Thanks Bob, that's a fun analysis. In my normal manner, I think I was conscious of about 3/4 of what you described, but certainly I was going for a kind of symmetry. There is also a sort of line down from the bottle to the spike on the one side, countered by what I hoped was an eerie sort of shadow from the house (where a long shadow shouldn't really be. That's the nice thing about surrealism - you can throw stuff in just because it should be there, and reality can go hang.
In the centre, what appears to be a large, spiked candlestick
That's actually a thumbtack on the ground. I got that and the background from a screenshot of the movie "The Imaginarium of Doctor Parnassus", so thanks again to Terry Gilliam for the imagery. I translated the oddity of a dreamscape to the CF and Cruxton Abbey themes. The upended thumbtack might be ominous, reminiscent of impalement, or perhaps it's just generally odd (as well as being large, sharp and pointy). I thought of doing the picture without the wine bottle, but that left a hole that I didn't like, so I put it back in, and this seemed to work. Someone else can explain to me why the half buried or emerging skewed bottle should relate at all to the thumbtack. And yes, the tack is supposed to be that large in relation to the two girls. It's surrealism, you know.
She makes a direct reference to the ancient Roman bronze figure of a boy pulling a thorn from his foot (third century BC, artist unknown) which has been emulated by numerous later sculptors.
Now that's interesting in interpretation. I know the stories, of course, but I wasn't actually thinking of that. I wanted a slightly relaxed nude (in contrast to the ominous setting), and Eva Lunia (again) provided a workable pose. This made her look like she fit into the dreamscape (rather than trying to escape) and contrasts the more active pose of the other girl (unknown model, but you're right, I have used her before) which also links to the crux theme of both Cruxton Abbey and the forums. Maybe that's art - when people can find different meanings or ideas within the picture, and if so, I am pleased and gratified.
But I also recall Salvador Dali, when asked what inspired his Playboy performance art piece (some strange structures, a bunch of naked "bunnies", and a large egg), responding with: "They paid me a lot of money." So I think I'll just stick with, it seemed like a good bit of fun and turned out to be a good and enigmatic image (although if people want to send me money, I won't object. No pressure.
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