As my honeymoon period with the Pony Diffusion was over, I began to see both its strengths and weaknesses.
I'm still very happy with its ability to depict various lewd concepts with relative precision. It really helps when the model understands tags like "grabbing_another's_breast," for example. I even stopped using my own slave restraints Lora, because the Pony model does it better by default.
On the flip side, I often found its anime origin sips through, even though I'm using a photorealistic variant. This was a typical image I got while I was seed-hunting for
my latest render:
As you can see, things like the face or the suit clearly show strong anime/illustration influences. I envy those who create anime-style works since the Pony Diffusion would be a gift from god to them as it is (I have to wonder how gods would think about censorship, though). But as I'm aiming for photorealism, I must find a better way of doing it.
I decided to run it through a non-Pony model, improving realism while destroying the details. The lost details could be recovered by inpainting with the Pony model again since it's much better at keeping with the overall image style when used that way.
There's something which might be worth mentioning that I tried for the first time in my latest render. The original base image looked like this, which I felt rather dull:
I wanted to make it look like they were on a stage with spotlights on the girl's body. It'd make the scene more dramatic while emphasising the girl's humiliation. The problem is that precisely controlling the lighting condition might be very difficult in Stable Diffusion. Well, at least it was so until recently.
Now, we have
IC-Light, which allows us to change the lighting condition of an image without destroying its content. With IC-Light, I could add a nice spotlight on the girl's body like this:
On a side note, similar AI technology seems to be making a large impact on filmmaking as well since it allows filmmakers to freely experiment with different lighting setups in the editing room after the shot is taken.
Anyway, I'm very happy with my current Pony / Krita + SUPIR/Light-IC/etc workflow. I used to spend a few days per image before, but now I can generate better ones just in several hours. I still don't know what will become of SD3, but it looks like I can still squeeze a bit more fun out of SDXL while I'm waiting for the next big thing.