Loxuru
Graf von Kreuzigung
His quote : "I love the smell of meatballs in the morning!"I think also that you underestimate 'Bulldozer Olsson', I have a feeling he might be a hero in a upcoming chapter......
His quote : "I love the smell of meatballs in the morning!"I think also that you underestimate 'Bulldozer Olsson', I have a feeling he might be a hero in a upcoming chapter......
He's not the only one. Definitely a case of 'less-is-Moore' when covering the tortures of the young student ... erotic indeed. But the plot thickens and I am now not sure who will end up on the torture device in Åke's home ... can't wait to find out though! Loved it as awlays ...he found the idea of her terrified reactions to electric shock and to all the other tortures used on her deeply arousing.
That's 126 km/h? Force 12 on the Beaufort scale. I hope Ake's house is of high quality carpentry!winds here gusting up to 35 meters per second,
Chang said nothing,
Chang nodded.
But obviously, with Colonel Chang around, one does not need an extreme low pressure area, to create a freezing snow hurricane!offering her hand, which Chang ignored.
Luckily, there is some warming up for Moore!here were also photos of her in the interrogation room, stripped naked, arms outstretched,undergoing electric shock torture.
He's not the only one. Definitely a case of 'less-is-Moore' when covering the tortures of the young student ... erotic indeed. But the plot thickens and I am now not sure who will end up on the torture device in Åke's home ... can't wait to find out though! Loved it as awlays ...
(in a wayward reading ahead of this twisted mind, Colonel Chang immediately unmasks Anna-Lisa as a Syndicate agent. To make sure she is, and to convince the others, Anna-Lisa is brought to the torture room, and Colonel Chang takes the lead of the interrogation, using her expertise, and assisted by Gun, who greedily takes the opportunity to improve her own interrogation skills).
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"All right, Anna-Lisa! Now we are really going to find out how Finnish you are! Don't worry, we follow approved North Korean interrogation procedures : you have the right to remain silent, and to scream loud when we administer electric shocks to you! For your own good, you better give correct answers on the following questions that every true Finn should answer correctly."
One : what colour has the Swan of Tuonela?
Two : what do you know about the ferryman of Tuonela?
Three : what is Tuonela anyway?
Four : what had Lemminkainen planned to do, when he got killed in Tuonela?
Five : what tools, Lemminkainen's mother uses, first to find him in Tuonela, and secondly to prepare him to get him revived?
Six : what thought about a previous sexual encounter drives Kullervo so mad, he ultimately commits suicide?
Seven : what is the name of the epic poem, these stories come from?"
(apologies to Barb for the diversion, but the story captures me. If you think I crossed a line, put me next to that girl and give be a few electric shocks too, to bring me back in line).
Although an elite General`s daughter,
In an act of "subversion", they caught her.
To a camp she was sent,,
Because Kim is hell bent
That a very harsh lesson is taught her.
Great work again, Barb, you now leave us wondering what the Syndicate has in store and, in the meantime, who will Pecos Bill bed first, how does Chang swing and will she fancy Ake or one of the girls? We wait in anticipation.
That's 126 km/h? Force 12 on the Beaufort scale. I hope Ake's house is of high quality carpentry!
Its a style I have been striving for of late in my CF writings … that is to leave Moore, when it comes to sex and torture (not every thing, of course) to the imagination and to place greater time and effort into intricate plotting, suspense, character development, thick descriptive scene painting, historical and place settings accuracy, etc. I enjoy all that, and have frankly tired of the long drawn out blow-by-blow, shock-by-shock, lash-by-lash, descriptive prose that tends to overwhelm everything else in some stories.Definitely a case of 'less-is-Moore' when covering the tortures of the young student ... erotic indeed. But the plot thickens and I am now not sure who will end up on the torture device in Åke's home ... can't wait to find out though! Loved it as awlays ...
Huh. I thought you just copied it all off the back of a corn flakes packet…Its a style I have been striving for of late in my CF writings … that is to leave Moore, when it comes to sex and torture (not every thing, of course) to the imagination and to place greater time and effort into intricate plotting, suspense, character development, thick descriptive scene painting, historical and place settings accuracy, etc. I enjoy all that, and have frankly tired of the long drawn out blow-by-blow, shock-by-shock, lash-by-lash, descriptive prose that tends to overwhelm everything else in some stories.
I also enjoy long-running, multiple story series that feature familiar characters in new and interesting situations … something that both Fossy and @windar have often done here so well.
And when I look back over my writing here on CF (after nearly ten years of it now) I am pleased to see that it has changed for the better, I think.
I owe some of that to the influence of my collaborators and mentors. To Windar I owe my abandonment of writing only in the first person and learning to make greater use of dialogue as a story driver. And to PrPr (May he Rest In Peace) my greater attention to accurate, thoroughly-researched historical and place contexts. There’s always so much to learn from others.
And now, having said all that … on with the show!
It is apparent that your recent efforts have been excellent, and it is to your credit that you have identified ways in which you can improve your writing and our enjoyment of it. Still, I`m sure that there are many of us who enjoy your courage and endurance being stretched to its limits, and beyond, in sado-masochistic situations, even if they are fictional. More power your elbow (or your typing fingers).Its a style I have been striving for of late in my CF writings … that is to leave Moore, when it comes to sex and torture (not every thing, of course) to the imagination and to place greater time and effort into intricate plotting, suspense, character development, thick descriptive scene painting, historical and place settings accuracy, etc. I enjoy all that, and have frankly tired of the long drawn out blow-by-blow, shock-by-shock, lash-by-lash, descriptive prose that tends to overwhelm everything else in some stories.
I also enjoy long-running, multiple story series that feature familiar characters in new and interesting situations … something that both Fossy and @windar have often done here so well.
And when I look back over my writing here on CF (after nearly ten years of it now) I am pleased to see that it has changed for the better, I think.
I owe some of that to the influence of my collaborators and mentors. To Windar I owe my abandonment of writing only in the first person and learning to make greater use of dialogue as a story driver. And to PrPr (May he Rest In Peace) my greater attention to accurate, thoroughly-researched historical and place contexts. There’s always so much to learn from others.
And now, having said all that … on with the show!
Cruel, but I suppose we all love to see Barb suffer.Huh. I thought you just copied it all off the back of a corn flakes packet…
Not sure whether I should laugh or launch a demerit barrage.Huh. I thought you just copied it all off the back of a corn flakes packet…
I'm very touched if any of my poor efforts have helped Barb to evolve her writing style. But she was a very talented writer long before I showed up here, and there's no question that my writing has evolved under her influence as well.Its a style I have been striving for of late in my CF writings … that is to leave Moore, when it comes to sex and torture (not every thing, of course) to the imagination and to place greater time and effort into intricate plotting, suspense, character development, thick descriptive scene painting, historical and place settings accuracy, etc. I enjoy all that, and have frankly tired of the long drawn out blow-by-blow, shock-by-shock, lash-by-lash, descriptive prose that tends to overwhelm everything else in some stories.
I also enjoy long-running, multiple story series that feature familiar characters in new and interesting situations … something that both Fossy and @windar have often done here so well.
And when I look back over my writing here on CF (after nearly ten years of it now) I am pleased to see that it has changed for the better, I think.
I owe some of that to the influence of my collaborators and mentors. To Windar I owe my abandonment of writing only in the first person and learning to make greater use of dialogue as a story driver. And to PrPr (May he Rest In Peace) my greater attention to accurate, thoroughly-researched historical and place contexts. There’s always so much to learn from others.
And now, having said all that … on with the show!
Or simply eat the corn flakes?Not sure whether I should laugh or launch a demerit barrage.
Well said! It is not that simple to write such long stories of such good quality! I think, such a story like this would take me five years to finish!Its a style I have been striving for of late in my CF writings … that is to leave Moore, when it comes to sex and torture (not every thing, of course) to the imagination and to place greater time and effort into intricate plotting, suspense, character development, thick descriptive scene painting, historical and place settings accuracy, etc. I enjoy all that, and have frankly tired of the long drawn out blow-by-blow, shock-by-shock, lash-by-lash, descriptive prose that tends to overwhelm everything else in some stories.
I also enjoy long-running, multiple story series that feature familiar characters in new and interesting situations … something that both Fossy and @windar have often done here so well.
And when I look back over my writing here on CF (after nearly ten years of it now) I am pleased to see that it has changed for the better, I think.
I owe some of that to the influence of my collaborators and mentors. To Windar I owe my abandonment of writing only in the first person and learning to make greater use of dialogue as a story driver. And to PrPr (May he Rest In Peace) my greater attention to accurate, thoroughly-researched historical and place contexts. There’s always so much to learn from others.
And now, having said all that … on with the show!
Its a style I have been striving for of late in my CF writings … that is to leave Moore, when it comes to sex and torture (not every thing, of course) to the imagination and to place greater time and effort into intricate plotting, suspense, character development, thick descriptive scene painting, historical and place settings accuracy, etc. I enjoy all that, and have frankly tired of the long drawn out blow-by-blow, shock-by-shock, lash-by-lash, descriptive prose that tends to overwhelm everything else in some stories.
I also enjoy long-running, multiple story series that feature familiar characters in new and interesting situations … something that both Fossy and @windar have often done here so well.
And when I look back over my writing here on CF (after nearly ten years of it now) I am pleased to see that it has changed for the better, I think.
I owe some of that to the influence of my collaborators and mentors. To Windar I owe my abandonment of writing only in the first person and learning to make greater use of dialogue as a story driver. And to PrPr (May he Rest In Peace) my greater attention to accurate, thoroughly-researched historical and place contexts. There’s always so much to learn from others.
And now, having said all that … on with the show!
Want to try for an accumulator bet with Åke again?who will Pecos Bill bed first
“I don’t think I have to, but … changing the subject if I may … I had another conversation with Anna-Lisa this morning. I was trying to get to know her better and was asking her questions about where she was from in Finland. And it’s strange … call it a police woman’s intuition … but it seemed like she was reciting her answers to my questions by rote memory … as if she was reading them from a book or some source other than … well, I don’t know … but you get my drift here. I’m wondering if she’s really Finnish.”
Let her listen to Sibelius' Finlandia and see if she recognises it?
And how do we think the opportunity for Barb and Gun to get close to Anna-Lisa's tattoo might present itself?“And in the meantime we might both try to get a good look at Anna-Lisa’s tattoo if the opportunity presents itself?”
Why is that Gun has this effect on people ...suddenly thought better of it, and kissed her full on the mouth instead.