Chapter IV
execution
Carpenters and legionnaires had already been busy and active in the arena and had prepared everything: In the centre of the oval stood two stipes, the vertical beams of the crosses, and in the middle between them two frames, each consisting of two upright round beams to which a horizontal crossbeam had been attached high up. Ropes hung from the crossbeams and a small traverse was suspended from one of the ropes; in the background were two wooden stakes driven into the ground at an angle.
Fig. 03: Two stipes (outside) and two frames, guarded by 4 legionaries
Fig. 04: Messa's cross and the sentence frame for Iudith
Next to each structure stood a uniformed legionary guard with parade helmet, spear and shield.
The Optio was surprised: "Centurion? Well, what's that, O Henricus?" he asked his superior in view of the second frame for what was obviously a fourth person.
"That? Oh, didn't I mention that in our preliminary meeting? Then I must have forgotten, I'm sorry. Well, there's another delinquent about to be brought in, a female slave of our proconsul who seems to have somehow fallen out of favour with him and who will also be punished. Not by us, however, but by Flavius' own bodyguards. The woman was brought here to the dungeon cell in the arena early this morning. I think they'll bring her here shortly. But this matter is none of our business."
"Ah, I see. No, Henricus, you hadn't actually told me that. Who is the woman?" - "As far as I know, as I said, one of Flavius' slaves, and I've only just realised from the titulus that her name is Eileen. Like our Kathy, she probably also comes from the province of Britannia or from Caledonia8) on the island off our Gaul. She's obviously made some kind of mess," and with a grin, the centurion added in a whisper: "Maybe she doesn't blow so well or maybe she bit him, I don't know." The Optio laughed uproariously and slapped his thigh with the flat of his hand: "I can just imagine her biting Flavius in his cauda9)!" he exclaimed. - "Shh, not so loud, be careful! Flavius' ears are all over the place here."
The two stipes and the frames already had the obligatory wooden plates nailed to them, called "titulum", on which the names of the condemned and their offences were neatly painted:
On the stipes of Messa's cross: MESSA - LESBIS
on the stand for Iudith: IVDITH - LESBIS
on the stipes for Eileen: EILEEN - CANICULA (10)
on the stipes for Kathy's cross: KATHY - MERETRIX (11) and ADULTERA (12)
Two square recesses had been neatly sawn into the two beams in the intended crossing area of the stipes and patibulum.
The patibula would be inserted into these recesses, in the centre of which corresponding precisely fitting recesses had also been sawn.
A little lower, about one and a half metres above the ground, two cornua were attached to the stipes, two wooden "horns" each bent at 90°.
Some talented and skilful Roman furniture makers were skilled in the art of bending wood over hot steam. Valuable furniture decorated with bent wood was reserved for the wealthy upper classes. However, in the case of crucifixions, such cornua were not for visual enjoyment, but many executioners loved to insert a wooden cornu into one of the lower orifices of crucified women. The women on the cross were often forcibly placed or pressed onto such a torture device, which then drilled into them.
Fig. 05: Example of a wooden cornu: "A wooden cornu for the vagina or anus", inscription: "May the horn cause you pleasurable agony"
Although the two women condemned to the cross knew exactly what they were in for, they still shuddered at the sight of these menacing and ominous wooden constructions.
When the group arrived in the centre of the arena, the accompanying lictors signed off and Henricus instructed his six legionaries to line up with the others in readiness around the scene of the action. He then left the ten soldiers standing 'at ease': "Movemini!"
Kathy, still with the patibulum on her shoulders, now felt the weight of the beam to be at least twice as heavy. The edges cut into her flesh and hurt her neck. She gasped and swayed menacingly on her knees.
Henricus and two of the legionnaires who had been summoned laid Messa and her patibulum on her back, placing two large stones to the left and right of the beam so that there was some space between the beam and the ground. Then the ropes were cut. However, their arms were held by the two men in the T-shaped spread position. With six new hemp ropes, which were somewhat thinner but softer and more flexible, their wrists were once again tied to the beam with seven tight coils, only this time very carefully, rope to rope. These bindings were not only attached to her wrists, but also to her forearms and upper arms, so that almost her entire body weight would hang only on her outstretched and tightly bound arms.
As soon as she was tied to the beam in this way, it was lifted up by a few soldiers and dragged to the stipes; Messa had to help with small tipple steps backwards, half hanging at an angle, if she didn't want to be dragged completely. Two legionaries on ladders lifted the patibulum upwards, supported from the ground by two comrades with long Y-shaped forks, who heaved the beam with Messa upwards. When the two recesses fitted exactly into each other, the stipes and patibulum were lashed together with ropes and nails were hammered in from both sides for safety.
The centurion, who had been watching the procedure carefully, walked over to the cross, tore Messa's wet and sweaty loincloth from her body and carelessly threw it on the ground.
Although Messa had an attractive, well-tailored figure and was not overweight, the ropes cut into her flesh due to her natural body weight despite careful lacing. This hurt her and a reflex controlled by her central nervous system caused her to wriggle her legs frantically.
But as soon as the patibulum was fixed and the ladders and forks of branches were put aside, the men grabbed Messa's legs and thighs and lifted the woman about twenty centimetres.
Her legs were spread and she was lifted into a position where her rectum was above the rounded tip of the cornu, which was thickly smeared with pork fat. Then they slowly lowered her again, whereupon the curved horn dug deeper and deeper into her anus. The sphincter was extremely stretched as the shaft of the cornu was a good sixty millimetres in diameter. Although the cornu penetrating her also caused a sexually stimulating sensation to a certain extent, Messa began to scream like a spit as the thick horn penetrated her deeper and deeper.
Completely unimpressed by this, her legs were closed again, i.e. they were placed parallel to each other again, pulled down vertically and finally tied to the stipes with ropes.
Fissures caused her anus to bleed and now several streaks of blood ran down her inner thighs. Soon the cornu was deep inside Messa's rectum. She whimpered and cried.
"Yes, you damned dyke, just sing us your song of suffering. We're listening to you!" shouted one of the legionnaires spitefully. Thick tears rolled down her cheeks. "Calm down and enjoy these few minutes," Henricus said to her, "because the much worse part is yet to come."
"Oh Clementia, goddess of forgiveness and mercy, be merciful to me!" Messa gasped desperately. "I'm afraid Clementia will hardly be able to help you here. You'll have to get through this without her," the Optio replied with a sneer. "But by the way: your name, Messaline, reminds me of the third wife of our former Emperor Claudius, that foolish Valeria Messalina. She was too cowardly to execute herself with a dagger for the crimes she had been convicted of, which is why she was pierced by a soldier's sword. The woman was sexually insatiable, just like you, but at least she wasn't a dyke," he added mockingly.
Iudith, who had had the ropes with which her breasts were bound removed, wept softly as she watched her dearest friend suffer.
Kathy, still with the patibulum on her shoulders, knelt on the ground like Iudith and, as best she could with the weight on her back, kept her eyes fixed on the centurion - who, for his part, had hardly given her a glance so far. She couldn't explain to herself why she was constantly seeking direct eye contact with the man who would kill her in a targeted and business-like manner...
Now that Messa had been crucified, he finally stood in front of Kathy. While signalling his men to come to him, he spoke to Kathy: "Nunc tua crux te expectat, o Kathy." - "Now your cross awaits you, Kathy".
"NO! Please, o centurion, is it not punishment enough for one who has done nothing wrong?" - "Kathy, I..." Henricus tried to retort, but she continued: "A helpless, weak woman, whom you have all mistreated and humiliated! What kind of beasts are you, that you've just taken a woman..." - Now he cut her off: "Hey, I was and am not your judge. You were convicted by a final judgement and I now have to execute that verdict. So shut up and don't argue with me!" Kathy lowered her head to her chest in resignation.
"Four men to me: Milo, Cato, Vitus and Casian! Put her on her back and cut the ropes. But hold their arms and legs tightly, one man on each leg and arm!" he instructed the men. Then he knelt down and took off Kathy's loincloth too, but he didn't throw it away as he had done with Messa before, instead he scrunched it up and pressed it in front of her vulva, between her legs. "O centurion, allow me to ask what you have just done this for," begged one of the men, a young legionary who was obviously taking part in a crucifixion for the first time. Henricus looked at him with a meaningful look and replied: "Would you like to be pissed on by her right away? When the nails are driven through their flesh, delinquents spasm so badly from the pain that they no longer have any control and their piss squirts out under pressure. It's quite a mess! I've just stopped that from happening."
When Kathy heard this, she whimpered heartbreakingly.
Henricus had the heavy hammer and a 15 centimetre long wrought iron nail handed to him and shouted to the legionnaire, who was pressing Kathy's left arm onto the beam: "Watch out: she's about to jerk wildly and spasm. So hold on tight now! Here we go, men!"
The legionnaire then knelt with both knees and his full weight on Kathy's arm and pressed it immovably onto the wooden beam. She cried out in pain and clenched her fist. "Don't clench your fist! Open your hand!" he commanded. Kathy hesitated. "Open your hand!" he ordered, and she reluctantly complied, spreading her fingers to form an open hand.
Kathy was pale as a sheet, her eyes wide open and she breathed in panic.
The centurion pressed the tip of his index finger into the area below the carpus, felt the groove between the ulna and radius and placed the nail tip at the right point next to the brachial artery.
"PLEASE, PLEASE, PLEASE DON'T!" she shouted as he swung the hammer wide, "I'm innocent and I don't have anything ..."
With a loud clanging bang, the hammer landed on the head of the nail, which was immediately driven all the way through Kathy's left arm by the powerful blow. Despite the metallic sound, the cracking could also be clearly heard as her wrist was destroyed by the ulna being blown out of its socket. The bone was displaced sideways, causing the carpus to deform grotesquely.
The young legionnaire became nauseous, choked and closed his eyes. "Don't you dare vomit!" warned the centurion.
As soon as the nail had shot through her arm, Kathy let out an almost animalistic, shrill cry of pain that echoed through the entire arena, which had become as quiet as a mouse. All eyes were now on her and her executioner; it was the first crucifixion carried out by Henricus in Augusta Treverorum.
Kathy jerked wildly and violently, just as the centurion had said, her whole body trying to rebel, which was prevented by the four strong men holding her down. She screamed and screamed and threw her head wildly back and forth.
Dark red blood oozed from the entry wound and from the exit wound between the skin and the wood of the beam as the nail was driven all the way through the arm and into the wood. "The art is not to hit the artery, but to hit past it. Because if you hit the main artery, the women bleed to death quickly. So you have to be careful when you're ready to crucify," Henricus explained to the legionary, whom he was training in the craft of crucifixion. They paid no attention to the horrific screams of the tortured woman.
The nailing of her right arm was similar, but with the difference that she was now screaming even more. Her screams no longer sounded human, but like the roar of a wild animal. Kathy's face was contorted into a grimace of pain and horror. The petite woman was now instinctively jerking so hard that all four men had to summon up a great deal of strength to hold her down and restrain her. The legionnaires were amazed that a petite woman like her could muster such enormous muscular strength.
As Henricus had predicted, the ball of cloth between her legs was now turning dark in colour as it became wet: Kathy had lost control of her body and was actually urinating because the auxotonic muscle contractions were also affecting her bladder in the form of hysterically induced seizures.
The reason why she reacted even more strongly to the second nail was that, unlike the first, the right nail had severed the median nerve, the middle arm nerve. Apart from the fact that any coordinated finger movement of the respective hand had become forever impossible, this caused an indescribably intense and stabbing pain that shot explosively through her arm, shoulder and neck into her brain. Kathy saw bright flashes in front of a red wall, then her eyes went black for a moment, but unfortunately she did not lose consciousness completely.
And a small pool of blood quickly formed under the beam on the right.
Dystonic muscle contractions were produced in the cerebral motor cortex, grotesquely distorting the position of the fingers and thumb of her right hand. Her hand and fingers were now deformed into the typical bizarre "monkey claw". Kathy screamed and screamed, shouted unintelligible sounds, cried and banged her head several times with full force on the wooden beam in a frenzy of pain. In response to the distraught and questioning looks of the two soldiers crouching by her arms, Henricus said in a calm, composed voice, "that's perfectly normal."
After their two spread arms were firmly and immovably pinned to the patibulum, the two legionaries stood up, took a step back and looked at each other sheepishly. They felt very sorry for the petite, pretty and pitiful woman, but of course they didn't dare to show it with a single syllable or expression.
After a short pause, Henricus stroked a few sweat-stained strands from Kathy's face and even wiped away her tears with his fingers, whereupon all the legionnaires looked at each other questioningly but remained silent.
Together they fixed the patibulum to the stipes, and the two who had been holding her feet now pressed and held the whole woman to the stipes so that the nails would not tear out of the roots of her hands until the woman was "seated" on the cornu. The crying and trembling woman was positioned over the cornu so that it penetrated deep into Kathy's vagina.
This cornu had also been thickly lubricated with fat, and it drilled through her uterine orifice far into the cervix and pushed her entire uterus deep into the abdominal cavity.
The centurion now knelt in front of the stipes, had her right foot held against the side of the beam and applied the nail. With powerful blows, he drove the third nail through the splintering bones between the calcaneus and talus, between the heel bone and the talus bone, deep into the crackling wood. Now the foot bones in the heel area were also irreparably shattered. From this point onwards, it would no longer have been possible to walk or stand with this foot. Kathy screamed like a banshee again, literally bellowing at the top of her lungs until her screams turned into hoarse, rattling grunts and gasps. Her vocal chords were now overstimulated.Henricus stood up, walked round the cross and did the same to Kathy's left foot. "Done," he shouted and murmured with satisfaction at the sight of the crucified woman: "Consummatum est" - "it is done".
Fig. 06: Kathy on the cross