T
The Fallen Angel
Guest
That woman has no shame! now just look at her (hosted externally)
There she is quite openly walking along with...TWO plastic carrier bags. I'm reporting the bloody woman to Greta Thunderthighs!
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Original Manipulations by Cruxforums Members
- Thread starter Wragg
- Start date
There she is quite openly walking along with...TWO plastic carrier bags. I'm reporting the bloody woman to Greta Thunderthighs!
Arcimboldo
Magistrate
But I guess you can download the PDF-file and then open it?!
WhiteGirl
Executioner
Sounds ideal. However, some shackles may be needed,
Cran
Governor
Well, I don't want to limit her mobility too much. She should still be allowed to do her running exercises to keep herself fit. I suppose she can still have her hands bound behind her back, but that would be more difficult to do in a manip.
No I do not think so. I use Linux Mint and the Firefox browser opens the PDF file with ease.
she probably usually has to wear a chastity belt, and some sort of ornamental nipple-grips on those titties!
she's grinning as it's her one day out completely bare.
Cran
Governor
She learned to identify as naked slave to be put on display, so is disappointed that parts of her are covered up when she is in public. When completely naked like this, she feels that she is fufilling more of her true purpose.
Her tits do call for some form of ornimentations.
Cran
Governor
I don't know if it's okay if I post unfinished work like this. I spent a lot of time on this already, and I feel like posting something at the moment.
I used pictures that @Ovid posted in his Inverse Y thread, and I used the perspective tool to make them fit into the same photograph. Although I didn't think that would be perfect, I thought it would work well enough if done subtly. I needed to use different frames, as the ones in the photographs were cropped. I used a gallows that @Madiosi posted in the Construction Kit.
I didn't correct the colour/contrast yet, as I didn't find a background I want to use. I was thinking of leaving them out in the open, in some barren landscape.
They are being penetrated by a macine, that is pumping the poles up and down.
I want them to be raised on a platforms, with the poles poking out in gaps inbetween. I might reporpose the platform off the gallows for that.
I used pictures that @Ovid posted in his Inverse Y thread, and I used the perspective tool to make them fit into the same photograph. Although I didn't think that would be perfect, I thought it would work well enough if done subtly. I needed to use different frames, as the ones in the photographs were cropped. I used a gallows that @Madiosi posted in the Construction Kit.
I didn't correct the colour/contrast yet, as I didn't find a background I want to use. I was thinking of leaving them out in the open, in some barren landscape.
They are being penetrated by a macine, that is pumping the poles up and down.
I want them to be raised on a platforms, with the poles poking out in gaps inbetween. I might reporpose the platform off the gallows for that.
Cran
Governor
I added a background, and raised them on platforms.
For the platforms, I used the platform from the gallows in the Contstruction Kit. I cut it into different front and up facing surfaces, and used the persepective tool on each one individually. They've gotten very blurred, I think because I scaled them down, to roughly the size I want, and then stretched them to match the proportions. I used already used blurred pictures for the women anyway. I would have had to apply a blur filter to make them match, but that saved me the effort.
I thought I did an okay job when I was correcting contrast so that everything matches the sunny conditions, but I'm not so sure how it looks now. I think I might have also left to much of a border, when I was cutting out the women, as there seem to be a slight shadow around them. I don't know what the shadow running across the platform can represent. I did fix the seems inbetween the surfaces of the platforms, but I also did a lot of backtracking while working on this, and I might have undone them without relizing. It was also hard to find a landscape that match the eye level, as I did the perspective on the women/frames first, but fortunatly, they don't have to align with the ground because they are on platforms.
There is still work that can be done on this, but for the moment I will consider it finished.
For the platforms, I used the platform from the gallows in the Contstruction Kit. I cut it into different front and up facing surfaces, and used the persepective tool on each one individually. They've gotten very blurred, I think because I scaled them down, to roughly the size I want, and then stretched them to match the proportions. I used already used blurred pictures for the women anyway. I would have had to apply a blur filter to make them match, but that saved me the effort.
I thought I did an okay job when I was correcting contrast so that everything matches the sunny conditions, but I'm not so sure how it looks now. I think I might have also left to much of a border, when I was cutting out the women, as there seem to be a slight shadow around them. I don't know what the shadow running across the platform can represent. I did fix the seems inbetween the surfaces of the platforms, but I also did a lot of backtracking while working on this, and I might have undone them without relizing. It was also hard to find a landscape that match the eye level, as I did the perspective on the women/frames first, but fortunatly, they don't have to align with the ground because they are on platforms.
There is still work that can be done on this, but for the moment I will consider it finished.
A fine placement of your head!!!
Loxuru
Graf von Kreuzigung
Careful, Kathy! Don't loose your head!
I think it's pretty good - certainly dramatic, and an unusual version of the 'spread for impaling' scenario. Perhaps the background's a bit 'busy', but the colours complement the victims' skins well. Others are better qualified than I am to assess the technical aspects, but I'm impressed.I added a background, and raised them on platforms.
For the platforms, I used the platform from the gallows in the Contstruction Kit. I cut it into different front and up facing surfaces, and used the persepective tool on each one individually. They've gotten very blurred, I think because I scaled them down, to roughly the size I want, and then stretched them to match the proportions. I used already used blurred pictures for the women anyway. I would have had to apply a blur filter to make them match, but that saved me the effort.
I thought I did an okay job when I was correcting contrast so that everything matches the sunny conditions, but I'm not so sure how it looks now. I think I might have also left to much of a border, when I was cutting out the women, as there seem to be a slight shadow around them. I don't know what the shadow running across the platform can represent. I did fix the seems inbetween the surfaces of the platforms, but I also did a lot of backtracking while working on this, and I might have undone them without relizing. It was also hard to find a landscape that match the eye level, as I did the perspective on the women/frames first, but fortunatly, they don't have to align with the ground because they are on platforms.
There is still work that can be done on this, but for the moment I will consider it finished.
View attachment 976345
Cran
Governor
Thank you Eulalia!
I had the idea that they should be held up high, so that they can be seen all around. Also, the only landscapes that I could find that are photographed looking down, the angle at which the women are, was of expansive landscapes like this. Most of the ones I could find, either outdoors or in dungeons, were looking straight a head.
Cran
Governor
I already posted pictures with this theme, but this picture which @dfg42 posted in his Dressed/Undressed/Crucifixion seemed like a very good example for it. Despite the request of that thread, it is a lot easier to put a collar and manacles on her, than to crucify her. I put a brand on her, as I thought the back shot should have its own reveal, being the third stage. Can anyone offer any advice on branding?
I would also prefer if the clothed shot of her was in a more casual setting, so we see her transition from her everyday life, to a slave linup.
Also, can't help that she seems to have a slight smile, that actually increases slightly when she goes from being clothed to nude, or to being enslaved.
I would also prefer if the clothed shot of her was in a more casual setting, so we see her transition from her everyday life, to a slave linup.
Also, can't help that she seems to have a slight smile, that actually increases slightly when she goes from being clothed to nude, or to being enslaved.
lember
Magistrate
actually I used this site lot for crux manips. Background is whie and usually there is a sitting position which is useful
Stages
Man in the grey suit: Well dear, it’s time for me to go off to the office now. They’re saying you’re sentenced to hang here for eight hours for driving the wrong way on a one way street. I’ll be back to pick you up when it’s over. Try not to get a sunburn and don’t be surprised if some of the...
www.cruxforums.com
Before and after contrasts are always interesting to see, and you have become an expert in the detailed art of fitting manacles and shackles. As for the brand, the letter 'S' appears to have been added using the 'Type' tool, and is quite sharply defined. If you are unable to use the blurring tools and filters directly on typed lettering, perhaps you can reduce the opacity of that layer, or experiment with different treatments on a copied/duplicated layer?
We have previously discussed making opacity adjustments as a fine tuning technique for shadows, but it can be applied to any layer which requires a softening treatment. My last manipulation is composed of thirteen visible layers, nine of which are at reduced opacity.
Dorothy Brown
Brown Sugar
Order By 5pm For Next Day Delivery
Cran
Governor
I thought of a brand as being very solid, like a patch of burnt flesh, so a made it strong with sharp outlines, but your suggestions make it look more like an actual brand.Before and after contrasts are always interesting to see, and you have become an expert in the detailed art of fitting manacles and shackles. As for the brand, the letter 'S' appears to have been added using the 'Type' tool, and is quite sharply defined. If you are unable to use the blurring tools and filters directly on typed lettering, perhaps you can reduce the opacity of that layer, or experiment with different treatments on a copied/duplicated layer?
We have previously discussed making opacity adjustments as a fine tuning technique for shadows, but it can be applied to any layer which requires a softening treatment. My last manipulation is composed of thirteen visible layers, nine of which are at reduced opacity.
This is it following you suggestions
In my previous post, I also tried to apply a texture to the brand, charred wood which I coloured to a dark red. Before that, I attempted the brand as a solid colour, which I saved on it's own layer, as I used it as a mask for cutting out the texture.
For your suggestions, I used the solid colour, because now I don't think the brand should have a texture like that.
And why not?
