“Wrap the bandage tightly Konstanze. Yes, that’s it, wind it around again. Ow! Ow! Ooh it does hurt a bit but it will be alright. I’m sure it will. Good. Now fasten it. Good.”
“Tristana, please don’t do this... You know the doctor said you shouldn’t... Please stay here until she comes.”
Tristana kisses Konstanze on her head and tells her again that she will be alright. But she knows it isn’t true. Her chest is hurting her, a dull aching pain that won’t go away. She tries hard not to let it show on her face; tries to breathe normally. She knows that Konstanze can see through her acting. She swings her feet over the side of the bed and tentatively stands, holding onto the matress to steady herself.
“Now, get me my summer dress, the white one with the embroidery. Yes, that’s it. I need you to help me; I can’t do the buttons on the back Konstanze. Hold me while I step in. There, you see, I’m quite alright, aren’t I?”
Konstanze frowns.
“Good. Now I need you to fix my hair. I look such a mess. And my earrings, can you pass them please? They’re on the dressing table. Yes, those, the pink and the black, my favourites. Perfect. How do I look Konstanze? Am I beautiful? I want to be beautiful for her.”
“You look... you look lovely. But you’re so pale. I’m scared Tristana. Oh please don’t do this. It’s insane! She’ll be here soon, why not wait for her?”
“I have to go to her Konstanze. You’ll just never understand. You can’t understand, but I have to. Have you ordered a cab? I should leave now I think. She’s arriving at eleven isn’t she?”
“I’ll call it now. Yes. Eleven. Do you need me to help you down the stairs?
She grasps the bannister, her fingers tight on the rail as the hallway swims below her. A feeling of nausea fills her body; she tries to breathe slowly and steadily but every gasp tears through her. Konstanze is outside with the driver of the motor cab and Tristana leans heavily against the door-frame of the vestibule, her eyes fixed on Konstanze’s turned back.
“I’ve paid him, Tristana. And he’ll wait to bring you both back. Oh sweet girl! Can’t I go and collect her? It would be so much better! You...you look so tired. You really should stay and rest here. Please let me...”
“I have to go. I have to. Right, help me to the cab, just while I get it. I... We’ll be back soon. Don’t worry Konstanze. Don’t worry.”
The cab drives along the familiar roads, through the Tiergarten, over the Spree, along the Paulstraße and right into Alt-Moabit, then comes to a sudden halt. Tristana peers through the side window. She can see the Hauptbahnhof ahead and the clock showing seven minutes to eleven. The road is blocked. A throng of carriages and motors standing nose-to-tail. She looks at the driver in panic. Nothing is moving.
“I have to be there for eleven. Will we make it?”
“I don’t think so miss. Looks like an accident or something up front. You can walk faster I think. I’ll wait in front when I get there miss. Is that alright? It’s not far. Just a hundred metres or so. I’ll watch out for you and your friend, alright?”
She looks around again. The cab’s surrounded now by other traffic. It’s hot and horns are sounding out, but nothing is happening. She bites her lip.
“Alright. I’ll go then. Wait for us, yes? In front of the station.”
She steps onto the pavement and immediately staggers, grabbing out for a lamp-standard, her mouth opening wide to suck in the air. There are people everywhere. Her vision blurs then clears and she focuses on the entrance to the station. It really isn’t too far. But the minutes have ticked by and now there are only three left.
Tristana starts to walk. Five paces, then pauses and puts her hand to her breast. It feels as if the knife is being pushed in again and turned and twisted. She gasps in pain. A woman in crinolines brushes past her and turns her head to look. In front of her she sees a group of men in their dark suits, a small boy in a sailor outfit. A girl with gold curls carrying a hoop. She looks at the clock above the station entrance. She tries to walk faster, breaking into a jog. It hurts so much now; she looks down. Her white dress is stained pink around her chest. Her fingers touch her breast again. The cotton is wet; turning red where she has laid her hand. She’s burning in pain.
She runs. The sun is beating down on her, the crowd seems to grow and press in on her. Into the shade. She can feel blood running down her chest, the bandages are soaking now, her dress sticks to her. She staggers forward, desparately searching for the arrivals board. There! She pushes past dark dressed travellers waiting for their trains, blind to their stares, spinning from one pillar to another, a cloud of white and red in a sea of darkness and smoke and steam.
Gisela rises from her seat and moves along the rocking train to the end of the carriage. The plaform rises from the track-bed, the canopy suddenly spills its shadows and amplifies the surging sucking hissing clanking engine as it screeches and rattles to a halt.
Tristana looks anxiously from carriage to carriage, then instinctively tries to run toward the front of the train. Four steps, then collapses onto the plaform. She doesn’t hear the gasps from the onlookers. She forces herself up again. Now her whole dress is soaked crimson. Her fingers touch her mouth, wipe away a froth of blood. She can see Gisela; she’s getting down from the first carriage, the guard is passing her bag; she’s looking around.
“Gisela! Gisela....!”
She coughs and grasps her chest, her breasts rising and falling rapidly as she pants, coughing blood with every breath. She can hardly shout Gisela’s name.
“Tristana!”
Gisela stares, then runs forward as the crowd parts.
Tristana falls to the floor, heaving and coughing, blood oozing between her fingers as she grasps herself tight, her right arm extended, imploring.
Gisela falls to her knees, grapsing Tristana’s shoulders, pulling her face to her own, staring into her dark eyes, cradling her in her arms.
“Tristana! No! No! Don’t leave me Tristana! I’ll never leave you Tristana! Don’t leave me!”
She kisses her lips, kisses her eyes, her ears, her own clothes becoming dark with Tristana’s blood.
At the far end of the platform Markus and Melot climb down from the train. They see the commotion ahead, the crowd around the two girls slumped on the ground. They run.
Gisela looks up from Tristana’s still face. Kisses her once more. Then stands. Tears and blood mingle on her face. She looks to the ground, to Tristana. To her pearl earrings under her dark curls. She looks up. She sees them coming. A whistle sounds. The engine comes to life, smoke forcing up into the canopy, then swirling downwards over the platform. Gisela looks once again at her Tristana, then steps forward.
A woman screams. A whistle is blown furiously and the engineer slams the regulator shut, the wheels howling against the rails. Across the plaform a company of grey-uniformed soldiers turn, wondering what is happening, then, joking, board their train bound for exercises in Königsburg in the East.
THE END OF GISELA’S FOURTH STORY