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The Devil In The Convent

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A different project Messa, Villa Malaparte have not the pool under the bridge and is of one volume only, and Luna ll'be not crucified here....:devil:
You run too away with your fantasy:rolleyes:....:spank:

Luna:bdsm-wink:
Sorry if I've hurted, I didn't want:confused: ... It was only a little fantasy, a dream ...;)
Not offended at all, you can dream as you prefere, the story is written for do dreams.;)
and we guys enjoy it...........................................much and Messa spanking by velut luna would be a great extra celebration before her crucifying
 
Velut Luna asked for me to post something about the movie "Le mépris" which was made at this Villa Malaparte ...
So, there is ...


From Wikipedia, the free encyclopedia
Contempt

Original film poster
Directed by Jean-Luc Godard
Produced by Carlo Ponti
Georges de Beauregard
Joseph E. Levine
Screenplay by Jean-Luc Godard
Based on Il disprezzo
by Alberto Moravia
Starring Brigitte Bardot
Michel Piccoli
Jack Palance
Giorgia Moll
Fritz Lang
Music by Georges Delerue
(French and US release)
Piero Piccioni
(Italian release)
Cinematography Raoul Coutard
Editing by Agnès Guillemot
Lila Lakshmanan
Distributed by Embassy Pictures (US)
Release dates October 29, 1963 (Italy)
20 December 1963 (France)
October 1964 (US ltd))
18 December (US wide)
Running time 103 minutes
Country France
Language French, English, German, Italian
Budget $900,000 (est.)[citation needed]
Contempt (French: Le Mépris) is a 1963 film directed by Jean-Luc Godard, based on the Italian novel Il disprezzo [A Ghost at Noon]. 1954. OCLC 360548. by Alberto Moravia. It stars Brigitte Bardot.


Plot
American film producer Jeremy Prokosch (Jack Palance) hires respected Austrian director Fritz Lang (playing himself) to direct a film adaptation of Homer's Odyssey. Dissatisfied with Lang's treatment of the material as an art film, Prokosch hires Paul Javal (Michel Piccoli), a novelist and playwright, to rework the script. The conflict between artistic expression and commercial opportunity parallels Paul's sudden estrangement from his wife Camille Javal (Brigitte Bardot), who becomes aloof with Paul after being left alone with Prokosch, a millionaire playboy.

While founded on Alberto Moravia's story of the progressive estrangement between a husband and wife, Godard's version also contains deliberate parallels with aspects of his own life: while Paul, Camille, and Prokosch correspond to Ulysses, Penelope, and Poseidon, respectively, they also correspond in some ways with Godard, his wife Anna Karina (his choice of female lead), and Joseph E. Levine, the film's distributor. At one point, Bardot dons a black wig which gives her a resemblance to Karina. Michel Piccoli also bears some resemblance to Brigitte Bardot's ex-husband, the filmmaker Roger Vadim.

Also notable in the film is a discussion of Dante – particularly Canto XXVI of Inferno, about Ulysses' last fatal voyage beyond the Pillars of Hercules to the other side of the world – and Friedrich Hölderlin's poem, "Dichterberuf" ("The Poet's Vocation").

Cast
Production
Italian film producer Carlo Ponti approached Jean-Luc Godard to discuss a possible collaboration; Godard suggested an adaptation of Moravia's novel Il disprezzo (originally translated into English with the title A Ghost at Noon) in which he saw Kim Novak and Frank Sinatra as the leads; they refused. Ponti suggested Sophia Loren and Marcello Mastroianni, whom Godard refused. Finally, Bardot was chosen, because of the producer's insistence that the profits might be increased by displaying her famously sensual body. This provided the film's opening scene, filmed by Godard as a typical mockery of the cinema business with tame nudity. The scene was shot after Godard considered the film finished, at the insistence of the American co-producers. In the film, Godard cast himself as Lang's assistant director, and characteristically has Lang expound many of Godard's New Wave theories and opinions. Godard also employed the two "forgotten" New Wave filmmakers, Luc Moullet and Jacques Rozier, on the film. Bardot visibly reads a book about Fritz Lang that was written by Moullet, and Rozier made the documentary short about the making of the film, Le Parti Des Choses.

Contempt was filmed in and occurs entirely in Italy, with location shooting at the Cinecittà studios in Rome and the Casa Malaparte on Capri island. In a notable sequence, the characters played by Piccoli and Bardot wander through their apartment alternately arguing and reconciling. Godard filmed the scene as an extended series of tracking shots, in natural light and in near real-time. The cinematographer, Raoul Coutard, shot some of the seminal films of the Nouvelle Vague, including Godard's Breathless.

 
...and some pics of the movie at villa Malaparte ...
On the first, Jean Luc GODARD with BB ...:)
 

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Devil in the Convent 5

5


She's here! I welcome her, naked as she likes me to be, submissive at her feet. She's a beautiful, haughty, Greek Venus, the goddess of Olympus before whom I kneel, bowing my head to beg forgiveness.

Under the shower I wash her statuesque body, caressing every curve, every fold, kissing her, worshiping the delicious intimacy. She distressed at my bruises, compassionate, caressing my back, my sore breasts excited, my sex throbs.

Dressed of nothing but light dresses of silk, no lingerie, we go to the seaport and skim on the hydrofoil across to the villa on Anacapri.

Its name is Orphica, it stands on the crest of the mountain ridge, built of white stone, like the bow of Ulysses' ship ready to set sail. I dreamed it up and designed it for her, the Olympian goddess who possesses me.


From the azure pool submerged lights brighten the night-loving Naiads, never sated with caresses and kisses, fed with flowers, fruit and milk, nectar and ambrosia from our bodies.

Cooled by a breeze, we climb into the suspended hammock of woven reeds, entwining our limbs, exploring each others recesses with voracious mouths, our tongues darting, until exhausted we remain floating in the dew of our moist sweetness.

Accompanied by dawn’s sparkle of silver we go to a cove where we’re hidden from human eyes, and float supported by the ink of the sea. Then dressed only with salt and volcanic sand, we go back to our ‘ship’.

It's always playtime. With my wrists roped by a band of black velvet, I’m on my tiptoes, crucified and nailed to an old wooden beam, my forehead surrounded by a crown of blackthorn. With a scourge of gauze she caresses my skin, reddened by the sun.

I dance like a snake as the lashes of the black gossamer explore every secret curve. Her tongue tastes the sea-salt and sweet nectar of my breasts, the ambrosia of my abdomen, her frantic cat-claws come invade my orifices, I’m violated in a thrilling, sensuous agony, I scream voicelessly.

I’m surrendered now, breathless. Her mouth has left no piece of my skin that isn’t throbbing with blood. I’m laid on her lap, inert, as she contemplates my defeat, pleading, begging.

She caresses my face, stroking between her fingers the hair of this lost daughter, cradling and squeezing me to her breasts, licking from my head the blood of my wounds, kissing my blood-drained lips.

We rise again in the light, and we let the wind from the sea caress our naked bodies, gloriously dishevelled. On the bridge of white stone ship we set sail for the shores of Eden.

Golden sunset, the light on faces, transfigured, drunk. Tonight we are feasting on each other.

kisses_1bw.jpg
kisses_3.jpg
 

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I do too, look forward to Luna's Italian and draft English versions. While I can polish the English a little and make it a bit more idiomatic, there's a poetry in Luna's Italian that isn't entirely lost in her English, and I try to preserve that rather than 'over-English' it.
 
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I do too, look forward to Luna's Italian and draft English versions. While I can polish the English a little and make it a bit more idiomatic, there's a poetry in Luna's Italian that isn't entirely lost in her English, and I try to rather preserve that rather than 'over-English' it.
it is nice so.................and indeed keep it in this way going on
 
If anyone can not view the YouTube video,
I send a link for download a mp4 file.
19 MB.


http://ge.tt/2Tb9nLe1/v/0

No that link doesn't work either (It's Amazon's cloud service so no surprises there). When I try to open the download link it just comes back with this;

PermanentRedirectThe bucket you are attempting to access must be addressed using the specified endpoint. Please send all future requests to this endpoint.B441DEFCB65A970Ds3.kkloud.comzqPi0JYYC+rsIozqF5ccd/9sXb0nMQNC/46ZpoouZ2d9ph190ggpfbNwHosoc8Tvs3.kkloud.com.s3.amazonaws.com


The Youtube video seems to be blocked everywhere since not even the Youtube Unblocker Firefox extension can access it :(

Damn I hate Youtube. They've REALLY gone down the fucking toilet since Google bought them :(
 
No that link doesn't work either (It's Amazon's cloud service so no surprises there). When I try to open the download link it just comes back with this;
PermanentRedirectThe bucket you are attempting to access must be addressed using the specified endpoint. Please send all future requests to this endpoint.B441DEFCB65A970Ds3.kkloud.comzqPi0JYYC+rsIozqF5ccd/9sXb0nMQNC/46ZpoouZ2d9ph190ggpfbNwHosoc8Tvs3.kkloud.com.s3.amazonaws.com

The Youtube video seems to be blocked everywhere since not even the Youtube Unblocker Firefox extension can access it :(

Damn I hate Youtube. They've REALLY gone down the fucking toilet since Google bought them :(
In Italy no problems!
Have you downloaded the ge.tt file?
 
In Italy no problems!
Have you downloaded the ge.tt file?

No it won't work - that's what I meant in my previous post. It seems to be hosted on an Amazon S3 cloud server and they never seem to work for me. The error message is suggesting that it can only be accessed from the originating location, which is kind of pointless (but I've seen this trouble with S3 servers before - Amazon seems to want them used for backup and not file sharing).

The youtube clip seems to be geo-blocked to Italy (I absolutely HATE it when they do that - Geo-blocking is killing the open internet). Most VPN services don't work with Youtube anymore as Google blocks access.

Not tried going in through TOR yet - I may try that later when I have more time, but if the content is only accessible from Italy then I doubt this will work either. Windows users could try a little program called HideIPEasy which will let you fake IP addresses from a number of countries. I'm pretty sure that Italy is one of them. That MIGHT work.

The way that Geo-blocking usually works is that the content provider will flag the video to say that it is not viewable from certain countries, or outside certain countries. If you're trying to view content which is not available outside the US, for example, then it's usually easier as pretty much all VPN services (even the free ones) spoof a US IP address. Unfortunately a lot of them don't let you actually specify the country you are spoofing. (HideIPEasy does - from a pretty good list)

Most VPNs (especially the free ones) are WAY too slow to stream video properly, but they may still let you download the file for offline viewing, using something like Video Downloadhelper.

If anyone else has a viable option for a free web proxy that will spoof an Italian IP address then let me know. Otherwise I might try to find someone with a Windows box I can install HideIPEasy onto to try it...
 
in the Netherlands no Youtube but the downloaded file on ge tt works nice in my VLC-player
 
I still can't download the ge.tt file though. Maybe it's a browser issue then...
 
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