowd excitedly around us. The soldiers jabber at one another, eager to get on with the final act of our execution drama. Scarface shouts something incomprehensible. The soldiers come to attention. Standing with their legs braced slightly apart, and raising their arms in unison, they shout some kind of oath, the little flaps on the backs of their field caps flopping comically. The air fills with the sickly smell of their heavily liquored breath.

They have dragged the dead bodies of Blaire, Bull, Paul and Phlebas with them across the airstrip, and have heaped them on the ground before us. Spectacles shouts orders. Blaire’s nude corpse is strung up, one wrist tied to my cross and the other to Siss’. They suspend her spread-eagled between us, head hanging listlessly, the dark end of an iron rod still protruding grotesquely from her ass.

Now they drag poor Wragg around in front of me. Dirty and disheveled, he looks like he is at the end of his rope, as they strip away his clothes, beat him mercilessly, and then tie him to my cross, his head upturned between my spread legs. He says something incomprehensible to me, and then lets out a blood curdling scream as one of the bamboo spears is driven through his gut. Blood spurts from his mouth, he makes a hideous gurgling sound as his head lolls forward.

Siss shakes her head and looks away.

The corpses of Bull, Paul and Phlebas are tied in similar fashion between the legs of the other three girls. The Japs are assembling a most grizzly tableau, for what purpose I cannot imagine. But they seem intent on it. Having completed this bit of handiwork, they return to their ritualistically frenzied cheering. I close my eyes, their repeated huzzahs ringing in my ears, I unable to watch.

The sun has risen over the trees of the nearby jungle by now, and we are bathed in its warm morning rays. The temperature is rising fast; the mist over the airstrip rapidly evaporating. I have begun to sweat, irritating the inflamed cuts and scratches that cover my bare breasts, tummy and thighs. The ropes binding my wrists and ankles to the bamboo frame of my cross have by now cut deeply and bloodily into my flesh. I try to flex my fingers, but there is no feeling.

I drift in and out of consciousness, but am suddenly brought back by the staccato high-pitched sound of Spectacles’ voice as he issues new orders. I blink, and try to focus on what is happening. The soldiers have formed up in ranks facing Messa and Yupar, and two of them bearing long bamboo spears have stepped to the front. Spectacles and Scarface stand off to one side at stiff attention. Spectacles holds a ceremonial sword upright in his right hand.

Siss rasps, “Oh! My god … no!!!!!!”

On Spectacles command, the first of the spear-bearing soldiers’ advances on Messaline, who eyes him warily and begins to softly sing once again, “Alouette, gentille alouette, Alouette, je te plumerai.” Her soft lilting singing is cut short, however; morphing into a terrible scream as her assailant jabs the sharp point of his bamboo spear into the soft underside of her right breast, drawing a rush of blood as he withdraws it. The assembled soldiers throw their arms in the air and shout another huzzah.

She resumes her song, but with less assurance now, “Je te plumerai la tête, Je te plumerai la tête, Et la tête! Et la tête! Alouette! Alouette! A-a-a-ah.”

A moment later, he spears her again, this time in the left breast just to one side of her nipple. Huzzahs again. Spectacles lowers his sword in a swift downward motion and nods.

Here comes the coup de grâce, I think.

The soldier steps two steps back, and then bursts forward with a cry of “banzai” and runs Messaline through, the bloody point of his bamboo spear poking through to her back. Her head jerks back, blood spurts from her mouth and nose, her eyes open and wide. Then with a low moan she goes limp against the bamboo frame of her cross.

Tears run down my cheeks as I whisper to myself, “Goodbye Messaline”.

Attention now shifts to Yupar’s spread-eagled body and the spear-bearing soldier facing her. Spectacles raise his sword. The soldier hesitates then advances on Yu holding his spear low. Falling to one knee he buries the spear point with a swift underhand motion into her leech covered sex.

Blood runs in torrents down Yupar’s legs as he brutally twists the spear left and right and in and out. She writhes and twists in agony, raises her head … face contorted in pain … and screams her lungs out for what seems an eternity before her head lolls forward, long dark hair shrouding her upper torso. A renewed chorus of huzzahs from the soldiers fills the air.

Withdrawing the bloody-pointed bamboo shaft, he turns to Spectacles, who lowers his sword and nods. The soldier salutes, yells “banzai” and promptly runs the naked and defenseless Burmese girl through.

“Oh! Sweet Jesus!” Siss screams.

Messa and Yupar hang limp, heads down, hair covering their faces. The soldiers laugh as they twist the Bamboo over and over.

Two executions down, two to go. The assembled troops perform a smart military about-face to confront Siss and me. I scan their grim, sadistic-looking faces, and steel myself for the worst.

“This is it Siss,” I announce with unexpected calmness.

Again, two soldiers bearing bamboo spears step forward. Mine appears to be near-sighted. He is short and bow-legged, and squints up uncertainly at me through thick eyeglasses. Siss’ executioner is the exact opposite … muscular, swaggering and fierce-looking.

Air raid sirens begin to sound. The air is filled with the sound of approaching aircraft, which roar over our heads at low level. Sticks of bombs are falling. My god, are we to be rescued or will the bombs kill us spread-eagled here amongst our capturers?

The noncoms scatter ... Some scrambling to man machine guns. Others simply take cover. Spectacles and Scarface are screaming orders but they seem to be ignored.

I keep looking toward Siss, she is writhing in a frantic panic.

The bombs are falling all along the airstrip. In the distance, screams can be heard coming from the main camp. A string of bombs explode just a few hundred yards in front of us. Shrapnel and gravel from the tarmac shower us all.

Scarface throws Spectacles one of the bamboo spears. They exchange a determined nod and position themselves on either side of Siss, now screaming in fearful apprehension of what is about to happen.

Grasping the their spears firmly with both hands, they simultaneously drive their spears upward just below her rib cage, passing through her and emerging from the opposite side, just below her shoulders. Her mouth opens wide, her head flies back then falls forward to her chest. A trickle of bright red blood drips from her mouth and runs down her chest. She is gone.

The jungle is aflame. The crackling sound of trees and underbrush igniting fills the air. Sunlight streams across the landscape as the morning clouds begin to part, illuminating the immediate blood-stained scene as well as the hills to the west.

If help is coming, it’s too late for Siss and me. Scarface and Spectacles are determined to finish the job they have started. I glance over at Siss’ lifeless body, her light blonde hair tossed about by the occasional hot gust of wind.

I look down at Scarface and Spectacles. They are just standing there with spears in hand. I scream at them as loud as I can, “DO IT DAMN IT!!! WHAT ARE YOU WAITING FOR NOW! JUST DO IT!!!!!”

I raise my head, take a deep breath and stare out towards the hills. I see two flashes of light high on the hillside closest to me as my insides are torn and spilt. I feel the air leave my lungs. I am blind. Why can’t I see …???????

Finis

Barb and Siss, 2015
Wow. Majestic. Awful, but majestic
 
1942 (Part 24 - "Just kills us, please!")

Spectacles and Scarface lead a phalanx of men across the mist-covered airstrip, a half-crazed blood-thirsty look in their eyes, as they head straight for the four of us.

“They are coming to finish us off,” I croak, twisting my head to see if Siss is awake. The movement sends bolts of pain through my tightly bound, crucified body.

“Spears!” gasps Siss, spotting the crude long bamboo shafts with sharpened points carried by a number of the soldiers.

“No more … no more, please! Just kills us, please! Siss screams hysterically.

From across the way, Yupar yells hysterically, “The leeches … inside me … sucking the blood of my cunt!”

“We triumph should we die bravely,” observes Messaline, shifting her hips from side to side in a vain attempt to shake off a new wave of leeches slowly making their way up her thighs.

In seconds Spectacles, Scarface and the soldiers crowd excitedly around us. The soldiers jabber at one another, eager to get on with the final act of our execution drama. Scarface shouts something incomprehensible. The soldiers come to attention. Standing with their legs braced slightly apart, and raising their arms in unison, they shout some kind of oath, the little flaps on the backs of their field caps flopping comically. The air fills with the sickly smell of their heavily liquored breath.

They have dragged the dead bodies of Blaire, Bull, Paul and Phlebas with them across the airstrip, and have heaped them on the ground before us. Spectacles shouts orders. Blaire’s nude corpse is strung up, one wrist tied to my cross and the other to Siss’. They suspend her spread-eagled between us, head hanging listlessly, the dark end of an iron rod still protruding grotesquely from her ass.

Now they drag poor Wragg around in front of me. Dirty and disheveled, he looks like he is at the end of his rope, as they strip away his clothes, beat him mercilessly, and then tie him to my cross, his head upturned between my spread legs. He says something incomprehensible to me, and then lets out a blood curdling scream as one of the bamboo spears is driven through his gut. Blood spurts from his mouth, he makes a hideous gurgling sound as his head lolls forward.

Siss shakes her head and looks away.

The corpses of Bull, Paul and Phlebas are tied in similar fashion between the legs of the other three girls. The Japs are assembling a most grizzly tableau, for what purpose I cannot imagine. But they seem intent on it. Having completed this bit of handiwork, they return to their ritualistically frenzied cheering. I close my eyes, their repeated huzzahs ringing in my ears, I unable to watch.

The sun has risen over the trees of the nearby jungle by now, and we are bathed in its warm morning rays. The temperature is rising fast; the mist over the airstrip rapidly evaporating. I have begun to sweat, irritating the inflamed cuts and scratches that cover my bare breasts, tummy and thighs. The ropes binding my wrists and ankles to the bamboo frame of my cross have by now cut deeply and bloodily into my flesh. I try to flex my fingers, but there is no feeling.

I drift in and out of consciousness, but am suddenly brought back by the staccato high-pitched sound of Spectacles’ voice as he issues new orders. I blink, and try to focus on what is happening. The soldiers have formed up in ranks facing Messa and Yupar, and two of them bearing long bamboo spears have stepped to the front. Spectacles and Scarface stand off to one side at stiff attention. Spectacles holds a ceremonial sword upright in his right hand.

Siss rasps, “Oh! My god … no!!!!!!”

On Spectacles command, the first of the spear-bearing soldiers’ advances on Messaline, who eyes him warily and begins to softly sing once again, “Alouette, gentille alouette, Alouette, je te plumerai.” Her soft lilting singing is cut short, however; morphing into a terrible scream as her assailant jabs the sharp point of his bamboo spear into the soft underside of her right breast, drawing a rush of blood as he withdraws it. The assembled soldiers throw their arms in the air and shout another huzzah.

She resumes her song, but with less assurance now, “Je te plumerai la tête, Je te plumerai la tête, Et la tête! Et la tête! Alouette! Alouette! A-a-a-ah.”

A moment later, he spears her again, this time in the left breast just to one side of her nipple. Huzzahs again. Spectacles lowers his sword in a swift downward motion and nods.

Here comes the coup de grâce, I think.

The soldier steps two steps back, and then bursts forward with a cry of “banzai” and runs Messaline through, the bloody point of his bamboo spear poking through to her back. Her head jerks back, blood spurts from her mouth and nose, her eyes open and wide. Then with a low moan she goes limp against the bamboo frame of her cross.

Tears run down my cheeks as I whisper to myself, “Goodbye Messaline”.

Attention now shifts to Yupar’s spread-eagled body and the spear-bearing soldier facing her. Spectacles raise his sword. The soldier hesitates then advances on Yu holding his spear low. Falling to one knee he buries the spear point with a swift underhand motion into her leech covered sex.

Blood runs in torrents down Yupar’s legs as he brutally twists the spear left and right and in and out. She writhes and twists in agony, raises her head … face contorted in pain … and screams her lungs out for what seems an eternity before her head lolls forward, long dark hair shrouding her upper torso. A renewed chorus of huzzahs from the soldiers fills the air.

Withdrawing the bloody-pointed bamboo shaft, he turns to Spectacles, who lowers his sword and nods. The soldier salutes, yells “banzai” and promptly runs the naked and defenseless Burmese girl through.

“Oh! Sweet Jesus!” Siss screams.

Messa and Yupar hang limp, heads down, hair covering their faces. The soldiers laugh as they twist the Bamboo over and over.

Two executions down, two to go. The assembled troops perform a smart military about-face to confront Siss and me. I scan their grim, sadistic-looking faces, and steel myself for the worst.

“This is it Siss,” I announce with unexpected calmness.

Again, two soldiers bearing bamboo spears step forward. Mine appears to be near-sighted. He is short and bow-legged, and squints up uncertainly at me through thick eyeglasses. Siss’ executioner is the exact opposite … muscular, swaggering and fierce-looking.

Air raid sirens begin to sound. The air is filled with the sound of approaching aircraft, which roar over our heads at low level. Sticks of bombs are falling. My god, are we to be rescued or will the bombs kill us spread-eagled here amongst our capturers?

The noncoms scatter ... Some scrambling to man machine guns. Others simply take cover. Spectacles and Scarface are screaming orders but they seem to be ignored.

I keep looking toward Siss, she is writhing in a frantic panic.

The bombs are falling all along the airstrip. In the distance, screams can be heard coming from the main camp. A string of bombs explode just a few hundred yards in front of us. Shrapnel and gravel from the tarmac shower us all.

Scarface throws Spectacles one of the bamboo spears. They exchange a determined nod and position themselves on either side of Siss, now screaming in fearful apprehension of what is about to happen.

Grasping the their spears firmly with both hands, they simultaneously drive their spears upward just below her rib cage, passing through her and emerging from the opposite side, just below her shoulders. Her mouth opens wide, her head flies back then falls forward to her chest. A trickle of bright red blood drips from her mouth and runs down her chest. She is gone.

The jungle is aflame. The crackling sound of trees and underbrush igniting fills the air. Sunlight streams across the landscape as the morning clouds begin to part, illuminating the immediate blood-stained scene as well as the hills to the west.

If help is coming, it’s too late for Siss and me. Scarface and Spectacles are determined to finish the job they have started. I glance over at Siss’ lifeless body, her light blonde hair tossed about by the occasional hot gust of wind.

I look down at Scarface and Spectacles. They are just standing there with spears in hand. I scream at them as loud as I can, “DO IT DAMN IT!!! WHAT ARE YOU WAITING FOR NOW! JUST DO IT!!!!!”

I raise my head, take a deep breath and stare out towards the hills. I see two flashes of light high on the hillside closest to me as my insides are torn and spilt. I feel the air leave my lungs. I am blind. Why can’t I see …???????

Finis

Barb and Siss, 2015

Can there be a better way to go than between Barb's legs? Thanks for a good send-off, Siss & Barb! :)
 
Wowee. That must be the most dramatic ending to a story I have ever read here.
And I can think of worse places to finish up, between the legs of one of our bound lovelies.
Almost enough to bring me back to life, if briefly :D

BANZAI!!
View attachment 184528



You and the rest of us, dear Yupar. I can almost feel it myself, the hard steel piercing your delicate female flesh.
Helpless, bound, no way to escape the cruel blade.
The blood dripping on my lifeless body below . . .
Those Nippons are merciless, and inventive.

Thanks Phlebas! That pic is a perfect complement to the last story episode...thanks so much for posting it.:)

Sounds, from what he has written above, that it was Phlebas who ended up beneath our Yupar;)
 
EPILOGUE: Kuching Airport, 1982.

Jenny sat in the departure lounge at Kuching airport and watched her mother anxiously. The years had been kind to Roxie, in her early sixties she was a very attractive woman. She was stood by the window, gazing out across the runways and taxiways, completely lost in her own thoughts and memories.

Jenny was annoyed that they’d had to fly to and from this airport instead of Kota Kinabalu; they were now facing no fewer than three connections to get home to Ohio, and the next two days of her life to be spent on planes and in airports was all time that she’d not get back. She sighed, and pushed such thoughts to the back of her mind. This trip was for Roxie, and during it she’d learned so much more about her mother. Finally Roxie had opened up, and shared with Jenny the stories of her time here, forty years ago, during the war. Of all the thousands of people in the airport, Jenny and Roxie were among the select few that knew of the dark secrets buried beneath all that concrete.

A Malaysian 737 had just landed and was taxying up to the terminal. Roxie came and sat next to her daughter. “I think that plane is about to taxy over the place where they crucified Barb, Siss, Yupar, and Messa! For all I know their bodies are still under the ground there!”

Jenny hugged her Mom. There were no words that she could say. She looked over her mother’s shoulder at the arriving plane. A hundred tourists and business people, coming to soak up the sun or do deals, completely unconscious of the suffering that had taken place on that very spot within living memory. No wonder her Mom was upset.

Four days. Four days her mother had spent, tied to a tree, having been left there by an Australian soldier, Phlebas, as some kind of a joke or punishment. She could have starved to death there, or have been found in her turn by the Japanese. But, incredibly, she had survived, and had been rescued by no less a personage than a Lieutenant-Colonel of the British Special Operations Executive, who had parachuted in at great personal risk to look for his lost men.

He had come in under cover of an air raid. He hadn’t trusted anyone else’s skills as a sniper, but by the time he was surveying the airfield through a gunsight he had been able to see that he was far, far too late. He’d grimaced when he saw the crosses. Crucifixion. The japs were already notorious for it even by 1942. But the victims had not been his men, but women. His men were tied, dead, to the crosses. Including Wragg . Christ. Wragg, you pillock, you’ve brought those girls to a grisly end!

He’d just been about to put the gun away when he’d seen movement from one cross – the dark haired girl was still alive! But not for long, two japs were heading for her, ignoring the continuing air raid. Kill the japs, or kill the girl? He’d come to a snap decision, and settled the cross hairs on the girl.

Roxie he’d come across entirely by accident as he’d slipped away from the scene. A couple of dozen yards to left or right and he’d have missed her.

The Colonel had taken Roxie back up to look at the airfield, and passed her his field glasses. The scene, described by Roxie, was vivid in Jenny’s mind, and she would remember it herself forever. Maybe she would one day tell her own children, maybe one day she would write it down. But not yet.

Four women, dead on their crosses; not hanging – they were tied so firmly that only their heads lolled forwards. Wragg, tied to Barbara’s cross, between her legs, with a spear sticking out of his guts. The bodies of Phlebas, Paul, and Bull, tied in similar fashion to Siss, Roxie, and Yupar’s crosses. Blaire’s body had been tied, one wrist to Barb’s cross, one to Siss’ cross.

Roxie had described how she’d heard everything, but seen nothing. She had heard the gunfire, and the sound of a plane crashing. Then a massive firefight. The ensuing silence had been terminated by a scream from Blaire that, even at that distance, had put the birds up in panic flight. Roxie had described a deep, full throated, roar of agony; she had needed an hour to recover her composure and continue her story.

The sounds of them crucifying the girls. Screams of terror and of fury that went on for hours, right into and through the night. And as Roxie had stood, frustrated by the impotence of her position, she had caught the words of a song drifting across the airfield:

Alouette, gentille alouette

Alouette, je te plumerai.

Jenny remembered learning that song in French lessons at school. She’d come home that teatime, ten years old, and started singing it, expecting Roxie to be impressed. She recalled how hurt she’d felt when Roxie had flown into a rage. “Jenny, you must NEVER, ever, sing that song in my hearing again! I cannot tell you why not, but mummy really, really, does not like that song! It’s a song that makes mummy very sad.” Jenny had cried at the time, but now, at last, she understood.

Roxie stood up again, and returned to her vantage point by the window.

Five men and six women. Roxie the only survivor. The fact that she’d been so incredibly lucky when the other women had died so horribly still haunted Roxie to this day. Jenny had heard of ‘survivor guilt’, but only now did she begin to grasp the full, horrifying meaning of the phrase.

The departure board began its characteristic clatter as it was updated. Jenny looked up at it hopefully, but against their flight it still said ‘Wait in lounge.’ It was a flight to Tokyo that had been called, and Jenny watched as a group of Japanese businessmen rose and began to head towards their gate. Roxie had seen them too, for they were going to pass between her and Jenny, and she tried to get back to Jenny, her loathing of Japanese still written all over her face.

But in the process she collided with an elderly, balding, bespectacled man. She apologized, as did he, and she had no choice but to step back and let him pass.

“YOU!”

Jenny jumped like a frightened cat as her mother screamed out the word. The whole terminal fell silent as the sound echoed back down from the ceiling.

“YOU BASTARD!!! ARREST THIS MAN!!! HE IS A WAR CRIMINAL!!!”

The man had turned a deep shade of red. If there’s one thing a Japanese hates it is being embarrassed or losing face in front of his peers.

“Madam, please, you are mistaken, I do not know what you mean. Please, let me pass!”

“You know fucking well what i mean! You crucified four innocent women!!! You tortured them on their crosses! Christ alone knows what you did to a fifth, but I’ll never forget her scream! Admit it, damn you – I’ll never forget your ugly face, either!”

You could have heard a pin drop in that terminal. Thousands of travellers, standing with mouths agape, truly astonished at the scene being played out in front of them, unable to believe the words they were hearing.

Jenny wanted the ground to swallow her.

Four-eyes fell into the trap. “They were NOT innocent! They had just killed our most senior general! They deserved all they got!

“And where in the Geneva Convention does it describe crucifixion?” asked Roxie, dangerously.

“The Emperor of Japan did not lower himself to acknowledge the Geneva Convention!”

“That’s because the whole lot of you are evil, sadistic, bastards!” Jenny winced, and Four-eyes’ fellow travellers cried out in rage. Two of them grabbed Roxie. “How dare you, Madam! May we remind you that the war has been over for nearly forty years!”

“Only ‘cos we nuked you!!”

Four-eyes glared at her. “My wife and baby daughter died at Nagasaki!”

“Good!” shouted Roxie.

“STOP!!! THAT IS QUITE ENOUGH!!” Jenny fought her way into the melee. “This is getting nobody anywhere! It is not ‘good’ that anyone died!” Roxie looked ashamed. She had gone too far there.

Four airport policemen arrived. “What is the problem?” asked one, “What is the cause of this disturbance?”

Jenny took command. “This man,” she pointed at four eyes, “has just admitted carrying out the torture and crucifixion of young women during the war.”

Four-eyes bristled. “This woman,” he pointed at Roxie, “ has just insulted myself, my country, my emperor, and my dead family!”

“Your passports, please,” requested the policeman. “All of you!”

They all handed over their passports, some with very bad grace, and one of the policemen departed with them.

“Please to sit down,” said the head policemen. “Please to be quiet.”

“We do have a plane to catch!” said one of the Japanese.

“Please to sit down. We will not take long.”

They sat in an uneasy silence. The terminal returned to normal. The departure board rattled again with Roxie and Jenny’s flight now boarding.

The policeman returned, and conferred with his boss.

“Your passports! Please to take them. You are all free to go!”

The passports were returned to their rightful owners. Roxie began to protest, but Jenny laid a hand on her arm.

“C’mon Mom. We have a plane to catch. He’s not worth missing our flight for.” Roxie looked reluctant, but they turned and headed towards the departure gates.

“NOOOOOOOO! STOP!!!!”

Jenny and Roxie swiveled in alarm. Their jaws dropped in dismay. Four-eyes was sitting on the ground, a large and bloody penknife in his hand, and his guts had spilled out all over the terminal floor, along with all the grief and the guilt of an honorable man forced, by war, to do dishonorable things.

His eyes met Roxie’s. “Goodbye, madam, I’m sorry for your friends,” he said, and he rolled onto his side, and died.
 
EPILOGUE: Kuching Airport, 1982.

Jenny sat in the departure lounge at Kuching airport and watched her mother anxiously. The years had been kind to Roxie, in her early sixties she was a very attractive woman. She was stood by the window, gazing out across the runways and taxiways, completely lost in her own thoughts and memories.

Jenny was annoyed that they’d had to fly to and from this airport instead of Kota Kinabalu; they were now facing no fewer than three connections to get home to Ohio, and the next two days of her life to be spent on planes and in airports was all time that she’d not get back. She sighed, and pushed such thoughts to the back of her mind. This trip was for Roxie, and during it she’d learned so much more about her mother. Finally Roxie had opened up, and shared with Jenny the stories of her time here, forty years ago, during the war. Of all the thousands of people in the airport, Jenny and Roxie were among the select few that knew of the dark secrets buried beneath all that concrete.

A Malaysian 737 had just landed and was taxying up to the terminal. Roxie came and sat next to her daughter. “I think that plane is about to taxy over the place where they crucified Barb, Siss, Yupar, and Messa! For all I know their bodies are still under the ground there!”

Jenny hugged her Mom. There were no words that she could say. She looked over her mother’s shoulder at the arriving plane. A hundred tourists and business people, coming to soak up the sun or do deals, completely unconscious of the suffering that had taken place on that very spot within living memory. No wonder her Mom was upset.

Four days. Four days her mother had spent, tied to a tree, having been left there by an Australian soldier, Phlebas, as some kind of a joke or punishment. She could have starved to death there, or have been found in her turn by the Japanese. But, incredibly, she had survived, and had been rescued by no less a personage than a Lieutenant-Colonel of the British Special Operations Executive, who had parachuted in at great personal risk to look for his lost men.

He had come in under cover of an air raid. He hadn’t trusted anyone else’s skills as a sniper, but by the time he was surveying the airfield through a gunsight he had been able to see that he was far, far too late. He’d grimaced when he saw the crosses. Crucifixion. The japs were already notorious for it even by 1942. But the victims had not been his men, but women. His men were tied, dead, to the crosses. Including Wragg . Christ. Wragg, you pillock, you’ve brought those girls to a grisly end!

He’d just been about to put the gun away when he’d seen movement from one cross – the dark haired girl was still alive! But not for long, two japs were heading for her, ignoring the continuing air raid. Kill the japs, or kill the girl? He’d come to a snap decision, and settled the cross hairs on the girl.

Roxie he’d come across entirely by accident as he’d slipped away from the scene. A couple of dozen yards to left or right and he’d have missed her.

The Colonel had taken Roxie back up to look at the airfield, and passed her his field glasses. The scene, described by Roxie, was vivid in Jenny’s mind, and she would remember it herself forever. Maybe she would one day tell her own children, maybe one day she would write it down. But not yet.

Four women, dead on their crosses; not hanging – they were tied so firmly that only their heads lolled forwards. Wragg, tied to Barbara’s cross, between her legs, with a spear sticking out of his guts. The bodies of Phlebas, Paul, and Bull, tied in similar fashion to Siss, Roxie, and Yupar’s crosses. Blaire’s body had been tied, one wrist to Barb’s cross, one to Siss’ cross.

Roxie had described how she’d heard everything, but seen nothing. She had heard the gunfire, and the sound of a plane crashing. Then a massive firefight. The ensuing silence had been terminated by a scream from Blaire that, even at that distance, had put the birds up in panic flight. Roxie had described a deep, full throated, roar of agony; she had needed an hour to recover her composure and continue her story.

The sounds of them crucifying the girls. Screams of terror and of fury that went on for hours, right into and through the night. And as Roxie had stood, frustrated by the impotence of her position, she had caught the words of a song drifting across the airfield:

Alouette, gentille alouette

Alouette, je te plumerai.

Jenny remembered learning that song in French lessons at school. She’d come home that teatime, ten years old, and started singing it, expecting Roxie to be impressed. She recalled how hurt she’d felt when Roxie had flown into a rage. “Jenny, you must NEVER, ever, sing that song in my hearing again! I cannot tell you why not, but mummy really, really, does not like that song! It’s a song that makes mummy very sad.” Jenny had cried at the time, but now, at last, she understood.

Roxie stood up again, and returned to her vantage point by the window.

Five men and six women. Roxie the only survivor. The fact that she’d been so incredibly lucky when the other women had died so horribly still haunted Roxie to this day. Jenny had heard of ‘survivor guilt’, but only now did she begin to grasp the full, horrifying meaning of the phrase.

The departure board began its characteristic clatter as it was updated. Jenny looked up at it hopefully, but against their flight it still said ‘Wait in lounge.’ It was a flight to Tokyo that had been called, and Jenny watched as a group of Japanese businessmen rose and began to head towards their gate. Roxie had seen them too, for they were going to pass between her and Jenny, and she tried to get back to Jenny, her loathing of Japanese still written all over her face.

But in the process she collided with an elderly, balding, bespectacled man. She apologized, as did he, and she had no choice but to step back and let him pass.

“YOU!”

Jenny jumped like a frightened cat as her mother screamed out the word. The whole terminal fell silent as the sound echoed back down from the ceiling.

“YOU BASTARD!!! ARREST THIS MAN!!! HE IS A WAR CRIMINAL!!!”

The man had turned a deep shade of red. If there’s one thing a Japanese hates it is being embarrassed or losing face in front of his peers.

“Madam, please, you are mistaken, I do not know what you mean. Please, let me pass!”

“You know fucking well what i mean! You crucified four innocent women!!! You tortured them on their crosses! Christ alone knows what you did to a fifth, but I’ll never forget her scream! Admit it, damn you – I’ll never forget your ugly face, either!”

You could have heard a pin drop in that terminal. Thousands of travellers, standing with mouths agape, truly astonished at the scene being played out in front of them, unable to believe the words they were hearing.

Jenny wanted the ground to swallow her.

Four-eyes fell into the trap. “They were NOT innocent! They had just killed our most senior general! They deserved all they got!

“And where in the Geneva Convention does it describe crucifixion?” asked Roxie, dangerously.

“The Emperor of Japan did not lower himself to acknowledge the Geneva Convention!”

“That’s because the whole lot of you are evil, sadistic, bastards!” Jenny winced, and Four-eyes’ fellow travellers cried out in rage. Two of them grabbed Roxie. “How dare you, Madam! May we remind you that the war has been over for nearly forty years!”

“Only ‘cos we nuked you!!”

Four-eyes glared at her. “My wife and baby daughter died at Nagasaki!”

“Good!” shouted Roxie.

“STOP!!! THAT IS QUITE ENOUGH!!” Jenny fought her way into the melee. “This is getting nobody anywhere! It is not ‘good’ that anyone died!” Roxie looked ashamed. She had gone too far there.

Four airport policemen arrived. “What is the problem?” asked one, “What is the cause of this disturbance?”

Jenny took command. “This man,” she pointed at four eyes, “has just admitted carrying out the torture and crucifixion of young women during the war.”

Four-eyes bristled. “This woman,” he pointed at Roxie, “ has just insulted myself, my country, my emperor, and my dead family!”

“Your passports, please,” requested the policeman. “All of you!”

They all handed over their passports, some with very bad grace, and one of the policemen departed with them.

“Please to sit down,” said the head policemen. “Please to be quiet.”

“We do have a plane to catch!” said one of the Japanese.

“Please to sit down. We will not take long.”

They sat in an uneasy silence. The terminal returned to normal. The departure board rattled again with Roxie and Jenny’s flight now boarding.

The policeman returned, and conferred with his boss.

“Your passports! Please to take them. You are all free to go!”

The passports were returned to their rightful owners. Roxie began to protest, but Jenny laid a hand on her arm.

“C’mon Mom. We have a plane to catch. He’s not worth missing our flight for.” Roxie looked reluctant, but they turned and headed towards the departure gates.

“NOOOOOOOO! STOP!!!!”

Jenny and Roxie swiveled in alarm. Their jaws dropped in dismay. Four-eyes was sitting on the ground, a large and bloody penknife in his hand, and his guts had spilled out all over the terminal floor, along with all the grief and the guilt of an honorable man forced, by war, to do dishonorable things.

His eyes met Roxie’s. “Goodbye, madam, I’m sorry for your friends,” he said, and he rolled onto his side, and died.

It may take 40 years, but Wragg's loathometer always wreaks its revenge ;)
 
It may take 40 years, but Wragg's loathometer always wreaks its revenge ;)

You lay a finger on Barb....don't expect to die peacefully in your bed

Unless you happen to be a peer of the realm :rolleyes:

Equality and Justice, the watchwords of Crux Forums :doh:
 
You lay a finger on Barb....don't expect to die peacefully in your bed

Unless you happen to be a peer of the realm :rolleyes:

Equality and Justice, the watchwords of Crux Forums :doh:

meaning all CF girls have an equal and just opportunity to end up nailed to a cross.:rolleyes:
 
1942 (Part 24 - "Just kills us, please!")

Spectacles and Scarface lead a phalanx of men across the mist-covered airstrip, a half-crazed blood-thirsty look in their eyes, as they head straight for the four of us.

“They are coming to finish us off,” I croak, twisting my head to see if Siss is awake. The movement sends bolts of pain through my tightly bound, crucified body.

“Spears!” gasps Siss, spotting the crude long bamboo shafts with sharpened points carried by a number of the soldiers.

“No more … no more, please! Just kills us, please! Siss screams hysterically.

From across the way, Yupar yells hysterically, “The leeches … inside me … sucking the blood of my cunt!”

“We triumph should we die bravely,” observes Messaline, shifting her hips from side to side in a vain attempt to shake off a new wave of leeches slowly making their way up her thighs.

In seconds Spectacles, Scarface and the soldiers crowd excitedly around us. The soldiers jabber at one another, eager to get on with the final act of our execution drama. Scarface shouts something incomprehensible. The soldiers come to attention. Standing with their legs braced slightly apart, and raising their arms in unison, they shout some kind of oath, the little flaps on the backs of their field caps flopping comically. The air fills with the sickly smell of their heavily liquored breath.

They have dragged the dead bodies of Blaire, Bull, Paul and Phlebas with them across the airstrip, and have heaped them on the ground before us. Spectacles shouts orders. Blaire’s nude corpse is strung up, one wrist tied to my cross and the other to Siss’. They suspend her spread-eagled between us, head hanging listlessly, the dark end of an iron rod still protruding grotesquely from her ass.

Now they drag poor Wragg around in front of me. Dirty and disheveled, he looks like he is at the end of his rope, as they strip away his clothes, beat him mercilessly, and then tie him to my cross, his head upturned between my spread legs. He says something incomprehensible to me, and then lets out a blood curdling scream as one of the bamboo spears is driven through his gut. Blood spurts from his mouth, he makes a hideous gurgling sound as his head lolls forward.

Siss shakes her head and looks away.

The corpses of Bull, Paul and Phlebas are tied in similar fashion between the legs of the other three girls. The Japs are assembling a most grizzly tableau, for what purpose I cannot imagine. But they seem intent on it. Having completed this bit of handiwork, they return to their ritualistically frenzied cheering. I close my eyes, their repeated huzzahs ringing in my ears, I unable to watch.

The sun has risen over the trees of the nearby jungle by now, and we are bathed in its warm morning rays. The temperature is rising fast; the mist over the airstrip rapidly evaporating. I have begun to sweat, irritating the inflamed cuts and scratches that cover my bare breasts, tummy and thighs. The ropes binding my wrists and ankles to the bamboo frame of my cross have by now cut deeply and bloodily into my flesh. I try to flex my fingers, but there is no feeling.

I drift in and out of consciousness, but am suddenly brought back by the staccato high-pitched sound of Spectacles’ voice as he issues new orders. I blink, and try to focus on what is happening. The soldiers have formed up in ranks facing Messa and Yupar, and two of them bearing long bamboo spears have stepped to the front. Spectacles and Scarface stand off to one side at stiff attention. Spectacles holds a ceremonial sword upright in his right hand.

Siss rasps, “Oh! My god … no!!!!!!”

On Spectacles command, the first of the spear-bearing soldiers’ advances on Messaline, who eyes him warily and begins to softly sing once again, “Alouette, gentille alouette, Alouette, je te plumerai.” Her soft lilting singing is cut short, however; morphing into a terrible scream as her assailant jabs the sharp point of his bamboo spear into the soft underside of her right breast, drawing a rush of blood as he withdraws it. The assembled soldiers throw their arms in the air and shout another huzzah.

She resumes her song, but with less assurance now, “Je te plumerai la tête, Je te plumerai la tête, Et la tête! Et la tête! Alouette! Alouette! A-a-a-ah.”

A moment later, he spears her again, this time in the left breast just to one side of her nipple. Huzzahs again. Spectacles lowers his sword in a swift downward motion and nods.

Here comes the coup de grâce, I think.

The soldier steps two steps back, and then bursts forward with a cry of “banzai” and runs Messaline through, the bloody point of his bamboo spear poking through to her back. Her head jerks back, blood spurts from her mouth and nose, her eyes open and wide. Then with a low moan she goes limp against the bamboo frame of her cross.

Tears run down my cheeks as I whisper to myself, “Goodbye Messaline”.

Attention now shifts to Yupar’s spread-eagled body and the spear-bearing soldier facing her. Spectacles raise his sword. The soldier hesitates then advances on Yu holding his spear low. Falling to one knee he buries the spear point with a swift underhand motion into her leech covered sex.

Blood runs in torrents down Yupar’s legs as he brutally twists the spear left and right and in and out. She writhes and twists in agony, raises her head … face contorted in pain … and screams her lungs out for what seems an eternity before her head lolls forward, long dark hair shrouding her upper torso. A renewed chorus of huzzahs from the soldiers fills the air.

Withdrawing the bloody-pointed bamboo shaft, he turns to Spectacles, who lowers his sword and nods. The soldier salutes, yells “banzai” and promptly runs the naked and defenseless Burmese girl through.

“Oh! Sweet Jesus!” Siss screams.

Messa and Yupar hang limp, heads down, hair covering their faces. The soldiers laugh as they twist the Bamboo over and over.

Two executions down, two to go. The assembled troops perform a smart military about-face to confront Siss and me. I scan their grim, sadistic-looking faces, and steel myself for the worst.

“This is it Siss,” I announce with unexpected calmness.

Again, two soldiers bearing bamboo spears step forward. Mine appears to be near-sighted. He is short and bow-legged, and squints up uncertainly at me through thick eyeglasses. Siss’ executioner is the exact opposite … muscular, swaggering and fierce-looking.

Air raid sirens begin to sound. The air is filled with the sound of approaching aircraft, which roar over our heads at low level. Sticks of bombs are falling. My god, are we to be rescued or will the bombs kill us spread-eagled here amongst our capturers?

The noncoms scatter ... Some scrambling to man machine guns. Others simply take cover. Spectacles and Scarface are screaming orders but they seem to be ignored.

I keep looking toward Siss, she is writhing in a frantic panic.

The bombs are falling all along the airstrip. In the distance, screams can be heard coming from the main camp. A string of bombs explode just a few hundred yards in front of us. Shrapnel and gravel from the tarmac shower us all.

Scarface throws Spectacles one of the bamboo spears. They exchange a determined nod and position themselves on either side of Siss, now screaming in fearful apprehension of what is about to happen.

Grasping the their spears firmly with both hands, they simultaneously drive their spears upward just below her rib cage, passing through her and emerging from the opposite side, just below her shoulders. Her mouth opens wide, her head flies back then falls forward to her chest. A trickle of bright red blood drips from her mouth and runs down her chest. She is gone.

The jungle is aflame. The crackling sound of trees and underbrush igniting fills the air. Sunlight streams across the landscape as the morning clouds begin to part, illuminating the immediate blood-stained scene as well as the hills to the west.

If help is coming, it’s too late for Siss and me. Scarface and Spectacles are determined to finish the job they have started. I glance over at Siss’ lifeless body, her light blonde hair tossed about by the occasional hot gust of wind.

I look down at Scarface and Spectacles. They are just standing there with spears in hand. I scream at them as loud as I can, “DO IT DAMN IT!!! WHAT ARE YOU WAITING FOR NOW! JUST DO IT!!!!!”

I raise my head, take a deep breath and stare out towards the hills. I see two flashes of light high on the hillside closest to me as my insides are torn and spilt. I feel the air leave my lungs. I am blind. Why can’t I see …???????

Finis

Barb and Siss, 2015
WOW!
 
EPILOGUE: Kuching Airport, 1982.

Jenny sat in the departure lounge at Kuching airport and watched her mother anxiously. The years had been kind to Roxie, in her early sixties she was a very attractive woman. She was stood by the window, gazing out across the runways and taxiways, completely lost in her own thoughts and memories.

Jenny was annoyed that they’d had to fly to and from this airport instead of Kota Kinabalu; they were now facing no fewer than three connections to get home to Ohio, and the next two days of her life to be spent on planes and in airports was all time that she’d not get back. She sighed, and pushed such thoughts to the back of her mind. This trip was for Roxie, and during it she’d learned so much more about her mother. Finally Roxie had opened up, and shared with Jenny the stories of her time here, forty years ago, during the war. Of all the thousands of people in the airport, Jenny and Roxie were among the select few that knew of the dark secrets buried beneath all that concrete.

A Malaysian 737 had just landed and was taxying up to the terminal. Roxie came and sat next to her daughter. “I think that plane is about to taxy over the place where they crucified Barb, Siss, Yupar, and Messa! For all I know their bodies are still under the ground there!”

Jenny hugged her Mom. There were no words that she could say. She looked over her mother’s shoulder at the arriving plane. A hundred tourists and business people, coming to soak up the sun or do deals, completely unconscious of the suffering that had taken place on that very spot within living memory. No wonder her Mom was upset.

Four days. Four days her mother had spent, tied to a tree, having been left there by an Australian soldier, Phlebas, as some kind of a joke or punishment. She could have starved to death there, or have been found in her turn by the Japanese. But, incredibly, she had survived, and had been rescued by no less a personage than a Lieutenant-Colonel of the British Special Operations Executive, who had parachuted in at great personal risk to look for his lost men.

He had come in under cover of an air raid. He hadn’t trusted anyone else’s skills as a sniper, but by the time he was surveying the airfield through a gunsight he had been able to see that he was far, far too late. He’d grimaced when he saw the crosses. Crucifixion. The japs were already notorious for it even by 1942. But the victims had not been his men, but women. His men were tied, dead, to the crosses. Including Wragg . Christ. Wragg, you pillock, you’ve brought those girls to a grisly end!

He’d just been about to put the gun away when he’d seen movement from one cross – the dark haired girl was still alive! But not for long, two japs were heading for her, ignoring the continuing air raid. Kill the japs, or kill the girl? He’d come to a snap decision, and settled the cross hairs on the girl.

Roxie he’d come across entirely by accident as he’d slipped away from the scene. A couple of dozen yards to left or right and he’d have missed her.

The Colonel had taken Roxie back up to look at the airfield, and passed her his field glasses. The scene, described by Roxie, was vivid in Jenny’s mind, and she would remember it herself forever. Maybe she would one day tell her own children, maybe one day she would write it down. But not yet.

Four women, dead on their crosses; not hanging – they were tied so firmly that only their heads lolled forwards. Wragg, tied to Barbara’s cross, between her legs, with a spear sticking out of his guts. The bodies of Phlebas, Paul, and Bull, tied in similar fashion to Siss, Roxie, and Yupar’s crosses. Blaire’s body had been tied, one wrist to Barb’s cross, one to Siss’ cross.

Roxie had described how she’d heard everything, but seen nothing. She had heard the gunfire, and the sound of a plane crashing. Then a massive firefight. The ensuing silence had been terminated by a scream from Blaire that, even at that distance, had put the birds up in panic flight. Roxie had described a deep, full throated, roar of agony; she had needed an hour to recover her composure and continue her story.

The sounds of them crucifying the girls. Screams of terror and of fury that went on for hours, right into and through the night. And as Roxie had stood, frustrated by the impotence of her position, she had caught the words of a song drifting across the airfield:

Alouette, gentille alouette

Alouette, je te plumerai.

Jenny remembered learning that song in French lessons at school. She’d come home that teatime, ten years old, and started singing it, expecting Roxie to be impressed. She recalled how hurt she’d felt when Roxie had flown into a rage. “Jenny, you must NEVER, ever, sing that song in my hearing again! I cannot tell you why not, but mummy really, really, does not like that song! It’s a song that makes mummy very sad.” Jenny had cried at the time, but now, at last, she understood.

Roxie stood up again, and returned to her vantage point by the window.

Five men and six women. Roxie the only survivor. The fact that she’d been so incredibly lucky when the other women had died so horribly still haunted Roxie to this day. Jenny had heard of ‘survivor guilt’, but only now did she begin to grasp the full, horrifying meaning of the phrase.

The departure board began its characteristic clatter as it was updated. Jenny looked up at it hopefully, but against their flight it still said ‘Wait in lounge.’ It was a flight to Tokyo that had been called, and Jenny watched as a group of Japanese businessmen rose and began to head towards their gate. Roxie had seen them too, for they were going to pass between her and Jenny, and she tried to get back to Jenny, her loathing of Japanese still written all over her face.

But in the process she collided with an elderly, balding, bespectacled man. She apologized, as did he, and she had no choice but to step back and let him pass.

“YOU!”

Jenny jumped like a frightened cat as her mother screamed out the word. The whole terminal fell silent as the sound echoed back down from the ceiling.

“YOU BASTARD!!! ARREST THIS MAN!!! HE IS A WAR CRIMINAL!!!”

The man had turned a deep shade of red. If there’s one thing a Japanese hates it is being embarrassed or losing face in front of his peers.

“Madam, please, you are mistaken, I do not know what you mean. Please, let me pass!”

“You know fucking well what i mean! You crucified four innocent women!!! You tortured them on their crosses! Christ alone knows what you did to a fifth, but I’ll never forget her scream! Admit it, damn you – I’ll never forget your ugly face, either!”

You could have heard a pin drop in that terminal. Thousands of travellers, standing with mouths agape, truly astonished at the scene being played out in front of them, unable to believe the words they were hearing.

Jenny wanted the ground to swallow her.

Four-eyes fell into the trap. “They were NOT innocent! They had just killed our most senior general! They deserved all they got!

“And where in the Geneva Convention does it describe crucifixion?” asked Roxie, dangerously.

“The Emperor of Japan did not lower himself to acknowledge the Geneva Convention!”

“That’s because the whole lot of you are evil, sadistic, bastards!” Jenny winced, and Four-eyes’ fellow travellers cried out in rage. Two of them grabbed Roxie. “How dare you, Madam! May we remind you that the war has been over for nearly forty years!”

“Only ‘cos we nuked you!!”

Four-eyes glared at her. “My wife and baby daughter died at Nagasaki!”

“Good!” shouted Roxie.

“STOP!!! THAT IS QUITE ENOUGH!!” Jenny fought her way into the melee. “This is getting nobody anywhere! It is not ‘good’ that anyone died!” Roxie looked ashamed. She had gone too far there.

Four airport policemen arrived. “What is the problem?” asked one, “What is the cause of this disturbance?”

Jenny took command. “This man,” she pointed at four eyes, “has just admitted carrying out the torture and crucifixion of young women during the war.”

Four-eyes bristled. “This woman,” he pointed at Roxie, “ has just insulted myself, my country, my emperor, and my dead family!”

“Your passports, please,” requested the policeman. “All of you!”

They all handed over their passports, some with very bad grace, and one of the policemen departed with them.

“Please to sit down,” said the head policemen. “Please to be quiet.”

“We do have a plane to catch!” said one of the Japanese.

“Please to sit down. We will not take long.”

They sat in an uneasy silence. The terminal returned to normal. The departure board rattled again with Roxie and Jenny’s flight now boarding.

The policeman returned, and conferred with his boss.

“Your passports! Please to take them. You are all free to go!”

The passports were returned to their rightful owners. Roxie began to protest, but Jenny laid a hand on her arm.

“C’mon Mom. We have a plane to catch. He’s not worth missing our flight for.” Roxie looked reluctant, but they turned and headed towards the departure gates.

“NOOOOOOOO! STOP!!!!”

Jenny and Roxie swiveled in alarm. Their jaws dropped in dismay. Four-eyes was sitting on the ground, a large and bloody penknife in his hand, and his guts had spilled out all over the terminal floor, along with all the grief and the guilt of an honorable man forced, by war, to do dishonorable things.

His eyes met Roxie’s. “Goodbye, madam, I’m sorry for your friends,” he said, and he rolled onto his side, and died.
Once again, Wragg draws everything to an appropriate and sensible conclusion. Well written, sir
 
Once again, Wragg draws everything to an appropriate and sensible conclusion. Well written, sir

Yes, we keep him around just for that ... otherwise .... oh, no, I won't go there....

hot water.jpg ... could get myself in hot water again ;)
 
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