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Some Sketches

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Not far ago I found in the internet few sketchy drawings by Polish artist named Wawrzeniecki. He are especially fond of early medieval Slavic pagan scenes but one of his sketches shows the mass crucifixion somewhere in an ancient Rome, and tho scene resembles me the woodcut which I used for a manipulation submitted in my previous post. It looks very realistic except perhaps the size of the crosses on the top of the hill. But the atmosphere of the image in my opinion is beautiful, a mix of victim's helplessness, shyness and reconciliation with her fate, together with - paradoxically - a scent of silence and tranquility, highlighting the unimportance of the victim's feelings, her shame and fear. In a while she will be hammered to the cross like one more plank to the fence and no one will matter. For the workers she is in fact less worthy than a good plank. Just one more unnecessary piece of trash.
 

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On the first kilometer of the Appian Road, 71 BC.
"Where are you going to, young lady?"
"Oh, it must be a mistake, mister soldier, I am just a girl. I have not fought against you..."
"Go back to the herd, piglet. You will be soon dancing on the cross together with all these male hogs there."
"But sir, please, have mercy...!"
"Shut your snout up, dirty sow, and off you go!"
***
I suppose that the presence of at least one woman between the condemned was especially regarded. The nude female body would attracted men's eyes and most of passers-by (and all the soldiers and officials were of course males). The deterrent effect would be then magnified too. The same as in case of model advertisements garnished with the photos of scantily dressed girls in a skimpy outfit (or with no outfit at all), isn't it?
 

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Not far ago I found in the internet few sketchy drawings by Polish artist named Wawrzeniecki. He are especially fond of early medieval Slavic pagan scenes but one of his sketches shows the mass crucifixion somewhere in an ancient Rome, and tho scene resembles me the woodcut which I used for a manipulation submitted in my previous post. It looks very realistic except perhaps the size of the crosses on the top of the hill. But the atmosphere of the image in my opinion is beautiful, a mix of victim's helplessness, shyness and reconciliation with her fate, together with - paradoxically - a scent of silence and tranquility, highlighting the unimportance of the victim's feelings, her shame and fear. In a while she will be hammered to the cross like one more plank to the fence and no one will matter. For the workers she is in fact less worthy than a good plank. Just one more unnecessary piece of trash.
The threatening clouds and the 'oversized' crosses make a really dramatic. Thanks for posting.

I suppose that the presence of at least one woman between the condemned was especially regarded. The nude female body would attracted men's eyes and most of passers-by (and all the soldiers and officials were of course males). The deterrent effect would be then magnified too. The same as in case of model advertisements garnished with the photos of scantily dressed girls in a skimpy outfit (or with no outfit at all), isn't it?

They put "Make Rome great again! Crassus for Consul!" on het titulus!
 
On the first kilometer of the Appian Road, 71 BC.
"Where are you going to, young lady?"
"Oh, it must be a mistake, mister soldier, I am just a girl. I have not fought against you..."
"Go back to the herd, piglet. You will be soon dancing on the cross together with all these male hogs there."
"But sir, please, have mercy...!"
"Shut your snout up, dirty sow, and off you go!"
***

“Alright, you disgusting lot! Which of you wants this girl next to you? I’ve got two crosses right next to hers! Who wants one?

Nobody? You’d rather stare at two other cocks than her tits while you die? No wonder we beat you so easily.

Hey, there’s a taker! Come over here, lad. You get to be this lovely lady’s escort to her final dance. Go ahead, touch her ass. I won’t begrudge you that since you stepped up and volunteered. Maybe in the afterlife you’ll get more from her, eh?”
 
Not far ago I found in the internet few sketchy drawings by Polish artist named Wawrzeniecki. He are especially fond of early medieval Slavic pagan scenes but one of his sketches shows the mass crucifixion somewhere in an ancient Rome, and tho scene resembles me the woodcut which I used for a manipulation submitted in my previous post. It looks very realistic except perhaps the size of the crosses on the top of the hill. But the atmosphere of the image in my opinion is beautiful, a mix of victim's helplessness, shyness and reconciliation with her fate, together with - paradoxically - a scent of silence and tranquility, highlighting the unimportance of the victim's feelings, her shame and fear. In a while she will be hammered to the cross like one more plank to the fence and no one will matter. For the workers she is in fact less worthy than a good plank. Just one more unnecessary piece of trash.

Nice find. Mixed male and female victims in the background, full nudity, and an innocent saint about to meet her cross in the foreground. Turn of the century work? It has the feel of something earlier, maybe 17th century.

One more piece of art by Wawrzeniecki.

Quite a bold work, another martyrdom. Spread wide and naked, her sacrifice and steadfastness is perhaps obscured by the erotic power of the image. We are in Michele Patri territory here.

On the first kilometer of the Appian Road, 71 BC.
"Go back to the herd, piglet. You will be soon dancing on the cross together with all these male hogs there."

The cutting out of the Romans could be cleaner, and they need to be a bit bigger too, but a great concept and a very clever use of what appears to be a Spencer Tunick image. I love it.
 
Yes, Wawrzeniecki (1863-1945) painted most of his images at the beginning of the 20th century. He is a historian and an archeologist himself, although he was thought to be slightly controversial, and in his paintings and drawings he was focused on the sacrifices and executions, involving mostly nude victims, so perhaps most of his remaining graphic works would be interesting to all of us.

As for my faults you are perfectly right, yesterday I was in a hurry and I had no time to outline the soldiers more precise and moreover I neglected to reduce their colors saturation so the result I achieved was rather mediocre. I shouldn't submit such a "speedmanip" here...
 
Yes, Wawrzeniecki (1863-1945) painted most of his images at the beginning of the 20th century. He is a historian and an archeologist himself, although he was thought to be slightly controversial, and in his paintings and drawings he was focused on the sacrifices and executions, involving mostly nude victims, so perhaps most of his remaining graphic works would be interesting to all of us.

Google his name, in 'images'. There are a lot of thumbnails of sacrifices and executions, often with well-rounded naked women. Very erotic and mysterious.
 
Let me start a new matter, as an addition to the crucifixion. Some authors wonder if the "crucifixion" wasn't to the some degree identical with the "impaling" and we all know that they were sometimes mixed with one another (I mean cornu). So, let's focus for the moment on the latter (i.e. impaling). I was once anxious about the details of such form of execution, which is one of the most painful, prolonged and humiliating, same as the crucifixion. In the Polish-Lithuanian Commonwealth the impaling was the routine and popular form of executing rebels and traitors, and it was used at least since 16th to 17th century, especially during the Cossacks Revolt in the first decades of 17th c. In the same time, the Polish POWs where frequently impaled by the Turks while victorious. As a result, one can find some surviving Middle Polish documents as well as private letters of the witnesses containing the detailed account of How this kind of execution was conducted. Let me submit some simplified sketches illustrating the process. I used a female prisoner, although there is no existing account that the Cossack or any other women were ever impaled in Poland since Polish king Przemysl prohibited the impaling of females in the end of 13th c., so this part of a story is a pure fantasy.

The impaling was very simple, a shovel, a log sharpened with an axe, a big hammer and a few meters of rope would do. The sharp pole had been driven into the body of a victim through the anus or through the special incision made with an axe in the crotch with few strokes of a big hammer by one of the men while the other controlled the direction of movement. But the sketches show the execution phases better than I could tell the story. The only comment is needed to the last image, which shows two variants of the final phase. The agony could last up to few days.

(Note: We have no sources regarding how these impalings looked like in 13 th century, but if I want to sketch the impaling of a woman before king's decree, I must draw the woman laying face up, because the pole was inserted through vagina, although this is the only detail we know for sure. But from the Renaissance we have few stories of impaling involving women ordered by the famous Vlad Tepes, the ruler of the neighboring state of Walachia, who represented the same old good East-European school of impaling people, although he had been impaling mostly the Turks).
 

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Part 2 of 2.
 

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On the drawings: The wooden cock, the superb rest in the shadow with an excellent view, the never ending fucking, the six hours of the night rest for the victim to recover and to be able to return to her "duties" when the next day will break.
This type of torture sentence has crossed my mind on several occasions. I think I prefer facing out while fixed to the cross though.
 
The distant hilltop seems to be a perfect place for the crucified victim: no spectators, no guards, only the nature, silence and tranquility. But, of course, it depends on the weather.
 

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The rapid storm could add a very unpleasant experience to the torment of the crucified, however she can at least count on an unexpected lightning strike, definitively finishing her sufferings.
 

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The rapid storm could add a very unpleasant experience to the torment of the crucified, however she can at least count on an unexpected lightning strike, definitively finishing her sufferings.

Nice work, Andyman, you've captured the wild moments well, the woman's bare body pitched against the elements as well as against her own cross.
That second last one reminds me a little of this Algabal.
17_nmnw2un_by_algabal-d9ribtz.jpg
 
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