Douti Sana
Executioner
I just wanted to say THANK YOU for all your incredible art, Bartnel. Not only is it high quality, it is very erotic and realistic. You are a very inspiring artist. So thank you and keep up the good work!
ha ha 20 euro? and what is this?You are joking Darken ( or you mock me and I don't like that )
Big things have big prices but a lot of little things have affordable prices ... the problem is : some want to purchase a Ferrari for the price of .... a bicycle ? ... except if you think that 10€, 15€ or 20€ are so expensive that you will have to work as a slave to purchase one of them
( I found 5 of them -animations- at those incredibly high prices in 1 of my docs ... and even one free on demand )
So, for those who really don't want to spend a single buck, there are so many images and gifs here that they can be satisfied for free, don't you think so ?
Knock it off. Either spend the money or don't but stop cluttering the thread...ha ha 20 euro? and what is this?
This is a compilation of 6 crux animations done to test new features like dynamic long and short hairs. Including 2 outdoor scenes, 1 scene with 3 crucified girls & 1 x-Crux scene Music HD 1024x576 – 3'20" : 240€ / 280$ Short extracts published as animated gifs
I don't want to offend you friend, but kindly explain it to me ...rather you should write from $ 20 to $ 600.
I like to look at good bdsm porn, art etc, but to pay exorbitant prices it really does not, and I tell you frankly friend!
I do not condemn anyone, the one who has the money, he spends, I prefer to go to the cinema.
thanks for the reply.
I agree that total nudity is more arousing, but I always thought that, if it is the same from beginning to the end, it looses its effect quite fast (for example, a beautiful nude girl appears a lot more naked in a crowd of clothed people than in a crowd of naked people and it's the same in a temporal timeline : if she is naked from beginning to end, we hardly notice she is naked at the end).
So, I think it could be interesting to have her wearing something (even torn) at the beginning, like here :
View attachment 711863
then undressed (only a little loincloth left) to be whipped, and finally completely naked to be nailed on the cross ?
This is a compilation of 6 crux animations done to test new features like dynamic long and short hairs. Including 2 outdoor scenes, 1 scene with 3 crucified girls & 1 x-Crux scene Music HD 1024x576 – 3'20" : 240€ / 280$ Short extracts published as animated gifs
I don't want to offend you friend, but kindly explain it to me ...rather you should write from $ 20 to $ 600.
YES YOU DID !!! You don't have any idea of the amount of work (and time) required to do the stuff !
I'm pretty sure ... no, I KNOW you won't spend a single buck to encourage my work but some other people do it for sure !
( you still have the Short extracts published as animated gifs ... even if it's not enough for you! )
And thanks to everyone here who encourage me EVEN without spending a single buck
Beautiful undressing!Thanks a lot bleumune (and others)
It's ok, let's talk about something else, please ?
Another one about undressing before nailing:
View attachment 713731
( I previously disgarded this one... but why not after all ? )
I love that, again the close-up makes me feel so much 'in' the scene,Thanks a lot bleumune (and others)
It's ok, let's talk about something else, please ?
Another one about undressing before nailing:
View attachment 713731
( I previously disgarded this one... but why not after all ? )
Bartnel generously share samples of his fine work here and can charge what he wishes for his pay-work. Let's not make a marketing issue on his thread.My dear Batnel,
I'm a huge fan of your work. And I see this apparent disagreement about the prices worries you. Let me tell you something, I'm a professional musician and I can understand how much time you have put into your work as I often can work for months on a 25 min piece of music so I know how much time and dedication goes into a piece of art.
But, for example, if I made a CD with let's say 45 minutes of music and calculated my time investment, my own education, experience, instrument cost, studio, paying the musicians etc. It would come out with a very big ammount of money, let's say 5000 euro just for saying a number (not unrealistic number at all) and lets imagine you love my music and you are a big fan. Would you pay 5000 euro for every CD? I don't think so, because I have an infinite ammount of copies I could sell. And once the work is done, it's done and I can sell it many times over.
I'm sure many of the people on this thread would love to buy your work and support you, myself included, and if you lowered your prices you could get more people actually buying your content and in the end you would profit more than with the prices you actually have.
I hope sincerly you don't take this opinion as an offense,
Greetings!
Bartnel generously share samples of his fine work here and can charge what he wishes for his pay-work. Let's not make a marketing issue on his thread.
^^^^^First, this thread is NOT made for advertisement, but for sharing.
I have no idea what he has spent and he has not advertised prices here. If you cannot afford, don't buy. That is a free market. I will remove futher complaints as I see them.LOL.
I've been away from this thread for a few weeks, and finally someone brings up the elephant in the room.
Anyway - here's my 2 cents. Those economic arguments made by others essentially only serve one point - they explain that it is possible to do it differently. So they (convincingly) refute the idea that this way is the only way to properly compensate the artist for his work.
But that argument does not capture the essence of the problem. The essence is exclusion. Bartnel fully and completely excludes that majority of us who can not under any circumstances afford his outsized prices from ever obtaining his work. Bartnel works for the few "whales" he finds here and there, and for those only.
Now this model is not new. Most medieval and renaissance artists worked this way. They found a prince or a rich merchant who would sponsor their art, and then work for him. But this is also where the comparison ends. The Goyas and Rubens and Michelangelos of their time worked for the super rich and powerful - but those would then proudly present their new acquired art to friends, and guests, and family, and at some point, to the public. Bartnel, on the other hand, in the throes of modern copyright, strictly forbids his whales from ever sharing his art. So while Goya worked, ultimately, for all, Bartnel's exclusion stands forever.
And that is what infuriates people when they get his list. That sinking feeling that, well, despite of them politely asking and being nice, this is not meant for them. At all. Even though he could. They are not on his radar - that radar is tuned for the few whales who are around here and there, and the normal guy inquiring is just noise.
So don't get confused in those economic debates. They serve a purpose, but they are ultimately secondary. The true issue is exclusion, and that is intentional and that won't go away.