Thanks Cypher, for your latest pictures of Alice. Her debut series has yet again provided the inspiration for a bondage-themed manip. This time, the dress code is shiny metal for collar, shackles, chains and a padlocked set of chastity belt and brassiere. This convincingly applied armour is very reminiscent of a duo set featuring Caprice, in which she and her friend are restrained in similar constrictions, although they do not seem to be as comfortable as Alice appears in hers. But of course, for Alice, whether it's tin, teazel or tennis, finding the perfect balance means everything.
Cypher's latest work depicts a darker theme altogether, and the shiny shackles and chains are now dimly discerned in the tenebrous illumination of the torture chamber. Indeed the focus of the illumination is the burning rod, which the tormentor is holding nonchalantly in his bare hand, whilst applying it to Alice's bare skin, leaving a series of painful scars seared into her thighs. The blood streaming from the shackles is another painful detail, providing mute testimony to the desperation of Alice's struggles.
The image succeeds by evoking fear and tension through its convincing realism and dramatic lighting. The lower half of the picture is thrust into dense shadow, focusing our attention on the highlighted action. Alice's body has been subjected to a substantial increase in contrast, saturation and gamma adjustments, to produce the glossy highlights and deep shadows. Her hands are just visible in the darkness above her head, with the right forearm obscured by a manacle.
In contrast to the discomfort being depicted in the manipulation, the Femjoy source is a relaxed pose, with the subject basking in sunshine, on the rocks of the Crimean coast. The foreshortened view of Alice's body provides the illusion of looking upwards, as if she is suspended above eye level, and this effect has been exploited previously in the altarpiece entitled 'Alicia Ecclesiastica', as well as the earlier 'Ivdaea Capta' image which inspired it.
Cypher has achieved a similar effect with the forced perspective of the elevated rack beneath Alice. Additionally, his picture presents a wide angle view, since we are looking upwards towards Alice's face, and downwards to the manacled male figure, seated on the floor in the lower right corner. This compositional detail is significant in making the picture one of the relatively few manipulations in which Alice appears with a nude male. The artist excels in his invitations to confront some nightmarish scenes, and this one is no exception - well done, Cypher!