Most of them, yes. The girl removing the white garment on the right is actually from a painting - no idea which one now - she looks remarkably real.the figures appear to be derived from photographic sources.
Most of them, yes. The girl removing the white garment on the right is actually from a painting - no idea which one now - she looks remarkably real.the figures appear to be derived from photographic sources.
Certain people????? Can’t imagine who they might be.2, on a 5 year mission to guard the "big red button" and stop "certain people" from pressing it.
Certain people????? Can’t imagine who they might be.
What's happening on the screen is a view into the Cyborg Lab from three years ago, in which Jennifer Sullins and Rachel Cook were experiencing a certain degree of peril, at the hands of Alicia Vikander and friends -
Just relax, Barb! The spaceship has taken a huge supply of Riesling! Moore than enough to keep "certain people" away from the red button!Certain people????? Can’t imagine who they might be.
Starring Katty, too!An interesting and dramatic take on this image. I did one of these myself a few years back.
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Messa cannot appreciate how beautiful she looks displayed on the cross...An interesting and dramatic take on this image. I did one of these myself a few years back.
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Jealous rage knows no bounds? One less rival for the man she desires? Could have accomplished her goal in a far less dramatic fashion, though.the mystery woman who appears to be connected in some way with the explosion of the building in the background.
What would be the fun in that?Could have accomplished her goal in a far less dramatic fashion, though.
It seems that Messa was into the same spaceship ...What's happening on the screen is a view into the Cyborg Lab from three years ago, in which Jennifer Sullins and Rachel Cook were experiencing a certain degree of peril, at the hands of Alicia Vikander and friends -
https://www.cruxforums.com/xf/threads/original-manipulations-by-cruxforums-members.8463/post-651602
The screen provides a neat cameo device, linking the two pictures, although it contributes to the mysterious atmosphere, without actually explaining what is going on. The 'Spaceship' manip exploits the vortex effect for a composition which places each figure in her own space, and draws the eye between them from Ariel, in the tenebrously bluish foreground, past Cara, to Sheri, relaxing in the distance.
Beyond the obvious contrast of light and shade, the lighting effects are beautifully executed, including the challenging shadow beneath Cara's feet, which is suitably washed out with reflected illumination. I happen to know that Cara is a composite figure in multiple sections, blended to create a convincing Cyborg, and the individual layers are so neatly assembled, that the blending is not apparent. Nice work again, Jolly!
That would explain quite a lot, I think.It seems that Messa was into the same spaceship ...
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Mmmmmmm...Bondage in space! Anyone for a women's prison on Mars?It seems that Messa was into the same spaceship ...
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Seriously, the idea of such a thing is both fun and hot. Some years ago, when I wasted my time looking at DOFantasy, there were a few comic stories about that. I never wasted any money on that garbage, but there were some devilishly evil ideas there.Mmmmmmm...Bondage in space! Anyone for a women's prison on Mars?
Mmmmmmmmm ! To be crucified on Mars ? What a great idea !!!Mmmmmmm...Bondage in space! Anyone for a women's prison on Mars?