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Bondage / Captivity / Interrogation / Torture Scenes in Mainstream Movies

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Kelly McCart in "Locked Up" (2017) - IMDB

Mallory is an exchange student in Asia. When a group of bullies attack her, she fights back and injures one of them. The local court system is rigged and hence, Mallory is sent to a correctional facility.

The prison director (played by Maythavee Burapasing) is a real bitch and enjoys abusing the inmates verbally and physically. She wants to make sure that the new girl understands who is the boss. Mallory is taken to a basement where she is told to strip. Then she is held in place by two guards while a third one rapes her from behind. The prison director tells Mallory that this will happen twice a week, if she does not follow the rules.

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I, for my part, will now heed the rules regarding the number of posted images and save the second scene for tomorrow. After all, I have no desire to get fucked in the ass by some filthy prison guards... :eek:
 
After the rape, Mallory is sent to the showers to "get her ass cleaned". She has a nervous breakdown and tries to hang herself from the showerhead, but the showerhead breaks off. The noise alerts the guards and her failed suicide attempt is discovered. As a punishment, Mallory is thrown into a barren cell, naked and wet as she is.

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"Locked Up" checks off every women in prison sexploitation film clichee that you can imagine. But after the predictable first half, the plot gets better in the second half of the movie. The biggest downside, however, is the acting, which is so bad that it is actually hilarious. The only one who does a halfway decent job is McCart as the main cast (although her character is such an annoying whiny brat in the beginning that I found rooting for her to be quite difficult).
 
Heavy Metal F.A.K.K.² aka Heavy Metal 2000 (2000)


A madman in pursuit of immortality attacks a planet, kills a great deal of colonists and takes the rest prisoner as raw material for a youth/healing serum. Amongst the later group is busty Kerrie (Sonja Ball), whose even bustier sister Julie (Julie Strain Eastman) starts a quest for vengeance.

Kerrie spends a couple of scenes bolted to a "processing" table. Her captor has special plans for her at first, but as his private reserve of youth serum dwindles, he sets his psychopathic cyborg surgeon (of course with fake German accent) to work.

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Based on a comic by Kevin Eastman, arranged as a spiritual successor to 1981's Heavy Metal, and sequelled by a video game of the same name, Heavy Metal F.A.K.K.² was most accurately described as "Headbangers in Space". They don't make them like that anymore.
 
Boudica (upcoming)


Olga Kurylenko, a returning guest to this thread (see below), is starring as Boudica in the homonymous R-rated film which will hit the cinemas on 30th October. For those not in the know: A savage flogging scene is to be expected (see below-below). It is a valid assumption that her role in Centurion (2010) played a part in her getting cast for this film.

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Hitman is a 2007 action-thriller film directed by Xavier Gens and based on the video game series of the same name. In this scene Olga Kurylenko is whipped by a gang of Russians.

https://www.tnaflix.com/hd-videos/Olga-Kurylenko-Breasts,-Bush-Scene-in-Hitman/video4644792&autoPlay=1

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You beat me to this one... :D It seems the actress has a knack for getting tied up in films:

Momentum (2015)

www.imdb.com/title/tt3181776/?ref_=fn_al_tt_1

Here Olga plays a thief who comes into possession of something that bad people want. Naturally they do bad people stuff to her, such as electro-shocking her and crushing her leg in a vice.

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Although not bloody, the scene is relatively intense, with bones shifting beneath the skin and a good amount of scream-time on the heroine's side.

... and number 3:

Le Serpent (2006)

www.imdb.com/title/tt0486474/?ref_=nm_flmg_i_46_act

To blackmail him with pictures of it, a photographer is drugged and placed in compromising scenes with a shibari-bound model (Olga Kurylenko once again). The sequence is short and more of a montage, but the pause button is our friend.

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Manda Scott’s 3,000-page epic Boudica, conveniently separated into four consecutive tomes, tells the story of Celtic noblewoman Breaca, who rose up against Roman occupation and received the eponymous title “Bringer of Victory”. Of course, one biographical key scene is not amiss, either: After the death of her husband Breaca is brutally flogged by order of the Roman tax collector.



Not yet. This is the beginning. The rest will be worse; don’t bring it sooner.

She could not imagine worse. This much was more than she could bear. She opened her mouth and breathed in hot, sweating air and---

Not yet.

She closed her mouth and choked on sweat and old spit and somewhere, somebody laughed and she remembered that they could see her and for a moment, she took the weight on her legs, not her arms, and pressed her forehead to the oak and made the feel of it count against the stunning, blinding, nauseating, endless, endless, endless pain.

A blaze of lightning struck her arms, above her head, and she forgot about her weight and slumped against the ties and the lightning struck her back again, adding pain to infinite pain and the oak was gone and all sense of safety and she opened her mouth and took a breath---



The flogging is almost entirely depicted from Breaca’s point of view, and in a somewhat detached style as she drifts in and out of visions of a shamanic entity that guides her through her battles.

The novel sports a very captivating writing style and an enormous supply of historical knowledge, especially when it comes to Roman military. As to be expected with the choice of the protagonist, the story incorporates feministic motifs throughout its unfolding. However, the women are strong in their own rights, not being elevated by turning every male counterpart into a misogynistic villain or an incompetent fool. Come to think of it, there’s almost no character without some interesting or redeeming qualities about him or her – apart from the misogynistic, incompetent tax collector.
 
Boudica (upcoming)


Olga Kurylenko, a returning guest to this thread (see below), is starring as Boudica in the homonymous R-rated film which will hit the cinemas on 30th October. For those not in the know: A savage flogging scene is to be expected (see below-below). It is a valid assumption that her role in Centurion (2010) played a part in her getting cast for this film.

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Would like to get a clip of the new Boudicca flogging…looks promising in the trailer…
 
Boudica (upcoming)


Olga Kurylenko, a returning guest to this thread (see below), is starring as Boudica in the homonymous R-rated film which will hit the cinemas on 30th October. For those not in the know: A savage flogging scene is to be expected (see below-below). It is a valid assumption that her role in Centurion (2010) played a part in her getting cast for this film.

View attachment 1366885
Unfortunately the whipping scene won't be as in our dream. :) Clothed and only few seconds. We must hope for a cutted scene release.
 
The Nun II (2023)


The Nun II is the second instalment about Valak, a demon with a penchant for women's clothing. Upon his reoccurrence, Sister Irene (Taissa Farmiga) remembers that she, too, has been in the first movie, and allows herself to be dragged into the papal investigation. Together with a back-up nun who doesn't do shit for the plot she sets out to confront Valak in the very lair of darkness and evil: France.

At the film's climax Valak elevates Irene crucifixion-style into mid-air (good thing we are avoiding cheap symbolism at this point) and sets her ablaze. As the flames are climbing up her habit Irene screams her heart out in a very convincing manner.

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As so often with such films, the whole story falls apart the second it is revealed what the evil force is after – because all its previous antics and jump-scares suddenly make no sense at all. With regard to the eponymous demon-nun, not much nunning is done in the sequel, to a point where I wondered whether the actress from the first part was actually involved or simply CGI'ed into the few scenes.
 
Boudica (2023)


Roman-occupied Britannia, A.D. 60: When Prasutagus, chieftain of the Iceni, is killed in an ambush, his wife (Olga Kurylenko) is hell-bent to avenge his death.

In a key moment the future Boudica is suspended, flogged and branded for acting against Roman law. However, the scene appears lacklustre and unfavourably shot.

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That Boudica remains watchable despite several cringe-worthy scenes has exactly two reasons: the leading actress and a rather short runtime for what could have been a heroic epic. The film starts decent, but unravels in the second and more so in its third act. Do not expect the production value of Centurion or the semi-correct representation of ancient warfare of Barbaren. As for political correctness: Few stories are better suited for projecting the modern interpretation of female empowerment into them, but Boudica steers clear of "fight the patriarchy" and most "Mary Sue" tropes.

I give it IV out of X gladii.
 
Boudica (2023)


Roman-occupied Britannia, A.D. 60: When Prasutagus, chieftain of the Iceni, is killed in an ambush, his wife (Olga Kurylenko) is hell-bent to avenge his death.

In a key moment the future Boudica is suspended, flogged and branded for acting against Roman law. However, the scene appears lacklustre and unfavourably shot.

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That Boudica remains watchable despite several cringe-worthy scenes has exactly two reasons: the leading actress and a rather short runtime for what could have been a heroic epic. The film starts decent, but unravels in the second and more so in its third act. Do not expect the production value of Centurion or the semi-correct representation of ancient warfare of Barbaren. As for political correctness: Few stories are better suited for projecting the modern interpretation of female empowerment into them, but Boudica steers clear of "fight the patriarchy" and most "Mary Sue" tropes.

I give it IV out of X gladii.
Maybe whipping scene will be dissapointing but photoes with healing her wounds look very promising with rather realistic marks on her back.
 
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