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Moriturae Te Salutant

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deep bow for a beloved bardslave .............writer translater and a function glutton:D
 
Afsilla

Afsilla emerges from the darkness. While she rises, she spies, above his heavy chin and aquiline nose, the long look that Nero's giving Regulus. Regulus' face is now a beautiful, tragic mask, gazing at her in despair. In the crossfire of these glances, exchanged without a word, Afsilla can read her fate. She puts her hand on Nero's arm with feigned delight, trying to play for time. "Caesar, it was good to drink to your health!"

Nero detaches himself from her, firmly but without any violence. He tightens the belt round his cloak and approaches Regulus. He murmurs some words into his ear. Regulus, his face pale, knows he cannot prove his own loyalty unless he punishes her betrayal. He closes his eyes for a few moments. Then he gives brief orders to two Scythian mercenaries in their own language. Nero moves back a little so as to better appreciate the spectacle that he has commanded. He leans against a well-laden sideboard and plunges his hand into a dish of pigs' tongues glazed with violet petals. He gives an order to a slave, who sprints away.

The two mercenaries have seized Afsilla, who remains standing, stupefied, in the centre of a circle from where everyone else has cautiously moved away. She can't believe she will suffer this fate, the fate she has already seen time and again. Her young body is full of life, still quivering from her orgasm, she simply can't accept what her panicking mind is trying to tell her.

While her ebony shoulders are bound and made to bear chains, she does not resist. Trance-like, she allows herself to be led beneath the thick, low branch of a gigantic cedar whose compact needles bring a little freshness to the stuffy night. She shivers as the cold links tighten under her armpits, twine around her elbows, and tug on her wrists. Slowly she is raised from the ground, hearing the steel scraping the bark of the conifer.
She peers around, seeking a friendly glance. Hatred, jealousy and depravity will be her last visions. One of the Scythians has brought two large whips made of rhinoceros leather. She feels almost relieved. So Nero just wants to chastise her for deceiving him? She would have cried with joy.

But she hasn't seen two legionaries approaching behind her. They have planted a heavy stake in the ground, right under her legs. The broad tip is rounded off with two projecting oak points, one almost touching the other, shining in the moonlight. She becomes aware of their presence as she is gently lowered down. She lets out a long howl of terror, which make her ample breasts, with their naturally purple aureoles, leap up, "Noooooo, not this, kill me quiiiiick!"

Now the Scythians have spread her thighs apart ruthlessly, and grip them tight as they push the stakes into her living flesh. Her dilated pores exhale a heavy perfume of utter terror. The first spike slips quickly into her freshly-lubricated vagina and immediately jabs painfully against the mouth of her womb. It's almost with relief that she feels her anus, pierced a moment later, sharing the unbearable pressure. She avoids giving voice to her revulsion and fear, saving her breath, careful to avoid any movement which would be likely to set off a wave of pain through her voluptuous body. Inch by inch, the chain is lowered by one of the legionaries.

Nerotakes the lyre, offered by his slave with trembling hands. He strokes the cords in the same slow rhythm as the legionary unwinds the chain, until he is himself dictating the tempo of the descent. Afsilla perspires abundantly. Her thighs and her ankles have started a hopeless struggle to clutch the wood, well polished with use. At first, she believed that her toes, even her toenails, could cling on to some of the wood-grain. But she is slipping down very quickly, feeling now that her organs are about to tear. She starts groaning. The crowd watches fascinated by the broad streams of sweat which gleam on her almost black skin and drip down to the ground.

"Aaaaahhh!" Afsilla lets out a wild cry. The point of the stake has pierced a membrane. She cries out in unbearable pain. Blood mixes quickly with the sweat of her spasm-seized body. Her tormented thighs manage to arch up in a desperate effort to slow down the progress through her body of the two phalli. A whip cracks on her buttocks in the silence of the night. "Nerooooo!". A second blow finds the base of her firm breasts.

"NEROOOO!!!" She stiffens in a wild contraction, her legs slacken briefly, then stiffen again and she lets out a rending cry which drowns the dissonant notes of the lyre. She has just released a long jet of urine which streams down the stake, mixing with her blood. The spectators have instinctively drawn closer, knowing that Afsilla will be unable to fight much longer.

Two whiplashes crack together, one of the Scythians aiming for the base of her breasts, the other for their top, they compress and sting at the same time, and tear as the thin straps are drawn back. The stakes have now brutally intruded a full foot. Afsilla wails, the wail of little girl, it paralyses even the most jealous of the other slaves.

Now her legs are trembling and are no longer trying any more to prevent the slow descent of her body, seized with indescribably erotic shudders. Blood and shit ooze from her holes. The pain is suffocating her unimaginably, this pain which the pressure of the stakes pushes ever further, ever higher up her body.

Her right tit has been just slashed open, and the women are hiding their faces, while some legionaries dare to applaud, as the living God seems happy. Another well-aimed blow in the same furrow cuts a gaping wound. Afsilla gazes down at her almost severed breast hanging above her navel. She is no longer aware of the destruction of her body, no longer afraid of dying. Her spirit is sinking in the dark.

The chain descends a bit quicker,Neroadds to the notes of his lyre some verses inspired by the beauty of the tortured victim. The crowd lets out an "Oh!" of amused surprise when the point of one of the stakes emerges from Afsilla's abdomen. "AAAAAAAAHHHHHHHH!" Noisy chatter speculates on where other one will appear.

"YYYYYYYEEEEEEEEHH!" The erect oblong nipple of her left tit has just been cut off. Afsilla is not yet dead, her entrails have been simply thrust aside by the rounded point, it has not touched her heart. She no longer has the strength to groan, she no longer feels the final whip strokes, struck with no real conviction, ripping her breasts to shreds, the bulk of their flesh now lying beneath her legs.

She is just lucid enough to feel the second stake perforating her entrails and diaphragm simultaneously, and finding her tracheal artery a few moments later. She is strangled, as if garrotted, when the stake smashes into her teeth. She still finds the strength to let her jaws drop open so the lance slips out, then she falls to her knees amid her own debris, her eyes still open in inexpressible horror, matched in the end with a last, crowning grimace.
 
what is the lettertype we will use in the text Monolettertype Corsiva the green type in the french text?
 
Do you mean what type for the English version?
 
I trust your artistic good taste Hansi!​
I guess something a bit simpler and clearer -​
Corsiva and 'imitation handwriting' fonts like that look pretty but they're a bit of a pain to read on-screen.​
Red would complement the green of the French version.​
 
It sounds like a good plan to me. It will take some time but I think it worth the effort. I'm sure that Moriturae was the forerunner of Roman Crucifictions but have not heard anything. We are more than happy to help with polishing up.
Hi Hans...sorry about Holland v Denmatk:(...but you can now have free drinks for life at the Coffee Shop!!
 
It sounds like a good plan to me. It will take some time but I think it worth the effort. I'm sure that Moriturae was the forerunner of Roman Crucifictions but have not heard anything. We are more than happy to help with polishing up.
Hi Hans...sorry about Holland v Denmatk:(...but you can now have free drinks for life at the Coffee Shop!!
and Tree too? but...............
In 1988.............yes 1988 we lost the first match from Russia and played bad against Ireland but we won the cuplalala.giflalala.gif
 
and Tree too? but...............
In 1988.............yes 1988 we lost the first match from Russia and played bad against Ireland but we won the cupView attachment 35460View attachment 35460

...you know, I just figured out women's enjoyment of football (as you on the continent call it) its... Oh, thank you, waitress... It's because women like watching balls being kicked from one end of a field to the other for hours on end...

t
 
...you know, I just figured out women's enjoyment of football (as you on the continent call it) its... Oh, thank you, waitress... It's because women like watching balls being kicked from one end of a field to the other for hours on end...

t
that's a old joke
 
...you know, I just figured out women's enjoyment of football (as you on the continent call it) its... Oh, thank you, waitress... It's because women like watching balls being kicked from one end of a field to the other for hours on end...

t

I think 3 months grinding coffee beans for that joke.
Hans....As far as type is concerned I'd stick to black. Coloured type on coloured backgrounds must be a real pain for people who are colour blind.
Also where did you get that Mexican wave from?.....I want one!
 
I think 3 months grinding coffee beans for that joke.
Hans....As far as type is concerned I'd stick to black. Coloured type on coloured backgrounds must be a real pain for people who are colour blind.
Also where did you get that Mexican wave from?.....I want one!

Ok, I never heard before (I thought I made it up). Melissa, would it help if you were sentenced to three more months of grinding?

T

(I thought she was one of the owners???)
 
I think 3 months grinding coffee beans for that joke.
Hans....As far as type is concerned I'd stick to black. Coloured type on coloured backgrounds must be a real pain for people who are colour blind.
Also where did you get that Mexican wave from?.....I want one!
stolen from the dark spot I'll send you the gif
 
I think 3 months grinding coffee beans for that joke.
Hans....As far as type is concerned I'd stick to black. Coloured type on coloured backgrounds must be a real pain for people who are colour blind.

Good point Melissa:)
 
Ok, I never heard before (I thought I made it up). Melissa, would it help if you were sentenced to three more months of grinding?

T

(I thought she was one of the owners???)

I do have a 50% stake in The Coffee Shop. Your reply puzzles me but I'm tired and going to bed.
Hans..thanks in advance for the Mexican wave.
 
Chapter II Second day - From the Catacombs to the arena

Under the aqueduct of Via Sicilia

Agatha's hand brushes away from her forehead a rebellious lock that's escaped from her sumptuous deep-brown hair. On the brick portico which separates the Via Appia from the garden of senator Albus' rich villa, she can read the usual warning CAVE CANEM, which frames a dog pictured in mosaic. She has been successful, she has led to a safe haven the small group of Christians whose security Navatonius the priest had entrusted to her. He gave them his blessing in the deepest cave of the dripping catacombs, extending the palm of his protective hand over the poor fearful company. Then he set out again to help those of his flock who could not escape the avenging fury of the Romans. She is proud to have been able to unravel the labyrinth of the catacombs, proud of the confidence placed in her until the small hours of the morning by the Christians, who were still shocked by the cruelty of the rabble, their own neighbours or friends, hunting them since nightfall.

She'd then managed to guide them through the network of plague-ridden sewers, the Cloaca Maxima, counting and recounting the stragglers over and over again. At the tail of the column, she managed to identify, in spite of the darkness, most of her friends, members like her of a small theatre company. Casilda and Elagia, linked by a tender passion known only to her brought up the rear,were encouraging the weakest ones, carrying their poor belongings. Sulpicia, the robust farm girl, helps a young mother by carrying her baby. Sophonia and Cecilia, gymnast sisters, supervised, humming softly, the edges of the procession which wound its way through the underground.

Drops dripping from leaking vaults streamed down at each turning which marked a junction of two streets overhead. With her child in her arms, Livia joined her and said simply "Thank you, Agatha", just as light appeared through a ventilation hole.

The sun was rising lazily over the white villa of Albus, the only Christian senator of Rome, when the runaways came out of the darkness. Agatha was deeply relieved to have fulfilled her mission. Proud, happy and in love - because she hopes to meet Regulus, whom she has finally converted; Regulus, the centurion with fine hands and soft voice, who takes her so strongly in his arms. She would give her life to run far away with him this morning, now he's promised to abandon Nero and his black mistress.
 
and here the lettertype in pdf;)
 

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and here my dear bardslave the first 10 translated pdf pages in Calibri 15 pts
 

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  • Moriturae te salutant.pdf
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