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We dominants take pleasure in our slavegirls sufferings
I'm not a dominant...
I'm just playing with something that I will never do in real life... Something terrible, cruelty...

This 3D model became so real for me...
That i'm already afraid of them...
Afraid of her silent questions... "What are you doing with me?" "What have done to you?" "Why? Why!? Why???!!!"

I'm crazy:(
 
I'm not a dominant...
I'm just playing with something that I will never do in real life... Something terrible, cruelty...

This 3D model became so real for me...
That i'm already afraid of them...
Afraid of her silent questions... "What are you doing with me?" "What have done to you?" "Why? Why!? Why???!!!"

I'm crazy:(

No you're not. You just can't admit that you're a little bit 'different'. There's no shame in this. We all here are 'different'. No problem as long as our fantasies do not come true. As I said before, you've got to accept yourself, first. Then the girls will fall into your arms, naturally... :)
 
I'm not a dominant...

The dom/sub binary gets too much credit sometimes. I'm not a dom either. Yes I create manips of crucified women, also of men. Yes I write stories where individuals are "dominated". But I want to explore this from both sides. I am interested in the thoughts of the victim, their emotions and reactions. I am not interested in inflicting harm, or pain, for its own sake, or the rituals of stylised BDSM. I'm not belittling those who derive satisfaction from these things, but pointing out that I fall somewhere on a sliding scale, not a binary.

Regarding your model's questions, "what are you doing to me" etc. For me it goes beyond this. How do I feel doing these things to her? How does she feel having these things done? How do the onlookers feel? Life is complicated, usually there is no one simple answer. It is possible to have compassion for the one who suffers and still allow their suffering. It is possible for the one who suffers to collude in their suffering, to derive pleasure from it. Or to accept it willingly for reasons of ideology or loyalty, or even guilt. I like to explore this.
 
The dom/sub binary gets too much credit sometimes. I'm not a dom either. Yes I create manips of crucified women, also of men. Yes I write stories where individuals are "dominated". But I want to explore this from both sides. I am interested in the thoughts of the victim, their emotions and reactions. I am not interested in inflicting harm, or pain, for its own sake, or the rituals of stylised BDSM. I'm not belittling those who derive satisfaction from these things, but pointing out that I fall somewhere on a sliding scale, not a binary.

Regarding your model's questions, "what are you doing to me" etc. For me it goes beyond this. How do I feel doing these things to her? How does she feel having these things done? How do the onlookers feel? Life is complicated, usually there is no one simple answer. It is possible to have compassion for the one who suffers and still allow their suffering. It is possible for the one who suffers to collude in their suffering, to derive pleasure from it. Or to accept it willingly for reasons of ideology or loyalty, or even guilt. I like to explore this.

Nothing to add to this...I'm really happy to know someone like you, Phlebas, even if it's virtual.

Bowing.jpg
 
The beginning of small story... Just simple test of new model...
Hello everyone!
My name is Anna... I'm so excited right now. I've decided to participate in BDSM action with my very good friend... He promised to me interrogation play with different torture tools. I love my breasts, so I want that he play with them too...
So, I hope you like it...
 

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Keira and Katrin...
Two outlaws was crucified on single crux
Shall we begin?
Marcella's Crucifixion, Part 3:

View attachment 395599 Decurion Marcus Getha stands near Marcella’s cross, staring up at her as she writhes and groans in agony.

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Nothing to add to this...I'm really happy to know someone like you, Phlebas, even if it's virtual.

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:(
Sadly a number of images have gone missing during the ongoing site upgrade - apologies.
If Hasturan, Marcella, Shastar can upload replacements here, we'll do our best to restore them.
 
:(
Sadly a number of images have gone missing during the ongoing site upgrade - apologies.
If Hasturan, Marcella, Shastar can upload replacements here, we'll do our best to restore them.
 

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-Anna, you are guilty of a serious crime... You've tried to poison our lord and you've been captured at crime site... Perhaps you are unhappy with higher taxes... Who told you to do that? You can't to prepare this act alone... Tell me their names and our lord will give you mercy... If you refused you will be purified with pain!
So?
-I don't know anything...
 

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-Anna, you are guilty of a serious crime... You've tried to poison our lord and you've been captured at crime site... Perhaps you are unhappy with higher taxes... Who told you to do that? You can't to prepare this act alone... Tell me their names and our lord will give you mercy... If you refused you will be purified with pain!
So?
-I don't know anything...

Uh-oh... Doesn't look good for the pretty Anna... :eek:
 
Marcella’s Crucifixion, Episode 4

(Yes, I know this narrative based on Hasturan's images is taking so long to tell. Please bear with me everyone!)

Marcus returned to the city as ordered. Upon entering the courts building he is ushered into the magistrate’s office to receive news and instructions. The magistrate discusses the recent business of the escaped slave who was condemned to death for assaulting her mistress. Marcus is not pleased with the magistrate’s information.

“You mean we had the escaped slave in custody all the time?"

“Yes. She was captured a few days ago.” The magistrate is seated at his desk covered with papers. He does not look up at the Decurion as he answers.

“Then why did we crucify the girl taken from the market?”

“She was believed to be the slave in question. Regrettably, that turned out to be not accurate."

“Regrettably? Regrettably?” Marcus’s raises his voice.

“Do not use that tone with me Decurion!” The magistrate looks up at Marcus, his anger obvious. “I’m telling you the slave girl was never initially identified as the one who assaulted Gnaeus Claudius Porculus’s wife.”

“Excuse me sir, but the girl you thought was guilty was just crucified this morning. She is hanging nailed to her cross as we speak! She’s an innocent who’s been unjustly crucified! How can this action be ‘regrettable?’”

The magistrate sighs, leaning back in his chair. “It is always regrettable when an innocent must suffer, but this is the case we have before us. Mistakes were made in her identification, but the witness was a man of standing in this community. His word was good enough for me. Clearly he erred. It is unfortunate for the girl. The mistake was only caught this morning. Too late to do anything about it.”

“Unfortunate? Now this girl’s crucifixion is ‘unfortunate?’ Magistrate, what happened to this girl is a gross miscarriage of justice! A fucking disgrace! The so-called witness, Gracchus Glabrus, is an old fool who can barely see his hand in front of his face! He should never have been believed! I always knew the girl was innocent!”

The magistrate jumps to feet and slams his fist on his desk. “Decurion, you will not address me in that manner! Do not challenge my judgement in this matter! What is done, is done! We have others matters to attend to. What is this girl to you anyhow? Why should you care if she is innocent?”

“Forgive my outburst magistrate. I am not challenging your decision. I only seek mercy for the girl. You must give me permission to put the girl out of her misery. She’s young and healthy. It’ll take her until tomorrow to die. She doesn’t deserve to suffer for this error.”

“You will do no such thing Decurion,” the magistrate says firmly. “The girl’s execution must not be interfered with.”

“Why? I do not understand! All I know is that she is an innocent. I’m not asking that she be taken down from her cross – her wounds would only putrefy and she’d die eventually. All I want to do is give her a quick, merciful death. That’s the least we can do for her.”

“I know this is hard to understand but it is in the interest of Roman justice that I cannot permit you to kill this girl.”

“But why? What purpose does her suffering serve?”

“It serves the interest of the state, Decurion. Killing this girl before death takes her would be an admission that she was not legally crucified. She was thought to have been an escaped slave who assaulted her mistress. As you well know there remains a lot of worry and concern in the populace over renegade slaves that remain on the loose. They need to be assured that Roman justice is quickly and properly applied to maintain order. A mercy killing would be an admission that a mistake had been made. It would rile up the locals since it one of their own who was mistakenly crucified. The provincial governor does not need to have more problems now, does he Decurion?”

“No sir,” grumbled Marcus.

“Very well. I am glad you see why this decision is correct. Now, the slave who is actually guilty will be also be crucified today. And what’s one more executed slave? No one will care why she’s been crucified. Slaves are executed all the time. As for the bitch who killed your soldier – the girl’s supposed sister – when she’s also crucified there will be no questions asked. The locals may not love us but they know if you kill a soldier you will be executed. They’ll accept it easily enough. The citizens will feel assured that the killing of soldiers will not be tolerated. Simple justice it is, even if the bitch did not mean to kill. Had your man not died I would have had her stripped and whipped through the streets. But, unfortunately, he died. Too bad for her your man had a thin skull. Am I making sense here, Decurion?”

“Yes sir!”

“You will have no problem seeing to the crucifixion of the sister, will you?” The magistrate looks Marcus in the eye. Marcus knows the answer he must give. He is not perfectly comfortable with the sister’s crucifixion either, since she clearly had no intention of killing anyone. She was only trying to protect her sister from being falsely accused and arrested. A perfectly normal response. Yet, his soldier died. He will of course see to it that the sister’s crucifixion is carried out. He knows his duty, never minding how distasteful it is at times.

“Decurion, I am waiting for your answer.” The magistrate wants a clear declaration of Marcus’s support. Marcus knew not to push further. But it galls him and highly offends his sense of justice and honor that a beautiful young woman must be permitted to die in such agony for a crime she never committed. And that another woman must die for behaving as any sister would. His scowling face betrays his emotions.

“No sir, no problems with this one. She deserves to die.”

The magistrate walks around his desk and puts his hand on Marcus’s shoulder, squeezing it firmly. “This is a hard business Decurion, I know it. But you are a soldier and have seen death in many forms. Innocents often die in war or for other reasons. Sometimes it is necessary and sometimes it is not. But it is clearly necessary here. You must understand that.”

“I understand the logic of it sir. I will carry out your orders to the letter.”

“Good man!” The magistrate slaps Marcus’s shoulder. “Now,” he continues, “proceed to the courtyard and take possession of the sister. She should be prepared by now. I hear she’s a very comely bitch. Should be quite a sight on her cross. It’ll keep the crowds happy too, eh?” The magistrate gives Marcus a sly grin, as if crucifying another pretty woman will make up for the disgust he feels for knowing an innocent girl continues to suffer for a crime she never committed. The magistrate should be present at the execution grounds, Marcus thinks. Perhaps seeing a terrified, naked woman raped and nailed to a cross would change his understanding of the utter agony and degradation of crucifixion. He’d probably puke at seeing the nails being driven, the blood and the loss of bodily functions.

Marcus snorts at the thought, then replies, “Yes sir!”

“Then carry out your duty Decurion.” The magistrate turns away and returns to the work on his desk.

Marcus begins to leave but remembers. “What about the slave, the fucking bitch who started all of this? You said she was to be crucified also.”

Without looking up from his work the magistrate says, “Oh, she’s still being questioned about any knowledge of other escaped slaves or renegades from the recent uprising. She’ll be sent along soon. Just leave someone reliable for the escort.”

Marcus knows what “being questioned” entails for the unfortunate slave. Her eventual crucifixion will at least mean her suffering will be over in a day or so. Under torture she could kept alive for a week or more. He does an about face and proceeds to the courtyard to claim the woman for crucifixion.

Upon reaching the courtyard he finds the condemned woman kneeling on the pavement. He gives a sign to raise her to her feet. His eyes widen, and he feels his cock respond. The magistrate was accurate: she is fucking beautiful! It’s obvious despite her severe whipping and other tortures. Not quite as tall as her sister, it seems to him, but more curvaceous and with heavier breasts. She has the body of a mature woman, not the slender figure of a girl. Her magnificent tits bobble deliciously on her chest as the full cross is placed across her back. She bends under the load, spreading her legs for balance. She looks at him, just as her sister did – directly. But she does not cry out for mercy. No, she knows there is none. She knows what will soon happen. She looks terrified, as anyone would, yet with steely defiance and anger glowing behind the terror.

Marcus gives the command and two soldiers form up on either side of her as she groans under the weight of the cross. He gives an order to the senior soldier present, Priscus, a man he knows as a good friend from the legion, and one he can trust.

“There’s a slave soon to be delivered over for crucifixion, Priscus. She’s still being questioned.” Marcus and Priscus give each other knowing glances. They well know what tortures this entails. Suddenly, a high, ragged, female scream is heard on the other side of the courtyard wall. “That’s no doubt she,” says Marcus. “Bring her along promptly when they are finished.”

“Yes sir,” replies Priscus. “If they leave her cunt in reasonably good shape I might have to take some soldiers’ privileges, though.” He says with a wicked grin.

“Well, she might be ugly,” Marcus retorts in jest, “so don’t take too much time getting it up!”

“Don’t worry sir, I’ll just close my eyes and think of my favorite whore! In and out!”

Priscus salutes as Marcus mounts his horse and leads the groaning woman through the town to her crucifixion.

***********************************************************************************

Thessela was arrested the day after Marcella was taken. She’d gone back to the market trying to discreetly ask questions about where her sister was taken. She was at the stall of the cloth seller where she and Marcella were examining the quality of the local weaver’s’ products at the time Marcella was arrested. Someone recognized her from the day before and notified the patrolling soldiers that the woman who had knocked the soldier in the head with an iron pot was in the market. Thessela was unaware the soldier was found dead this very morning. The patrolling soldiers, however, were well aware of their mate’s death and were all too happy to take his killer into custody.

Thessela was at first taken to the dungeon adjacent to the city magistrate’s courthouse. She was locked in a cell for a nearly six hours until the time of the afternoon session of the magistrate’s court, whereupon she was taken to stand, hands bound behind her back, in front of the city magistrate. Little did she know that at this time Marcella was enduring the agony of the strappado.

Thessela’s trial, such as it was, was quick and perfunctory. Witnesses attested to the fact that she was the person who struck the soldier in the head. The magistrate revealed that the soldier had died, apparently from the blow delivered. An open and shut case. The magistrate asked Thessela if she had any defense. She tried to explain that she was in the market with her sister who had just been arrested. Her assault of the soldier was done without thinking when her sister Marcella was being arrested.

The magistrate asked, “Your sister is the escaped slave who assaulted her mistress? Is that not correct?”

Thessela was taken aback by this question. Marcella certainly was no slave! “No sir!” She answered emphatically. “My sister is no slave, and neither am I! I do not know why you are asking me about. My sister never assaulted anyone!”

“A reliable witness says otherwise,” replied the magistrate coolly.

“But sir, the witness is wrong! My sister was never a . . . “

Thessela is cut off by the magistrate. “Silence woman!” What your sister is, or did, or didn’t do is utterly immaterial to your case. You are a provincial, not a Roman citizen, and on trial for murder of a Roman soldier. That is a fact. There can be only one sentence: death! Accordingly, I order that you be taken to the place of execution and crucified. First, though, you will be tortured so as to determine what else you may know about the attack on the wife of Gnaeus Claudius Porculus. Guards, take her away!”

At the mention of crucifixion Thessela suddenly felt her legs go wobbly. She broke out in a cold sweat as the room began to spin around her. She was seized with utter terror at knowing she had just been condemned to death by the most awful means possible. Crucifixion! She never heard the final words of the magistrate as she dropped to the floor in a dead faint.

Thessela came to as the guards were dragging her away from the magistrate’s court. She screamed and screamed. No! No! No! This was not possible! This was not happening. But it was. Behind the courthouse was the entrance to the dungeon where she had spent the morning and early afternoon. Now the sun was lower in the sky. Thessela was not returned to prison but taken to the prison courtyard. There she was stripped naked by the guards and turned over to a to the men who would torture her.

The torturer’s assistants brought the terrified Thessela over to a gibbet that stood against the courtyard wall. A rope was dangling down from the horizontal beam. There was blood on the ground. A thin trail of blood led back to the dungeon steps showing that someone had been dragged across the ground, someone bleeding, someone who had just been tortured on this terrible instrument. Little does Thessela know that it was Marcella who had been tortured on this gibbet. It was her sister’s blood she saw on the ground. But Thessela was not even thinking of Marcella at this time. She was not even thinking about her own nakedness and vulnerability around these rough men who were about to hurt her, terribly. She was shaking in terror as her hands were tied in front of her, then tied to the dangling overhead rope.

With a sudden tug Thessela is hoisted into the air. Whips are brought out and the men begin stroking her flesh, leaving huge lacerations in her flesh from her back down to her thighs.

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Thessela loses consciousness many times as her whipping progresses. All the time the torturer is asking her questions about what she knows of a slave attacking her mistress. All Thessela knows is that it is not Marcella. But where is her sister now? What is happening to her?

With the whipping over, the torturer now brings out torches and Thessela’s flesh is burned to try to elicit any information from her at all. Again, she scream in agony as her flesh is burned. The torturers burn between her legs, hips and under her breasts. Yet, she has nothing to tell the torturer.

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After several hours of near continuous torture Thessela is let down from the gibbet. She falls to the ground all the while groaning in agony from her lacerations and burns. The men drag her back to her cell as night approaches. She knows in the morning she’ll be crucified.

Thessela looks around the cell. On the other side of the bars is another cell, like hers. There is a naked, petite young woman confined there.

“Who are you?” Thessela asks.

“I go by Anna,” says the young woman.

“Why are you here?” Asks Thessela.

“I hit my mistress. Gave her a good black eye, and some broken ribs. Then I ran. I was caught soon after and have been here since.”

“Was your mistress the wife of Gnaeus Porculus?” Thessela inquires.

“Yes, she was.” Came the soft reply.

A cold chill runs through Thessela’s tortured body. This is the slave that was c0nfused with Marcella, she suddenly realizes. This slave is responsible for her arrest, and my torture and death sentence. Sudden anger burns in Thessela’s mind and heart. She’s responsible for all of this! This fucking bitch is responsible for what has happened to me and Marcella!
 
Marcella’s Crucifixion, Episode 5: Thessela is crucified.

Decurion Marcus Getha escorts his second condemned female prisoner to be crucified today. Unlike the first girl, who is was certain was not guilty of the crime that condemned her, he knew this woman – the girl’s sister – was guilty and deserved to die. Yet he knows that she did not have to die. This woman was just being protective of her younger sister. She never intended to kill the soldier; she had acted on pure impulse knowing that her sister had been misidentified. But the soldier died, so now she must pay the ultimate price. If only that old fool Glabrus had not misidentified the girl as an escaped slave! It enrages him that two women must die because of this senile fool! What a tragedy! What a waste! At least the slave whose action precipitated all this pain would soon join them!

As the detail marched the condemned woman along the road to her crucifixion Marcus was having difficulty keeping his eyes off her. Damn it all, she was exceptionally beautiful! Her sweat-soaked skin glistened in the bright sunlight. Perspiration rolled off her head and body to drip to the ground. Her generous ass rolled sensuously right and left as she walked along cobblestoned roads through the town, the little procession drawing a sizeable crowd, even more people than the earlier march of her sister. Her feminine musculature, especially in her shapely thighs, long arms and shoulders, was defined by the burden of carrying the heavy cross. And of course her incredible tits. By Venus’s cunt they were perfect, at least by his standards of feminine perfection! Large and perfectly formed they beautifully bounced and swayed on her chest as she struggled along, head down, breathing heavily, each step taking her closer to being crucified. Who was this woman, he wondered? Did she have a husband, a lover? Any children? If so, is she thinking of them now as she makes her sad, humiliating walk. All the better to get this over with as soon as possible, Marcus thinks. Poor bitch, she’s got a terrible day ahead of her.

Nearing the end of the road to the execution site Marcus decides to speak to the woman while he still has the opportunity. Once they arrive events will proceed too rapidly. He paces his horse next to her on the road. Leaning over he says “See here, woman, listen to me.” Thessela plods ahead, not acknowledging she has heard him.

“Damn you, woman, listen to me! I have something to tell you.” He shouts louder to get her attention. They are nearing the final turn in the road. He wants to say something to her before she sees her sister on the cross.

Thessela does not respond. Marcus is frustrated. Does she not hear him? Does she not understand him? “Halt!” He commands, and the escort stops. Thessela takes a few more steps forward and stops. She drops to the ground under the burden of her cross. Marcus gets down off his horse and takes a knee next to her in the road. The escorts are amazed. No office-in-charge has ever stopped an execution march like this. What could be going on?

Marcus leans in to the woman. She flinches at his closeness, clearly terrified. She is breathing heavily, in gasps, her chest heaving and breasts trembling. Her smell, to Marcus’s nose, is one of fear, blood and sweat. “Woman,” he says again, more quietly and firmly. “I have something to say to you before we get to the end.”

Thessela turns her head toward him. Her eyes are bright with pain. “What do you have to say to me Roman?” She spits out the words with contempt.

Marcus ignores the contemptuous attitude. She’s entitled. He goes on. “I – I feel I must tell you something,’ Marcus stammers. “I must tell you something about your sister.”

“What? What about her?” The woman’s eyes suddenly opened very wide, as in fear for what she was about to hear.

“She was crucified earlier this morning and . . .”

Before Marcus could say anything else Thessela drops her head and begins to wail. “No, no, no! You fucking bastards! She didn’t do anything! She’s innocent! Why, why did she have to be crucified for nothing! Someone else is responsible! The bitch slave girl in the cell next to me said she was the one who attacked that Roman cunt! She did it! Why isn’t she being crucified instead of my sister. Why? Why?”

“Listen, listen to me.” Marcus goes on, firmly. “You should know that that slave will be crucified today, alongside you and your sister. She will be crucified for the attack. She did it, we know it now. Take small comfort in that, if you can. I know it’s not much.”

“But if she did it why was my sister blamed for it? Why was she crucified! Why? Why? Why did you fucking bastards crucify my innocent sister?” Thessela’s voice was broken by her deep sobbing and emotion at hearing of Marcella’s crucifixion. She had always known something bad probably happened to Marcella, but the confirmation of it was supremely distressing and emotionally wrenching.

Marcus knew this woman was beyond hearing any more words of his. It would be pointless trying to explain the enormous fuck-up that brought her to the point of execution. He shouldn’t have said anything at all. It was quite extraordinary that he would even take time to actually speak to a condemned woman other than to order her about. A weakness on his part, he knew. But given he tragic circumstances for the innocent girl and her sister he felt he had to say something. Even if it does nothing more than ease his own conscience. But now, there is no more time for delays. He must deliver her for execution. Best get her moving again.

Marcus stands up and mounts his horse. “Get her on her feet,” he orders. Two soldiers in the escort pull the weeping Thessela to her feet and push her forward toward the final turn in the road.

****************************************************************************************************************

Approaching the crucifixion grounds Marcus can clearly see the body of the younger sister on her cross. Still very much alive. He’s certain she will suffer a long time, at least through the night. Younger women usually do. They are remarkably durable. He stops the procession near the cross of the crucified girl. Her sister looks up at her in great distress at finally knowing what has happened to her, at seeing her so horribly suffering. The cross is lifted from Thessela’s back by the execution team and taken to be positioned on the ground next to Marcella’s cross. They will hang side-by-side, two sisters crucified together. Marcus winces at seeing the younger woman again, now knowing that she is indeed innocent.

Bile rises in his throat. Anger builds in him knowing that he cannot do anything to end her suffering. Having delivered the second woman, he spurs his horse away from the scene, back toward the road. The executioners will do the rest. He’ll view the cross-raising from a respectable distance, out of earshot as the sisters reunite.

Marcella has been crucified since sunrise, and it is now approaching noon. She is exhausted from struggling against the nails driven through her wrists and feet. Exhausted from trying to find the least bit a relief from the relentless and unceasing pain that continues to slash through her body with every slight movement on the cross. Her wild “dancing” and writhing is long over. Now she moves only when necessary to relieve agonizingly overstressed muscles or when her body demands fresh lungsful of air that she cannot properly inhale when she hangs from her arms. She has tried to find that ideal position between hanging from her arms and pushing up with her legs that would prevent the huge swings of agony from her upper body to her lower body. But that position exists only briefly before her body demands she move. No, it is either hanging or pushing up. There is no sustainable middle position, no moderation. Just sheer agony however she positions herself.

It is while Marcella is in her elevated position on the cross, pushing up with her legs in order to draw deep breaths and relieve over-stressed arm and shoulder muscles, that she hears voices around her cross issuing orders and instructions. The crowd is cheering. Has another condemned individual arrived for crucifixion? Marcella prays it isn’t Thessela. With her thigh muscles burning fiercely from maintaining her stressful elevated position, and knowing that she will soon have to lower herself back down, she hears a female voice, someone in extreme distress, rising above the male voices. Could it be? Is it Thessela? No it can’t be! It must not be! The fear that it is Thessela races through her mind as the burning cramps in her thighs become too great for her to stay elevated. Marcella she sucks in one more deep lungful of air and begins to reposition herself on the cross. She pulls her arched back toward the upright and slowly relaxes her thigh muscles which allows her body to drop down from its elevated position. Her feet move against the nail driven through them which only heightens the agony radiating up her legs. With an agonized grunt she relaxes her thighs as she reaches the extent of her drop. The sudden movement painfully stretches her arms and shoulders and pulls on her nailed wrists. Fresh, overwhelming pain blossoms in her wrists as she now hangs from her arms giving her cramped thigh muscles an opportunity to relax. When first crucified she would be screaming in agony as she made this movement. Now, her voice nearly gone, all she does is groan as the horrific, burning pain courses through her body.

As her head drops to her chest Marcella opens her eyes. She blinks repeatedly to clear her blurry vision. There is a kneeling figure on the ground looking up at her. Is it really Thessela? Or a dream, like she had in the dungeon. Yes, it is Thessela! She has found her in this horrid place where she’s been crucified. How brave of Thessela to find me, she thinks. But risky too! What if she’s recognized? She might be in danger! Marcella thinks, I must warn her to get away, to get to a safe place. She urgently tries to speak but her mouth is too dry.

As she tries to work up some saliva her mind becomes clear enough to recognize her sister not as a compassionate, grieving face in the crowd but as a naked and whipped woman, on her knees before her cross, her hands tied behind her back. Is Thessela to be crucified too? No, it cannot be!!! What could have happened? Thessela was not arrested with me. She should not be here!

2016-06-02-23-42-25.jpg "I am so sorry I could not save you Marcella," cries Thessela, staring up at the naked, tortured body of her crucified sister. "The soldier I hit in the head trying to help you get away died. I am condemned to the cross for killing him. Oh, but I'm in agony seeing you so unjustly crucified! Dear sister, I pray you die quickly! I deserve this, but not you! Not you!”

Marcella’s head clears as she listens to her sister’s voice. She begins crying at the sight of her loving sister kneeling in front of her cross. Oh, poor Thessela, she thinks, they’re going to crucify you too! Huge tears begin rolling down Marcella’s cheeks. Likewise, Thessela groans and sobs inconsolably seeing Marcella hanging in such agony on her cross. She cringes to imagine the pain she feels, but knows that she will soon know that pain herself! Thessela shouts at her sister. "They know you’re innocent, the bastards know you’re innocent, but crucified you anyway! But the fucking guilty slave bitch was captured. I saw her in the dungeon. She’ll be crucified along with us today. The fucking cunt that caused all of this will die with us! Do you hear me Marcella? Do you?”

“Yes, yes, I heard you,” came Marcella’s gasping answer just as Thessela is roughly pulled to her feet. It is her time to be crucified. Marcella screams. "No, no, Thessela, they can't do this to you!" Agitated and in anguish knowing she’ll soon see her sister crucified, Marcella twists and pulls against her nails, which only greatly exacerbates her awful agony and produces fresh flows of blood from her hideous wounds. She is quickly exhausted. Marcella hangs in overwhelming shock and grief knowing that Thessela will soon be beside her.

As the executioners pull Thessela away from Marcella’s cross she begs a favor. “Please, would you let me touch my sister one last time. Please, just a kiss before you take me. Please?”

Wordlessly they look at each other and nod their heads. “Your hands stay tied bitch. Know that.”

Holding Thessela’s arms they let her walk up to Marcella. Thessela stands right in front of her sister. With tears streaming down her face she looks up Marcella’s face contorted in agony. “I love you Marcella. No one could ever have such a wonderful sister as you.” Leaning in she gently kisses Marcella on her thigh. Her lips can sense the trembling strain in the muscle. She pushes her head in closer, rubbing her cheek now against Marcella’s thigh, desperate for one last contact with her sister. She hears Marcella gasp and sees her wince in agony. Why? Then she realizes her contact caused a sudden movement in Marcella’s leg causing her feet to move ever so slightly against the nail through them. Oh god, she was hurting Marcella! “I’m so sorry, Marcella, so sorry. I didn’t mean to hurt you. Forgive me, please!”

2016-06-02-23-43-55.jpg The impatient executioners are ready. They begin to drag Thessela toward the cross on the ground, now ready for her. “No, no,” she yells, “not yet!” As Thessela is pulled along she hears Marcella shout: "I love you Thess!"

"I love you too Marcella, dear sister." Thessela returns a shout, then finds herself standing by her cross. The hot wind blows across her whipped and lacerated flesh. It only heightens the burning agony she feels. Thessela knows that within a few minutes she will be crucified too. She sees the four huge, square-cut nails that will be used to crucify her.

2016-06-02-23-45-29.jpg She shudders in horror and begins to cry at the thought of those hideous spikes being pounded through her body, at the horrific pain it will bring. But she reminds herself that Marcella endured this horror and humiliation all by herself, amongst only strangers. At least I have Marcella with me to stiffen my courage. A sudden calm comes over her as the executioners throw her down to the wood.

2016-06-20-23-23-43.jpg Hanging in overwhelming physical and emotional agony, Marcella watches as Thessela is stretched over her cross and her wrists are nailed.

2016-06-18-22-35-41.jpg Thessela screams in agony as the long spikes are driven deep into the wood, her body twisting in the strong grips of the executioners.

2016-07-10-23-15-31.jpg But before her feet are nailed, though, there is the expected final degradation. One of the executioners steps forward and drops his loincloth. His cock jumps up, erect and potent. He drops down between Thessela’s spread thighs. She looks up, seeing and feeling his cock slapping against her mons.

2016-07-10-23-16-46.jpg Thessela steels herself for rape. She has never felt so naked, so vulnerable, so unable to protect herself. With her wrists nailed to the crossbeam she can do nothing. Any movement on her part just pulls her raw flesh against the nails to bring on horrendous agony. The executioner pulls back and then thrusts himself into her, quickly sheathing his cock deep into her vagina. Thessela screams with the horrible pain as he thrusts in and out of her, tearing her tender flesh. Suddenly he climaxes and fills her with his hot load of cum.

2016-07-10-23-19-25.jpg The executioners work fast with Thessela. Her feet are nailed to the upright, one nail for each foot. Thessela remained conscious throughout the nailing. Only screaming when the agony became too much to bear. Then her cross is raised and dropped into the hole prepared. It teeters back and forth a bit as it is staked. The executioners step away.

2016-07-10-23-21-31.jpg Thessela is crucified next to her sister.

Thessela screams in agony as she feels the bite of the nails as she hangs. Like Marcella before her, she twists and writhes on her cross, almost in panic at being freshly crucified. No more an independent woman but a poor, suffering creature affixed to this horrible contraption that brings the most awful suffering imaginable. She looks down at the spectators staring up at her naked body. She cannot cover herself; every private part of her is exposed, on display. Her breasts, her cunt, her legs and ass. Nothing is hers any longer. Her body belongs to the crowd. She looks over at Marcella struggling on her cross, enduring the horrific pain. Then down at her nailed feet, and up at her nailed wrists. She sees her blood flowing. How long, she wonders? How long before I die?
 
Marcella, I struggle to find words to adequately express my feelings at this moment. I am carried by your writing as a leaf is carried on a raging torrent.

It is beautiful, dreadful, and utterly, utterly compelling. Amazing work.
flower3
 
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