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Bdsm scenes in novels that do not deal with the subject.

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There is a scene in Ian Fleming's novel "Thunderball" in which the heroine, Domino, is tortured by the villain Largo aboard his yacht Disco Volante. I no longer have the book so I can't quote exactly, but I remember that Largo discovers that she is working for James Bond and ties her spread eagled to a bed, and then using his outsize and powerful hands (I remember Fleming emphasized the size of Largo's hands. Seems like many Bond villians had some distinguishing physical characteristic, as Le Chiffre leaks blood out of an eye when stressed in "Casino Royale") to tear her shirt and bra off. He then proceeds to tell her by way of foreplay that her body has given him much pleasure, but that now he will have to give her much pain. He holds up a lit cigar and a handful of ice. He says something like "Two elements, heat and cold, when applied scientifically, as I shall apply them, will cause you terrible suffering."

"Thunderball" was written first as a screen treatment by three men, Kevin McClory, Jack Whittingham, and Ian Fleming. It was published as a novel in 1961. The two film adaptations, "Thunderball" in 1965, and "Never Say Never Again" in 1983, had long and legally arduous courses. It was also published as a comic strip in 1961, but don't get your hopes up; the strip was never completed and ended before Domino's torture scene. Here's the scene from "Thunderball" in which Domino, played by the late Christine Auger, is tortured by Largo.

As it happens, "Thunderball" (and all other ian Fleming books, Bond and otherwise) is also available at the same Canadian site I quoted for "First Lensman" above:


The scene you're remembering is:

When Largo was alone he got to his feet, stretched, and gave a great cavernous yawn. Then he turned to the sideboard, opened a drawer and took out a box of Corona cigars. He chose one and, with a gesture of distaste, lit it. He then took the closed red rubber container that held the ice cubes and walked out of the door and along to the cabin of Domino Vitali.

He closed the door and locked it. Here also, a red riding light hung from the ceiling. Under it, on the double bunk, the girl lay offered like a starfish, her ankles and wrists strapped to the four corners of the ironwork below the mattress. Largo put the icebowl down on the chest of drawers and balanced the cigar carefully beside it so that the glowing tip would not spoil the varnish.

The girl watched him, her eyes glittering red points in the semi-darkness.

Largo said, ‘My dear, I have had great enjoyment out of your body, much pleasure. In return, unless you tell me who gave you that machine to bring on board, I shall be forced to cause you great pain. It will be caused with these two simple instruments,’ he held up the cigar and blew on the tip until it glowed brightly, ‘this for heat, and these ice cubes for cold. Applied scientifically, as I shall apply them, they will have the inevitable effect of causing your voice, when it has stopped screaming, to speak, and speak the truth. Now then. Which is to be?’

The girl’s voice was deadly with hate. She said, ‘You killed my brother and you will now kill me. Go on and enjoy yourself. You are already a piece of death yourself. When the rest of it comes, very soon, I pray God you will suffer a million times more than both of us.’

Largo’s laugh was a short, harsh bark. He walked over to the edge of the bunk. He said, ‘Very well, my dear. We must see what we can do with you, very softly and very, very slowly.’

He bent down and hooked his fingers in the neckline of her shirt and the join of the brassiere. Very slowly, but with great force, he tore downwards, the whole length of her. Then he threw aside the torn halves of material and exposed the whole gleaming length of her body. He examined it carefully and reflectively and then went to the chest of drawers and took the cigar and the bowl of ice cubes and came back and made himself comfortable on the edge of the bunk.

Then he took a puff at the cigar, knocked the ash off on to the floor and leant forward.


... and that's it -- cut scene back to Bond and we don't see her again until she rescues Bond at the very last second despite all those cigar burns! Rather less explicit than E.E. "Doc" Smith was back in 1950 in my cigarette torture scene.

My main memory of that character is from the (otherwise ludicrous) 1983 remake "Never Say Never Again", where Domino was played by Kim Basinger and is sold by Largo in an Arab slave market. The build-up to that scene is very promising, with Kim being slowly stripped by the greasy auctioneer, but she is rescued by Bond/Connery far too early.

neversayneveragain1983part6.0102.jpgneversayneveragain-11.jpgneversayneveragain1983part6.0105.jpgdckbty3-ed00a02f-5091-4d5a-974d-b4b8ae79b2b8.jpgdckbudj-2bd1d2c3-3289-4047-adf5-5015551c1e82.jpg
 
As it happens, "Thunderball" (and all other ian Fleming books, Bond and otherwise) is also available at the same Canadian site I quoted for "First Lensman" above:


The scene you're remembering is:

When Largo was alone he got to his feet, stretched, and gave a great cavernous yawn. Then he turned to the sideboard, opened a drawer and took out a box of Corona cigars. He chose one and, with a gesture of distaste, lit it. He then took the closed red rubber container that held the ice cubes and walked out of the door and along to the cabin of Domino Vitali.

He closed the door and locked it. Here also, a red riding light hung from the ceiling. Under it, on the double bunk, the girl lay offered like a starfish, her ankles and wrists strapped to the four corners of the ironwork below the mattress. Largo put the icebowl down on the chest of drawers and balanced the cigar carefully beside it so that the glowing tip would not spoil the varnish.

The girl watched him, her eyes glittering red points in the semi-darkness.

Largo said, ‘My dear, I have had great enjoyment out of your body, much pleasure. In return, unless you tell me who gave you that machine to bring on board, I shall be forced to cause you great pain. It will be caused with these two simple instruments,’ he held up the cigar and blew on the tip until it glowed brightly, ‘this for heat, and these ice cubes for cold. Applied scientifically, as I shall apply them, they will have the inevitable effect of causing your voice, when it has stopped screaming, to speak, and speak the truth. Now then. Which is to be?’

The girl’s voice was deadly with hate. She said, ‘You killed my brother and you will now kill me. Go on and enjoy yourself. You are already a piece of death yourself. When the rest of it comes, very soon, I pray God you will suffer a million times more than both of us.’

Largo’s laugh was a short, harsh bark. He walked over to the edge of the bunk. He said, ‘Very well, my dear. We must see what we can do with you, very softly and very, very slowly.’

He bent down and hooked his fingers in the neckline of her shirt and the join of the brassiere. Very slowly, but with great force, he tore downwards, the whole length of her. Then he threw aside the torn halves of material and exposed the whole gleaming length of her body. He examined it carefully and reflectively and then went to the chest of drawers and took the cigar and the bowl of ice cubes and came back and made himself comfortable on the edge of the bunk.

Then he took a puff at the cigar, knocked the ash off on to the floor and leant forward.


... and that's it -- cut scene back to Bond and we don't see her again until she rescues Bond at the very last second despite all those cigar burns! Rather less explicit than E.E. "Doc" Smith was back in 1950 in my cigarette torture scene.

My main memory of that character is from the (otherwise ludicrous) 1983 remake "Never Say Never Again", where Domino was played by Kim Basinger and is sold by Largo in an Arab slave market. The build-up to that scene is very promising, with Kim being slowly stripped by the greasy auctioneer, but she is rescued by Bond/Connery far too early.

View attachment 969974View attachment 969973View attachment 969975View attachment 969971View attachment 969972
Good scene, really. I liked it.
 
As it happens, "Thunderball" (and all other ian Fleming books, Bond and otherwise) is also available at the same Canadian site I quoted for "First Lensman" above:


The scene you're remembering is:

When Largo was alone he got to his feet, stretched, and gave a great cavernous yawn. Then he turned to the sideboard, opened a drawer and took out a box of Corona cigars. He chose one and, with a gesture of distaste, lit it. He then took the closed red rubber container that held the ice cubes and walked out of the door and along to the cabin of Domino Vitali.

He closed the door and locked it. Here also, a red riding light hung from the ceiling. Under it, on the double bunk, the girl lay offered like a starfish, her ankles and wrists strapped to the four corners of the ironwork below the mattress. Largo put the icebowl down on the chest of drawers and balanced the cigar carefully beside it so that the glowing tip would not spoil the varnish.

The girl watched him, her eyes glittering red points in the semi-darkness.

Largo said, ‘My dear, I have had great enjoyment out of your body, much pleasure. In return, unless you tell me who gave you that machine to bring on board, I shall be forced to cause you great pain. It will be caused with these two simple instruments,’ he held up the cigar and blew on the tip until it glowed brightly, ‘this for heat, and these ice cubes for cold. Applied scientifically, as I shall apply them, they will have the inevitable effect of causing your voice, when it has stopped screaming, to speak, and speak the truth. Now then. Which is to be?’

The girl’s voice was deadly with hate. She said, ‘You killed my brother and you will now kill me. Go on and enjoy yourself. You are already a piece of death yourself. When the rest of it comes, very soon, I pray God you will suffer a million times more than both of us.’

Largo’s laugh was a short, harsh bark. He walked over to the edge of the bunk. He said, ‘Very well, my dear. We must see what we can do with you, very softly and very, very slowly.’

He bent down and hooked his fingers in the neckline of her shirt and the join of the brassiere. Very slowly, but with great force, he tore downwards, the whole length of her. Then he threw aside the torn halves of material and exposed the whole gleaming length of her body. He examined it carefully and reflectively and then went to the chest of drawers and took the cigar and the bowl of ice cubes and came back and made himself comfortable on the edge of the bunk.

Then he took a puff at the cigar, knocked the ash off on to the floor and leant forward.


... and that's it -- cut scene back to Bond and we don't see her again until she rescues Bond at the very last second despite all those cigar burns! Rather less explicit than E.E. "Doc" Smith was back in 1950 in my cigarette torture scene.

My main memory of that character is from the (otherwise ludicrous) 1983 remake "Never Say Never Again", where Domino was played by Kim Basinger and is sold by Largo in an Arab slave market. The build-up to that scene is very promising, with Kim being slowly stripped by the greasy auctioneer, but she is rescued by Bond/Connery far too early.

View attachment 969974View attachment 969973View attachment 969975View attachment 969971View attachment 969972

I have just come across an expanded version of Domino's torture scene from Thunderball, written by El Wananchi for the GIMP forum at ralphus.net. The author quotes Fleming's original scene from the novel in full, and adds considerably more detailed descriptions before and after that. As you can imagine, it's rather more explicit than Fleming's version (but in keeping with the style, so not all-out porn):

 
Here I bring two novels about Queen Boudica of the Eceni. As you know, she was flogged and hers was raped by two of her daughters by the Romans. He started his bloody revolt.
------
One is THE QUEEN'S EMPIRE by Alan Gold.

Tied and chained, the mother and the two terrified daughters were taken from Marco's house and taken to the forum, located in the center of the city. Cassus followed them on horseback. Boudica turned to look at him. With a sneer, she hissed at him, "Soon, boy, you will meet your father in death, and he will do to you what he should have done to you many years ago." You are not worthy to walk on the same ground as other Britons. "Oh, dear mother," he prompted. You think I'm afraid of you. I know what they're going to do to you, and I'll be the one laughing, not you. Boudica fell to the ground, but she was picked up by someone who grabbed her hair. She cried out in pain and heard Tasca burst into tears. Camorra yelled after her, but one of the soldiers hit Boudica's ears, which made them whistle and did not allow her to hear anything else. The group reached the forum. To one side stood the building that housed the city government; on the other side was the huge new building, made of dazzling white marble and inlaid with mosaics depicting scenes from paradise: the half-erected temple dedicated to the god Claudius; and not far away were the barracks of veteran soldiers who had no wife or children. Deciano Cato addressed the crowd that had gathered in the forum: "This woman is called Boadicea." She is a woman of no rank, a Briton. In another time she was queen, but the imperial majesty of the emperor Nero has decided that he alone and exclusively rules Britain. You all know me. I am Deciano Cato, the Procurator of Britain. This woman named Boadicea raised her sword and tried to assassinate me. It was only thanks to my courage and my courage that I managed to escape death. As punishment, I order that the said Boudica be stripped of her clothes and flogged naked in front of the entire mob. They grabbed Boudica unceremoniously and cut the bonds that bound her arms and legs. The dress was then ripped from her body and thrown to the ground. She stood there naked and tall and regal, defiant and unashamed. The crowd gasped at the sight of her nakedness, and even the men were embarrassed by her disdain.

Cassus pushed her way through the crowd, her eyes widening with a shudder of emotion when she saw Boudica naked. Other men and women in the audience gazed at her body in admiration. Its long her red hair fell to her waist and her breasts remained erect, almost as a sign of indifference to everyone's gaze. She was not Cassus the only one who was disturbed by the sight of that regal beauty of hers, but also many Romans present.

At another signal from Deciano Cato, the executioner cracked his leather in the air. The public, momentarily distracted by the abduction of the girls, he turned his attention back to Boudica and saw the first lash fall on the skin on her back. The leather strap whistled through the air and produced a popping sound when touching meat. Men and women cringed as they contemplated The hit. Boudica gave a cry of pain as a mark appeared bright red where the strap lacerated the skin. Before he executioner could gain momentum to unload the second lash, he began to ooze blood from the wound. Boudica started crying: —Camorra, Tasca ... But those words had barely left his mouth when he fell on his back the second lash. This time the pain was so intense that his legs could not bear the body weight, and Boudica slumped to the ground. He let out another shriek of pain, a high-pitched, animalistic cry, like a sparrow suddenly crushed by the sharp talons of an eagle. Seeing her collapsed on the ground and bleeding profusely from her wounds, the executioner moved closer to get a better angle and make sure that when the whip hits the skin, do so at the highest possible speed. Now that the prisoner was writhing on the ground, the executioner could discharge the blows vertically, causing more pain and with greater precision. Better this way, because he preferred a victim lying on the ground before one was standing. But when the fourth fell lash, Boudica was no longer aware of what was happening.

---------

The other novel is THE DREAM OF THE HOUND. Second part of a trilogy about Boudica by Manda Scott.
-------

Her mother was there. She saw her behind the crosses. She was subject to the oak stud in the center of the village, where Cunomar had been tied the previous day; She disgraced and alone in the place that she should have given birth to the dream of her. She was still the Boudica; every line on her body said so. More than nothing else, it mattered then that the procurator did not find out his identity of her, but it was very hard to see that he was not able to see it, when He shone on her so clearly: from the copper river of her hair, tied by the legionnaires in a parody of the warrior's bow, to push it away from the back, to the battle scars that tattooed all the parts of her body and the quiet rage that lingered in her eyes, and the her contempt for the men who held her captive, and she overflowed of them and beyond.

A guard shook the shackles from his wrists and pain shot through his his body, so that he had to close his eyes to remain standing. When she could look again, her mother's eyes had turned away from her, and her gaze she had turned to the oak and to herself. The procurator had gone up to his podium. - She is accused of being both a dreamer and an insurgent. Do you deny that you are both? "No," she lied to protect Airmid. It was the only gift that she could do it, and even so, they would both die together. he was standing behind her. Starts

´´´´´´´´´´
Breaca did not see them, she only felt them, as if they came down to touch her, with memories of the wind. Regards; nothing seen. It had been a long time since I had seen things other than oak, and lately, not even that. Darkness It was better, although sweat got into her eyes and the light hurt him when she blinked away from her. There was a new kind of pain, one more layer over other layers, one that could be improved, while the others could not they could. Nothing could improve the pain in her back, her shoulders and her arms. Breathing hurt, and not breathing too, and cursing, and not cursing. Yet she hadn't figured out whether screaming made any difference or not, but she soon she would do her. At first, a small part of him wanted to scream, rage against the shock, unworthiness, stripping her pride, but her pride he was older, and she wouldn't allow it. Now most of her needed release, and just a tiny, faint corpuscle of something she still hasn't it was broken he kept her silent. She would soon break up, but not yet. Not yet. Not yet! The voice that she heard in her head, that once, at least in part, had been hers, now it was entirely that of her ancestor-dreamer. She kept pronouncing the litany.
"Not yet. This is just the beginning. The rest will be much worse; don't make it speed up. She couldn't imagine anything worse. This was so much more than she could bear. She opened her mouth and sucked in hot air, sweaty air, and ...
"Not yet". She closed her mouth, choking on sweat and saliva, and somewhere someone laughed, and then she remembered that they could see her and, for a moment, she supported her weight with her legs, and not her arms, and she pressed her forehead against her oak, and she made sure that the feeling it gave her counteract the dreadful, blinding, nauseating, endless, endless, endless pain. A blinding bolt struck her arms, above her head, and she she forgot her weight and slumped against her bindings and her lightning struck him new on her back adding more pain to the infinite pain, and oak disappeared, and with it all sense of security, and then she opened the her mouth, and she took a breath, and ... "Not yet". She closed it again. "Not yet. You have too much pride. You should listen to me. "I've already heard you." I came east to lead an army, just like you you told me. And I'm here for that. Her torques coiled like an iron clamp around her neck. There was thought that the procurator would take it away from her, and indeed, he had touched her, he had estimated her worth just as she had: fused and converted in gold, she would pay a century of men for an entire summer, or half a century during ... That no longer worked. The lightning struck his back again, and he did not she allowed.

´´´´´´´´
There was darkness and then a flash of pain, and the lightning that struck from again, and all was lost between the memory of Graine's voice, and the silence when it ceased.
 

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Does anyone know who the color model that appears in the photos in this story is, please, or where can I find images of her? Thank you.

¿Alguién sabe quién es la modelo de color que aparece en las fotos de este relato, por favor, o bien donde puedo buscar imágenes de ella? Muchas gracias.

Qualcuno sa chi è la modella a colori che appare nelle foto in questa storia, per favore, o dove posso trovare le sue immagini? Grazie.
 

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Red Alert by James Patterson

Prologue

13,000 Dead and Counting​




ONE

There were only four words beneath the tattoo of the Grim Reaper on Aubrey Davenport’s inner left thigh. But they spoke volumes.

Death is my aphrodisiac

And nowhere in the entire city was her libido more on point than at the Renwick Smallpox Hospital, a crumbling three-story, U-shaped monster on the southern tip of Roosevelt Island.

Once a marvel of neo-Gothic architecture, Renwick was now a rotting stone carcass, the final way station for thirteen thousand men, women, and children who had died a painful death.

For the city fathers, Renwick was a historical landmark. For the urban explorers, it was New York’s most haunted house. But for Aubrey Davenport, it was a sexual Mecca, and on a warm evening in early May, she and a willing partner scaled the eight-foot fence, made their way into the bowels of the moldering labyrinth, and spread a thick quilted blanket on the rocky floor.

She kicked off her shoes, removed her shirt and bra, shucked her jeans, and stood there, naked except for a pair of aquamarine bikini panties.

Her nipples responded to the caress of a cool breeze that drifted over her breasts, and she inhaled the earthy scent of the decay around her, mixed with the dank overtones of river water.

She dropped to her knees on the blanket, closed her eyes, and waited for her partner.

She shuddered as he silently slipped the noose around her neck. His fingers were long and slender. Piano player fingers, her mother used to call them. Like your father has.

As a child, Aubrey wondered why a man blessed with the hands of a concert pianist never played an instrument, never even cared to. But somewhere along the way she came to understand that Cyril Davenport’s long, slender fingers made music of another kind: the crescendo of sound that came from her parents’ bedroom on a nightly basis.

Aubrey felt the rope pull tighter. Rope was a misnomer. It was a long strand of silk—the belt from a robe, perhaps—and it felt soft and smooth as he cinched it against her carotid arteries.

He took her shoulders and guided her body to the ground until her belly was flat against the cotton blanket below her.

“Comfy?” he asked.

She laughed. Comfy was such a dumb word.

“You’re laughing,” he said. “Life is good, yes?”

“Mmmmmm,” she responded.

“It’s about to get better,” he said, tugging at the waistband of her panties and sliding them down to her ankles. His fingers teased as they walked slowly up her leg and came to rest on the patch of ink etched into her thigh. His thumb stroked the shrouded figure and arced along the scythe that was clutched in its bony claw.

“Hello, death,” he said, removing his hand.

Crack! The cat-o’-nine-tails lashed across her bare bottom, burning, stinging, each individual knotted-leather strap leaving its mark. She bit down hard and buried a scream into the blanket.

Pain was the appetizer. Pleasure was the main course. Her body tensed as she waited for his next move.

In a single, practiced motion he bent her legs at the knees, tipped them back toward her head, grabbed the tether that was around her neck, and tied the other end to her ankles.

“Hand,” he ordered.

Aubrey, her right arm beneath her stomach, reached all the way down until her hand was between her legs.

“Life is good,” he repeated. “Make it better.”

Her fingers groped, parting the pleats, entering the canal, tantalizing the nerve endings. The effect was dizzying: the man with the whip, the foul-smelling ruins, and the inescapable presence of thirteen thousand dead souls.

He said something, but she couldn’t hear over the sound of her own labored breathing. And then—the point of no return. She felt the swell of gratification surging through her body, and with near surgical precision she gently lowered her feet toward the ground.

The silk rope around her neck tightened, compressing her carotid arteries. The sudden loss of oxygen along with the buildup of carbon dioxide made her light-headed, giddy, almost hallucinogenic. The orgasm came in waves. It left her gasping for air, but the euphoria was so powerful, so addictive, that she intensified the pressure around her neck, knowing she could go just a few more seconds.

If erotic asphyxiation were an Olympic event, Aubrey Davenport would have been a world-class contender. Her brain was just on the threshold of losing consciousness when she released the death grip, and brought her feet back toward her buttocks.

But the noose refused to relax. If anything, it felt tighter. Panic seized her. She thrashed, pulled her hands up to her throat, and clawed at the silk, fighting for air and finding none.

She never made mistakes. Something must have snagged. She reached behind her neck, desperately trying to find some slack, when her fingers found his hand. He jerked hard on the silk cord, and her arms flailed.

She slumped, too weak to struggle, all hope gone. Everything went black, and as the reaper stepped out of the darkness to claim her, tears streamed down her cheeks, because in the last seconds of her life, Aubrey Davenport finally realized that she didn’t want to die.
 
Agustina Bazterrica's Tender is the Flesh (2020) is a very grim and thought-provoking dystopian novel set in a world in which the rearing, slaughtering and consumption of human meat has become normalized. The book was well-received by the critics. Reviewed in The Guardian and New York Times, it is widely read as a critique of capitalism. It has strong parallels with Polly Plummer's Human Cattle / Soylent Farms series, and goes way beyond my own rather tame and kitschy Dolcett fetish. However in the following passage a group of hunters (of human meat) discuss a venue which bears a resemblance to Dolcett's Club X:

"Guerrero Iraola is talking about the Lulú cabaret. He’s using code words because it’s known that the place is a seedy club involved in human trafficking, with one minor difference: after paying for sex, a client can also pay to eat the woman he’s slept with. It’s extremely pricey but the option exists, even if it’s illegal. Everyone is involved: politicians, the police, judges. Each takes their cut because human trafficking has gone from being the third largest industry to the first. Only a few of the women are eaten, but from time to time it happens, that’s what Guerrero Iraola is telling them, emphasizing in English that he paid “billions, billions” for a stunning blonde who drove him wild and afterwards, he of course, “had to take things further”. The hunters laugh and clink their glasses, celebrating his decision. “So how was she?” one of the youngest hunters asks him. Guerrero Iraola can only raise his fingers to his mouth in a gesture indicating that she was tasty. No one can admit in public that they’ve eaten a person with a first and last name, except in the case of the musician who gave his consent. But Guerrero Iraola hints at it to show Krieg’s right-hand man he’s got the money to pay for it. That’s why Guerrero Iraola invited him to lunch, to rub his face in it. He hears one of the hunters, who’s sitting close by, whisper to another that the stunning blonde was in fact a young virgin of ****teen who needed to be tenderized and that Guerrero Iraola destroyed her in bed, raping her for hours. The man says he was there and that the **** was half-dead when they took her away to be slaughtered."

Bazterrica, Agustina, Tender is the Flesh ((2020), pp. 147-148.
 
Where did you get the second model you have put on? I know the photo is out there in this forum as an illustration of a story, but I would like to know a website where to find this wonderful color model. Thank you. And Merry Christmas.
 
Where did you get the second model you have put on? I know the photo is out there in this forum as an illustration of a story, but I would like to know a website where to find this wonderful color model. Thank you. And Merry Christmas.
I found it again!
 
I repeat the entry for May 3 again. Now this time with text as an example.

In the novel Pirate by Fabio Lanzoni, the girl and lover of the pirate, called Cristina, is a little mistreated by some evil pirates.
--------

Christina knew her bodice was open, her skirts rolled around her waist, her legs bare at the mercy of scrutiny from that band of villains. Oh God how would she survive the rape of all those men? Before dawn I would be dead!

When the net descended until it was within the reach of the sailors, all those smelly beings converged around Christina, giving laughter, fondling her. She felt that in a few moments every inch of her own body was violated, hurt, squeezed or pushed by those rough and dirty hands.

-Enough! Roared a powerful voice.

The pirates backed away protesting loudly. Christina turned her head and saw a bearded giant with black hair looking at her laughing. The brutal smile and lustful glitter in his eyes made him even more terrifying than the other pirates.

"The girl is mine!" -ad.
-------
"They kidnapped her on my orders!" Carlos bellowed, threatening the man with his fist. The captain's lascivious gaze lingered on Christina. Take the girl downstairs, strip her naked and tie her to my bunk. She reached out and fingered Christina's leg; When the girl spat at him and looked at him with hatred, she just laughed. But first, wash it well. It is filthy. She wiped her hand on her own filthy pants, gestured to the other pirates, and added generously, "You can all watch."
Scared, furious, and powerless, Christina heard the pirates burst into wild exclamations. Although reluctantly, she had to admit that Carlos was a cunning man. By granting the sailors a stake in Christina's possession, by allowing them to observe how they undressed, washed, and humiliated her, she avoided a possible riot and the ensuing bloodbath. However, there was little comfort in knowing that she would be raped by one man instead of fifty. In truth, she preferred death over sleeping with a man other than Marco.
They removed the hook from the net without releasing Christina, and among several howling Spaniards they carried her to the main mast. Rough hands pulled her off the net. She fell to her knees on the slippery deck, facing the scoundrels like a wild creature, her eyes sparking and her teeth showing.
"How proud, the creature!" One said scornfully.
"At the end of the night, she won't be so proud anymore!" Another added.
Finally, they caught her among about twelve men. Christina struggled, kicked, screamed, and tried to bite those demons who tore at her body and clothing. She was left with only the shirt; the captain intervened again fearing that the men would get out of control and spoil his own amusement.
-Enough! Carlos howled. Bathe the bitch!
She was thrown back onto the deck, buckets of icy water thrown at her that made her gasp and gag. The wet shirt clung to his body, and the pirates gave bad whistles and shouted insults.
------------------

"Please captain, let us try it!" One implored.
- Julio, Roberto, Miguel! Carlos replied loudly. Take her downstairs.
The pirates looked at each other indecisively, and Christina saw an opportunity. She got up with the speed of lightning and rushed to the side, preferring a grave in the ocean rather than expected on that ship.
Immediately half a dozen iron hands caught her and ruthlessly stabbed into her flesh, bruising her. She insulted them and debated with all her might, but in vain. Within seconds, many dirty fingers grabbed her wrists, ankles, and waist.
"So the young lady likes to play," Carlos exclaimed, looking at her with a lascivious expression. Later, he may lash her back with the whip. For the moment, tie her to the cot as I ordered. We'll see if she's still proud when she's naked, tied to my bed.
The pirates laughed out loud as they dragged her down the hatch that led to the cabins. Nauseating smells of rotting food, human droppings and standing water assaulted Christina's nostrils.
They took her to a small, poorly lit cabin. She hit her hip against the edge of a table and screamed in pain. Her whole body was bruised by the roughness with which she had been treated on deck.
They threw her on a smelly pallet with yellowed sheets; She looked up and glared at the four pirates who had led her there. At that time, she did not dare attempt escape; such reckless action would only have caused the immediate violation. Even if she could get out through the hatch again, she would have to face the rest of the crew on the main deck.
The men looked at her and consulted each other. The disgusting smell of the pirates nauseated him.
"What if we tinker around with the bitch?" One asked as she rubbed her chin. She looks like a hot girl.
"Not so much as to risk being skewered by Carlos's saber," another pointed out.
"Yes, the captain has a terrible character," added a third. It would be able to hang us all.
"In that case, we had better obey the captain's orders," the fourth decided. Without a doubt, when we get tired of the girl, what remains of her will be for us.
Amid obscene laughter, the crew set about stripping Christina's shirt. Again she fought like a wild creature, spat, kicked, and screamed. She knew that she was unable to defeat four men at the same time, but she felt a vengeful pleasure in biting one of the villains. The individual slapped her so hard that she thought she had broken her jaw and felt her teeth collide with each other.
"This wench is a devil!" Exclaimed the wounded man, rubbing his bloody forearm. Thus, we will not finish undressing her.
"Ah, let's leave it as it is," suggested another, disgusted. The captain can finish undressing her ... and he will also make sure this bitch regrets having defied his orders.
"Gag this madwoman!" Said another.
In all cruelty, they tied her wrists to the head of the bunk and her ankles to the other end. They gagged her with a filthy piece of wool.
- It is done! You don't seem so proud anymore, huh, harlot? The pirate Christina had bitten asked with malicious delight.
The four pirates turned and left her alone, gagged and helpless in the cold cabin. The girl, still soaking wet, trembled violently.
--------------------

Every day he dripped poison into Christina's mind, trying to convince her that Glavianus had abandoned her. But so far, all her efforts had been futile. God only knows what's going on in that head, he thought, for he continues to treat me with stubborn hatred. That girl was even dangerous. The first time one of the men untied her hands so that she could attend to his needs, Christina hit the poor fool on the head and escaped to the main deck with the saber she had taken from him. If some of the pirates had not had the presence of mind to cast a net on that incendiary, they would certainly have managed to flee. From then on they took her to wash in front of the entire crew like a dog, with a strap around her neck and her hands tied behind her back. But despite all the humiliations, Christina's spirit never wavered. Even when he threw her on her knees on deck to bathe her, still huddled, almost naked, and trembling violently as the sailors threw buckets of cold water at her, she never expressed fear. The bright green eyes continued to sparkle with anger and contempt. If Carlos managed to confer a more carnal bias on that vivacious spirit ... if he could sleep with that fiery creature without having to rape her ... The very idea caused him a flash of lust in the crotch.
He crossed the room to the bunk, snapped off the moth-eaten blanket, and gazed at her cheekily. The dirty shirt hung in rags over the body, and the skin was covered with bruises. And yet he found her desirable, her chest heaving, her nostrils dilated, and her eyes blazing with hatred.
A short alternative story to Christina's story. Let's see....

-----
"Tell me, my dear," he continued. If Marco really loves you, why hasn't he come yet? to rescue you?
Maybe he's very busy sleeping with Rosa, the Spanish whore, right? OR with other prostitutes. Marco commented that now he had to hide to sleep with other women, because you had become jealous and upset. The girl's eyes took on a wild and anguished expression, and Carlos felt a sadistic complacency. If he managed to convince her that Marco was playing with his her feelings from her, persuade her to hate him, maybe he would have a chance. He wanted to enjoy her before killing her. He didn't really enjoy the idea of sticking the knife into her chest ... but after all, business was business and he had received a generous sum for killing her. Perhaps he could leave that unpleasant task for one of his men; when he was tired of the girl he would give her to her. He would never survive a night of horrors that would leave him in the hands of the crew.

He bent over Christina, untied the gag, and removed it. "Well, my dear, what do you have to say about your lover?"
Christina spat at him, spitting her face. -Bitch! She roared. Christina, undaunted by the pirate's fury, raised her chin and challenged him with look from her and she gave him a triumphant smile.
-Harlot! He yelled, threatening her with his fist.
-Men, here! the captain yelled for some of his crew to come. When a few of them showed up in the cabin, Carlos ordered: "Untie the whore, and take her on deck, tie her to the main mast, strip her down to the waist and spank her back! Stop only when I order it! We'll see if she's still so proud and defiant after that!" Among the pirates they were surprised to hear the order; for they did not believe that the captain would go that far.

Although Christina tried to resist to no avail. Soon her already ragged clothes were ripped from her youthful body, and her naked body from her to her waist was exposed to all those cruel seamen. She was very appetizing, despite the hardships she had experienced in the previous days. She looked skinnier and bruised from the rudeness in which she had treated her when she arrived captive on the pirate ship.

The captain approached her and, unable to contain his own lust, squeezed the girl's nipples, and she moaned in pain. After her, they tied her to her main mast showing her back, and raising her slender arms above her head. A sailor with a leather whip stepped behind Christina. There was a sinister hiss. The whip struck for the first time. She winced in pain, but didn't cry out. And with the second she made superhuman efforts not to scream.
Carlos, admired that pathetic challenge in the young woman. But with the third hit she finally screamed out loud. And then a fourth, a fifth, a sixth arrived ... until Carlos ordered the terrible torture to stop. It had been about twenty lashes. She was returned and tied up on the bunk in the cabin unconscious and in poor condition, but still alive.
 
In this novel, by SAS, a young rebel from a South American country, suffers a bit, when her captors interrogate her hanging naked from the ceiling of a room.

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I finally found the book QUE VIVA GUEVARA in French and in pdf. Here I hang the pdf novel and indicating that the scenes of torture to a girl appear from page 179.

In Spanish, English, and the original version in French.
 

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Has anyone read the original novel of THE LORD OF THE BEASTS? It's just that I've always wondered if, being the novel more detailed than the movie, the whipping scene of the character played by Tanya Roberts is described, it really is like that in the novel, or it simply doesn't appear in the movie or in the novel. ?
I would like clarification on this question, please.
 
I finally found the book QUE VIVA GUEVARA in French and in pdf. Here I hang the pdf novel and indicating that the scenes of torture to a girl appear from page 179.

In Spanish, English, and the original version in French.
It's well-written, quite chilling, very realistic.
 
In The Pride of Hannah Wade, late female author, romantic novelist Janet Dailey has her heroine Hannah Wade stripped and kept completely naked by Apaches for three full days, during most of which she is made to ride her horse, and then an Indian pony, naked and bareback.

The scene begins in Chapter 5.
Clad only in her blouse and pantalettes, Hannah clambered to her feet and backed warily away from the Apache, very much afraid. The rocks at the cliff’s base slid beneath the leather soles of her riding boots. Solid sandstone was behind her. Blood pounded in her ears as her breath came in fast, panic-shallow gasps. Her nerves were screaming with the tension, but Hannah fought to still the panic. When he took a step toward her, Hannah bolted for an open space that would give her maneuvering room, but he caught her, his fingers digging into her arms like ensnaring talons. The thin material of her blouse tore like paper under his grip as she struggled to break loose. The ache of her weary muscles was forgotten, renewed strength coming from the surge of adrenaline in her veins. Twisting and fighting, she kicked at him, the toe of her boot squarely hitting his shin and drawing an involuntary grunt of pain.


She was thrown violently to the ground, scraping her flesh on the sharp gravel. Her feet were caught, and after he made one abortive attempt to pull her boots off, a knife blade flashed in the sunlight. Her blood froze at the sight of it, all her limbs momentarily stilled. It sliced through the laces and the hard leather boots nearly slid off of their own accord. Her stockings were stripped off, and when he pulled Hannah upright, the stones cut into her bare and tender feet, the pain hampering her attempts at resistance. She couldn’t swallow all the anguished sounds that rose in her throat, while she tried to concentrate on the threat of the knife.


Continuing to struggle, she tried to avoid the blade as it came toward her, but there was no lasting escape. She eluded it here only to have it slice through a piece of cloth there. Her blouse and undergarments were quickly shredded to ribbons. She could feel the exposure, the sensation of air against her bare flesh. Hannah clutched at the scraps of cloth covering her private places, but she didn’t have enough hands.


The humiliation and indignity flamed through her body, fear always there but now coupled with a wild desperation. Her mane of red-brown hair tumbled loose, swinging forward to hide her breasts, but the rounded cheeks of her buttocks were unprotected, and the figleaf pose of her hand over the dark pubes was futile. In a fear-driven rage, Hannah struck out against this degradation, this awful helplessness.


The scaly roughness of his hands was abrasive against her soft skin, brutal in its intent to subdue. She was sickened by the strong smell of his body, revolted by the contact with his sweating flesh, grainy with dust and dirt.


By some accident, her pummeling fist got past his defenses, striking his high-bridged nose. A second later, exploding agony spread across her jaw and her lip was smashed against her teeth, splitting it open. The force jerked her head way around, a noise ringing in her ears. She reeled backward, staggering, belatedly realizing he’d hit her. She lost her footing on the loose rock and sprawled onto the ground, grazing her bare skin on the gravel.


Quickly she turned, expecting any second to feel the weight of his body pin her to the ground. But the Apache called Lutero was still standing a foot away, his legs spread in an arrogant stance as he surveyed the white smoothness of her nude body.


Some unintelligible comment was made by one of the others in the Apache tongue, seeming to urge Lutero into action—or so Hannah feared. Her glance darted around the watching band of warriors; she could sense their desire for the sport. A sickening fear curled through her stomach.
Speaking Apache, Lutero said something that held a note of finality, and a response was made by Juh, the malevolent, fat one, which seemed to amuse the others as they made sounds of approval. Hannah was afraid to move, and break whatever spell was holding the Apaches in their places. Then Lutero moved—away from her, rejoining his companions while he kept an eye on her.


When he squatted on his heels in their loosely formed circle, she cautiously sat up, drawing her knees tightly to her chest and hunching over them, hiding behind the curtain of her hair as much as she could. She kept glancing at the pile of torn clothes, wondering if she dared to retrieve them. A moment later he gathered them up and began stuffing them into a pouch on one of the packhorses.


“Por favor—“ Hannah began her protest with a tactful plea, but she fell silent when Lutero scowled at her, revealing his contempt.


The gelding stood in the shade, its head hanging in exhaustion. After a few halfhearted tugs at the hardy mountain grass, the horse had given up the task as too wearing. The Indian ponies chomped at the scattered clumps, their heads jerking to tear the tough stalks.


Lutero stopped beside the gelding and looked over the strange saddle with its arrangement of leg rest and stirrups all on one side. It did not win his approval. He unhooked the cinch and let the sidesaddle drop to the ground. Hannah wasn’t sure what all this meant, but she was still alive. She was still alive. Tears burned at the back of her eyes, but she managed to keep them there.


The lookout came back and spoke in that rhythmic flow of throaty sounds, and the others began moving toward their horses. But none of it carried any sense of urgency. Hannah sat quietly, hoping they might overlook her but Lutero did not do that.


“Ugashé. We go,” he translated into deep-voiced Spanish.


The mortification she felt at her nudity was an indescribably intense emotion. In her whole life, only her mother—and Stephen, in the dark shadows of the bedroom—had ever seen her unclothed. Now here she was, under a brilliant sun in the company of eight marauding Apaches without a stitch of clothes to her name. It stripped her of all dignity and pride.


Fear impelled her to obey him. Her shoulders hunched, her arms spread across her body in a covering gesture, Hannah rose and gingerly picked her way over the sharp-edged rocks, the mass of thick, darkly auburn hair tumbling about her white shoulders.


Impatient at her slowness, Lutero reached out and shoved her at the horse. The force propelled her into the animal’s hot flank, the horsehair coarse against the softness of her breasts and belly. All her life she had ridden sidesaddle, from the time she was seven and her daddy bought her first pony. Few ladies she’d met ever rode astride. It was considered indecent for a woman to spread her legs astraddle a horse. To do so now, when she was naked, seemed the greatest indignity.


Hannah levered herself away from the bay’s flank, hotly conscious of her bare bottom. She stiffened at the rough touch of Lutero’s hands, one grabbing her waist and the other a handful of round bottom. In one motion, she was heaved onto the horse’s back. Automatically she swung a leg over it to straddle the bony, hair-covered hump. The sensations of the horse’s coat beneath her made her rigid with embarrassment. Her degradation now seemed complete. Single file, the Apaches moved out. A tug on the reins pulled the bay horse into a trot. Hannah had to thread her fingers into its black mane to hold on while she learned to grip with the insides of her legs to avoid the awkward and painful slap of her bottom on the horse’s back.
.....
Fire burned all the way through her, until Hannah felt seared to the bone. The sun had beaten down on her naked skin for hours, the tender white skin that she had always protected with such care from too much exposure to the elements. She had only to look at her thighs and arms to see the redness and understand the searing pain. Her body ached from riding, every muscle screaming its soreness; the insides of her knees were practically raw from gripping the horse, and her legs felt as if they were being pulled apart.


Her lips were cracked from the dryness and the heat. She’d had nothing to eat or drink since morning. She was on the verge of collapsing, yet some spark of life kept her going, kept her swaying to the horse’s stride, kept pushing her to continue.


Everything was a kind of haze, a shimmering agony of fire, thirst, and pain. Her face throbbed where Lutero had struck her, her lip was swollen, and her head ached. Dust and sweat had mixed to crease her skin with muddy rivulets.


They walked their mounts along a gully soft with sand, a single line of horses traveling nose to tail. The thick, fine sand muffled the thud of plodding hooves, a dully rhythmic sound punctuated by the odd snort of a pony clearing its nostrils of dust. The sound enveloped Hannah, coming from beneath her, behind her, and in front of her.


It was several beats before she realized it was also coming from another direction, and she roused herself from the stupor that claimed her to puzzle out the difference. The horses in front were angling out of the gully where a natural ford sloped the sides. Instead of following them, Lutero was riding straight ahead, the blood bay gelding in tow. The riders behind them turned after the others.


Confused and unable to think clearly, Hannah swung her dull gaze to her Apache captor and watched him lift a hand in farewell to his comrades. When he noticed her bewilderment, his mouth curved in a smile that seemed malicious.


“Scatter across desert,” he said in Spanish.


It took her a minute to unravel that cryptic message and to recall his earlier likening of the Apache to gains of sand. The band was breaking up, scattering across the desert to disappear one by one. In. the half of her mind that was functioning, the part not dulled by physical suffering, Hannah realized that any cavalry patrol following their trail would be unlikely to notice their tracks in this soft sand, splitting away from the main bunch.


She cried out, but it was only a low moan. Her body hurt too much....
The scene continues in Chapter 6...
 
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Has anyone read the original novel of THE LORD OF THE BEASTS? It's just that I've always wondered if, being the novel more detailed than the movie, the whipping scene of the character played by Tanya Roberts is described, it really is like that in the novel, or it simply doesn't appear in the movie or in the novel. ?
I would like clarification on this question, please.
if its the Andre Norton book i did search none named kiri and search for whip did not come up with anything useful
 
Hannah's ordeal continues. There's a rape before I've decided to skip

A prodding foot started the shooting agonies all over again, Hannah groaned, slowly raising her heavy eyelids partway and letting the soft gray of dawn fill her vision until it was blocked by Lutero’s looming figure as he kicked her again. Her second groan was louder and she opened her eyes fully. Further movement was made almost impossible by the rawhide that stretched out her legs and bound her hands above her head. The Apache bent down to free her feet.


No blanket had protected her naked body from the chill of the desert night, and it had seeped into her bones. Tied as she was, Hannah hadn’t been able to curl into a ball to conserve her escaping body heat. The minute her feet were loose, she ignored the scream of her sore muscles and tried to bend her body together to find some vestige of warmth.


The sight of her own nudity was not a shock to her anymore; the excruciating experience of having her dignity stripped away was gone. Now she was revolted by the bloody water seeping from the broken blisters and the worst sores. Her body was a mass of scabs.


The rank odor of the Apache came to her as he crouched at her head to loosen the rawhide strip tied to the base of the mesquite trunk. She shrank from him and from the memory of the violation she’d known by him. Some fierce burning inside—fear, hatred, pride, or a mixture of all three—refused to let him see the primitive creature he’d reduced her to.


When he straightened, her wrists remained bound. As he walked away, Hannah realized that she was to stay tied. Dully she hunched over her drawn-up knees, shivering in the dry cold and aching endlessly. Her mouth was so dry there was no saliva in it. Just for a tiny moment she let herself wonder what was to become of her—whether she was to be killed when Lutero was tired of forcing himself on her or if he intended to keep her for his squaw.


Stephen was out there. She must remember that. She must remember that he was looking for her. Hope briefly lifted her flagging spirits.


A shadow fell across her as a shy sun peeped over a ridge and cast its new light on the Apache, throwing his dark outline onto Hannah. She looked up and saw him holding the water bag. This time she was wise and did not drink so much when it was offered to her. Even then it kept trying to come up, and she had to swallow at intervals to keep it down.


The bridled horses were all packed with his stolen goods when Lutero led them from the grassy area. He untied her hands, hoisted her onto the bay horse’s sweat-caked back, and tied the reins to the brushy tail of his horse. Hannah had not eaten since breakfast the previous morning. She didn’t know if Lutero had eaten anything, but he’d given her no food.


Walking, trotting, always moving, they went up canyons, across ridges, along rocky defiles, and through narrow gullies. To Hannah, it was endless motion, another ache, another hour in the merciless sun. Again it was near sundown when Lutero stopped to make camp for the night. Hannah collapsed onto the ground. He tied her hands to a tree, then staked the horses in a hollow depression close by. He looked at Hannah. After a second’s hesitation, he took the water bag and slipped away into the brush, as soundlessly as a lizard. Feverish and exhausted, she shut her eyes for a moment. When she opened them, mauve shadows cast an odd tint over everything—and Lutero hadn’t returned. The half-light was fading quickly, and she strained to listen for any sound that might signal his approach. The wild thought occurred to her that she’d been tied to this tree and left here to die. She started tugging and
gnawing at the rawhide strip with her teeth.


A low voice cursing in Apache burst into her hearing. Hannah ceased her efforts and looked around just as he kicked her in the back, knocking the breath out of her. For a long while, she lay there struggling for air. Vaguely she was conscious of Lutero moving about and of a warm, unusual odor in the air. Finally, she pushed herself up into a sitting position, wary of him as he approached.


“Eyanh. Eat.” He held something out to her, but in the dark she couldn’t see what it was.


“What is it?” she asked, then remembered to use Spanish. His answer was a word she didn’t understand. The thought of any food turned her stomach, but she knew she had to eat if she wanted to regain her strength. She held out her bound hands and something warm and wet slid into them. Its softly firm texture and slick feel made her uneasy as she brought the roundish object to her mouth.


The smell of blood hit her, and Hannah nearly gagged at the discovery that it was raw. She started to shove it away, but Lutero stopped her, roughly forcing her hands, with their object, back to her mouth.


“Eat,” he ordered again in Spanish.


He pushed it between her teeth, making her tear a chunk from it. Hannah knew at once that this thing wasn’t meat, but some part of the viscera. Lutero held her mouth closed and tipped her chin high until she had to swallow. The instant he released her, Hannah vomited. Lutero shoved the regurgitated chunk, down her throat again and Hannah threw it back up. The process continued until she kept it down; then he made her eat the rest.
Chapter 7
THE STEEP-WALLED SIDES OF THE ARROYO PROVIDED A respite from the hot, stinging wind, laden with the gritty dust it churned up and blew across the barren and broken land, Hannah, sagged on the-horse, relieved to be sheltered from the whip of the wind lashing her sore and festering skin.


Her fingers were twisted into the horse’s dingy white mane, her wrists still tied. Her head drooped forward, bobbing from side to side in rhythm with the walking horse, matching the swing of its spotted face. She rode Lutero’s spotted pony. The bay had quit on her about midmorning, stumbling to its knees and collapsing. Nothing in its soft, grain-fed life had conditioned the once-flashy bay gelding for this ordeal.


But Lutero had pulled Hannah clear of the fallen horse, then mounted it and forced it onto its feet. He rode the sweat and dirt-caked horse now, always pushing it farther than it believed it could go. Hannah understood that feeling. Many times over the last three days she had reached the limits of her endurance and gone beyond them. It would be so easy to fall off the horse and simply die—and it was so much harder to stay on. The rare times she was capable of stringing thoughts together, Hannah wondered at all she had endured. Last night, he’d come to her again while the nauseating taste of that raw animal organ and her own vomit were fresh in her mouth. She had been as powerless as the first time. Not satisfied, Lutero had assaulted her twice more, but Hannah had retreated into that corner of her mind that disassociated Itself from her body.


A rock defile marked the beginning of the arroyo, which was narrow and strewn with boulders. Ahead of Hannah, the bay horse stumbled over the rough ground and the heavy hand on its reins jerked on the bit, keeping the staggering gelding on its feet. If there was a single thought that kept Hannah going, beyond the sheer will to survive, it was the certainty that there must be an end to all this. It couldn’t last forever.


The narrow trail led up to a high mesa, steep bluffs rising on three sides. Its long top rolled in smooth dips and swells, covered with grass and sage and a scattering of scrub trees. Hannah’s pony broke into an eager trot, its ears pricked toward some distant point, but its desire for haste was hampered by the flagging bay to whose black tail it was tied. At an angle, it trotted forward, pulling the bay’s tail around its haunches and hurrying its pace. The bay horse labored under its load, carrying not only Lutero but also the carcass of a deer, which had provided Hannah’s meal the previous evening.


“Hoh-shuh, hoh-shuh,” Lutero murmured to the spotted horse, the low, firm tone quieting it.


It slowed to match the bay’s gait but didn’t drop behind, its head bobbing alongside the dust-streaked haunches. The wind cut into them again and threw a haze over everything atop the plateau. Hannah made herself as small as possible astride the horse to lessen the sting of the wind-blown dust. With her mind and senses dulled by abuse, she rode on, indifferent to her surroundings or their route through them.


A dog barked—not the shrill yip of a prairie dog, but the fierce, throaty sound of a dog. It roused Hannah sufficiently for her to make a frowning attempt to focus her gaze in its direction. A rounded hump in a clearing amidst the scrub brush took on the dome shape of the Apache jacal, thatched with the grass that grew in abundance atop this mesa so that it blended into its surroundings.


More jacks were scattered in the general area, in no discernible pattern. Children came running to meet them, while mangy dogs darted out to trot alongside the horses, barking between grinning pants. Several women appeared and one old, bent-over, and white-haired man shuffled toward them. A handful of men sat beneath a ramada. Hannah vaguely recalled Stephen mentioning Apache villages, rancherias he had called them.


As Lutero rode past rounded brush huts to one situated near the center of the cluster, the ranchcrias residents came trailing behind him, crowding around on either side of Hannah. She looked at the women, small and shapeless in buckskin tops that hung past the hips and buckskin skirts that came to mid-calf, high moccasins modestly covering the rest of their legs. Most wore their black hair in twisted coils at the nape of the neck, but the older ones let it fall in a silvered black curtain down the middle of their backs. Their expressions held loathing and disgust for Hannah, no sympathy or pity. She wanted to cry, but she didn’t, simply looking straight ahead instead.


An Apache woman stood in front of a jacal, waiting for them to ride up. She was small-built, not more than five feet tall, with a maiden’s slimness. Her hair was shining black, her eyes dark and luminous. She had the same strong-boned features as the other women, but there was a softer curve to the proud cheekbones and a straighter bridge to her nose, resulting in an uncommon beauty. A smile parted her lips as Lutero stopped the bay horse next to the ramada outside the wickiup.


He vaulted from the horse with a pantherish litheness and approached the woman with a proud, lordly bearing Some emotion gentled his fierce looks, and Hannah stared, amazed, at the warmth in his face. In low, murmured voices they exchanged private greetings; then Lutero turned to gently gude the woman to the horses so that he could show off his plunder. A chance movement briefly pulled the woman’s loose-fitting buckskin top tight and outlined her swollen stomach. She was with child, Hannah realized. This woman, was Lutero’s wife, obviously several months pregnant.


A babble of voices broke out, all speaking in that unintelligible—to her—Apache language, questions obviously being put to Lutero and answers given back that generated excitement. Although they seemed almost jubilant, about what he told them, was subjected to a variety of cruel pokes and jabs. After Lutero yanked her off the horse, she was kicked and hit, new bruises being added to those on her already battered body. Hannah shrank from the blows, but she could not elude them.


After the initial excitement of Lutero’s arrival in the rancheria cooled, the gathering, slowly dispersed. Lutero led Hannah to the ramada and tied her to an upright post.


He stood before Hannah with his wife at his side, and glowered at his captive. “This my woman, Gatita.” He gave her the Spanish name that meant “little Cat.” “You belong to her. You do what she say.”


Gatita’s luminous dark eyes were turned to her husband in respectful adoration and pride. She hardly took any notice of Hannah. When the couple moved away, Hannah leaned against the post, gratefully using its support and ignoring the painful scrape of its rough bark against the scabbing blisters on her dull red skin. The children scampered around her conducting a mock war, throwing stones and striking at her with sticks, but they quickly lost interest in the game and rushed away to something else.


Much later in the afternoon, Gatita approached Hannah, holding a gourd hollowed into a saucer. An impassive expression claimed her features as she knelt on the ground beside Hannah. A clear, gel-like substance was in the gourd dish. Without ceremony, she dipped her fingers in it and began smearing it on Hannah’s back. The first contact drew a sharp gasp of pain from her, followed almost instantly by a moan of relief at the subsequently soothing sensation.


“Medicine?” Hannah ventured to question.


“Anh, yes.” Once she had Hannah’s back thoroughly covered, Gatita untied her hands and pushed the saucer at her indicating for her to finish the task alone. Some effort was required for Gatita to push herself to her feet with the baby’s added weight changing her center of balance, but the Apache woman succeeded in doing so with a measure of grace.


As she disappeared behind the skin flap that served as a low door to the jacal, Hannah used her fingers to scoop up some of the wet, cool gel and gently rubbed it onto her sun-blistered and festering skin, massaging it over her breasts and stomach and between her chafed legs. Sandy grit clung to the gel coating, adding to the grime she’d accumulated over three days of travel, but Hannah used every bit of the natural salve.


Shortly after she finished, Gatita came out of the wickiup and crossed the ramada, a folded buckskin bundle in her small hands. She dropped it at Hannah’s feet and walked away. When Hannah unfolded the buckskin, she discovered that it was a skirt and top. They were worn thin in places, the tanned leather rank and stiff from many wearings, but she had clothes again.
END SCENE
 
Let's not forget that the great Dean Swift found his imagination piqued by both Crux and 'Dolcett':

"This expedient was put into his head by the famous Salmanaazor, a native of the island Formosa, who came from thence to London, above twenty years ago, and in conversation told my friend, that in his country, when any young person happened to be put to death, the executioner sold the carcass to persons of quality, as a prime dainty; and that, in his time, the body of a plump girl of fifteen, who was crucified for an attempt to poison the Emperor, was sold to his imperial majesty's prime minister of state, and other great mandarins of the court in joints from the gibbet, at four hundred crowns. Neither indeed can I deny, that if the same use were made of several plump young girls in this town, who without one single groat to their fortunes, cannot stir abroad without a chair, and appear at a play-house and assemblies in foreign fineries which they never will pay for; the kingdom would not be the worse."

Jonathan Swift, A Modest Proposal for preventing the children of poor people in Ireland from being a burthen to their parents or country, and for making them beneficial to the publick (1729).
 
I remember as a teenager going through the "Angelique" series of historical novels by Anne Golon (set in the 17th century) as well as the somewhat copycat series of "Catherine" and "Marianne" novels by Juliette Benzoni (set during the 100-year and Napoleonic wars, respectively). As an adolescent boy, the appeal was that the protagonists ended up in damsel-in-distress scenarios pretty much in every volume, with multiple torture and whipping scenes scattered through the series -- I particularly remember the whipping scenes in "Angelique and the Sultan" and in "Marianne and the Privateer". Obviously, given the titles of the books, they were set in the rather stereotypical settings of an oriental harem and a pirate ship, respectively. I haven't read them in many decades and suspect that I'd enjoy them rather less now than then.

Of rather more literary merit, and considerably more explicit BDSM content, is Alasdair Gray's "Something Leather"

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It's a collection of linked short stories about four Glasgow women, framed by an opening and closing chapter describing a distinctly non-consensual lesbian BDSM orgy, complete with whipping, headshaving and facial tattoos. It's very long and detailled. He later regretted these chapters. The full novel is out of print and when he republished it as part of his collected short stories, he deleted almost the entire BDSM scene. Well worth seeking out, ideally in an edition with illustrations by the author (Gray always illustrated his own novels). Unfortunately I can't find my own copy now, but if I do I will post a taster scene.
Marianne and the Privateer does indeed contain a torture scene, where the protagonist is tied naked to a bed, raped, and then branded with a ring seal.
 
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