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Filtered And Artistic Manips And Pictures Gallery

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Painting called "Faithful Unto Death" by Herbert Gustave Carmichael (born Schmalz). This was found by a friend who is not "crux-interested". His question upon posting was, "is anyone really thinking "brave martyrs dying for their faith" when they look at this painting?" I had to say, no, or certainly not just about that, but it did influence me to think quite carefully about it. ;):) It is, after all, a rather nice painting.
Schmalz-Arena01.jpg
 
Painting called "Faithful Unto Death" by Herbert Gustave Carmichael (born Schmalz). This was found by a friend who is not "crux-interested". His question upon posting was, "is anyone really thinking "brave martyrs dying for their faith" when they look at this painting?" I had to say, no, or certainly not just about that, but it did influence me to think quite carefully about it. ;):) It is, after all, a rather nice painting.
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I say "kill them all and let their gods sort them out!!!!"
 
Painting called "Faithful Unto Death" by Herbert Gustave Carmichael (born Schmalz). This was found by a friend who is not "crux-interested". His question upon posting was, "is anyone really thinking "brave martyrs dying for their faith" when they look at this painting?" I had to say, no, or certainly not just about that, but it did influence me to think quite carefully about it. ;):) It is, after all, a rather nice painting.
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It is an inspiring picture, Jolly, and a good example of the erotic interpretation of a religious theme.
I am sure I have seen it used as a background in more than one manipulation.

Like his friend, the Pre-Raphaelite painter William Holman Hunt, Schmalz/Carmichael (he changed his name after the First World War) visited the Holy Land, seeking inspiration for New Testament-themed paintings. But he also drew on classical and mythological references, including Pygmalion and Galatea -

Herbert_Schmalz_-_L'Eveil_de_Galatée.jpg

I think my own pictures sometimes convey a certain affection for the subject, and the Pygmalion reference of the artist falling in love with his subject is a direct allusion to this idea in erotic art.
 
Well, for me, 'Faithful unto death' is an interesting and moving painting -
not great art (did he change his name because it was to Schmaltzy? Or was Schmaltz named after him? :p),
but (like some of our best artists - you Bob, Jedakk, SJ come to mind)
there's a thoughtful, even loving, attention to the expressions and body-language of the girls,
who aren't in states of religious ecstasy, nor abject terror, but coping more or less well, in varied,
very human ways, dare I say like real women would, when facing the worst that men can do to them?
 
Painting called "Faithful Unto Death" by Herbert Gustave Carmichael (born Schmalz). This was found by a friend who is not "crux-interested". His question upon posting was, "is anyone really thinking "brave martyrs dying for their faith" when they look at this painting?" I had to say, no, or certainly not just about that, but it did influence me to think quite carefully about it. ;):) It is, after all, a rather nice painting.
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"Brave martyrs"? I'm not so sure about that. The central two could be described as brave. Number 3 (reading left to right) is standing stoically and number 4 is praying. But, number 1 is crying, number 2 is on the ground with her head down (could be resignation or fear). Number 5 has fainted. Number 6 seems to be resisting being tied and number 7 is terrified.
I would say that all of these could be realistic reactions to impending doom.
 

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Slave punishment.
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It's a bit of an experimental manip, using only painted figures and backgrounds (no photograph). I'm not quite sure I've got it yet - some more blending might be good - but I think the idea is sound.
Maybe Repertor think so:
Jolly Paint.jpg Jolly Paint2.jpg
 
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