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Original Manipulations by Cruxforums Members

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Something like this? Not sure who wrote the text so I haven't credited it yet, I suspect Eulalia.
Note of advice for future travelers to San Marino: try to avoid getting caught writing graffiti on the walls and definitely avoid winter.
 
Something like this? Not sure who wrote the text so I haven't credited it yet, I suspect Eulalia.
I don't think it's my work - though of course you've made great work of Waterhouse's version of my name-saint's over-dressed martyrdom! Maybe @Barbaria1 ? She's more soft-hearted in her texts than I tend to be!
 
I don't think it's my work - though of course you've made great work of Waterhouse's version of my name-saint's over-dressed martyrdom! Maybe @Barbaria1 ? She's more soft-hearted in her texts than I tend to be!
Mmmmm … not guilty … I don’t recognize or recall it.
 
Let's get a manip in here for the new year. An experiment of mine working with perspective adjustments in photoshop. I think it turned out rather well.

@Barbaria1 would doubtless be able to provide an intricate back story as to how she came to be hanging on a cross in San Marino on a fine sunny day, but certainly this is not outside the realm of plausibility. She may have inadvertently borrowed the Mayor's FIAT. I suppose we may never know all the details.
Barb-SanMarino1.jpg
The low viewpoint and shallow depth of field are very dramatic and the whole effect looks very natural. Thus it is not obvious that the source image includes a bench rail, which has been modified with a new lower edge. Not only is the wood grain an excellent match, but the new, shaded area contains a light reflection from something out of shot, below the cross.

The forced perspective of the background architecture emphasises the low point of view, and presents a classical, columniated facade, consistent with the ancient period. This is defocused, together with the head of the stake, and the portrait of Barb emerges in close-up with a shallow depth of field. She gazes accusingly, making direct eye contact.

Also noteworthy are the peripheral strands of hair, which have been neatly extracted. Having seen the portrait source, I can say that the masking technique was anything but straightforward. Nice work, Jolly! :)
 
I don't think it's my work - though of course you've made great work of Waterhouse's version of my name-saint's over-dressed martyrdom! Maybe @Barbaria1 ? She's more soft-hearted in her texts than I tend to be!
Mmmmm … not guilty … I don’t recognize or recall it.
I had ruled out both of you as authors of the text, not that it isn't good, but I don't think either of you would use the word "agonize" twice in the same sentence. I feel that you both have better vocabularies and imaginations than that. ;)
 
Thank you!!!
Here's another little work. Sorry, I didn't keep who posted the image...
Original on the right and manipulation on the left...

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Take it from someone who has worked with electricity for 45 years, what you have in the manipulation is a short circuit, with both leads attached to the metal bar. One lead should be attached to her, and the other to the bar.;)
 

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Thank you!!!
Here's another little work. Sorry, I didn't keep who posted the image...
Original on the right and manipulation on the left...

View attachment 1423089View attachment 1423090
Now here is a question for our lady friends who go pony riding. It seems to me that the round metal bar wouldn't be as uncomfortable as a sharp pointed top. It appears the young lady involved here is straddling the bar, as opposed to a sharp edge being wedged up in there. Perhaps some of you would like to comment and tell us about your experiences. :BoredSmiley:
 

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