Crux Fashion 4
The accompanying 'Crux Fashion' illustration implies a reaction against the brilliant, bleached white loin cloths of Renaissance altarpieces. Most of my girls wouldn't be seen dead in a loin cloth but that doesn't mean it's not going to happen! They won't be appearing at church altars and don't need to look their best. If such a concession was permitted, the loin cloth of a person about to suffer a spectacularly revolting death, and not bothering to make a good impression with it, might be a cheap old rag, perhaps of undyed linen, eminently disposable but equally as reusable as the woodwork bearing its silent testimony of old blood stains and nail holes. The last picture shows the distressing effect of numerous crucifixions on one of those Renaissance altarpiece tennis whites, which should be sufficient to get you barred from your local club. The only thing of value here is a person's life and that's shortly to depreciate. Close study of my 'Ivdaea Capta' pictures will reveal how tituli and loin cloths tend to disappear from the crucifix, presumably stolen as trophies by ghoulish souvenir hunters. It might be a cheap method of execution but it was worth every denarius in deterrent value (actually it wasn't because the victims just kept coming...)
#1 (Irina) and #2 (Iohanna) are both modelling fairly minimalist one-or-two-piece loin cloths, tied above the left hip. These were both drawn onto the figures directly in Windows Paint, following much speculation on my part, and are basically imaginative. The version at #4 (Iohanna) was in response to a request for a red velvet loin cloth - an incongruously luxurious item in which to humiliate the wearer, and one which I expected to reduce the visual impact of the blood. Out of curiosity I performed the colour change in Openoffice Draw and transferred it to the figure.
Back on the catwalk, #3 (Capella/Gabriella, but better known as Femjoy's Kylie A) is modelling a strip of wool fabric torn from the stolen Legionary's cloak she was caught wearing, hence the unusual colour for crucifix apparel. Zoom in and check out the fabric weave on this! (zoom in on the full picture in the previous post - it's twice the size so you'll see the individual threads!) In a moment of inspiration I realised that I could photograph a piece of fabric draped approximately to the model pose and manipulate it onto the figure. By the time I did this one I had Photoshop, mercifully!
For #5 (Iasmina) I wound a seven-foot strip of cloth twice round a tailor's dummy, knotted it on one side and photographed it. It then went through Openoffice Draw for colour changing and several skews and distorts in Photoshop before I got it to fit the figure. In the end I worked it over in Paint to make it look more creased and distressed but so far it is my most successful attempt at natural undyed linen (why don't I just go and buy some natural undyed linen...?)