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Alice Kiss - Crux Legend

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'Alice and Koshka in the Crux Forest'

20 June 2007 - Sixteenth Anniversary

esprit_de_makar_10_by_bobnearied_dg0djxf-fullview.jpg

(Image hosted on DeviantArt Sta.sh. Full size picture - https://sta.sh/0jasur2md67 )​

Celebrating sixteen years since her exciting performance on 20 June 2007, Alice hangs out in an alternative forest scene, partly inspired by the work of @saintjohny . Saintjohny's pictures include some of the earliest manipulations of Alice to be produced to a consistently high standard of convincing realism. He used her extensively, always relying on Makar's photos from the 'Crux Forest' session, and occasionally she appears more than once in the same picture.

There are a number of Saintjohny pictures which show Alice in forests, and two of these focus on a sense of isolation which seems to echo the 'Crux Forest' experience, since no other characters are included and the natural imagery dominates the scene. There is no suggestion of the usual historical or fantasy themes which Saintjohny was so fond of creating, beyond the titles, 'Witch Ordeal' and 'Last Rite to be a Goddess'.

Saintjohny Witch Ordeal.jpg​

The former looks so much like a 'Crux Forest' picture, that it is often included in collections of Makar's work. Saintjohny did not always sign his work, and occasionally he signed with a different name, which can be confusing. 'Last Rite to be a Goddess' contains the text, 'Ljos Utlit I by Thomas Jones'. Google suggests this is Swedish, and offers, 'Light Outlook I' as a translation, but I expect the linguists among us can improve on this.

saintjohny Last rite to be godess a.jpg​

Alice wears a tiara, a necklace and an armband in the 'Last Rite' picture, but no such details have been added to 'Witch Ordeal'. In both pictures, Makar's patibulum and bindings have been preserved, the figure is highlighted by bright sunlight filtering through the trees, and she appears small, and overwhelmed by the forest. My picture uses the same pose as 'Witch Ordeal' in its original orientation, and whilst Alice is surrounded by trees, she is not entirely dominated by the natural environment,

Apart from adding new sections of timber to all four extremities of the cross, I have made almost no adjustments to the figure of Alice, and she appears substantially as seen in Makar's original photograph. The manipulation is composed of fifteen visible layers, including six masks, a gradient fade and six filters for texture and colour blending.
 
bobinder said:
'Alice and Koshka in the Crux Forest'

20 June 2007 - Sixteenth Anniversary

esprit_de_makar_10_by_bobnearied_dg0djxf-fullview.jpg

(Image hosted on DeviantArt Sta.sh. Full size picture - https://sta.sh/0jasur2md67 )​

Celebrating sixteen years since her exciting performance on 20 June 2007, Alice hangs out in an alternative forest scene, partly inspired by the work of @saintjohny . Saintjohny's pictures include some of the earliest manipulations of Alice to be produced to a consistently high standard of convincing realism. He used her extensively, always relying on Makar's photos from the 'Crux Forest' session, and occasionally she appears more than once in the same picture.

There are a number of Saintjohny pictures which show Alice in forests, and two of these focus on a sense of isolation which seems to echo the 'Crux Forest' experience, since no other characters are included and the natural imagery dominates the scene. There is no suggestion of the usual historical or fantasy themes which Saintjohny was so fond of creating, beyond the titles, 'Witch Ordeal' and 'Last Rite to be a Goddess'.


The former looks so much like a 'Crux Forest' picture, that it is often included in collections of Makar's work. Saintjohny did not always sign his work, and occasionally he signed with a different name, which can be confusing. 'Last Rite to be a Goddess' contains the text, 'Ljos Utlit I by Thomas Jones'. Google suggests this is Swedish, and offers, 'Light Outlook I' as a translation, but I expect the linguists among us can improve on this.


Alice wears a tiara, a necklace and an armband in the 'Last Rite' picture, but no such details have been added to 'Witch Ordeal'. In both pictures, Makar's patibulum and bindings have been preserved, the figure is highlighted by bright sunlight filtering through the trees, and she appears small, and overwhelmed by the forest. My picture uses the same pose as 'Witch Ordeal' in its original orientation, and whilst Alice is surrounded by trees, she is not entirely dominated by the natural environment,

Apart from adding new sections of timber to all four extremities of the cross, I have made almost no adjustments to the figure of Alice, and she appears substantially as seen in Makar's original photograph. The manipulation is composed of fifteen visible layers, including six masks, a gradient fade and six filters for texture and colour blending.
Click to expand...
I have that makar photo of Alice saved on my drive I use as a desktop wallpaper. Alice was and probably still is a sight to behold for those who can access vk
 
bobinder said:
'Alice and Koshka in the Crux Forest'

20 June 2007 - Sixteenth Anniversary

esprit_de_makar_10_by_bobnearied_dg0djxf-fullview.jpg

(Image hosted on DeviantArt Sta.sh. Full size picture - https://sta.sh/0jasur2md67 )​

Celebrating sixteen years since her exciting performance on 20 June 2007, Alice hangs out in an alternative forest scene, partly inspired by the work of @saintjohny . Saintjohny's pictures include some of the earliest manipulations of Alice to be produced to a consistently high standard of convincing realism. He used her extensively, always relying on Makar's photos from the 'Crux Forest' session, and occasionally she appears more than once in the same picture.

There are a number of Saintjohny pictures which show Alice in forests, and two of these focus on a sense of isolation which seems to echo the 'Crux Forest' experience, since no other characters are included and the natural imagery dominates the scene. There is no suggestion of the usual historical or fantasy themes which Saintjohny was so fond of creating, beyond the titles, 'Witch Ordeal' and 'Last Rite to be a Goddess'.


The former looks so much like a 'Crux Forest' picture, that it is often included in collections of Makar's work. Saintjohny did not always sign his work, and occasionally he signed with a different name, which can be confusing. 'Last Rite to be a Goddess' contains the text, 'Ljos Utlit I by Thomas Jones'. Google suggests this is Swedish, and offers, 'Light Outlook I' as a translation, but I expect the linguists among us can improve on this.


Alice wears a tiara, a necklace and an armband in the 'Last Rite' picture, but no such details have been added to 'Witch Ordeal'. In both pictures, Makar's patibulum and bindings have been preserved, the figure is highlighted by bright sunlight filtering through the trees, and she appears small, and overwhelmed by the forest. My picture uses the same pose as 'Witch Ordeal' in its original orientation, and whilst Alice is surrounded by trees, she is not entirely dominated by the natural environment,

Apart from adding new sections of timber to all four extremities of the cross, I have made almost no adjustments to the figure of Alice, and she appears substantially as seen in Makar's original photograph. The manipulation is composed of fifteen visible layers, including six masks, a gradient fade and six filters for texture and colour blending.
Click to expand...
This is so well done. But I just can’t help but wish to see nails in the photoshop. :p
 
bobinder said:
'Alice and Koshka in the Crux Forest'

20 June 2007 - Sixteenth Anniversary

esprit_de_makar_10_by_bobnearied_dg0djxf-fullview.jpg

(Image hosted on DeviantArt Sta.sh. Full size picture - https://sta.sh/0jasur2md67 )​

Celebrating sixteen years since her exciting performance on 20 June 2007, Alice hangs out in an alternative forest scene, partly inspired by the work of @saintjohny . Saintjohny's pictures include some of the earliest manipulations of Alice to be produced to a consistently high standard of convincing realism. He used her extensively, always relying on Makar's photos from the 'Crux Forest' session, and occasionally she appears more than once in the same picture.

There are a number of Saintjohny pictures which show Alice in forests, and two of these focus on a sense of isolation which seems to echo the 'Crux Forest' experience, since no other characters are included and the natural imagery dominates the scene. There is no suggestion of the usual historical or fantasy themes which Saintjohny was so fond of creating, beyond the titles, 'Witch Ordeal' and 'Last Rite to be a Goddess'.


The former looks so much like a 'Crux Forest' picture, that it is often included in collections of Makar's work. Saintjohny did not always sign his work, and occasionally he signed with a different name, which can be confusing. 'Last Rite to be a Goddess' contains the text, 'Ljos Utlit I by Thomas Jones'. Google suggests this is Swedish, and offers, 'Light Outlook I' as a translation, but I expect the linguists among us can improve on this.


Alice wears a tiara, a necklace and an armband in the 'Last Rite' picture, but no such details have been added to 'Witch Ordeal'. In both pictures, Makar's patibulum and bindings have been preserved, the figure is highlighted by bright sunlight filtering through the trees, and she appears small, and overwhelmed by the forest. My picture uses the same pose as 'Witch Ordeal' in its original orientation, and whilst Alice is surrounded by trees, she is not entirely dominated by the natural environment,

Apart from adding new sections of timber to all four extremities of the cross, I have made almost no adjustments to the figure of Alice, and she appears substantially as seen in Makar's original photograph. The manipulation is composed of fifteen visible layers, including six masks, a gradient fade and six filters for texture and colour blending.
Click to expand...
Breathtaking Bob! Mesmerizing beauty!
 
bobinder said:
'Alice and Koshka in the Crux Forest'

20 June 2007 - Sixteenth Anniversary

esprit_de_makar_10_by_bobnearied_dg0djxf-fullview.jpg

(Image hosted on DeviantArt Sta.sh. Full size picture - https://sta.sh/0jasur2md67 )​

Celebrating sixteen years since her exciting performance on 20 June 2007, Alice hangs out in an alternative forest scene, partly inspired by the work of @saintjohny . Saintjohny's pictures include some of the earliest manipulations of Alice to be produced to a consistently high standard of convincing realism. He used her extensively, always relying on Makar's photos from the 'Crux Forest' session, and occasionally she appears more than once in the same picture.

There are a number of Saintjohny pictures which show Alice in forests, and two of these focus on a sense of isolation which seems to echo the 'Crux Forest' experience, since no other characters are included and the natural imagery dominates the scene. There is no suggestion of the usual historical or fantasy themes which Saintjohny was so fond of creating, beyond the titles, 'Witch Ordeal' and 'Last Rite to be a Goddess'.


The former looks so much like a 'Crux Forest' picture, that it is often included in collections of Makar's work. Saintjohny did not always sign his work, and occasionally he signed with a different name, which can be confusing. 'Last Rite to be a Goddess' contains the text, 'Ljos Utlit I by Thomas Jones'. Google suggests this is Swedish, and offers, 'Light Outlook I' as a translation, but I expect the linguists among us can improve on this.


Alice wears a tiara, a necklace and an armband in the 'Last Rite' picture, but no such details have been added to 'Witch Ordeal'. In both pictures, Makar's patibulum and bindings have been preserved, the figure is highlighted by bright sunlight filtering through the trees, and she appears small, and overwhelmed by the forest. My picture uses the same pose as 'Witch Ordeal' in its original orientation, and whilst Alice is surrounded by trees, she is not entirely dominated by the natural environment,

Apart from adding new sections of timber to all four extremities of the cross, I have made almost no adjustments to the figure of Alice, and she appears substantially as seen in Makar's original photograph. The manipulation is composed of fifteen visible layers, including six masks, a gradient fade and six filters for texture and colour blending.
Click to expand...
Thank you, as always Bob, for such an informative acknowledgement of our beautiful girl's anniversary ...
 
bobinder said:
'Alice and Koshka in the Crux Forest'

20 June 2007 - Sixteenth Anniversary

esprit_de_makar_10_by_bobnearied_dg0djxf-fullview.jpg

(Image hosted on DeviantArt Sta.sh. Full size picture - https://sta.sh/0jasur2md67 )​

Celebrating sixteen years since her exciting performance on 20 June 2007, Alice hangs out in an alternative forest scene, partly inspired by the work of @saintjohny . Saintjohny's pictures include some of the earliest manipulations of Alice to be produced to a consistently high standard of convincing realism. He used her extensively, always relying on Makar's photos from the 'Crux Forest' session, and occasionally she appears more than once in the same picture.

There are a number of Saintjohny pictures which show Alice in forests, and two of these focus on a sense of isolation which seems to echo the 'Crux Forest' experience, since no other characters are included and the natural imagery dominates the scene. There is no suggestion of the usual historical or fantasy themes which Saintjohny was so fond of creating, beyond the titles, 'Witch Ordeal' and 'Last Rite to be a Goddess'.


The former looks so much like a 'Crux Forest' picture, that it is often included in collections of Makar's work. Saintjohny did not always sign his work, and occasionally he signed with a different name, which can be confusing. 'Last Rite to be a Goddess' contains the text, 'Ljos Utlit I by Thomas Jones'. Google suggests this is Swedish, and offers, 'Light Outlook I' as a translation, but I expect the linguists among us can improve on this.


Alice wears a tiara, a necklace and an armband in the 'Last Rite' picture, but no such details have been added to 'Witch Ordeal'. In both pictures, Makar's patibulum and bindings have been preserved, the figure is highlighted by bright sunlight filtering through the trees, and she appears small, and overwhelmed by the forest. My picture uses the same pose as 'Witch Ordeal' in its original orientation, and whilst Alice is surrounded by trees, she is not entirely dominated by the natural environment,

Apart from adding new sections of timber to all four extremities of the cross, I have made almost no adjustments to the figure of Alice, and she appears substantially as seen in Makar's original photograph. The manipulation is composed of fifteen visible layers, including six masks, a gradient fade and six filters for texture and colour blending.
Click to expand...
Thank you Bob and Alice for being absolute legends!

Few girls portrayed on the Cross quite give me that perfect feeling of

"G-d, I wish that were me up there on that cross."

Breathtaking.
 
bobinder said:
'Alice and Koshka in the Crux Forest'

20 June 2007 - Sixteenth Anniversary

esprit_de_makar_10_by_bobnearied_dg0djxf-fullview.jpg

(Image hosted on DeviantArt Sta.sh. Full size picture - https://sta.sh/0jasur2md67 )​

Celebrating sixteen years since her exciting performance on 20 June 2007, Alice hangs out in an alternative forest scene, partly inspired by the work of @saintjohny . Saintjohny's pictures include some of the earliest manipulations of Alice to be produced to a consistently high standard of convincing realism. He used her extensively, always relying on Makar's photos from the 'Crux Forest' session, and occasionally she appears more than once in the same picture.

There are a number of Saintjohny pictures which show Alice in forests, and two of these focus on a sense of isolation which seems to echo the 'Crux Forest' experience, since no other characters are included and the natural imagery dominates the scene. There is no suggestion of the usual historical or fantasy themes which Saintjohny was so fond of creating, beyond the titles, 'Witch Ordeal' and 'Last Rite to be a Goddess'.


The former looks so much like a 'Crux Forest' picture, that it is often included in collections of Makar's work. Saintjohny did not always sign his work, and occasionally he signed with a different name, which can be confusing. 'Last Rite to be a Goddess' contains the text, 'Ljos Utlit I by Thomas Jones'. Google suggests this is Swedish, and offers, 'Light Outlook I' as a translation, but I expect the linguists among us can improve on this.


Alice wears a tiara, a necklace and an armband in the 'Last Rite' picture, but no such details have been added to 'Witch Ordeal'. In both pictures, Makar's patibulum and bindings have been preserved, the figure is highlighted by bright sunlight filtering through the trees, and she appears small, and overwhelmed by the forest. My picture uses the same pose as 'Witch Ordeal' in its original orientation, and whilst Alice is surrounded by trees, she is not entirely dominated by the natural environment,

Apart from adding new sections of timber to all four extremities of the cross, I have made almost no adjustments to the figure of Alice, and she appears substantially as seen in Makar's original photograph. The manipulation is composed of fifteen visible layers, including six masks, a gradient fade and six filters for texture and colour blending.
Click to expand...
AI may be an upcoming technology, but I can't ever see it reaching the standard of @bobinder :very_hot:
 
Mikerytel said:
I have that makar photo of Alice saved on my drive I use as a desktop wallpaper. Alice was and probably still is a sight to behold for those who can access vk
Click to expand...
mp5stab said:
This is so well done. But I just can’t help but wish to see nails in the photoshop. :p
Click to expand...
E-DigitalFantasy said:
Breathtaking Bob! Mesmerizing beauty!
Click to expand...
Apostate said:
It’s been done before. Rather effectively. :eeek: :babeando:

IMG_3431.jpegIMG_1725.jpeg
Click to expand...
Fossy said:
Thank you, as always Bob, for such an informative acknowledgement of our beautiful girl's anniversary ...
Click to expand...
Livia Crux Dove said:
Thank you Bob and Alice for being absolute legends!

Few girls portrayed on the Cross quite give me that perfect feeling of

"G-d, I wish that were me up there on that cross."

Breathtaking.
Click to expand...
BobbieBound said:
You and me both, Livia!
Click to expand...
Wragg said:
AI may be an upcoming technology, but I can't ever see it reaching the standard of @bobinder :very_hot:
Click to expand...
Eulalia said:
Nor could it ever dream up an Alice Kiss! :icon12:
Click to expand...

Many thanks to everyone for your kind comments on the occasion of this anniversary, and for the picture being so well received. :)

Mikerytel said:
Almost heavenly in her appearance as if heaven itself delivered her unto us to worship
Click to expand...

:) Alicia Ecclesiastica :)

alicia_ecclesiastica_by_bobnearied_desot6w-fullview.jpg

(Image hosted on DeviantArt Sta.sh. Full size picture - https://sta.sh/029u1yzg9w6t )

https://www.cruxforums.com/xf/threads/original-manipulations-by-cruxforums-members.8463/post-565038​
 
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bobinder said:
'Alice and Koshka in the Crux Forest'

20 June 2007 - Sixteenth Anniversary

esprit_de_makar_10_by_bobnearied_dg0djxf-fullview.jpg

(Image hosted on DeviantArt Sta.sh. Full size picture - https://sta.sh/0jasur2md67 )​

Celebrating sixteen years since her exciting performance on 20 June 2007, Alice hangs out in an alternative forest scene, partly inspired by the work of @saintjohny . Saintjohny's pictures include some of the earliest manipulations of Alice to be produced to a consistently high standard of convincing realism. He used her extensively, always relying on Makar's photos from the 'Crux Forest' session, and occasionally she appears more than once in the same picture.

There are a number of Saintjohny pictures which show Alice in forests, and two of these focus on a sense of isolation which seems to echo the 'Crux Forest' experience, since no other characters are included and the natural imagery dominates the scene. There is no suggestion of the usual historical or fantasy themes which Saintjohny was so fond of creating, beyond the titles, 'Witch Ordeal' and 'Last Rite to be a Goddess'.


The former looks so much like a 'Crux Forest' picture, that it is often included in collections of Makar's work. Saintjohny did not always sign his work, and occasionally he signed with a different name, which can be confusing. 'Last Rite to be a Goddess' contains the text, 'Ljos Utlit I by Thomas Jones'. Google suggests this is Swedish, and offers, 'Light Outlook I' as a translation, but I expect the linguists among us can improve on this.


Alice wears a tiara, a necklace and an armband in the 'Last Rite' picture, but no such details have been added to 'Witch Ordeal'. In both pictures, Makar's patibulum and bindings have been preserved, the figure is highlighted by bright sunlight filtering through the trees, and she appears small, and overwhelmed by the forest. My picture uses the same pose as 'Witch Ordeal' in its original orientation, and whilst Alice is surrounded by trees, she is not entirely dominated by the natural environment,

Apart from adding new sections of timber to all four extremities of the cross, I have made almost no adjustments to the figure of Alice, and she appears substantially as seen in Makar's original photograph. The manipulation is composed of fifteen visible layers, including six masks, a gradient fade and six filters for texture and colour blending.
Click to expand...
As always, Bob, your in depth analysis truly makes it a delight to see this subject revisited once more. Thank you, as always!
 
cypher said:
Alice alone in dungeon
alice-alone-in-dungeon-.jpg
Click to expand...
Thank you, Cypher, for your latest addition to this thread. Several of your earlier Alice manips have employed Femjoy sources, and in this case, the defensive pose is from Anzilov's 'Low Tide' series. The sunlit figure has been modified to suit the dark interior of the dungeon, with Alice hugging her knees to keep warm. In addition to exploiting the existing shadows and highlights, the contrast has been increased, and the facial expression subtly modified with tension showing in the eyebrow.

Cypher Alice dungeon cf Low Tide 40.jpg​

Further refinements include the sore feet, the reddened abrasion of the shackled ankle and a light layer of grime on the skin. The oppressive atmosphere is enhanced by the fact that the cell is no more than one metre high, and provides no standing room. Signs of long incarceration include the markings of at least thirty-two days, scratched on the stone support above the chain.

In contrast to these signs of discomfort, Alice has been provided with a floor mat, a candle for illumination, and a bowl of murky liquid, which reflects the candle flame. All of the separately applied details contribute to a cohesive whole, which presents an image of isolation and solitary confinement. Nice work, Cypher! :)
 
Last edited:
bobinder said:
Thank you, Cypher, for your latest addition to this thread. Several of your earlier Alice manips have employed Femjoy sources, and in this case, the defensive pose is from Anzilov's 'Low Tide' series. The sunlit figure has been modified to suit the dark interior of the dungeon, with Alice hugging her knees to keep warm. In addition to exploiting the existing shadows and highlights, the contrast has been increased, and the facial expression subtly modified with tension showing in the eyebrow.


Further refinements include the sore feet, the reddened abrasion of the shackled ankle and a light layer of grime on the skin. The oppressive atmosphere is enhanced by the fact that the cell is no more than one metre high, and provides no standing room. Signs of long incarceration include the markings of at least thirty-two days, scratched on the stone support above the chain.

In contrast to these signs of discomfort, Alice has been provided with a floor mat, a candle for illumination, and a bowl of murky liquid, which reflects the candle flame. All of the separately applied details contribute to a cohesive whole, which presents an image of isolation and solitary confinement. Nice work, Cypher! :)
Click to expand...
bobinder, thank you for your kind and accurate commentary as always. I haven't made many manips in the last few years, but recently I thought I'd give it another try. In that case, featuring Alice is a motivating factor for me. I can't make manips as complex as yours, but I'd like to try some. ciao! :)
 
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