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Crucifixion scenes (never mind the breast torture)

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Loxuru said:
she stands on a public place, exposed to the whole town.
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old slave said:
The crowd watching are just as uncertain.
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It's always interesting when people mentally fill in an image with a white background.
That sort of cobbled stone thing the cross is sitting in does suggest some kind of town square or so.
It's actually a permanent mount for a cross that's put up in a very lonely place. She's been abandoned a while in a rather desolate place to contemplate her fate.
I decided to drop the original background though because it got visually cluttered.
There's a backstory to the original drawing, which however got abandoned by the author, and so I decided to liberate the drawing out of that context. There were definitely no breast-skewers in the original story :D
So here she is for reference in her solitude. All in all I do think 'Less is more' here. I got bored with the background ;)
30_sol40.jpg
 
roxie said:
Poking around on my own foot, I try to imagine the difficulty with placing a nail where shown (3 or 4 nail site). I'm thinking (how gruesome a topic!) that it might be easier to place a nail where I've indicated with the red dot. Since the victim will always be pushing down with her feet, the nail would stay jammed between the metatarsals providing good support without tearing through flesh. This should be a spot easily found by the executioners.

Of course, I don't mean to argue against the established wisdom of the IMF on this. :rolleyes: Just thinking...is all...:D
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A few of my victims have the nail at roughly such a position.
Also the IMF, whoever that is, I guess not the monetary fund, has no authority on Algabal's fields of suffering. My crux-thugs do whatever I tell them to :devil:
thehangingtree said:
in a panic you could pull your feet up and rip through the tissue
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If you're afraid of that, tie them up first.
Otherwise, improve victim management. They shouldn't be experiencing panic when the nails go in, they should be experiencing desire and dreams coming true!:D
roxie said:
I'm thinking (how gruesome a topic!)
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I like the way you think. Don't stop. Well not until you go unconscious on your cross at least.
 
algabal said:
A few of my victims have the nail at roughly such a position.
Also the IMF, whoever that is, I guess not the monetary fund, has no authority on Algabal's fields of suffering. My crux-thugs do whatever I tell them to :devil:

If you're afraid of that, tie them up first.
Otherwise, improve victim management. They shouldn't be experiencing panic when the nails go in, they should be experiencing desire and dreams coming true!:D

I like the way you think. Don't stop. Well not until you go unconscious on your cross at least.
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IMF in this case is the Imperial Moral Force... that frankly has no morals:p:devil:
 
thehangingtree said:
Your legs are the strongest parts of your body and nailing your feet at your dot in a panic you could pull your feet up and rip through the tissue...
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That's true...though I still think my idea could work. What if the nail head was wide, or if a washer or a piece of wood was used to widen the nail head. I've seen this idea in some images...

Oh well, it's just pure speculation on my part....

Too bad there aren't any actual records.:D
 
algabal said:

that's a really nasty scene. Right now she's just arching herself out in agony, but before that she spent some time bashing her head against the wooden beams. Trying to knock herself out or just bash her brains out and end it. There's blood coming out of her ears...
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This is one of my favorites, even though it wound up in the background of a larger piece. It's one of the pieces that got my into crux art. The way she desperately arches away from her humiliating cross. It's not just the pose, either. First of all, that's a whole new level of understatement you've created there, Algabal. Just discomfort, huh? She's in such tremendous pain that she tried to bash her head against the cross to knock herself out. Obviously that big, messy bun of her padded the impacts quite a bit, because she's still swinging.
 
algabal said:
Heh. Yeah I was being really cruel with this one. She only got a relatively low-detail treatment as she went into the background. She might deserve a more detailed pic.
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I think the victim is perfect as she is, twisting and thrashing about, desperately trying to escape from the relentless, horrific agony that has totally consumed her. As in all your works, you've captured the raw, bloody agony of crucifixion.

Perhaps more contextual background and foreground, but the woman herself is perfect. Maybe redden up her whip marks...but she's perfect! (Well, IMHO...)

And, speaking as a 30-something woman of fairly ordinary appearance, I can identify with your victims very easily as they tend to be other than ideal physical specimens...;)...yet they retain their innate beauty and sensuality as women in horrifying situations.

I know...perhaps I'm missing the mark with what you are doing...but I love it!
 
roxie said:
And, speaking as a 30-something woman of fairly ordinary appearance, I can identify with your victims very easily as they tend to be other than ideal physical specimens...;)...yet they retain their innate beauty and sensuality as women in horrifying situations.
I know...perhaps I'm missing the mark with what you are doing...but I love it!
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Actually that's a spot on observation.
What I aim for is a certain level of individuality for the victims (I don't give a damn about the crux-thugs, they have no personality).
It's the victim you're supposed to empathize with, and so she's got to look like a person, within the limits of my talent. Using repeating iterations of the exact same supermodel figure just with different hair colors doesn't do it for me. So every now and then part of that individuality will be some amount of imperfection, a bit of sag here or there,, a not perfectly flat and muscular belly, etc, or just the general impression that a few of the victims might be outside of the 'barely legal teen' age bracket.

Now I'm almost feeling sorry for these poor girls :D

I have a nailing scene in the pipeline that's fairly brutal but there's also a softer scene on the way.
 
I do so agree, Algabal and Roxie, the images I relate to are of women who aren't supermodels,
who have 'imperfections' (like in my case, rather buck teeth, smallish boobs, etc. :p),
and also behave and express themselves like real women - which may be in quite complex ways,
facial expression, body language - not simply scream-queens, but responding to and trying
to cope with what's happening to them. I think your drawings do achieve that pretty convincingly.
 
:eek:
algabal said:
Actually that's a spot on observation.
What I aim for is a certain level of individuality for the victims (I don't give a damn about the crux-thugs, they have no personality).
It's the victim you're supposed to empathize with, and so she's got to look like a person, within the limits of my talent. Using repeating iterations of the exact same supermodel figure just with different hair colors doesn't do it for me. So every now and then part of that individuality will be some amount of imperfection, a bit of sag here or there,, a not perfectly flat and muscular belly, etc, or just the general impression that a few of the victims might be outside of the 'barely legal teen' age bracket.

Now I'm almost feeling sorry for these poor girls :D

I have a nailing scene in the pipeline that's fairly brutal but there's also a softer scene on the way.
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And I do empathize with your women algabal, so very much! My heart breaks for them because I know a lot of women no doubt suffered like this in reality, as horrifying as that seems.

But that's what makes this kind of art so exciting to immerse oneself in. It allows for the most extreme kind of vicarious experience -- that of a crucified woman... :eek:;)
 
Hasturan said:
Smallish boobs are not imperfections...
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Certainly not.
It's a common experience from a guy's experience though that a woman with (in the eyes of a man) "perfect" boobs will be horribly self-conscious about them. Perfect boobs come in a wide range of shapes and sizes, obviously there are cases of extremely large ones that are simply stressful for their owners, and extreme asymmetry is weird, but otherwise, if a guy is into the girl one way or another, her boobs will usually be perfect anyway because they're hers. Whether what's applied to them is tenderness or torture or most deliciously, a good mix of both ;)
 
algabal said:
if a guy is into the girl one way or another, her boobs will usually be perfect anyway because they're hers.
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This is so true. I'm not going to say any more, as every time I start it comes out soppy or stupid!
But it is true for me :)
 
Eulalia said:
still waiting for someone to say buck teeth are nice too
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Its not about what you've got but what you know to do with it.
I think you'll be doing quite well as evidenced by this,
Eulalia said:
a skillful slavegirl will use her teeth, very gently and carefully,
just lightly pressing the skin as the cock grows harder and harder,
as well as using her tongue, of course, to delicately flick and lick it from beneath.
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That's not going to mitigate your sentence (it might mollify any additional tortures), but it'll make a big difference that evening when the crucifiers talk in the tavern about their day's work on the fields of suffering. So thanks to that, instead of "All I got today was this miserable buck-toothed meager-breasted wretch" that guy will be saying "you won't believe the amazing blowjob that one gave me right before I nailed her to the cross, even though she damn well knew I'd do it anyway!"
Probably not what you wanted to hear, but well, you know the drill, life's tough and then you get cruxed.
 
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