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These come from the scene when Igor was ordered to clean and care for a woman after an interrogation. He did that, but figured it didn't matter if he had a bit of fun himself.
In addition, a single image of a lady after an interrogation that doesn't fit anywhere else. And to fill up the five pictures allowed per day.
 

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These come from the scene when Igor was ordered to clean and care for a woman after an interrogation. He did that, but figured it didn't matter if he had a bit of fun himself.
In addition, a single image of a lady after an interrogation that doesn't fit anywhere else. And to fill up the five pictures allowed per day.
I believe that in your stories you imagine yourself to be Igor. Am I wrong? However I must admit that you are a great artist.
 
i really like the Adriana character.
When I find the time and inclination for CGI 3D work again, I promise to take a closer look at Ariana...

For now I'll continue here with improved Igor pictures. Here are a few from scene 5
 

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Here are a few pictures from the scene with the “ugly lesbian”, as someone once called her. I don't think she's so ugly at all in the AI version.
 

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for my is this character (an attractive woman in her best years) and the two parts of her interrogation maybe the best artwork OZ ever did. I just wish, that the story would go on exactly at the point, when the part 2 (unfortunately) has finished...
 
Then, as I said, I once started plagiarizing myself. That took a few tedious hours, but I'm slowly getting to the bottom of it. As far as I can manage so far, it is important that the system itself is able to understand the scene. When it gets more complicated, when there are complex instruments or devices in the picture, or when there is movement - a flogging, for example - it becomes more difficult. At least I found a way to adjust the faces. But even there, you soon realize how difficult it is to realize complex facial expressions.
It's funny when you then apply different art styles. But that's probably more fun than serious art.
My first summary: AI is interesting, but can quickly become boring if you always just move in circles and produce the same, albeit good, results. It will be exciting to explore the bridge between 3D art and AI, i.e. to create images in DAZ or Poser from the beginning in a way that they will be processed in AI. I'll probably stay on it for a while.
You'll notice that I'm signing these works with an addition to AI to make this connection understandable.

In the pictures you see first the original and then the variants.
Not my thing. Well made, but to clean in this playboy style. I prefer the dark, cruel version.
 
I have somewhat improved my technique of transferring original images to AI images - even though I have only partially succeeded in doing this systematically and in a controlled manner so far. For some images it works better, for others not so well, though I haven't quite figured out yet what makes the difference. At the same time, transferring drawings and sketches works better than 3D images. At least according to my current level of skill. Either way, it's usually quite tedious, but the results are pretty good, I think.
Here you can see a few transfers of my own drawings into AI-generated images. More to come.

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for my are the old black+white drawings better than the KI works!
 
Well. Thanks for all the credit, which I don't deserve at all. After all, I'm just putting parts together (at least with regard to 3D work), and the extension to AI is just a logical continuation of that.

For the friends of manual work here again a scene in 3D technique. Real villains, real embers and real housewives. I just hope that now no one complains that the lady is unwashed.

At the same time, I'll say goodbye for a few days. I'm going on retreat without computers and artificial intelligence. I may still be able to read and reply here, but not make or post pictures. Maybe I'll take some pencils with me again. ...
great!
 
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