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Death And The Maiden

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Modern artist are coping the work of earlier artists who may have been depicting the scythes used in their region.
So.... I had to research that.

As usual, that always leads to interesting results. (Only one of them is relevant to Death...)
164075758.jpgThat's from the Breviarium Grimani 1510; at http://blog.metmuseum.org/cloistersgardens/2009/06/05/making-hay/ there's an example of the curve-handled scythe from a 1408 depiction. Though the curved handle isn't essential, there certainly are straighhandled scythes.
It's always hard to judge the technical accuracy of medieval illustrations,that problem has been encountered before on the forum...

But without the angled blade, you get an entirely different tool. You just can't use it like you do a 'modern' scythe, so when did we get something like the 'modern' scythe?

What I've found on it mostly states that for harvesting grain, the scythe started being used in the 1300's; the universal tool for grain-harvesting before was the sickle, and in fact the sickle was never completely replaced everywhere right up till automation.

[1] says, At the end of the thirteenth century, new forging theories allowed the blade to be tilted, and that only afterwards was 'the scythe' used for anything else than making hay. This implies that a tool with a straight-mounted blade existed before, but was only used for haymaking; even for that it couldn't be used in the classic scything motion though.
[2] also places the expansion of scythe use at beginning with the 1300's and continuing for centuries.

So it would seem that the scythe began spreading after the angled blade was introduced, and the 'modern scythe' probably derives from the late 13th/early 14th century.

It's pointed out in all sources I found that that the scythe wastes more grain but harvests more quickly and needs less amount of labor and thus provisions, but more skilled and dedicated labor, than the sickle. The scythe also doesn't cope well with uneven, rocky land or beaten-down stalks.

So subsistence agriculture with marginal yields, were every grain had to be collected, plots were small and labor unskilled or undedicated, favored the sickle.

Larger, better managed fields, that produced for markets or export, and use of dedicated or even hired labor, favored the scythe.

[1] also gives later examples how the use of the scythe related to the transition to export-oriented agriculture in the late 15th/early 16th century, shown by the example of Lolland.

Also situations where there was not enough labor available favored hiring migrant workers with the scythe (for instance during the recovery period after the Black Death).

And that's interesting, because these people existed -
'Reapers' who would arrive as strangers at the time of harvests...
wanderers with scythes over their shoulder
... and they would only come when the time was right for cutting... they would not sow, or participate with the other work, only reap.
maehen003.jpg
it's not hard to see how a wandering stranger with a scythe who only comes to harvest might influence the Grim Reaper legend.

About making scythe blades, that wouldn't really be a village blacksmith's task.

A 1363 directory from Nuremberg lists "Sensenschmied" (scythe-smith) as a recognized occupation, it became a local surname. By the 15th century, guilds of scythe-smiths were established. [3]

Styria in Austria made lots of scythes. They had iron ore, forest for making charcoal, and plenty streams to provide the power for water-wheel driven trip hammers (late 1100s onward). Workshops dedicated to scythemaking are attested from the 13th century; the oldest one that's still standing is documented to the early 14th. From the 16th century 70 blades per day is documented for a workshop, and there were hundreds of them. They were exported far throughout Europe. Export of unfinished product was usually forbidden (guild secrets).

an old saying:

Wer de Leh köfft nach dem Klang, un de Fru nach de Gesang, ist betragn sin Leben lang

- old saying from Holstein which reminds a farmer that there are two things he needs to pick carefully in life, otherwise he'll regret it till the end of his days ... his scythe, and his wife ;)


[1] Medieval Farming and Technology: The Impact of Agricultural Change in Northwest Europe, Grenville G. Astill,John Langdon, page 24 / page 139-141
[2] Decision-Making in Medieval Agriculture, David Stone, p.250
[3] Bäuerliches Leben im Mittelalter: Schriftquellen und Bildzeugnisse, Siegfried Epperlein, p52-56
 
#1 Adolf Hering, Der Tod und das Mädchen 1900 - I like this one, all right it's kitsch, but pretty kitsch :)
#2 One (#2) of a good series by Eliasaquino on DeviantArt - here's another:

death_and_the_maiden_2_by_eliasaquino-d5c1m9k.png
#3 Joyride to Nettles Summit, by Esao Andrews, interesting sort of surrealist artist working in LA
#4 Edward Walton Wilcox 2008 - painter in NY
#5 not sure about this one, it's been used a few times on the net but I can't find the artist
 
#1 Adolf Hering, Der Tod und das Mädchen 1900 - I like this one, all right it's kitsch, but pretty kitsch :)
#2 One (#2) of a good series by Eliasaquino on DeviantArt - here's another:

View attachment 395619
#3 Joyride to Nettles Summit, by Esao Andrews, interesting sort of surrealist artist working in LA
#4 Edward Walton Wilcox 2008 - painter in NY
#5 not sure about this one, it's been used a few times on the net but I can't find the artist
Thank you for searching and share the results!
 
So.... I had to research that.

As usual, that always leads to interesting results. (Only one of them is relevant to Death...)
View attachment 394860That's from the Breviarium Grimani 1510; at http://blog.metmuseum.org/cloistersgardens/2009/06/05/making-hay/ there's an example of the curve-handled scythe from a 1408 depiction. Though the curved handle isn't essential, there certainly are straighhandled scythes.
It's always hard to judge the technical accuracy of medieval illustrations,that problem has been encountered before on the forum...

But without the angled blade, you get an entirely different tool. You just can't use it like you do a 'modern' scythe, so when did we get something like the 'modern' scythe?

What I've found on it mostly states that for harvesting grain, the scythe started being used in the 1300's; the universal tool for grain-harvesting before was the sickle, and in fact the sickle was never completely replaced everywhere right up till automation.

[1] says, At the end of the thirteenth century, new forging theories allowed the blade to be tilted, and that only afterwards was 'the scythe' used for anything else than making hay. This implies that a tool with a straight-mounted blade existed before, but was only used for haymaking; even for that it couldn't be used in the classic scything motion though.
[2] also places the expansion of scythe use at beginning with the 1300's and continuing for centuries.

So it would seem that the scythe began spreading after the angled blade was introduced, and the 'modern scythe' probably derives from the late 13th/early 14th century.

It's pointed out in all sources I found that that the scythe wastes more grain but harvests more quickly and needs less amount of labor and thus provisions, but more skilled and dedicated labor, than the sickle. The scythe also doesn't cope well with uneven, rocky land or beaten-down stalks.

So subsistence agriculture with marginal yields, were every grain had to be collected, plots were small and labor unskilled or undedicated, favored the sickle.

Larger, better managed fields, that produced for markets or export, and use of dedicated or even hired labor, favored the scythe.

[1] also gives later examples how the use of the scythe related to the transition to export-oriented agriculture in the late 15th/early 16th century, shown by the example of Lolland.

Also situations where there was not enough labor available favored hiring migrant workers with the scythe (for instance during the recovery period after the Black Death).

And that's interesting, because these people existed -
'Reapers' who would arrive as strangers at the time of harvests...
wanderers with scythes over their shoulder
... and they would only come when the time was right for cutting... they would not sow, or participate with the other work, only reap.
View attachment 394867
it's not hard to see how a wandering stranger with a scythe who only comes to harvest might influence the Grim Reaper legend.

About making scythe blades, that wouldn't really be a village blacksmith's task.

A 1363 directory from Nuremberg lists "Sensenschmied" (scythe-smith) as a recognized occupation, it became a local surname. By the 15th century, guilds of scythe-smiths were established. [3]

Styria in Austria made lots of scythes. They had iron ore, forest for making charcoal, and plenty streams to provide the power for water-wheel driven trip hammers (late 1100s onward). Workshops dedicated to scythemaking are attested from the 13th century; the oldest one that's still standing is documented to the early 14th. From the 16th century 70 blades per day is documented for a workshop, and there were hundreds of them. They were exported far throughout Europe. Export of unfinished product was usually forbidden (guild secrets).

an old saying:

Wer de Leh köfft nach dem Klang, un de Fru nach de Gesang, ist betragn sin Leben lang

- old saying from Holstein which reminds a farmer that there are two things he needs to pick carefully in life, otherwise he'll regret it till the end of his days ... his scythe, and his wife ;)


[1] Medieval Farming and Technology: The Impact of Agricultural Change in Northwest Europe, Grenville G. Astill,John Langdon, page 24 / page 139-141
[2] Decision-Making in Medieval Agriculture, David Stone, p.250
[3] Bäuerliches Leben im Mittelalter: Schriftquellen und Bildzeugnisse, Siegfried Epperlein, p52-56
Well researched, Malins.
I stand corrected on some of my earlier statements.
But, I wouldn't be so dismissive of Medieval illustrators.
While they may have had to use their imaginations or rely on convention to depict things they had never seen - like a crucifixion - they were often quite accurate and detailed in depicting things they saw every day.
After all, no one could tell them "That's not what an elephant looks like"
4befa663be28b3c609a7b097c10bffad.jpg
because few people had ever seen one and the artists were relying on the things they had read.
On the other hand, they could see with their own eyes what a harvest looked like.
Les_Très_Riches_Heures_du_duc_de_Berry_juin.jpg
Historians use these illustrations to help understand everyday life in those days. Including the fact that people didn't wear underwear and maybe shaved their pubes.
february.jpgfebruary_detail.jpg
Somewhat more on topic: Here's Death from an Italian Book of Hours c.1470-80.
blackb.jpg
 
Being pedantic, from my perspective, 15th - early 16th century is very late, hardly medieval at all -
certainly in Italy well into the Renaissance. But here's a much earlier scythe, from the
Martyrology of Wandalbert of Prum, mid-9th century:

scythe c850.jpg

Difficult to judge the angle of the blade, this is obviously way earlier than perspective drawing as we know it,
but there's a hint in the double line on the outer (left) edge that the artist doesn't intend it to be face on,
square with the viewer. The shaft of the handle looks pretty straight, though there's a curve in the top that
might imply some bend to it. And the positions of the handles are very interesting, surely 'correct'?
As is the holster on his belt with whetstone?

As to the lively beasties and mischievous-looking guys at the bottom, there's scope for a conference!
 
Being pedantic, from my perspective, 15th - early 16th century is very late, hardly medieval at all -
certainly in Italy well into the Renaissance.
Getting even more pedantic: Historians consider the Middle Ages or Medieval Period in Western Europe to have begun in 476 (the deposition of the last Western Roman Emperor) and ended in 1514(Luther's 95 Theses; start of the Reformation). Some historian end the Middle Ages in 1453 (the fall of Constantinople) or 1492 (Columbus discovering America). The period after that is the Early Modern period which lasted until 1789 (The French Revolution).
The Renaissance is a culture movement that occurred in different times in different places. There were other periods called renaissances that occurred before the more famous Italian one: The Carolingian Renaissance, The Ottonian Renaissance, The XII Century Renaissance. There were other Renaissances in other times and other places. Some historians claim we are now living in the "Virtual Renaissance".
Enough of this! More Death and the Maiden!
1. Edward Walton Wilcox
2. James Hamilton Brown
3. Andrew Dobell
4. Ron Reeder
5 Jaroslaw Datta
6. Brian Seldt
7 Jean Giraud
EWW_Death_and_the_Maiden.jpg james-hamilton-brown-death-and-the-maiden-via-artnet.jpg d05_9452_3509929.jpeg d6b35753b584e4e9764fb5c94019691b.jpg death_&_maiden_thumb.jpg 37a0acd70f88af77fec0957c508d5e7b.jpg
 
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