'Who knows what tomorrow might bring?'
According to information provided by Metart Studios, Alice pursued a modelling career to fund her university studies. She seems to have been an ambitious undergraduate, studying history and classical music as well as listing rock and folk music among her interests together with psychology. Whilst this possibly hints at aspirations to a career in music therapy, it is entirely likely that she fully understood the visual appeal of her own sexuality as well as the erotic appeal of nude bondage in re-enacting a historical crucifixion.
As a slim, 5'4" lightweight, she was able to perform feats of athletic endurance on the cross which arguably set the standard for many other crux performers. Along with her gymnastic abilities, her facial expressions in the crux shoot reflect a dedicated artiste pushing the pain barrier, all of which makes her one of the most convincing and memorable women to have hung on a cross for the purpose of thrilling an audience.
Such is the appeal of Alice, and I wonder if she could ever have surpassed her Cruxdreams performance had she taken the opportunity to repeat it. When asked in June 2011 if this was likely, Makar responded, 'Who knows? But I haven't heard from her for a few years.' Meanwhile Apostate had already proposed a sympathetic and credible reason for declining such an encore - 'Probably because it hurts like hell to hang from Makar's cross. For many models, however much they appeal to us, once is enough.'
Having made such a phenomenal impact, her subsequent nude modelling almost pales into insignificance in comparison. Whatever poses she struck for the camera afterwards, she was always the girl who hung on a cross for Makar. The sheer quantity of crux photo manipulations produced over a period of ten years, which feature Alice, are a tribute to her outstanding success in this role.
Makar originals with manips by Damian (#2, #9) Julie & Melissa (#3, #6, #7) and Jollyrei (#4.) Damian has employed Alice in several manips, referring to her affectionately as, 'this skinny little thing the late great Makar snapped and I have used in many pictures.' Julie & Melissa show both Alice and Koshka together in #6. In the dramatic sepiatone multiple crucifixion at #7, Alice appears with Makar models Oxana and Jane plus a Falco figure. Damian retains Makar's cross and ropes whilst the other manipulators sometimes substitute timber and nails. Note how Alice's stretch reveals her rib cage - tension in suspension!
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