Thanks, I'll probably spend way too much time here. I've always had a crucifixion fetish - how to describe - like Sabina! The horror of the whole ordeal I find erotic. But it's taboo to mention such things. I talked to my girlfriend about this fantasy after finding this forum and to my surprise - she was into it! This path could dangerous - I'm just going to look at the pretty pictures for awhile.
I do not know if you've won in Vegas. The Forum will win, now that you're back!Ok, back from Las Vegas!
Continuing with Lucilla's story, as they finish tying her left foot to the cross, she begins losing her nerve. It makes no sense for Lucilla to resist at this point as they're tying her feet; it would be much more likely for a victim who was having her feet nailed to the cross.
But in any case, being crucified was stressful for the victim. For all of them, it meant the commencement of days of slow public torture, and for nearly all of them that torture ended in death. Lucilla's case differed only in that she would not die, but she would still be fixed to this instrument of death, and she would still be slowly dying for days to come. It's too much for her to bear and she fights to put it off.
Sabina describes what she sees:
As brave as she had been when they bound her wrists to the cross, now she was beginning to whimper. Even though she was already helplessly hanging by her wrists, binding her feet was the final step that would leave her crucified and truly helpless. On the common Roman “T” cross a victim could at least close her legs together, giving her some vestige of modesty. But with her feet fastened to the arms of this “X” cross, her legs would always be open, fully exposing her porcella and inviting any further cruelties that the executioners might imagine.
And so it was, when the Nubian Hercules moved to seize her right leg, when all that remained was to bind her right foot to the cross, she became hysterical and started struggling. It was ridiculous, unbelievable, and after our initial shock, we all broke into laughter. She was already hanging on the cross; what difference could it possibly make if they tied her last free foot? Wouldn’t it be easier on her to have it bound? But she was beyond all reason.
Lucilla struggled to free her leg. She twisted her body away from Hercules, bending her right leg up under her, balled up her fists and screamed curses at the two Nubians. Ajax, behind the cross with rope in hand ready to bind her foot, leaned out over the lower arm of the cross and grinned up at her, enjoying this unexpected entertainment. The more she struggled, the funnier it became and the more the two Nubians laughed at her.
In no hurry, they let her rant and curse while we all continued to laugh at her more colorful insults, some of which I’d never heard. What exactly does “black as a wagonload of assholes mean?” It was hard to take threats from a naked woman on a cross very seriously. She writhed and twisted, trying to break loose from Hercules’ grip.
This scene is not in the original story that was posted. It's something I thought up later, and yes, there is yet another revision of The Serpent's Eye with these additional illustrations and story to go along with them. I don't know that it would ever be enough to justify the confusion it would create to post it yet again, but you never know.
Thank you, Tom Tom, that's very nice to see! I have often wondered how many viewers here have actually read the story rather than only looked at the pictures. I know that many members here do not speak English as their first language, which would make it difficult or impossible for them to read such a tome! It's also gratifying to see that the ending worked as intended; there are clues in the story, but not any you're likely to catch unless you know what's actually going on.
Whether it's the best or not it's assuredly the longest, most detailed and most fully illustrated work in this genre today. And you can't beat the price!
Thank you, Tom Tom, that's very nice to see! I have often wondered how many viewers here have actually read the story rather than only looked at the pictures. I know that many members here do not speak English as their first language, which would make it difficult or impossible for them to read such a tome! It's also gratifying to see that the ending worked as intended; there are clues in the story, but not any you're likely to catch unless you know what's actually going on.
Whether it's the best or not it's assuredly the longest, most detailed and most fully illustrated work in this genre today. And you can't beat the price!
Ok, back from Las Vegas!
Continuing with Lucilla's story, as they finish tying her left foot to the cross, she begins losing her nerve. It makes no sense for Lucilla to resist at this point as they're tying her feet; it would be much more likely for a victim who was having her feet nailed to the cross.
But in any case, being crucified was stressful for the victim. For all of them, it meant the commencement of days of slow public torture, and for nearly all of them that torture ended in death. Lucilla's case differed only in that she would not die, but she would still be fixed to this instrument of death, and she would still be slowly dying for days to come. It's too much for her to bear and she fights to put it off.
Sabina describes what she sees:
As brave as she had been when they bound her wrists to the cross, now she was beginning to whimper. Even though she was already helplessly hanging by her wrists, binding her feet was the final step that would leave her crucified and truly helpless. On the common Roman “T” cross a victim could at least close her legs together, giving her some vestige of modesty. But with her feet fastened to the arms of this “X” cross, her legs would always be open, fully exposing her porcella and inviting any further cruelties that the executioners might imagine.
And so it was, when the Nubian Hercules moved to seize her right leg, when all that remained was to bind her right foot to the cross, she became hysterical and started struggling. It was ridiculous, unbelievable, and after our initial shock, we all broke into laughter. She was already hanging on the cross; what difference could it possibly make if they tied her last free foot? Wouldn’t it be easier on her to have it bound? But she was beyond all reason.
Lucilla struggled to free her leg. She twisted her body away from Hercules, bending her right leg up under her, balled up her fists and screamed curses at the two Nubians. Ajax, behind the cross with rope in hand ready to bind her foot, leaned out over the lower arm of the cross and grinned up at her, enjoying this unexpected entertainment. The more she struggled, the funnier it became and the more the two Nubians laughed at her.
In no hurry, they let her rant and curse while we all continued to laugh at her more colorful insults, some of which I’d never heard. What exactly does “black as a wagonload of assholes mean?” It was hard to take threats from a naked woman on a cross very seriously. She writhed and twisted, trying to break loose from Hercules’ grip.
This scene is not in the original story that was posted. It's something I thought up later, and yes, there is yet another revision of The Serpent's Eye with these additional illustrations and story to go along with them. I don't know that it would ever be enough to justify the confusion it would create to post it yet again, but you never know.
I think I read it twice! I'd have finished faster, but I was savoring every word and rereading passages that were especially good. You certainly can't beat the price! I would have happily paid money for this - I wonder if you could have it published? Would definitely make for some interesting conversations out on my coffee table.
you can only play on that market if you have some for playing and ..................... great patience
It is indeed a great ass shot, Jedakk - beautifully sculpted buttocks! And I love the fact that you know exactly what kind of knot is used, and show every twist and loop of the rope as well. Such great work! Pity it is, that your audience is limited, I suppose, by the subject matter. For myself, I treasure it all the more for its quality, its rarity, its purity and its clarity.It's one of my favorites too. I think it's because of the way her body is twisted, making it obvious that she is struggling to avoid what they are about to do to her. And then there are some GREAT ass shots with this pose. I ended up doing 45 renders of this scene, of which I selected what I think are the best 10 to post here since that's all I can attach to a single post.
This render is my favorite for this pose, first of all because it is such a great ass shot, and then because you can see clearly that her foot is trapped and she's trying to pull it free while straining to see it, to find a way to get it loose. All the while it's just business as usual for Ajax as he cinches the rope tightly.
