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Torture And Sexual Violence In The Dungeon

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Gabriel Dungeon 1409-1 AI-.jpg
"This bitch has a very tight cunt. I want to fuck her afterwards..."
 
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"Do you feel humiliated so exposed and with your legs spread wide open? Humiliation is going to give way to pain..."
Why must the humiliation give way to pain? Why can’t the pain be an add-on rather than a replacement?

But if you want to add some extra humiliation, you could use a speculum to make her even more exposed. Maybe a spot light focused on her pussy, and invite all the other torturers to take a look.
Oh yes please!
Any time and any place you like!
 
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"Stupid wench, this is the just punishment for stealing the duchess' bracelet!"
Michele, I agree with the kudos for your new style without the pixelating. I've always loved your girls, their positions, expressions and what you put them through, but the style always seemed to distance me from them--it seemed a kind of affectation. The new style seems to say that you no longer feel the need to protect your viewers (or yourself) from the experience.

One comment/request though for the next step in your development: Your avatar shows a serious during/post image with marking, of which I am a major fan. Most your images show pristine skin. The young ladies often appear to be in the process of being tortured (I can appreciate "pre" images okay, but...). I miss the agony and "history" of what is and has been happening to them. I recognize the difficulty of making the markings look as realistic as the rest of your art. Your girls are "top 10%" of young women's bodies and faces, which I definitely appreciate, but with each one I find myself wishing I could see her striped or welted or burned, perhaps with rivulets of blood here and there. And my fantasy is that someone who is so well able to produce the art of your current images would also be able to astonish us with the art of showing the results.

Images of a defeated woman, marked and hanging in her bonds, perhaps even with a pool of urine at her feet, would also be spectacular. Your avatar seems to suggest that type of imagery is not unacceptable to your imagination. I could imagine a series of early, middle and late stages of the torture of one of your gorgeous victims.

Keep up the great work! Some examples:
 

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Michele, I agree with the kudos for your new style without the pixelating. I've always loved your girls, their positions, expressions and what you put them through, but the style always seemed to distance me from them--it seemed a kind of affectation. The new style seems to say that you no longer feel the need to protect your viewers (or yourself) from the experience.

One comment/request though for the next step in your development: Your avatar shows a serious during/post image with marking, of which I am a major fan. Most your images show pristine skin. The young ladies often appear to be in the process of being tortured (I can appreciate "pre" images okay, but...). I miss the agony and "history" of what is and has been happening to them. I recognize the difficulty of making the markings look as realistic as the rest of your art. Your girls are "top 10%" of young women's bodies and faces, which I definitely appreciate, but with each one I find myself wishing I could see her striped or welted or burned, perhaps with rivulets of blood here and there. And my fantasy is that someone who is so well able to produce the art of your current images would also be able to astonish us with the art of showing the results.

Images of a defeated woman, marked and hanging in her bonds, perhaps even with a pool of urine at her feet, would also be spectacular. Your avatar seems to suggest that type of imagery is not unacceptable to your imagination. I could imagine a series of early, middle and late stages of the torture of one of your gorgeous victims.

Keep up the great work! Some examples:

The first part of your post is a flawless psychological analysis of the meaning of the images I have been producing for a decade or so. You have also perfectly understood the reasons why I used to hide details behind a series of filters.
I admit that I am always reticent about “spoiling” the female body with signs of heavy torture, often preferring to depict the initial moments of their ordeal. I will try to follow your suggestions and represent more crude scenes too.
I hope you like this one:

Gabriel Dungeon 0751-1 AI-.jpg
 
The first part of your post is a flawless psychological analysis of the meaning of the images I have been producing for a decade or so. You have also perfectly understood the reasons why I used to hide details behind a series of filters.
I admit that I am always reticent about “spoiling” the female body with signs of heavy torture, often preferring to depict the initial moments of their ordeal. I will try to follow your suggestions and represent more crude scenes too.
I hope you like this one:

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Bro, I love them all! This one is lovely, and I would argue that it perfectly demonstrates that, far from "spoiling" the female body, it makes it even more beautiful.

I agree that signs of "heavy torture": women covered in blood or burned black, beaten to break bones, punched in the face, etc. do indeed (at least for me) have an anti-erotic effect. And certainly maiming or killing are a buzz-kill for my tastes. But the stripes of a whipping, the broken skin wounds from a pair of pliers, needles in sensitive areas or electric shocks all heal. Of course I am drawn to your images of anticipation and the first experience of unavoidable pain that pleading cannot stop. Facial and bodily expressions draw a level of emotional response that is extremely arousing.

Her nudity--which is one of her greatest weapons--when most intimately exposed--AOH, stretched and spread--strips her of her traditional "beauty". When she is screaming, sweating, her face covered in tears, her pampered skin marked are, for me, revelatory. They show that, in fact, at the moment when she is most "ugly" in the terms that women usually judge--hair messed up, no make-up, no pretty clothes, no seductive selfie-smiles, agonized facial expressions, perhaps even invaded in her most intimate areas--she is actually most beautiful as she comes into intimate contact with the helpless submission that is the most ancient and enduring element of the feminine.

Never meant as a criticism, my comments were a teasing request to move on another level from your initial level of shyly displaying her with pixels to distance your visions from crudeness, to your current level of almost photographically showing her beauty beneath the surface when she is about to be used and abused, at least to exploring more deeply when she is experiencing the true power in her soul to be able to endure.

I love images with mirrors--or watchers to mirror her--that bring that experience home to the victim herself.
 
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