20. The Work Day
The slave girl, of course, listens in silence to Master's orders, memorizing them. However, Master may, and quite often does, consult His slave to hear her opinion on some matter; an intelligent slave is a valued possession. The Law allows for this but rules that the slave must give her view humbly and submissively.
This girl's daily routine is strenuous, needless to say, but not mere mindless drudgery nor continual sex work. It is a varied range of activity, some of it being the basic necessary tasks of any domestic slave – though even these must be performed with love and devotion, washing, dusting, polishing, treating everything of Master's possessions as sacred.
But Master recognizes what his slave does best and sets her tasks that use her particular strengths. In the kitchen, she prepares meals for Him and His Honoured Guests. In the garden, she cares both for the kitchen crops and His rare and valuable plants. In the study, serving as His secretary and personal assistant, she aids with his research and writings on the ways in which Papias's teachings concerning 'Christian Freedom and Service of the Lord' have been interpreted and put into practice, both in civilized societies and its corrupted and perverted forms. As well as being another form of service for this girl, it is an education for her, helping her to understand ever more deeply the moral basis of modern voluntary enslavement.
One teaching which Master especially upholds is that a Man should have nothing in His house that He does not know to be useful or believes to be beautiful – beginning of course with His slave girl!
Important among His possessions is His collection of rare and antique equipment for bondage and instruments of torture. These include the massive rack, wooden horse, torture chair, and whipping frame down in His dungeon. These have to be thoroughly cleaned, oiled, and polished before and after they've been used. That use is often (as His slave girl experiences their power and her helplessness as they work remorselessly to break her). Also available are cruel needles, little pincers, tiny darts, a whole set of shiny surgeon's tools for torturing a girl's most sensitive parts.
Apart from the equipment kept in the dungeon, much of His prized collection is arrayed around the house, some hanging on walls alongside paintings and prints of scenes of girl-hunts and captures, slave-sales, beautiful slave girls in their multitude of colours and complexions performing their duties with elegance and grace, and grim portrayals of punishment, torture, and cruel executions. Others are laid out on shelves, windowsills, and mantelpieces. It is this girl's task not only to dust and polish them, but to ensure they are placed with careful attention, to suit their location, balance one another, and benefit from the moving light through the great windows as the day passes. So a gleaming Pear of Anguish is set beside a small sculpture of a nude captive girl; a spiral of shiny steel chain lurks like a cobra below a painting of a sacrificial temple where the female victim is being prepared for her fate; dark iron branding irons and flesh-tearing hooks cast shadows on a pale wooden bench equipped with shackling rings ...
And, later in the day, this girl may be called upon to display her other talents, such as they are, singing and dancing, maybe for Master alone, maybe for Honoured Guests. And, naturally, she may at any time – but especially when Master has Guests – be required to serve in whatever sexual ways her superiors may command. Through the working day hours, the body and mind that Master has bought are used in many, varied ways, so the body remains fit, agile, and supple, the mind alert and focused on its duties.
The slave girl, of course, listens in silence to Master's orders, memorizing them. However, Master may, and quite often does, consult His slave to hear her opinion on some matter; an intelligent slave is a valued possession. The Law allows for this but rules that the slave must give her view humbly and submissively.
This girl's daily routine is strenuous, needless to say, but not mere mindless drudgery nor continual sex work. It is a varied range of activity, some of it being the basic necessary tasks of any domestic slave – though even these must be performed with love and devotion, washing, dusting, polishing, treating everything of Master's possessions as sacred.
But Master recognizes what his slave does best and sets her tasks that use her particular strengths. In the kitchen, she prepares meals for Him and His Honoured Guests. In the garden, she cares both for the kitchen crops and His rare and valuable plants. In the study, serving as His secretary and personal assistant, she aids with his research and writings on the ways in which Papias's teachings concerning 'Christian Freedom and Service of the Lord' have been interpreted and put into practice, both in civilized societies and its corrupted and perverted forms. As well as being another form of service for this girl, it is an education for her, helping her to understand ever more deeply the moral basis of modern voluntary enslavement.
One teaching which Master especially upholds is that a Man should have nothing in His house that He does not know to be useful or believes to be beautiful – beginning of course with His slave girl!
Important among His possessions is His collection of rare and antique equipment for bondage and instruments of torture. These include the massive rack, wooden horse, torture chair, and whipping frame down in His dungeon. These have to be thoroughly cleaned, oiled, and polished before and after they've been used. That use is often (as His slave girl experiences their power and her helplessness as they work remorselessly to break her). Also available are cruel needles, little pincers, tiny darts, a whole set of shiny surgeon's tools for torturing a girl's most sensitive parts.
Apart from the equipment kept in the dungeon, much of His prized collection is arrayed around the house, some hanging on walls alongside paintings and prints of scenes of girl-hunts and captures, slave-sales, beautiful slave girls in their multitude of colours and complexions performing their duties with elegance and grace, and grim portrayals of punishment, torture, and cruel executions. Others are laid out on shelves, windowsills, and mantelpieces. It is this girl's task not only to dust and polish them, but to ensure they are placed with careful attention, to suit their location, balance one another, and benefit from the moving light through the great windows as the day passes. So a gleaming Pear of Anguish is set beside a small sculpture of a nude captive girl; a spiral of shiny steel chain lurks like a cobra below a painting of a sacrificial temple where the female victim is being prepared for her fate; dark iron branding irons and flesh-tearing hooks cast shadows on a pale wooden bench equipped with shackling rings ...
And, later in the day, this girl may be called upon to display her other talents, such as they are, singing and dancing, maybe for Master alone, maybe for Honoured Guests. And, naturally, she may at any time – but especially when Master has Guests – be required to serve in whatever sexual ways her superiors may command. Through the working day hours, the body and mind that Master has bought are used in many, varied ways, so the body remains fit, agile, and supple, the mind alert and focused on its duties.