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The Girl With No Name

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My confession: It has become my habit to go through all other alerts/posts first, and save this thread for last. I have become addicted to a daily fix of Lisette's suffering. When your story is concluded, I expect to suffer withdrawal symptoms and a prolonged period of depression. :(:mad::confused:
If Eulalia sacrifices, there could be a small lookup turnoff. "Mary on the Cross", a little story from Elf Bride.
 
Tell us more madiosi? I didn't think we had any more.
 
I was left on the cross. Back... swing left... let myself fall forward, rest my chin on my chest and played "girl without a name." Would Drtikol have photographed me? Would he have accepted me just as a silent cross-girl? Or would he have photographed me as a suffering princess of pain? Was it for him all about a pure nude photograph, an artistic image? How would I come across to other people, if I were really suffering? When I’m defeated? When I’m dancing on the cross, panting and groaning? When I start to beg to be let down? Or if I even begin to scream?

A shiver ran through me. Crying .... How long do I have to suffer on the cross before I scream? Not just crying, sobbing, not just a yelp of pain.... rellay screaming! How would I feel? What’s it like not to be able to get away, when you absolutely cannot bear the pain any longer, what would that feel like?

But I haven’t I already experienced this, repeatedly? And haven’t I kept going for longer times on the cross? Yesterday I endured a flogging, I was screaming as I hung on those rings like a worm on a fish-hook, I’d writhed and twisted while the whip met my defenseless body again and arain and forced me to squirm in ecstasies of pain.

But that was different, I thought - Dorothea wanted to flog me, I just wanted her to be happy, she likes to hurt me and I wanted to make her happy. At the same time I was afraid of the flogging, crazy, more than afraid. Sheer torment while it went on, afterwards joy, gratitude, euphoria.

My three and a half hours dragged on. As usual, I lost the fight against the cross, against time and against the punishment. There were three of them, only one of me. This time I started crying pretty loud when it became unbearable. I sobbed and danced constantly, trembling and sweating on the torture-wood. But I begged my cousin to not to spare me. At least not then. When she took me down, I thanked her profusely, but only in my mind, silently...

"How was it?" she wanted to know, after I had showered and changed my clothes. We packed our useful small backpacks with soft drinks and food. Doro’s held her photographic equipment too. We walked to the train station in Spuhl.

"It was like always," I replied, "honestly, I didn’t notice any difference between three hours and three and a half."

My cousin looked at me, she’d got her cat look, "No difference?" Her eyes lit up.

"Well," I said, "maybe I've actually got used to it. Perhaps my body has developed a kind of crucifixion conditioning, just like Hiasl’s legs were hardened by the bike-training. Anyway, it always runs out similarly - first, it's just nice to be crucified - beautiful. It is exciting, Doro, insanely erotic, sometimes I’m so excited that I’m close to cumming. Then the cross begins to take effect, it’s a little uncomfortable, but this pain is beautiful and exciting for me. Over time, it becomes harder for me, and pleasure and pain struggle with each other. Sometimes I can’t stand it, but then again I have phases where I accept it humbly and proudly, then I also feel excitement, really. And finally, it’s absolutely unbearable, I'm starting to squirm more and more trying to avoid the pain somehow. I fight and eventually I lose and start to cry. Whether it heralds a quieter time for me on the wood after this phase, I don’t know, I have to try. "

"Yes," said Doro. Our train arrived, we got in and found a pair of seats in an empty compartment. "You have to try it, Lis, I wonder if your high will come back after your first collapse, I think so, but then what? Will you eventually break down completely and only sob and plead? Will you start screaming like bedlam? I’d really like to experiment, Lisette."

I smiled at her, "I believe you, every word."

I leaned back and closed my eyes, "I’ll perform the experiment on myself it, Doro, I really want to see how I completely lose control, I want to lose myself, Doro, I want to lose myself in pain. "
 
I was left on the cross. Back... swing left... let myself fall forward, rest my chin on my chest and played "girl without a name." Would Drtikol have photographed me? Would he have accepted me just as a silent cross-girl? Or would he have photographed me as a suffering princess of pain? Was it for him all about a pure nude photograph, an artistic image? How would I come across to other people, if I were really suffering? When I’m defeated? When I’m dancing on the cross, panting and groaning? When I start to beg to be let down? Or if I even begin to scream?

A shiver ran through me. Crying .... How long do I have to suffer on the cross before I scream? Not just crying, sobbing, not just a yelp of pain.... rellay screaming! How would I feel? What’s it like not to be able to get away, when you absolutely cannot bear the pain any longer, what would that feel like?

But I haven’t I already experienced this, repeatedly? And haven’t I kept going for longer times on the cross? Yesterday I endured a flogging, I was screaming as I hung on those rings like a worm on a fish-hook, I’d writhed and twisted while the whip met my defenseless body again and arain and forced me to squirm in ecstasies of pain.

But that was different, I thought - Dorothea wanted to flog me, I just wanted her to be happy, she likes to hurt me and I wanted to make her happy. At the same time I was afraid of the flogging, crazy, more than afraid. Sheer torment while it went on, afterwards joy, gratitude, euphoria.

My three and a half hours dragged on. As usual, I lost the fight against the cross, against time and against the punishment. There were three of them, only one of me. This time I started crying pretty loud when it became unbearable. I sobbed and danced constantly, trembling and sweating on the torture-wood. But I begged my cousin to not to spare me. At least not then. When she took me down, I thanked her profusely, but only in my mind, silently...

"How was it?" she wanted to know, after I had showered and changed my clothes. We packed our useful small backpacks with soft drinks and food. Doro’s held her photographic equipment too. We walked to the train station in Spuhl.

"It was like always," I replied, "honestly, I didn’t notice any difference between three hours and three and a half."

My cousin looked at me, she’d got her cat look, "No difference?" Her eyes lit up.

"Well," I said, "maybe I've actually got used to it. Perhaps my body has developed a kind of crucifixion conditioning, just like Hiasl’s legs were hardened by the bike-training. Anyway, it always runs out similarly - first, it's just nice to be crucified - beautiful. It is exciting, Doro, insanely erotic, sometimes I’m so excited that I’m close to cumming. Then the cross begins to take effect, it’s a little uncomfortable, but this pain is beautiful and exciting for me. Over time, it becomes harder for me, and pleasure and pain struggle with each other. Sometimes I can’t stand it, but then again I have phases where I accept it humbly and proudly, then I also feel excitement, really. And finally, it’s absolutely unbearable, I'm starting to squirm more and more trying to avoid the pain somehow. I fight and eventually I lose and start to cry. Whether it heralds a quieter time for me on the wood after this phase, I don’t know, I have to try. "

"Yes," said Doro. Our train arrived, we got in and found a pair of seats in an empty compartment. "You have to try it, Lis, I wonder if your high will come back after your first collapse, I think so, but then what? Will you eventually break down completely and only sob and plead? Will you start screaming like bedlam? I’d really like to experiment, Lisette."

I smiled at her, "I believe you, every word."

I leaned back and closed my eyes, "I’ll perform the experiment on myself it, Doro, I really want to see how I completely lose control, I want to lose myself, Doro, I want to lose myself in pain.

As time goes by......:rolleyes:
 
I was left on the cross. Back... swing left... let myself fall forward, rest my chin on my chest and played "girl without a name." Would Drtikol have photographed me? Would he have accepted me just as a silent cross-girl? Or would he have photographed me as a suffering princess of pain? Was it for him all about a pure nude photograph, an artistic image? How would I come across to other people, if I were really suffering? When I’m defeated? When I’m dancing on the cross, panting and groaning? When I start to beg to be let down? Or if I even begin to scream?

A shiver ran through me. Crying .... How long do I have to suffer on the cross before I scream? Not just crying, sobbing, not just a yelp of pain.... rellay screaming! How would I feel? What’s it like not to be able to get away, when you absolutely cannot bear the pain any longer, what would that feel like?

But I haven’t I already experienced this, repeatedly? And haven’t I kept going for longer times on the cross? Yesterday I endured a flogging, I was screaming as I hung on those rings like a worm on a fish-hook, I’d writhed and twisted while the whip met my defenseless body again and arain and forced me to squirm in ecstasies of pain.

But that was different, I thought - Dorothea wanted to flog me, I just wanted her to be happy, she likes to hurt me and I wanted to make her happy. At the same time I was afraid of the flogging, crazy, more than afraid. Sheer torment while it went on, afterwards joy, gratitude, euphoria.

My three and a half hours dragged on. As usual, I lost the fight against the cross, against time and against the punishment. There were three of them, only one of me. This time I started crying pretty loud when it became unbearable. I sobbed and danced constantly, trembling and sweating on the torture-wood. But I begged my cousin to not to spare me. At least not then. When she took me down, I thanked her profusely, but only in my mind, silently...

"How was it?" she wanted to know, after I had showered and changed my clothes. We packed our useful small backpacks with soft drinks and food. Doro’s held her photographic equipment too. We walked to the train station in Spuhl.

"It was like always," I replied, "honestly, I didn’t notice any difference between three hours and three and a half."

My cousin looked at me, she’d got her cat look, "No difference?" Her eyes lit up.

"Well," I said, "maybe I've actually got used to it. Perhaps my body has developed a kind of crucifixion conditioning, just like Hiasl’s legs were hardened by the bike-training. Anyway, it always runs out similarly - first, it's just nice to be crucified - beautiful. It is exciting, Doro, insanely erotic, sometimes I’m so excited that I’m close to cumming. Then the cross begins to take effect, it’s a little uncomfortable, but this pain is beautiful and exciting for me. Over time, it becomes harder for me, and pleasure and pain struggle with each other. Sometimes I can’t stand it, but then again I have phases where I accept it humbly and proudly, then I also feel excitement, really. And finally, it’s absolutely unbearable, I'm starting to squirm more and more trying to avoid the pain somehow. I fight and eventually I lose and start to cry. Whether it heralds a quieter time for me on the wood after this phase, I don’t know, I have to try. "

"Yes," said Doro. Our train arrived, we got in and found a pair of seats in an empty compartment. "You have to try it, Lis, I wonder if your high will come back after your first collapse, I think so, but then what? Will you eventually break down completely and only sob and plead? Will you start screaming like bedlam? I’d really like to experiment, Lisette."

I smiled at her, "I believe you, every word."

I leaned back and closed my eyes, "I’ll perform the experiment on myself it, Doro, I really want to see how I completely lose control, I want to lose myself, Doro, I want to lose myself in pain. "

"I really want to see how I completely lose control, I want to lose myself, Doro, I want to lose myself in pain".
And we want to see you do that Lisette.
 
Pp agrees Barb but many lines from that old classic could fit here. What fundamental things apply?

You must remember this
A kiss is still a kiss
A sigh is still (just) a sigh
The fundamental things apply
As time goes by

And when two lovers woo
They still say: I love you
On that you can rely
No matter what the future brings
As time goes by


***************

It's still the same old story
A fight for love and glory
A case of do or die
The world will always welcome lovers
As time goes by
 
You must remember this
A kiss is still a kiss
A sigh is still (just) a sigh
The fundamental things apply
As time goes by

And when two lovers woo
They still say: I love you
On that you can rely
No matter what the future brings
As time goes by


***************

It's still the same old story
A fight for love and glory
A case of do or die
The world will always welcome lovers
As time goes by
Thanks Barb. Pp does think many of those lines have meaning here.
 
The Blessed Virgin chapel was just beyond the outskirts of Kehlwangen in a level meadow at the forest-edge. More a century ago two girl goose-herds had seen the Virgin Mary in visions at this place. A small pilgrimage site was created and people come from far and wide to pray to the Blessed Mother. The church was painted white, ornamented with black bricks. We entered.

"Wow," said Dorothy. "What a difference! The windows used to be quite dark. Now you can recognize everything they show." We walked between the two rows of benches towards the altar of Our Lady, looking at the high neo-Gothic windows. The stained glass windows told the story of the chapel. In beautifully designed, photo-realistic, images the the two girls’ encounter with the Mother of God was depicted. One window showed the two girls herding the geese, then came a picture where the one of the girls noticed a light in the forest, the third showed the two of them in the woods as they approached the light, then they stood before the vision of the Virgin Mary, the Mother of God had her arms spread and was smiling kindly at the two girls. The next picture showed the girls as they knelt in prayer before the vision. In the last picture Mary stood with the girls and embraced them in her arms. Dorothea pulled out her camera, window by window she recorded them, also taking photos of details. The pictures were really pretty, I thought they were great.

"Do you notice anything?" asked Dorothy.

"What?" I looked.

"They aren’t wearing shoes."

I shrugged, "Over a century ago girls who were so poor that they had to look after the geese wouldn’t have worn shoes in summer. That was normal. And, what probably influenced the thinking behind this kind of picture, girls with bare feet look very innocent."

"Let’s be the girls!" suggested Doro, already she’d bent down and was taking off her shoes.

"You want to walk barefoot again?" Why not? Two days ago we were getting around without shoes. I took off my sandals and put them in my backpack. The stone floor was cool under my bare soles. Doro went on photographing, she also recorded the entire interior, and finally she put the camera on a shelf on the wall where the hymn-books were kept, and set the auto-timer. We positioned ourselves at the altar, and let it take pictures of us.

Then we set off. We walked along a path further into the forest and wandered happily through the countryside. We strolled through the Linsdorfer Woods and at the forest cafe we took a break, ate some cake and drank sweet woodruff cordial. Instead of returning to Spuhl as we did on Sunday, via Fronbach and Lemmern, we walked right through the Herthener Forest along narrow by-ways. Doro knew everywhere, she’d chosen the path with forethought, as I soon found out!

"Stay where you are, Lisette," she told me. She took a rope from her pack. Ooh!

"Don’t worry," she said with a grin, "before we get home from the forest, I guess you need to be in your bonds again, I think you need them - you need some obedience training, my love."

I didn’t resist as she tied my hands together behind my back, though I was a bit scared that we might encounter someone in the woods and Doro wouldn’t have time to release me – what would happen? Okay, we weren’t far from home, I knew where we were, but it was still a risk. But it wasn’t enough for my cousin, what she had done to me, tying me up, relishing my fear of being caught in bondage, no, that wasn’t enough! She unbuttoned my blouse.

"Dorothy," I whispered, frightened.

"Relax, Lisette! I’ll do the buttons up again. Don't be afraid, scary bunny! You won’t have to march topless through the forest!” She smiled, "though that would be a pretty sight – it would be even nicer to let you go completely naked!"

I was shocked, surely she wouldn’t expect that of me, or…?

She took two little metal things out of her backpack - the nipple clamps. Now I knew what she was up to. Already she was pushing the little clamps onto my nipples, forcing them on pretty tight, they hurt. My cousin stood still in front of me, looking at me with her cat’s look.

"You can’t protect yourself, Lisette," she spoke softly and looked deep into my eyes, "I can twist them as tight as I want, there’s nothing you can do about it."

She touched the tips and turned the tiny screws, I gasped, she smiled at me.

"Would you obey, Lisette?" She touched the screws and turned a bit more, I let out a groan. "Would you go naked and bound through the forest, if I asked it of you? Would you do it without question?"

"I .... I .... don't know," I said lamely.

"Wrong answer!" She turned to the tips tighter, I let out a little scream. Goddess it hurt! My nipples were on fire. Doro repeated her question, "Would you walk naked and bound through the forest if I asked it of you?"

"Yes, Dorothea," I said hastily.

"Would you do it now, on the spot, if I commanded you?"

"Yes, Dorothea."

"Without demur and without hesitation?"

"Yes, Dorothea."

Smiling, she buttoned up my blouse. "Good, let's go!”
 
21 Hiking barefoot with nipple clamps

When I stood naked in the morning in front of the cross, the weals from yesterday’s whipping had disappeared, they existed only in my mind, in my soul. My cousin smiled at me encouragingly, "Today, three and a half hours, Lisette?"

Three and a half? Half an hour more than the day before? She noticed my dubious look,

"We’ve not got enough time for two sessions, Lis. We want to go to the Blessed Virgin Chapel in Kehlwangen. Even if we go by train - the walk back takes too long. You can only be crucified once today."

She came up to me. "If you're afraid you’ll scream, you can wear the gag."

I shook my head, not the cruel gag, not today. "I don’t want it,” I said. "not today. And no lashes before." I ran my fingers over my thigh, "You can’t see anything, but I’m still feeling yesterday’s flogging a bit."

Dorothee's eyes were filled with compassion, "Oh Lisette," she hugged me, "Is it so bad? If it is, we can delay your crucifixion."

I returned her hug, "It’s not that bad, I can stand it, I can just still feel it quite clearly." I looked at her, "I’ll do three and a half hours on the cross, then we’ll go to Kehlwangen."

"You’re crazy," whispered Doro, and kissed me on the cheek Then she led me gently to the cross. "Come, Lisette, it’s time to suffer."

Time to suffer - what an expression! These three words said so much! I lay down on the cross and gave up control of myself to my cousin. She strapped me and hauled me up. As always, I felt so happy I could have sung for joy. Crucified! At last! Ohhhh! I had to think back to the first day, to my shyness when Doro had persuaded me to take off my clothes, and I kept my panties on, she’d taken them off me after she’d tied my arms to the crossbar! By now it was completely normal for me to strip naked to go on the cross, I would even refuse to keep my panties or even to wear a bikini. I could only enjoy it properly in the nude, experiencing my total helplessness. Only naked could I feel the smooth wood that was holding me captive, on naked could I enjoy the feeling of being on display. This was part of it, the desire to be humiliated. I thought about Doros insane proposal for me to go on the cross in front of a group of paying spectators. The idea had something, it turned me on.

Anyway, I was very excited as always at the beginning of my crucifixions, and the idea of being exposed naked in front of spectators reinforced this excitement still more. I began to think seriously about this plan - not only because I wanted to fly with my cousin to New Zealand, but also because the idea of suffering on the cross for the pleasure of strangers excited me beyond measure. I was soaking wet and squirming slowly on the bar.

I felt the smooth wood of the footrest under my bare feet, my most intense point of contact with the cross. There were crucifixions where the feet of the crucified dangled in the air. I had researched all possible ways on the internet. I liked them all without exception, but being strapped to the cross as I was, I liked that the most.

Dorothea was standing in front of me and looking at me, she was loving it, seeing my naked body strapped to the cross. Would strangers look at me the same way? With wide eyes in which glowed a mixture of hunger and desire? Would I look attractive in their eyes? You can figure it out, Lisette, you just have to agree, Doro will take care of everything, she’s a born organizer. I leaned back against the wood, and dropped my head on my left shoulder. I'll think about it, I made up my mind.

Three and a half hours this morning. Half an hour longer than yesterday. Initially I’d been raised up for a quarter of an hour. Soon to half an hour. Would more hours follow soon? I shuddered at the thought. Five hours. Six hours. And then? Even longer? Could I do that? Certainly - the ancient Romans crucified disobedient slaves from morning to night, up to twelve hours. Again a shudder ran through me, twelve hours, a monstrous time! How often would I break down crying? How would I bear the thirst if I got nothing to drink? Would there be quiet hours among the crises? Would I cry out at some point until my throat was sore?

"You look beautiful," said Dorothea from below, 'as always, when you’re crucified, Lis." She smiled, "The ancient Romans had it good, they could buy pretty slaves and crucify them to their hearts’ content.” Her face took on a dreamy expression. "If I were a rich Roman lady, I’d buy myself me a whole coffle of pretty slaves, they’d have to take turns on the cross in the yard, where I could watch them as they writhe in sweet agony. I’d listen and watch them weeping and writhing."

"Actually, crucifixion was indeed a punishment," I said. Doro’s words had upset me. "It was used to discipline slaves. Nailing, on the other hand, was intended as a deterrent death penalty for criminals and rebels."

"Why nailed?" asked Doro, "Okay, it hurts so much that a crucified man screams like a monkey from the start, as a scare it would work really well. If I saw a man dying in that horrific way, any temptation to rebel would soon pass away. But bound with ropes, it would last much longer, victims would take much longer to die. "

"The nails had another purpose," I said.,"They nailed the condemned ones to the cross so that they couldn’t be stolen at night."

"Stolen?" exclaimed Doro open-mouthed.

"Yes of course,", I said, "to sell as slaves, it was a lucrative business. One who’s only bound to the cross with ropes could easily be cut down, they’d have to mount a guard-squad around the clock so they wouldn’t be stolen. But a person who's skewered with nails on the cross, you can’t get off so easily, and, more importantly, they’d no longer be any use as slaves, they’d be so badly injured that you’d have a costly business maintaining them if they survived at all. They’d probably be crippled – they had the nails driven through their wrists, important nerves were destroyed. Someone who’d been snatched from a cross would no longer be able to use their hands properly, they'd be no good as a slave."

Dorothea came to me and stroked my feet, "You know everything about it, Lis! I bet you've gathered all the information you could find on the internet."

I thought of my ‘special’ folder and nodded... "Yes, I've collected everything I could find. Really, bound crucifixion was only used as a disciplinary measure. If a disobedient slave was tied up on the cross in the yard of a villa, no other slave would dare to liberate him."

"You always speak only of men." Doro sounded disappointed.

"No," I shook my head. "I mean both sexes, it was also done to female slaves. Of course they were naked. It was worse for them, because of the shame."

"Fine," said Doro, stroking my bare feet.

"You mustn’t imagine that’s what’s happening to me here with you, though." I continued, "Don’t believe that when slaves were exposed like that it was pleasant for them - on the contrary, it was supposed to be a deterrent punishment. They didn’t take much care with a disobedient slavegirl." I used ‘slavegirl’ intentionally, it seemed important for her that female slaves were crucified. "Pictures show their limbs bound on the crossbar, their arms stretched as much as possible, and the ropes tied so tightly they couldn’t move. And their feet were bound differently. Then the poor thing hung all day long on the cross crying, and the other slaves looked on while she had to endure the endless torment.”

“There were other cross-shapes, too. The so-called tau-cross was common. On that one the arms of the slavegirl were laid along the on top, then pulled back a bit and down. They could tie just her wrists, or bind her arms in several places - either way of course she’d be cruelly fixed! Her feet hung right and left of the upright, but don’t suppose the girl’s ankles were tied with thick turns of rope, so they weren’t pressed directly against the wood – oh no, they forced her ankles against the wood on both sides of the post, then tied the rope around them; only after that did they bind it several times between pole and her shins, so as to prevent the poor girl from pulling her feet out of the bondage. Imagine how that hurt after a while!”

“They also had special square bar. The upright stake was square, and at the top it was grooved - it had a kind of depression that looked from the side like an upside-down triangle. They set the cross bar in that, so the edges of the four-sided beam faced up, to the front and behind. If your arms were tied very tightly to such an edged beam, you’d have suffered tremendous pain. A slavegirl bondaged like that went through hell, her arms and wrists ached unbearably, and her ankles too, they were pressed terribly hard against the wood of the upright. She’d have screamed all day long with pain. By evening she’d be determined to be super-good and as totally obedient!"

"Yes," said Dorothy, "obedient!" She looked up at me. "Well, I’m glad you’ve explained all that, Lis, it was really nice." Her eyes were glowing. She went to her drawing table and went on putting finishing touches to her flower-meadow.
madiosi-2015-31-Girlwnn-chapter21.jpg
 
The Blessed Virgin chapel was just beyond the outskirts of Kehlwangen in a level meadow at the forest-edge. More a century ago two girl goose-herds had seen the Virgin Mary in visions at this place. A small pilgrimage site was created and people come from far and wide to pray to the Blessed Mother. The church was painted white, ornamented with black bricks. We entered.

"Wow," said Dorothy. "What a difference! The windows used to be quite dark. Now you can recognize everything they show." We walked between the two rows of benches towards the altar of Our Lady, looking at the high neo-Gothic windows. The stained glass windows told the story of the chapel. In beautifully designed, photo-realistic, images the the two girls’ encounter with the Mother of God was depicted. One window showed the two girls herding the geese, then came a picture where the one of the girls noticed a light in the forest, the third showed the two of them in the woods as they approached the light, then they stood before the vision of the Virgin Mary, the Mother of God had her arms spread and was smiling kindly at the two girls. The next picture showed the girls as they knelt in prayer before the vision. In the last picture Mary stood with the girls and embraced them in her arms. Dorothea pulled out her camera, window by window she recorded them, also taking photos of details. The pictures were really pretty, I thought they were great.

"Do you notice anything?" asked Dorothy.

"What?" I looked.

"They aren’t wearing shoes."

I shrugged, "Over a century ago girls who were so poor that they had to look after the geese wouldn’t have worn shoes in summer. That was normal. And, what probably influenced the thinking behind this kind of picture, girls with bare feet look very innocent."

"Let’s be the girls!" suggested Doro, already she’d bent down and was taking off her shoes.

"You want to walk barefoot again?" Why not? Two days ago we were getting around without shoes. I took off my sandals and put them in my backpack. The stone floor was cool under my bare soles. Doro went on photographing, she also recorded the entire interior, and finally she put the camera on a shelf on the wall where the hymn-books were kept, and set the auto-timer. We positioned ourselves at the altar, and let it take pictures of us.

Then we set off. We walked along a path further into the forest and wandered happily through the countryside. We strolled through the Linsdorfer Woods and at the forest cafe we took a break, ate some cake and drank sweet woodruff cordial. Instead of returning to Spuhl as we did on Sunday, via Fronbach and Lemmern, we walked right through the Herthener Forest along narrow by-ways. Doro knew everywhere, she’d chosen the path with forethought, as I soon found out!

"Stay where you are, Lisette," she told me. She took a rope from her pack. Ooh!

"Don’t worry," she said with a grin, "before we get home from the forest, I guess you need to be in your bonds again, I think you need them - you need some obedience training, my love."

I didn’t resist as she tied my hands together behind my back, though I was a bit scared that we might encounter someone in the woods and Doro wouldn’t have time to release me – what would happen? Okay, we weren’t far from home, I knew where we were, but it was still a risk. But it wasn’t enough for my cousin, what she had done to me, tying me up, relishing my fear of being caught in bondage, no, that wasn’t enough! She unbuttoned my blouse.

"Dorothy," I whispered, frightened.

"Relax, Lisette! I’ll do the buttons up again. Don't be afraid, scary bunny! You won’t have to march topless through the forest!” She smiled, "though that would be a pretty sight – it would be even nicer to let you go completely naked!"

I was shocked, surely she wouldn’t expect that of me, or…?

She took two little metal things out of her backpack - the nipple clamps. Now I knew what she was up to. Already she was pushing the little clamps onto my nipples, forcing them on pretty tight, they hurt. My cousin stood still in front of me, looking at me with her cat’s look.

"You can’t protect yourself, Lisette," she spoke softly and looked deep into my eyes, "I can twist them as tight as I want, there’s nothing you can do about it."

She touched the tips and turned the tiny screws, I gasped, she smiled at me.

"Would you obey, Lisette?" She touched the screws and turned a bit more, I let out a groan. "Would you go naked and bound through the forest, if I asked it of you? Would you do it without question?"

"I .... I .... don't know," I said lamely.

"Wrong answer!" She turned to the tips tighter, I let out a little scream. Goddess it hurt! My nipples were on fire. Doro repeated her question, "Would you walk naked and bound through the forest if I asked it of you?"

"Yes, Dorothea," I said hastily.

"Would you do it now, on the spot, if I commanded you?"

"Yes, Dorothea."

"Without demur and without hesitation?"

"Yes, Dorothea."

Smiling, she buttoned up my blouse. "Good, let's go!”
madiosi-2015-32-Girlwnn-chapter21.jpg
 
Love the pics! I think - though it's a while since she's mentioned it -
Lisette's actually a redhead.
But I'm brunette of course, and happily imagine myself as her.
Or maybe #2 is one of the goose-girls kneeling before the BVM?
Interesting vision of the latter! :devil:
 
The Blessed Virgin chapel was just beyond the outskirts of Kehlwangen in a level meadow at the forest-edge. More a century ago two girl goose-herds had seen the Virgin Mary in visions at this place. A small pilgrimage site was created and people come from far and wide to pray to the Blessed Mother. The church was painted white, ornamented with black bricks. We entered.

"Wow," said Dorothy. "What a difference! The windows used to be quite dark. Now you can recognize everything they show." We walked between the two rows of benches towards the altar of Our Lady, looking at the high neo-Gothic windows. The stained glass windows told the story of the chapel. In beautifully designed, photo-realistic, images the the two girls’ encounter with the Mother of God was depicted. One window showed the two girls herding the geese, then came a picture where the one of the girls noticed a light in the forest, the third showed the two of them in the woods as they approached the light, then they stood before the vision of the Virgin Mary, the Mother of God had her arms spread and was smiling kindly at the two girls. The next picture showed the girls as they knelt in prayer before the vision. In the last picture Mary stood with the girls and embraced them in her arms. Dorothea pulled out her camera, window by window she recorded them, also taking photos of details. The pictures were really pretty, I thought they were great.

"Do you notice anything?" asked Dorothy.

"What?" I looked.

"They aren’t wearing shoes."

I shrugged, "Over a century ago girls who were so poor that they had to look after the geese wouldn’t have worn shoes in summer. That was normal. And, what probably influenced the thinking behind this kind of picture, girls with bare feet look very innocent."

"Let’s be the girls!" suggested Doro, already she’d bent down and was taking off her shoes.

"You want to walk barefoot again?" Why not? Two days ago we were getting around without shoes. I took off my sandals and put them in my backpack. The stone floor was cool under my bare soles. Doro went on photographing, she also recorded the entire interior, and finally she put the camera on a shelf on the wall where the hymn-books were kept, and set the auto-timer. We positioned ourselves at the altar, and let it take pictures of us.

Then we set off. We walked along a path further into the forest and wandered happily through the countryside. We strolled through the Linsdorfer Woods and at the forest cafe we took a break, ate some cake and drank sweet woodruff cordial. Instead of returning to Spuhl as we did on Sunday, via Fronbach and Lemmern, we walked right through the Herthener Forest along narrow by-ways. Doro knew everywhere, she’d chosen the path with forethought, as I soon found out!

"Stay where you are, Lisette," she told me. She took a rope from her pack. Ooh!

"Don’t worry," she said with a grin, "before we get home from the forest, I guess you need to be in your bonds again, I think you need them - you need some obedience training, my love."

I didn’t resist as she tied my hands together behind my back, though I was a bit scared that we might encounter someone in the woods and Doro wouldn’t have time to release me – what would happen? Okay, we weren’t far from home, I knew where we were, but it was still a risk. But it wasn’t enough for my cousin, what she had done to me, tying me up, relishing my fear of being caught in bondage, no, that wasn’t enough! She unbuttoned my blouse.

"Dorothy," I whispered, frightened.

"Relax, Lisette! I’ll do the buttons up again. Don't be afraid, scary bunny! You won’t have to march topless through the forest!” She smiled, "though that would be a pretty sight – it would be even nicer to let you go completely naked!"

I was shocked, surely she wouldn’t expect that of me, or…?

She took two little metal things out of her backpack - the nipple clamps. Now I knew what she was up to. Already she was pushing the little clamps onto my nipples, forcing them on pretty tight, they hurt. My cousin stood still in front of me, looking at me with her cat’s look.

"You can’t protect yourself, Lisette," she spoke softly and looked deep into my eyes, "I can twist them as tight as I want, there’s nothing you can do about it."

She touched the tips and turned the tiny screws, I gasped, she smiled at me.

"Would you obey, Lisette?" She touched the screws and turned a bit more, I let out a groan. "Would you go naked and bound through the forest, if I asked it of you? Would you do it without question?"

"I .... I .... don't know," I said lamely.

"Wrong answer!" She turned to the tips tighter, I let out a little scream. Goddess it hurt! My nipples were on fire. Doro repeated her question, "Would you walk naked and bound through the forest if I asked it of you?"

"Yes, Dorothea," I said hastily.

"Would you do it now, on the spot, if I commanded you?"

"Yes, Dorothea."

"Without demur and without hesitation?"

"Yes, Dorothea."

Smiling, she buttoned up my blouse. "Good, let's go!”

"Without demur and without hesitation?" Like that line for some reason :rolleyes:
 
Yes, we need to watch out for full-length, unimpeded nude redheads,
they don't show up often - but I guess they're easy to spot when they do! :devil:
 
"Without demur and without hesitation?" Like that line for some reason :rolleyes:
Pp wonders where usually rebellious Barb is headed with such thinking?

Lisette knows Doro can "can twist them as tight as I want, there’s nothing you can do about it" so Pp reads that, along with Barb's choice as pieces in the relationship between Doro and Lisette.
 
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