averagecrossenjoyer
Guard
woah, that post turned out to be a bit too big, how do I make the pics smaller?
Or, you know, you could just resize the oversized images to something under 400kb, and post them in batches of 5 over several days. Gives everyone time to appreciate them.ight looks like I posted too many pics so someone better go to that thread and post some more pics for me.
Very very good !
The picture reflects how the master imagined such a scene. When I asked why the walls of our fortress were used in the image, he said that he loves local architecture and he enjoys working with its images. Regarding the technology of the fire, I’m not sure that anyone now knows for certain how this could have happened in reality. But they often kept a supply of firewood nearby, which could be added to the fire as needed.The late evening sky and the light and shade on the old walls contribute to a powerful image, the very strong perspective lines from the distant crowd to the figure holding the cross and torch make the scene theatrical, and the contrasting postures of the three women are a vivid centrepiece for a very strong composition. I'd rate it a classic!
The kindling under those logs producing that initial blaze is enough to get the girls struggling and screaming, but they'll still be very much alive when the flames die down and the timber begins to smoulder slowly. In truth, they'll probably die from smoke inhalation rather than burning, but it will be a long-drawn-out torture.
In the tattoos some convicts get in Russian prisons, a woman burned at the stake shows that the bearer of the tattoo blames the woman for his imprisonment. The number of logs in the fire indicates the number of years of imprisonment imposed.
That's something to astonish your friends with at parties!In the tattoos some convicts get in Russian prisons, a woman burned at the stake shows that the bearer of the tattoo blames the woman for his imprisonment. The number of logs in the fire indicates the number of years of imprisonment imposed.