The art is fantastic! These two in particular have captured my imagination for their body language, emotional expression, and situation. I can’t stop staring at them.
And the animated version of the second image … WOW!
The art is fantastic! These two in particular have captured my imagination for their body language, emotional expression, and situation. I can’t stop staring at them.
Great art! Thank you for sharing!Wrists done. Now for the heels. But this time she wasn’t going to give us the kicking that Diana had given us because we had Lukas to hold one leg while I held the other.
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Even so, it takes some strength to hold a leg still while a nail is hammered through the heel bone into the wood. If you start with the wrists then fighting causes them intense pain, which helps, but the adrenaline gives them quite a bit of strength. But Dilla wasn’t really a problem, certainly not with Lukas around to help.
Gnaeus went to Lukas’ side first. Dilla had stopped pleading or communicating with us in any way, by now she had realised that there was nothing she could do to prevent the inexorable progress of her crucifixion, but she kept up with her struggling and her bellows of pain.
Gnaeus was a Master of his craft, though. With unerring accuracy he drove that nail through her heel and deep into the cross, and then nimbly jumped across to my side and did the same. He stood up, cast an expert eye over the four nails, and seemed satisfied.
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“I’ve put out a new wedge, sir.” I said.
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“Good,” he said, and nodded to Gunter, whose big moment had come at last. Smoothly and easily, and completely ignoring the howling Dilla, he lifted the cross.
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Gnaeus watched as it rose, looking for any sign of a loose nail, but he was no Roman soldier. Those nails were solid, and would give no trouble at all, easily equal to the task of supporting Dilla’s weight.
It dropped into its socked with a thump, I felt the shock through my feet. Dilla made an indescribable sound as it fell, then I watched her struggling as Gnaeus wedged the cross in solidly. She’d told me of her nightmare, now it was her reality.
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I love your Dilla figure. Really beautiful work on the facial expressions. Does the AI engine do that, or do you do it and the AI fills it in?
Dilla is based on Alice, who looks suitably sorry for herself in the Makar set, but you do then have to egg it up a bit in the prompt or she will look a bit too serene.I love your Dilla figure. Really beautiful work on the facial expressions. Does the AI engine do that, or do you do it and the AI fills it in?
Well, the AI doesn't quite understand crucifixion as a concept, perhaps. Maybe all it sees is a nudist girl enjoying the open air on a sunny day.I had more trouble making Diana look less like she was enjoying the view.
It's always fine, some play on words on the working floor, to relieve the stress of the job!I see. Well, at least now you’re up there for homicide, not herbicide.”
It might involve nailing people to crosses whose only crime was tripping over the cat
and breaking some pottery
And Gnaeus hands over his business just after losing one of his best customers (Tibercus).but Gnaeus had gifted me a thriving business which had earned him enough to lay down his tools and head off to the coast while he could still enjoy it.
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And Gnaeus hands over his business just after losing one of his best customers (Tibercus).
But I wish Aulus good luck with his firm!
Exactly! What kind of monster would harm a kitten?Nobody, not even Aulus, would harm that kitten.
Far better to crucify the slave
Since there is no 'TBC' Tree assumes the story has concluded. And what an amazing story it has been. Told from odd points of view and well illustrated!!!View attachment 1569547
I sighed, watched them for a few moments longer, and went off to paint some tituli.
Since there is no 'TBC' Tree assumes the story has concluded. And what an amazing story it has been. Told from odd points of view and well illustrated!!!
@Madiosi - I'm happy to look after the archive version, if you like. So I won't be using 'To be continued' but I'll put 'The End' at the end.
That's a detail I like,I tapped the nail in fairly gently, careful not to drop the hammer onto her.
that also!When the condemned’s entire life, her very existence as a living being, is summed up in one word for all those that pass her by. Judging her, acknowledging the suffering she is enduring is well deserved.
Yes, a great moment. Far more dramatic doing this with the spectators observing than nailing the titulus to the cross before she's raised up. Also, what guy wouldn't take some time to play with her tits. In fact, leave the ladder up and for a small fee allow anyone who wants to climb up and fondle for themselves. In modern times it'd be a great opportunity for a souvenir picture.I absolutely love this moment:
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When the condemned’s entire life, her very existence as a living being, is summed up in one word for all those that pass her by. Judging her, acknowledging the suffering she is enduring is well deserved.
Cella's been reading ahead...Yes, a great moment. Far more dramatic doing this with the spectators observing than nailing the titulus to the cross before she's raised up. Also, what guy wouldn't take some time to play with her tits. In fact, leave the ladder up and for a small fee allow anyone who wants to climb up and fondle for themselves. In modern times it'd be a great opportunity for a souvenir picture.