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Amica

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The Faun is a statue find in the house
250px-StatueFaunePomp%C3%A9i.JPG


the property is of Lucius Silius Satrianus.
(Archaeologists discovered an inscription bearing the cognomen Saturninus, suggesting that the dwelling was owned by the important gens, or clan, Satria; a ring bearing the family name Cassius was also found, indicating that someone of the Cassii family married into the gens Satria and lived in the House of the Faun)

http://en.wikipedia.org/wiki/House_of_the_Faun

Satyrnymph.jpg
Oh...:oops: I don't know what I'd do without you Luna! I need to brush up on my Pompeii history so I can keep up!:D All of this makes me want to visit so badly!
 
Amica 8


Your first gift to your poor, naked slavegirl, who possesses only her white skin, her long blonde hair, and her virginity guarded in her treasure-chest, is a robe of cloth, coarse but soft, to conceal her nudity, now that even the shred of sailcloth that the Phoenician merchant wrapped round her loins has been thrown in the rubbish bin.

You help me put it on, knotting the laces behind my neck, and encircling my hips with a belt made of braided strips of the same fabric. It's a short dress, it doesn’t cover my knees, my back is bare, the very full sleeves hang from my shoulders, two straps hold them and keep them on my shoulders. You look at me and smile, now I'm more like a human being than a fresh-caught fish.

Before dinner, you take me into the bathroom. The bag of little pebbles releases its foam that cleanses my hands, the stream of water gushing from the mouth of the stone animal rinses the foam away, a white towel dries my hands and arms.

Back in the room, we kneel in front of a small altar, offering dry leaves that burn leaving a pleasant scent in the air. It’s an offering to the gods to thank them for the food they allow us to consume. Among the small terracotta statues I recognize the owl, a dark one here, in our land they are white as snow.

It’s the symbol of the mysterious gods of the night and the forests, one of the symbols of the lunar cult of which I am a priestess. I stretch out my arm to put a leaf in front of the small statue, you smile seeing my gesture, appreciating the fact that, even though they can be nothing of mine, I want to offer something to your Goddess.


In the corner of the room stand two stone seats, in front of them the base of a small column supports a plank of wood, above which , in the centre of a stone carved with two scrolls (an Ionic capital) which holds the plank in place, is placed a tray of food.


Two bowls of hot soup are opposite the places where we sit, a pitcher, two shiny metal mugs, a small metal spoon and a pointed wooden stick, placed as cutlery either side of a metal disc in front of each seat. You signal to me to sit down on my stone seat. I would like to grab some food from the tray to satisfy at last the hunger that's eating me within, but I sit still, looking at the foodstuffs arranged in such an orderly fashion, their colours, and smelling their fragrance.

The slavewoman who has brought the tray a pair of metal tongs and lifts some yellow-coloured rolls. They look like pieces of thick cloth, in which are wrapped pieces of white meat and black berries, held in place with stems that criss-cross to bind the yellow rolls. She puts some of them on your disc, and likewise on my own. I dare not touch them, I’m waiting to see how you will eat.

'Ova quattuor, lactis eminam, olei unciamin se dissolvis ita ut unum corpus facies. In patellam subtilem adicies olei modicum, facies ut bulliat et adicies impensam quam comparasti. Una parte cum fuerit coctum, in disco vertes, melle perfundis , piper aspargis, frixum pullum, et Græco olivarum infercies'


Take four eggs, one hemina (1) of milk, one fluid ounce of oil. Beat them all together. Heat a small amount of oil in a frying pan and fry the batter you have prepared, to make thin pancakes. When they are cooked, lay them in a dish, add honey, sprinkle with pepper, and garnish with fried chicken and Greek olives.



(1)250 ml approx.
 

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Amica 8


Your first gift to your poor, naked slavegirl, who possesses only her white skin, her long blonde hair, and her virginity guarded in her treasure-chest, is a robe of cloth, coarse but soft, to conceal her nudity, now that even the shred of sailcloth that the Phoenician merchant wrapped round her loins has been thrown in the rubbish bin.

You help me put it on, knotting the laces behind my neck, and encircling my hips with a belt made of braided strips of the same fabric. It's a short dress, it doesn’t cover my knees, my back is bare, the very full sleeves hang from my shoulders, two straps hold them and keep them on my shoulders. You look at me and smile, now I'm more like a human being than a fresh-caught fish.

Before dinner, you take me into the bathroom. The bag of little pebbles releases its foam that cleanses my hands, the stream of water gushing from the mouth of the stone animal rinses the foam away, a white towel dries my hands and arms.

Back in the room, we kneel in front of a small altar, offering dry leaves that burn leaving a pleasant scent in the air. It’s an offering to the gods to thank them for the food they allow us to consume. Among the small terracotta statues I recognize the owl, a dark one here, in our land they are white as snow.

It’s the symbol of the mysterious gods of the night and the forests, one of the symbols of the lunar cult of which I am a priestess. I stretch out my arm to put a leaf in front of the small statue, you smile seeing my gesture, appreciating the fact that, even though they can be nothing of mine, I want to offer something to your Goddess.


In the corner of the room stand two stone seats, in front of them the base of a small column supports a plank of wood, above which , in the centre of a stone carved with two scrolls (an Ionic capital) which holds the plank in place, is placed a tray of food.


Two bowls of hot soup are opposite the places where we sit, a pitcher, two shiny metal mugs, a small metal spoon and a pointed wooden stick, placed as cutlery either side of a metal disc in front of each seat. You signal to me to sit down on my stone seat. I would like to grab some food from the tray to satisfy at last the hunger that's eating me within, but I sit still, looking at the foodstuffs arranged in such an orderly fashion, their colours, and smelling their fragrance.

The slavewoman who has brought the tray a pair of metal tongs and lifts some yellow-coloured rolls. They look like pieces of thick cloth, in which are wrapped pieces of white meat and black berries, held in place with stems that criss-cross to bind the yellow rolls. She puts some of them on your disc, and likewise on my own. I dare not touch them, I’m waiting to see how you will eat.

'Ova quattuor, lactis eminam, olei unciamin se dissolvis ita ut unum corpus facies. In patellam subtilem adicies olei modicum, facies ut bulliat et adicies impensam quam comparasti. Una parte cum fuerit coctum, in disco vertes, melle perfundis , piper aspargis, frixum pullum, et Græco olivarum infercies'


Take four eggs, one hemina (1) of milk, one fluid ounce of oil. Beat them all together. Heat a small amount of oil in a frying pan and fry the batter you have prepared, to make thin pancakes. When they are cooked, lay them in a dish, add honey, sprinkle with pepper, and garnish with fried chicken and Greek olives.



(1)250 ml approx.

Wonderful description Luna...so real!
 
Amica 9


You tell me the name of each thing, I repeat it, sometimes the slavewoman laughs at my strange pronunciation. The rolls are delicious. We don’t cook omelettes, but we hard-boil the eggs of seabirds. The 'pullum' meat is so tender it reminds me of the unfledged seabird chicks that we hunt among the rocks along the shore or on the cliff-crags. 'Olivas nigras' are completely new to me, their bitter taste gives a special touch to this delicacy. I must learn to recognize these tastes, adapt to new flavors.

We eat the stuffed omelettes. The slavewoman pours a dram of amber liquid from a flagon into the little cup, 'vinum', that dissolves the flavor of the eggs from my mouth. She cuts the aromatic bread into thin slices in the soup bowl, and pours a little oil on it from an ‘ampulla’. With our metal spoons we pick up the bread soaked in thick broth, in it there are pieces of various vegetables and tender white grains, spelt, some other larger grains, chickpeas and beans.

You immediately correct the position of my hand, I’m holding the instrument so clumsily! The rustic flavour of this soup is enhanced by raw oil poured on it, at last I can silence the hunger that has tormented me since the day I was kidnapped. The warmth of the soup invigorates me and gives me a feeling of comfort. The final dish is a fish cooked in herb-scented water, 'pisce aurata', it’s a sea-bream, and you teach me that I have to put the pieces, that the slave has prepared, into my mouth by poking them with the wooden stick, I’m not to touch them with my hands.

To remove the taste of the fish from the mouth we drink a glass of water containing lemon juice, and then we eat the flesh of some fruit sweetened with honey, a fruit entirely unknown in our lands, whose scanty harvest of herbs and berries we pick during the summer season.

Today I have learned so many new words - names of foods, the names of the implements that are used for eating, the name of the frothy cream that comes out of the bag with small stones, that’s 'sapo', and pebbles, lighter than water, 'pumice', the name of my dress, 'chiton', the name for the household Gods, 'Lares', and the name of the owl, the Goddess 'Athena'. Now I'll have to remember everything without mistakes so as not to be punished for my carelessness. The things that you've explained to me in the new language I’m getting to understand intuitively, because you have patiently insisted on my repeating the words and phrases, getting me to say them several times. I’m puzzled that so many words are not very different from each other, the sounds sometimes differ only slightly.

There are also signs that I see on the walls which are certainly words. They have something in common traits with the signs that I draw on my hands or on stones when I have to utter some prophecy or spell or curse. You marvel very much when I take your hand and plot, by sliding my index finger on your palm, the sign meaning ‘mother’. You exclaim something that I’ve not yet figured out, but I think it might mean that it will not be difficult for me to learn quickly. At once you give me a tablet spread with a soft material, 'cera', wax, and a stick, ‘stylus’, inviting me to draw the signs I know on it. You look at them, make me pronounce their sounds, then you trace the signs of the language that is spoken here, and utter their sounds. In the coming days we will continue these exercises.

The shadows of the evening no longer allow us to see the things around us clearly. The slavewoman brings us a small object from which comes a yellow flame whose light illuminates your room, and then takes away the tray, plates, cups, the few left-over scraps of food, the lemon-peel – I’d have eaten if you hadn’t prevented me from doing so, and the fins, tail and bones of the fish.

We go back into the room where the water flows continuously. Using thick sage-leaves wetted and pressed into fine powder of pumice, you rub your teeth, using slender little sticks of hard wood, and finally you wash your mouth out with running water. This habit of keeping one’s body clean, and a fresh and fragrant mouth is really nice.

The first long day of my life as a slavegirl in this new home is coming to an end. We kneel in front of the altar, thank the Gods, and ask them to send us restful sleep. I lie down to sleep on the ground at the foot of your bed, but you want me to be as close to you as a daughter, so leaning my head against your shoulder I sense your warmth, the smell of your body, and fall asleep, exhausted but happy.
 

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Amica 9


You tell me the name of each thing, I repeat it, sometimes the slavewoman laughs at my strange pronunciation. The rolls are delicious. We don’t cook omelettes, but we hard-boil the eggs of seabirds. The 'pullum' meat is so tender it reminds me of the unfledged seabird chicks that we hunt among the rocks along the shore or on the cliff-crags. 'Olivas nigras' are completely new to me, their bitter taste gives a special touch to this delicacy. I must learn to recognize these tastes, adapt to new flavors.

We eat the stuffed omelettes. The slavewoman pours a dram of amber liquid from a flagon into the little cup, 'vinum', that dissolves the flavor of the eggs from my mouth. She cuts the aromatic bread into thin slices in the soup bowl, and pours a little oil on it from an ‘ampulla’. With our metal spoons we pick up the bread soaked in thick broth, in it there are pieces of various vegetables and tender white grains, spelt, some other larger grains, chickpeas and beans.

You immediately correct the position of my hand, I’m holding the instrument so clumsily! The rustic flavour of this soup is enhanced by raw oil poured on it, at last I can silence the hunger that has tormented me since the day I was kidnapped. The warmth of the soup invigorates me and gives me a feeling of comfort. The final dish is a fish cooked in herb-scented water, 'pisce aurata', it’s a sea-bream, and you teach me that I have to put the pieces, that the slave has prepared, into my mouth by poking them with the wooden stick, I’m not to touch them with my hands.

To remove the taste of the fish from the mouth we drink a glass of water containing lemon juice, and then we eat the flesh of some fruit sweetened with honey, a fruit entirely unknown in our lands, whose scanty harvest of herbs and berries we pick during the summer season.

Today I have learned so many new words - names of foods, the names of the implements that are used for eating, the name of the frothy cream that comes out of the bag with small stones, that’s 'sapo', and pebbles, lighter than water, 'pumice', the name of my dress, 'chiton', the name for the household Gods, 'Lares', and the name of the owl, the Goddess 'Athena'. Now I'll have to remember everything without mistakes so as not to be punished for my carelessness. The things that you've explained to me in the new language I’m getting to understand intuitively, because you have patiently insisted on my repeating the words and phrases, getting me to say them several times. I’m puzzled that so many words are not very different from each other, the sounds sometimes differ only slightly.

There are also signs that I see on the walls which are certainly words. They have something in common traits with the signs that I draw on my hands or on stones when I have to utter some prophecy or spell or curse. You marvel very much when I take your hand and plot, by sliding my index finger on your palm, the sign meaning ‘mother’. You exclaim something that I’ve not yet figured out, but I think it might mean that it will not be difficult for me to learn quickly. At once you give me a tablet spread with a soft material, 'cera', wax, and a stick, ‘stylus’, inviting me to draw the signs I know on it. You look at them, make me pronounce their sounds, then you trace the signs of the language that is spoken here, and utter their sounds. In the coming days we will continue these exercises.

The shadows of the evening no longer allow us to see the things around us clearly. The slavewoman brings us a small object from which comes a yellow flame whose light illuminates your room, and then takes away the tray, plates, cups, the few left-over scraps of food, the lemon-peel – I’d have eaten if you hadn’t prevented me from doing so, and the fins, tail and bones of the fish.

We go back into the room where the water flows continuously. Using thick sage-leaves wetted and pressed into fine powder of pumice, you rub your teeth, using slender little sticks of hard wood, and finally you wash your mouth out with running water. This habit of keeping one’s body clean, and a fresh and fragrant mouth is really nice.

The first long day of my life as a slavegirl in this new home is coming to an end. We kneel in front of the altar, thank the Gods, and ask them to send us restful sleep. I lie down to sleep on the ground at the foot of your bed, but you want me to be as close to you as a daughter, so leaning my head against your shoulder I sense your warmth, the smell of your body, and fall asleep, exhausted but happy.

Wonderfully written Luna. I have read somewhere about food in the ancient Mediterranean world, and your descriptions of their ingredients and preparation are so good! The careful detailing you invest in your story makes it all so realistic and believable. Can't wait for the next one!!!!!
 
Amica 8


Your first gift to your poor, naked slavegirl, who possesses only her white skin, her long blonde hair, and her virginity guarded in her treasure-chest, is a robe of cloth, coarse but soft, to conceal her nudity, now that even the shred of sailcloth that the Phoenician merchant wrapped round her loins has been thrown in the rubbish bin.

You help me put it on, knotting the laces behind my neck, and encircling my hips with a belt made of braided strips of the same fabric. It's a short dress, it doesn’t cover my knees, my back is bare, the very full sleeves hang from my shoulders, two straps hold them and keep them on my shoulders. You look at me and smile, now I'm more like a human being than a fresh-caught fish.

Before dinner, you take me into the bathroom. The bag of little pebbles releases its foam that cleanses my hands, the stream of water gushing from the mouth of the stone animal rinses the foam away, a white towel dries my hands and arms.

Back in the room, we kneel in front of a small altar, offering dry leaves that burn leaving a pleasant scent in the air. It’s an offering to the gods to thank them for the food they allow us to consume. Among the small terracotta statues I recognize the owl, a dark one here, in our land they are white as snow.

It’s the symbol of the mysterious gods of the night and the forests, one of the symbols of the lunar cult of which I am a priestess. I stretch out my arm to put a leaf in front of the small statue, you smile seeing my gesture, appreciating the fact that, even though they can be nothing of mine, I want to offer something to your Goddess.


In the corner of the room stand two stone seats, in front of them the base of a small column supports a plank of wood, above which , in the centre of a stone carved with two scrolls (an Ionic capital) which holds the plank in place, is placed a tray of food.


Two bowls of hot soup are opposite the places where we sit, a pitcher, two shiny metal mugs, a small metal spoon and a pointed wooden stick, placed as cutlery either side of a metal disc in front of each seat. You signal to me to sit down on my stone seat. I would like to grab some food from the tray to satisfy at last the hunger that's eating me within, but I sit still, looking at the foodstuffs arranged in such an orderly fashion, their colours, and smelling their fragrance.

The slavewoman who has brought the tray a pair of metal tongs and lifts some yellow-coloured rolls. They look like pieces of thick cloth, in which are wrapped pieces of white meat and black berries, held in place with stems that criss-cross to bind the yellow rolls. She puts some of them on your disc, and likewise on my own. I dare not touch them, I’m waiting to see how you will eat.

'Ova quattuor, lactis eminam, olei unciamin se dissolvis ita ut unum corpus facies. In patellam subtilem adicies olei modicum, facies ut bulliat et adicies impensam quam comparasti. Una parte cum fuerit coctum, in disco vertes, melle perfundis , piper aspargis, frixum pullum, et Græco olivarum infercies'


Take four eggs, one hemina (1) of milk, one fluid ounce of oil. Beat them all together. Heat a small amount of oil in a frying pan and fry the batter you have prepared, to make thin pancakes. When they are cooked, lay them in a dish, add honey, sprinkle with pepper, and garnish with fried chicken and Greek olives.



(1)250 ml approx.
Yummy
 
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